When competition becomes form: exhibition reconstructions and the limits of institutional self-critique
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch Artikel |
Sprache: | English |
Veröffentlicht: |
2023
|
Online-Zugang: | DE-255 |
ISBN: | 978-0-429-27977-5 |
Internformat
MARC
LEADER | 00000nma a2200000 c 4500 | ||
---|---|---|---|
001 | BV049677155 | ||
003 | DE-604 | ||
007 | cr|uuu---uuuuu | ||
008 | 240506s2023 |||| o||u| ||||||eng d | ||
024 | 7 | |a 10.4324/9780429279775-3 |2 doi | |
035 | |a (OCoLC)1437868275 | ||
035 | |a (DE-599)BVBBV049677155 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-Y3 |a DE-255 | ||
100 | 1 | |a Hodge, David |e Verfasser |0 (DE-588)140318399 |4 aut | |
245 | 1 | 0 | |a When competition becomes form |b exhibition reconstructions and the limits of institutional self-critique |c David Hodge |
264 | 1 | |c 2023 | |
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
773 | 1 | 8 | |g pages:11-28 |
773 | 0 | 8 | |t Reconstructing exhibitions in art institutions / edited by Natasha Adamou and Michaela Giebelhausen |d London ; New York, 2023 |g Seite 11-28 |k Routledge research in art museums and exhibitions |w (DE-604)BV049327655 |z 978-0-429-27977-5 |
912 | |a ebook | ||
940 | 1 | |q KUBA2-EK-ZDB-7-MHS | |
941 | |s 11-28 | ||
966 | e | |u https://www.taylorfrancis.com/books/9780429279775 |l DE-255 |p ZDB-7-MHS |q BZI |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1805082303312953344 |
---|---|
adam_text | |
any_adam_object | |
article_link | (DE-604)BV049327655 |
author | Hodge, David |
author_GND | (DE-588)140318399 |
author_facet | Hodge, David |
author_role | aut |
author_sort | Hodge, David |
author_variant | d h dh |
building | Verbundindex |
bvnumber | BV049677155 |
collection | ebook |
ctrlnum | (OCoLC)1437868275 (DE-599)BVBBV049677155 |
format | Electronic Article |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nma a2200000 c 4500</leader><controlfield tag="001">BV049677155</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">240506s2023 |||| o||u| ||||||eng d</controlfield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.4324/9780429279775-3</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1437868275</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049677155</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y3</subfield><subfield code="a">DE-255</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Hodge, David</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)140318399</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">When competition becomes form</subfield><subfield code="b">exhibition reconstructions and the limits of institutional self-critique</subfield><subfield code="c">David Hodge</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2023</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">pages:11-28</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Reconstructing exhibitions in art institutions / edited by Natasha Adamou and Michaela Giebelhausen</subfield><subfield code="d">London ; New York, 2023</subfield><subfield code="g">Seite 11-28</subfield><subfield code="k">Routledge research in art museums and exhibitions</subfield><subfield code="w">(DE-604)BV049327655</subfield><subfield code="z">978-0-429-27977-5</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ebook</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">KUBA2-EK-ZDB-7-MHS</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="s">11-28</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.taylorfrancis.com/books/9780429279775</subfield><subfield code="l">DE-255</subfield><subfield code="p">ZDB-7-MHS</subfield><subfield code="q">BZI</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV049677155 |
illustrated | Not Illustrated |
indexdate | 2024-07-20T07:30:31Z |
institution | BVB |
isbn | 978-0-429-27977-5 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035020026 |
oclc_num | 1437868275 |
open_access_boolean | |
owner | DE-Y3 DE-255 |
owner_facet | DE-Y3 DE-255 |
psigel | ebook KUBA2-EK-ZDB-7-MHS ZDB-7-MHS BZI |
publishDate | 2023 |
publishDateSearch | 2023 |
publishDateSort | 2023 |
record_format | marc |
spelling | Hodge, David Verfasser (DE-588)140318399 aut When competition becomes form exhibition reconstructions and the limits of institutional self-critique David Hodge 2023 txt rdacontent c rdamedia cr rdacarrier pages:11-28 Reconstructing exhibitions in art institutions / edited by Natasha Adamou and Michaela Giebelhausen London ; New York, 2023 Seite 11-28 Routledge research in art museums and exhibitions (DE-604)BV049327655 978-0-429-27977-5 |
spellingShingle | Hodge, David When competition becomes form exhibition reconstructions and the limits of institutional self-critique |
title | When competition becomes form exhibition reconstructions and the limits of institutional self-critique |
title_auth | When competition becomes form exhibition reconstructions and the limits of institutional self-critique |
title_exact_search | When competition becomes form exhibition reconstructions and the limits of institutional self-critique |
title_full | When competition becomes form exhibition reconstructions and the limits of institutional self-critique David Hodge |
title_fullStr | When competition becomes form exhibition reconstructions and the limits of institutional self-critique David Hodge |
title_full_unstemmed | When competition becomes form exhibition reconstructions and the limits of institutional self-critique David Hodge |
title_short | When competition becomes form |
title_sort | when competition becomes form exhibition reconstructions and the limits of institutional self critique |
title_sub | exhibition reconstructions and the limits of institutional self-critique |
work_keys_str_mv | AT hodgedavid whencompetitionbecomesformexhibitionreconstructionsandthelimitsofinstitutionalselfcritique |