Homer's living language: formularity, dialect, and creativity in oral-traditional poetry
"An accessible, up-to-date, and innovative account of key features of Homer's poetry (formularity, meter, and dialect). This book is informed by contemporary linguistics and cognitive sciences, and leverages unexpected modern-day parallels (popular music, jazz improvisation, sports comment...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore
Cambridge University Press
[2024]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Zusammenfassung: | "An accessible, up-to-date, and innovative account of key features of Homer's poetry (formularity, meter, and dialect). This book is informed by contemporary linguistics and cognitive sciences, and leverages unexpected modern-day parallels (popular music, jazz improvisation, sports commentary) to illustrate Homer's creativity"-- |
| Beschreibung: | xvii, 273 Seiten Illustrationen, Diagramme |
| ISBN: | 9781316512418 9781009065887 |
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Datensatz im Suchindex
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Contents page x xi xii xv xvi List ofFigures List of Tables Acknowledgments Note on the Transliteration List ofAbbreviations Introduction: The Paradox of Homeric Creativity I Formularity i 5 1.1 The History of Homeric Formularity i.i.x Parry: Homer’s Style as Traditional 1.1.2 Homer’s Orality and the Quantitative Study of Formulas 1.1.3 Formulas and Their Flexibility 1.1.4 The Disappearance of the Formula 1.2 Formularity in Language 1.2.1 The Disadvantage of the Early Start 1.2.2 Formularity in Corpus Linguistics, Psycholinguistics, and Historical Linguistics 1.2.3 Measuring the Idiom Principle 1.3 Formularity in Cognition 1.3.1 Working Memory, Chunking, and Automation 1.3.2 Formularity, Mastery, and Genre 1.3.3 Collocational Measures in Homer and Other Corpora 1.4 A General Theory of Formularity 1.4.1 The Memory of the Poet 1.4.2 From Themes, to Conceptual Associations, to Collocations 1.4.3 Enter Meter and Syntax: From Collocations to Constructions 1.4.4 From Phrase Constructions to Sentence Constructions 1.4.5 Constructions and the Poet’s Mind 1.4.6 Formulas and Diachrony 1.5 Conclusion: What Are Formulas and What Can We Do with Them? vii 6 6 n 13 17 20 20 22 25 27 27 30 33 44 44 48 50 52 55 58 61
Contents viii г Meter 2.1 2.2 2.3 2.4 2.5 3 The Dactylic Hexameter 2.1.1 Syllables, Moras, and Feet 2.1.2 Scanning the Hexameter 2.1.3 Incisions and Bridges The Colometry of the Hexameter and the Prosodie Hierarchy 2.2.1 The Colometry of the Hexameter 2.2.2 What Are the Constituents of the Hexameter? 2.2.3 The Prosodic Hierarchy 2.2.4 Mapping Prosody onto Meter: The Hexameter and Its Prosodic Constituents 92 2.2.5 Homeric Enjambement from a Prosodic Perspective Historical Approaches to the Hexameter 2.3.1 The Antiquity of the Tradition 2.3.2 The Tichy-Berg Theory of the Proto-hexameter 2.3.3 Kiparsky (2018) on the Indo-European Origin of the Hexameter Meter and Cognition 2.4.1 Meter and Language 2.4.2 Prosodic Regularization in Hyperfluent Speech 2.4.3 Prosodic Regularization in Ancient Greek Conclusion: Meter as Prosodic Optimization and the Poet’s Freedom 64 66 66 72 80 86 86 87 88 103 107 107 in 113 115 115 117 124 126 Dialect 130 3.1 Introduction: Words and Forms Archaic and Dialectal 3.2 Archaic and Dialectal Features in Homer 3.3 Greek Dialects and Identity 3.3.1 The Maiden Choir at Delos, and Faking Others’ Dialects 3.3.2 Dialect and Identity 3.3.3 Dialects in Performance 3.4 Interpreting Homer’s Dialect 3.4.1 Ancient Critics 3.4.2 Modern Critics 3.5 Interlude: Open Questions and Big-Picture Questions 3.6 Kunstsprachen in Popular Music Today 3.6.1 Adele and the Motivation of the Singer 3.6.2 Bob Dylan and the Biographic Temptation 3.6.3 The Beatles: Between Synchronic and Diachronic Variation 3.6.4 Green Day and the Punk Rock Phase Theory 3.6.5 Alesha Dixon and the
