East Asian film remakes:
Considers the remake from a variety of critical and theoretical perspectives and positions it alongside other serialized cultural formsExamines the historical significance of the remake in revitalizing local industries and breathing life into established film genres (e.g., action-adventure, crime dr...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2023]
|
| Schlagworte: | |
| Zusammenfassung: | Considers the remake from a variety of critical and theoretical perspectives and positions it alongside other serialized cultural formsExamines the historical significance of the remake in revitalizing local industries and breathing life into established film genres (e.g., action-adventure, crime drama, romantic comedy, the Western, etc.)Draws attention to previously overlooked motion pictures produced in East Asia and acknowledges the significant contributions of several prolific yet neglected filmmakersRe-evaluates canonical texts and offers fresh assessments of legendary auteurs such as Ozu Yasujiro, Yu Hyun-mok, Miike Takashi, Johnnie To, and Stephen ChowShowcases the role of remakes in forging cross-cultural alliances - both within and beyond the East Asian region - while pointing toward prospects of increased transnational coproductions in the coming yearsThis wide-ranging, historically grounded exploration of motion picture remakes produced in East Asia brings together original contributions from experts in Chinese, Hong Kong, Japanese, South Korean, and Taiwanese cinemas and puts forth new ways of thinking about the remaking process as both a critically underappreciated form of artistic expression and an economically motivated industrial practice. Exploring everything from ethnic Korean filmmaker Lee Sang-il's Unforgiven (2013), a Japanese remake of Clint Eastwood's Western of the same title, to Stephen Chow's The Mermaid (2016), a Chinese slapstick reimagining of Walt Disney's The Little Mermaid (1989) and Hans Christian Andersen's 1837 fairy tale, East Asian Film Remakes contributes to a better understanding of cinematic remaking across the region and offers vital alternatives to the Eurocentric and Hollywood-focused approaches that have thus far dominated the field |
| Beschreibung: | Literaturangaben |
| Beschreibung: | xvii, 326 Seiten Illustrationen |
| ISBN: | 9781399508162 |
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| spelling | East Asian film remakes edited by David Scott Diffrient and Kenneth Chan Edinburgh Edinburgh University Press [2023] © 2023 xvii, 326 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Literaturangaben Considers the remake from a variety of critical and theoretical perspectives and positions it alongside other serialized cultural formsExamines the historical significance of the remake in revitalizing local industries and breathing life into established film genres (e.g., action-adventure, crime drama, romantic comedy, the Western, etc.)Draws attention to previously overlooked motion pictures produced in East Asia and acknowledges the significant contributions of several prolific yet neglected filmmakersRe-evaluates canonical texts and offers fresh assessments of legendary auteurs such as Ozu Yasujiro, Yu Hyun-mok, Miike Takashi, Johnnie To, and Stephen ChowShowcases the role of remakes in forging cross-cultural alliances - both within and beyond the East Asian region - while pointing toward prospects of increased transnational coproductions in the coming yearsThis wide-ranging, historically grounded exploration of motion picture remakes produced in East Asia brings together original contributions from experts in Chinese, Hong Kong, Japanese, South Korean, and Taiwanese cinemas and puts forth new ways of thinking about the remaking process as both a critically underappreciated form of artistic expression and an economically motivated industrial practice. Exploring everything from ethnic Korean filmmaker Lee Sang-il's Unforgiven (2013), a Japanese remake of Clint Eastwood's Western of the same title, to Stephen Chow's The Mermaid (2016), a Chinese slapstick reimagining of Walt Disney's The Little Mermaid (1989) and Hans Christian Andersen's 1837 fairy tale, East Asian Film Remakes contributes to a better understanding of cinematic remaking across the region and offers vital alternatives to the Eurocentric and Hollywood-focused approaches that have thus far dominated the field Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh (DE-588)4143413-4 Aufsatzsammlung gnd-content Diffrient, David Scott 1972- (DE-588)138138370 edt Chan, Kenneth (DE-588)1104154137 edt Erscheint auch als Online-Ausgabe, webready PDF 978-1-399-50818-6 Erscheint auch als Online-Ausgabe, EPUB 978-1-3995-0819-3 |
| spellingShingle | East Asian film remakes Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh |
| subject_GND | (DE-588)4143413-4 |
| title | East Asian film remakes |
| title_auth | East Asian film remakes |
| title_exact_search | East Asian film remakes |
| title_full | East Asian film remakes edited by David Scott Diffrient and Kenneth Chan |
| title_fullStr | East Asian film remakes edited by David Scott Diffrient and Kenneth Chan |
| title_full_unstemmed | East Asian film remakes edited by David Scott Diffrient and Kenneth Chan |
| title_short | East Asian film remakes |
| title_sort | east asian film remakes |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production Aufsatzsammlung |
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