The unfolded cineosis: afterword to part one
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Artikel |
| Sprache: | English |
| Veröffentlicht: |
2016
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| Beschreibung: | Part two. Enfolding the cineosis. Section III - Third Introductin - Cinematographics (1995-2015) Le scaphandre et le papillon/ The diving bell and the butterfly. Solid perception -- Timecode. Liquid perception -- Naqoyqatsi. Gaseous perception -- Theeviravaathi/The Terrorist. Icon -- Despicable Me, Despicable Me 2 and Minions. Dividual -- Le quattro volte/Four Times. Any-space-whatever -- The Human Centipede (First Sequence). Symptom -- Harry Potter and the Deathly Hallows: Part 1 and Harry Potter and the Deathly Hallows: Part 2. Fetish -- Innocence. Originary World -- Madeo/Mother. Index of lack -- The Killer inside Me. Index of equivocity -- Ajami. Vector -- marxism today (prologue) and untitled. Milieu -- Made in Dagenham. Binomial -- Fish Tank. Imprint -- Tian bian yi duo yun/The Wandering Cloud. Plastic figure -- Scott Pilgrim vs. the World. Theatrical figure -- Source Code. Mise en abyme -- Four Lions. Figure of the sublime -- Slackistan. Figure of enfeeblement. Un homme qui crie/A screaming Man. Quotidian -- Monsters. Limit of the large form action-image -- Brooklyn's Finest. Limit of the small form action-image -- Metro Manila. Limit of the action-image -- Star Trek - First Contact. rich dreams -- The Machinist. Restrained dreams -- Inception. Movement of world -- El secreto de sus ojos/The secret in their eyes. Strong destiny -- White Material. Weak destiny -- Triangle. Forking paths -- Se7en. Mark -- Doctor Who - the day of the Doctor. Demark -- Buried. Symbol -- Five. Opsigns and sonsigns -- Black Swan. Mirrors face to face -- Self Made. Limpid and opaque -- Synecdoche, New York. Seed and environment -- Loong Boonmee raleuk chat/Uncle Boonmee who can recall his past lives. Peaks of the present -- Russkiy kovcheg/Russian Ark. Sheets of the past. Er shi si cheng ji/24 City. Powers of the false -- I'm not there. Bodies of attitude -- Politist, adjectiv/Police, adjective. Bodies of gest -- Dogville. Cinema of the brain -- Enter the Void. Lectosigns |
| ISBN: | 978-1-4744-0768-7 |
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| 500 | |a Part two. Enfolding the cineosis. Section III - Third Introductin - Cinematographics (1995-2015) | ||
| 500 | |a Le scaphandre et le papillon/ The diving bell and the butterfly. Solid perception -- Timecode. Liquid perception -- Naqoyqatsi. Gaseous perception -- Theeviravaathi/The Terrorist. Icon -- Despicable Me, Despicable Me 2 and Minions. Dividual -- Le quattro volte/Four Times. Any-space-whatever -- The Human Centipede (First Sequence). Symptom -- Harry Potter and the Deathly Hallows: Part 1 and Harry Potter and the Deathly Hallows: Part 2. Fetish -- Innocence. Originary World -- Madeo/Mother. Index of lack -- The Killer inside Me. Index of equivocity -- Ajami. Vector -- marxism today (prologue) and untitled. Milieu -- Made in Dagenham. Binomial -- Fish Tank. Imprint -- Tian bian yi duo yun/The Wandering Cloud. Plastic figure -- Scott Pilgrim vs. the World. Theatrical figure -- Source Code. Mise en abyme -- Four Lions. Figure of the sublime -- Slackistan. Figure of enfeeblement. Un homme qui crie/A screaming Man. Quotidian -- Monsters. Limit of the large form action-image -- Brooklyn's Finest. Limit of the small form action-image -- Metro Manila. Limit of the action-image -- Star Trek - First Contact. rich dreams -- The Machinist. Restrained dreams -- Inception. Movement of world -- El secreto de sus ojos/The secret in their eyes. Strong destiny -- White