Conflict between Topic and Genre 3.6.6 Arctic Monkeys, Stage Persona, and the Perception of Dialect 3.6.7 Iggy Azalea, Realness, and Overshooting 3.7 Conclusion: Style between Tradition and Identity 130 136 145 145 147 150 151 151 153 162 162 162 169 173 178 182 183 185 '9°
Contents 4 ix Creativity 194 4.1 The Poet as a Craftsman 4.2 The Poet as Divinely Inspired 4.2.1 Divine Inspiration Before Plato 4.2.2 Divine Inspiration in Plato’s Ion 4.3 Creative Improvisation 4.3.1 The Cognitive Science of Creativity 4.3.2 The Study of Jazz Improvisation 4.3.3 Improvisation, Creativity, and Flow 4.4 The Neuroscience of Improvisation 4.4.1 The Neural Substrate for Creativity and Flow 4.4.2 Experimental Studies of Improvisation 4.5 Conclusion: Hypofrontality, Tékhnë, and Enthousiasmés 195 197 197 200 205 205 206 210 213 213 217 220 Conclusion: Creativity, Memory, and the Muses 223 Glossary ofLinguistic Terms References Index Locorum General Index Index ofHomeric forms Index ofPIEforms Index ofHomeric phraseology 227 2-39 266 267 271 272 273
Contents page x xi xii xv xvi List ofFigures List of Tables Acknowledgments Note on the Transliteration List ofAbbreviations Introduction: The Paradox of Homeric Creativity I Formularity i 5 1.1 The History of Homeric Formularity i.i.x Parry: Homer’s Style as Traditional 1.1.2 Homer’s Orality and the Quantitative Study of Formulas 1.1.3 Formulas and Their Flexibility 1.1.4 The Disappearance of the Formula 1.2 Formularity in Language 1.2.1 The Disadvantage of the Early Start 1.2.2 Formularity in Corpus Linguistics, Psycholinguistics, and Historical Linguistics 1.2.3 Measuring the Idiom Principle 1.3 Formularity in Cognition 1.3.1 Working Memory, Chunking, and Automation 1.3.2 Formularity, Mastery, and Genre 1.3.3 Collocational Measures in Homer and Other Corpora 1.4 A General Theory of Formularity 1.4.1 The Memory of the Poet 1.4.2 From Themes, to Conceptual Associations, to Collocations 1.4.3 Enter Meter and Syntax: From Collocations to Constructions 1.4.4 From Phrase Constructions to Sentence Constructions 1.4.5 Constructions and the Poet’s Mind 1.4.6 Formulas and Diachrony 1.5 Conclusion: What Are Formulas and What Can We Do with Them? vii 6 6 n 13 17 20 20 22 25 27 27 30 33 44 44 48 50 52 55 58 61
Contents viii г Meter 2.1 2.2 2.3 2.4 2.5 3 The Dactylic Hexameter 2.1.1 Syllables, Moras, and Feet 2.1.2 Scanning the Hexameter 2.1.3 Incisions and Bridges The Colometry of the Hexameter and the Prosodie Hierarchy 2.2.1 The Colometry of the Hexameter 2.2.2 What Are the Constituents of the Hexameter? 2.2.3 The Prosodic Hierarchy 2.2.4 Mapping Prosody onto Meter: The Hexameter and Its Prosodic Constituents 92 2.2.5 Homeric Enjambement from a Prosodic Perspective Historical Approaches to the Hexameter 2.3.1 The Antiquity of the Tradition 2.3.2 The Tichy-Berg Theory of the Proto-hexameter 2.3.3 Kiparsky (2018) on the Indo-European Origin of the Hexameter Meter and Cognition 2.4.1 Meter and Language 2.4.2 Prosodic Regularization in Hyperfluent Speech 2.4.3 Prosodic Regularization in Ancient Greek Conclusion: Meter as Prosodic Optimization and the Poet’s Freedom 64 66 66 72 80 86 86 87 88 103 107 107 in 113 115 115 117 124 126 Dialect 130 3.1 Introduction: Words and Forms Archaic and Dialectal 3.2 Archaic and Dialectal Features in Homer 3.3 Greek Dialects and Identity 3.3.1 The Maiden Choir at Delos, and Faking Others’ Dialects 3.3.2 Dialect and Identity 3.3.3 Dialects in Performance 3.4 Interpreting Homer’s Dialect 3.4.1 Ancient Critics 3.4.2 Modern Critics 3.5 Interlude: Open Questions and Big-Picture Questions 3.6 Kunstsprachen in Popular Music Today 3.6.1 Adele and the Motivation of the Singer 3.6.2 Bob Dylan and the Biographic Temptation 3.6.3 The Beatles: Between Synchronic and Diachronic Variation 3.6.4 Green Day and the Punk Rock Phase Theory 3.6.5 Alesha Dixon and the
