Essays on art and science:
"Eric Kandel collects a group of seven essays published between 2014 and 2020 into a new volume. He has revised them to reduce repetition across the volume--and in the case of one academic journal article, adapted the piece for a more general audience. Most of the essays come from art gallery c...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; Chichester, West Sussex
Columbia University Press
[2024]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Zusammenfassung: | "Eric Kandel collects a group of seven essays published between 2014 and 2020 into a new volume. He has revised them to reduce repetition across the volume--and in the case of one academic journal article, adapted the piece for a more general audience. Most of the essays come from art gallery catalogues, and so they are not readily available, especially to a neuroscience audience. The essays largely cover art history and artistic expression through the lens of brain science, with a focus on the concept of the "beholder's share"--that is, what the viewer contributes to a work of visual art by viewing it"-- |
| Beschreibung: | x, 220 Seiten Illustrationen, Diagramme, Porträts (teilweise farbig) 24 cm |
| ISBN: | 9780231212564 |
Internformat
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Datensatz im Suchindex
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CONTENTS Preface ix 1 THE PRODUCTIVE INTERACTION OF CHRISTIANS AND JEWS THAT LED TO THE CREATION OF MODERNISM IN VIENNA 1900 1 2 EMPATHY AND THE UNCERTAINTIES OF BEING IN THE PAINTINGS OF CHAIM SOUTINE: A BEHOLDER’S PERSPECTIVE 59 3 COMPETING INFLUENCES THAT GAVE RISE TO THE MODERN REPRESENTATION OF WOMEN 93 4 PORTRAITURE AND THE BEHOLDER’S SHARE: A BRAIN SCIENCE PERSPECTIVE 115 5 THE CUBIST CHALLENGE TO THE BEHOLDER’S SHARE 6 COMPARISON OF SCULPTURE AND PAINTING 7 THE BEHOLDER’S RESPONSE TO ABSTRACT AND FIGURATIVE ART 185 Notes 203 Index 207 155 135
CONTENTS Preface ix 1 THE PRODUCTIVE INTERACTION OF CHRISTIANS AND JEWS THAT LED TO THE CREATION OF MODERNISM IN VIENNA 1900 1 2 EMPATHY AND THE UNCERTAINTIES OF BEING IN THE PAINTINGS OF CHAIM SOUTINE: A BEHOLDER’S PERSPECTIVE 59 3 COMPETING INFLUENCES THAT GAVE RISE TO THE MODERN REPRESENTATION OF WOMEN 93 4 PORTRAITURE AND THE BEHOLDER’S SHARE: A BRAIN SCIENCE PERSPECTIVE 115 5 THE CUBIST CHALLENGE TO THE BEHOLDER’S SHARE 6 COMPARISON OF SCULPTURE AND PAINTING 7 THE BEHOLDER’S RESPONSE TO ABSTRACT AND FIGURATIVE ART 185 Notes 203 Index 207 155 135 |
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| title | Essays on art and science |
| title_auth | Essays on art and science |
| title_exact_search | Essays on art and science |
| title_full | Essays on art and science Eric R. Kandel |
| title_fullStr | Essays on art and science Eric R. Kandel |
| title_full_unstemmed | Essays on art and science Eric R. Kandel |
| title_short | Essays on art and science |
| title_sort | essays on art and science |
| topic | Neurowissenschaften (DE-588)7555119-6 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Neurowissenschaften Kunst |
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Inhaltsverzeichnis