Material. Weak destiny -- Triangle. Forking paths -- Se7en. Mark -- Doctor Who - the day of the Doctor. Demark -- Buried. Symbol -- Five. Opsigns and sonsigns -- Black Swan. Mirrors face to face -- Self Made. Limpid and opaque -- Synecdoche, New York. Seed and environment -- Loong Boonmee raleuk chat/Uncle Boonmee who can recall his past lives. Peaks of the present -- Russkiy kovcheg/Russian Ark. Sheets of the past. Er shi si cheng ji/24 City. Powers of the false -- I'm not there. Bodies of attitude -- Politist, adjectiv/Police, adjective. Bodies of gest -- Dogville. Cinema of the brain -- Enter the Void. Lectosigns | ||
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| spelling | Deamer, David 1968- (DE-588)1060851644 aut The unfolded cineosis afterword to part one David Deamer 2016 txt rdacontent n rdamedia nc rdacarrier Part two. Enfolding the cineosis. Section III - Third Introductin - Cinematographics (1995-2015) Le scaphandre et le papillon/ The diving bell and the butterfly. Solid perception -- Timecode. Liquid perception -- Naqoyqatsi. Gaseous perception -- Theeviravaathi/The Terrorist. Icon -- Despicable Me, Despicable Me 2 and Minions. Dividual -- Le quattro volte/Four Times. Any-space-whatever -- The Human Centipede (First Sequence). Symptom -- Harry Potter and the Deathly Hallows: Part 1 and Harry Potter and the Deathly Hallows: Part 2. Fetish -- Innocence. Originary World -- Madeo/Mother. Index of lack -- The Killer inside Me. Index of equivocity -- Ajami. Vector -- marxism today (prologue) and untitled. Milieu -- Made in Dagenham. Binomial -- Fish Tank. Imprint -- Tian bian yi duo yun/The Wandering Cloud. Plastic figure -- Scott Pilgrim vs. the World. Theatrical figure -- Source Code. Mise en abyme -- Four Lions. Figure of the sublime -- Slackistan. Figure of enfeeblement. Un homme qui crie/A screaming Man. Quotidian -- Monsters. Limit of the large form action-image -- Brooklyn's Finest. Limit of the small form action-image -- Metro Manila. Limit of the action-image -- Star Trek - First Contact. rich dreams -- The Machinist. Restrained dreams -- Inception. Movement of world -- El secreto de sus ojos/The secret in their eyes. Strong destiny -- White Material. Weak destiny -- Triangle. Forking paths -- Se7en. Mark -- Doctor Who - the day of the Doctor. Demark -- Buried. Symbol -- Five. Opsigns and sonsigns -- Black Swan. Mirrors face to face -- Self Made. Limpid and opaque -- Synecdoche, New York. Seed and environment -- Loong Boonmee raleuk chat/Uncle Boonmee who can recall his past lives. Peaks of the present -- Russkiy kovcheg/Russian Ark. Sheets of the past. Er shi si cheng ji/24 City. Powers of the false -- I'm not there. Bodies of attitude -- Politist, adjectiv/Police, adjective. Bodies of gest -- Dogville. Cinema of the brain -- Enter the Void. Lectosigns Deleuze, Gilles 1925-1995 (DE-588)118524534 oth pages:179- Deleuze's Cinema books / David Deamer Edinburgh, 2016 Seite 179- (DE-604)BV043602245 978-1-4744-0768-7 |
| spellingShingle | Deamer, David 1968- The unfolded cineosis afterword to part one |
| title | The unfolded cineosis afterword to part one |
| title_auth | The unfolded cineosis afterword to part one |
| title_exact_search | The unfolded cineosis afterword to part one |
| title_full | The unfolded cineosis afterword to part one David Deamer |
| title_fullStr | The unfolded cineosis afterword to part one David Deamer |
| title_full_unstemmed | The unfolded cineosis afterword to part one David Deamer |
| title_short | The unfolded cineosis |
| title_sort | the unfolded cineosis afterword to part one |
| title_sub | afterword to part one |
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