Conflict between Topic and Genre 3.6.6 Arctic Monkeys, Stage Persona, and the Perception of Dialect 3.6.7 Iggy Azalea, Realness, and Overshooting 3.7 Conclusion: Style between Tradition and Identity 130 136 145 145 147 150 151 151 153 162 162 162 169 173 178 182 183 185 '9°
Contents 4 ix Creativity 194 4.1 The Poet as a Craftsman 4.2 The Poet as Divinely Inspired 4.2.1 Divine Inspiration Before Plato 4.2.2 Divine Inspiration in Plato’s Ion 4.3 Creative Improvisation 4.3.1 The Cognitive Science of Creativity 4.3.2 The Study of Jazz Improvisation 4.3.3 Improvisation, Creativity, and Flow 4.4 The Neuroscience of Improvisation 4.4.1 The Neural Substrate for Creativity and Flow 4.4.2 Experimental Studies of Improvisation 4.5 Conclusion: Hypofrontality, Tékhnë, and Enthousiasmés 195 197 197 200 205 205 206 210 213 213 217 220 Conclusion: Creativity, Memory, and the Muses 223 Glossary ofLinguistic Terms References Index Locorum General Index Index ofHomeric forms Index ofPIEforms Index ofHomeric phraseology 227 2-39 266 267 271 272 273 |
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| spelling | Bozzone, Chiara Verfasser (DE-588)1339528185 aut Homer's living language formularity, dialect, and creativity in oral-traditional poetry Chiara Bozzone Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore Cambridge University Press [2024] xvii, 273 Seiten Illustrationen, Diagramme txt rdacontent n rdamedia nc rdacarrier "An accessible, up-to-date, and innovative account of key features of Homer's poetry (formularity, meter, and dialect). This book is informed by contemporary linguistics and cognitive sciences, and leverages unexpected modern-day parallels (popular music, jazz improvisation, sports commentary) to illustrate Homer's creativity"-- Homerus ca. v8. Jh. (DE-588)11855333X gnd rswk-swf Sprache (DE-588)4056449-6 gnd rswk-swf Homer / Literary style Homer / Language Homer Language and languages Literary style Literary criticism Critiques littéraires Homerus (DE-2581)TH000001467 gbd Homerus ca. v8. Jh. (DE-588)11855333X p Sprache (DE-588)4056449-6 s DE-604 Online version Bozzone, Chiara Homer's living language Cambridge ; New York, NY : Cambridge University Press, 2024 978-1-00906-715-7 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035022594&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035022594&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Bozzone, Chiara Homer's living language formularity, dialect, and creativity in oral-traditional poetry Homerus ca. v8. Jh. (DE-588)11855333X gnd Sprache (DE-588)4056449-6 gnd |
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| title | Homer's living language formularity, dialect, and creativity in oral-traditional poetry |
| title_auth | Homer's living language formularity, dialect, and creativity in oral-traditional poetry |
| title_exact_search | Homer's living language formularity, dialect, and creativity in oral-traditional poetry |
| title_full | Homer's living language formularity, dialect, and creativity in oral-traditional poetry Chiara Bozzone |
| title_fullStr | Homer's living language formularity, dialect, and creativity in oral-traditional poetry Chiara Bozzone |
| title_full_unstemmed | Homer's living language formularity, dialect, and creativity in oral-traditional poetry Chiara Bozzone |
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| title_sort | homer s living language formularity dialect and creativity in oral traditional poetry |
| title_sub | formularity, dialect, and creativity in oral-traditional poetry |
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