Rape at the opera: staging sexual violence
The most-performed operas today were written at least a hundred years ago and carry some outdated and deeply problematic ideas. When performed uncritically, the misogyny, racism, and other ideologies present in many of these works clash with modern sensibilities. In Rape at the Opera, Margaret Cormi...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Ann Arbor
University of Michigan Press
[2024]
|
| Schriftenreihe: | Music and social justice
|
| Schlagworte: | |
| Zusammenfassung: | The most-performed operas today were written at least a hundred years ago and carry some outdated and deeply problematic ideas. When performed uncritically, the misogyny, racism, and other ideologies present in many of these works clash with modern sensibilities. In Rape at the Opera, Margaret Cormier argues that production and performance are vital elements of opera, and that contemporary opera practitioners not only interpret but create operatic works when they put them onstage. Where some directors explicitly respond to contemporary dialogues about sexual violence, others utilize sexual violence as a surefire way to titillate, to shock, and to generate press for a new production. Drawing on archival footage as well as attendance at live events, Cormier analyzes productions of canonic operas from German, Italian, and French traditions from the eighteenth to the early twentieth century, including Die Entführung aus dem Serail, Don Giovanni, La forza del destino, Un ballo in maschera, Salome, and Turandot. In doing so, Cormier highlights the dynamism of twenty-first-century opera performance practice with regard to sexual violence, establishes methods to evaluate representations of sexual violence on the opera stage, and reframes the primary responsibility of opera critics and creators as being not to opera composers and librettists but to the public |
| Beschreibung: | x, 200 Seiten 12 Illustrationen, Notenbeispiele 24 cm |
| ISBN: | 9780472056293 9780472076291 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV049675637 | ||
| 003 | DE-604 | ||
| 005 | 20240801 | ||
| 007 | t| | ||
| 008 | 240506s2024 xx agl| b||| 00||| eng d | ||
| 020 | |a 9780472056293 |c paperback |9 978-0-472-05629-3 | ||
| 020 | |a 9780472076291 |c hardback |9 978-0-472-07629-1 | ||
| 035 | |a (OCoLC)1419252098 | ||
| 035 | |a (DE-599)BVBBV049675637 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 084 | |a 803000 Strauss, Richard*by*ob |2 sbb | ||
| 100 | 1 | |a Cormier, Margaret |e Verfasser |0 (DE-588)1333267738 |4 aut | |
| 245 | 1 | 0 | |a Rape at the opera |b staging sexual violence |c Margaret Cormier |
| 264 | 1 | |a Ann Arbor |b University of Michigan Press |c [2024] | |
| 264 | 4 | |c © 2024 | |
| 300 | |a x, 200 Seiten |b 12 Illustrationen, Notenbeispiele |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Music and social justice | |
| 505 | 8 | |a Staging rape myths in Don Giovanni -- Salome as victim -- Die Entführung aus dem Serail and the limits of critique -- Rape in/as warfare : the perils of allegory | |
| 520 | 3 | |a The most-performed operas today were written at least a hundred years ago and carry some outdated and deeply problematic ideas. When performed uncritically, the misogyny, racism, and other ideologies present in many of these works clash with modern sensibilities. In Rape at the Opera, Margaret Cormier argues that production and performance are vital elements of opera, and that contemporary opera practitioners not only interpret but create operatic works when they put them onstage. Where some directors explicitly respond to contemporary dialogues about sexual violence, others utilize sexual violence as a surefire way to titillate, to shock, and to generate press for a new production. Drawing on archival footage as well as attendance at live events, Cormier analyzes productions of canonic operas from German, Italian, and French traditions from the eighteenth to the early twentieth century, including Die Entführung aus dem Serail, Don Giovanni, La forza del destino, Un ballo in maschera, Salome, and Turandot. In doing so, Cormier highlights the dynamism of twenty-first-century opera performance practice with regard to sexual violence, establishes methods to evaluate representations of sexual violence on the opera stage, and reframes the primary responsibility of opera critics and creators as being not to opera composers and librettists but to the public | |
| 600 | 1 | 7 | |a Mozart, Wolfgang Amadeus |d 1756-1791 |t Die Entführung aus dem Serail |0 (DE-588)300108001 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Strauss, Richard |d 1864-1949 |t Salome |0 (DE-588)300157185 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Mozart, Wolfgang Amadeus |d 1756-1791 |t Don Giovanni |0 (DE-588)30010782X |2 gnd |9 rswk-swf |
| 648 | 7 | |a Geschichte 1790-1910 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Oper |0 (DE-588)4043582-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Vergewaltigung |g Motiv |0 (DE-588)4187708-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Sexualisierte Gewalt |g Motiv |0 (DE-588)1257895214 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Rape in opera | |
| 653 | 0 | |a Opera / Dramaturgy / History | |
| 653 | 0 | |a Opera / Production and direction / History | |
| 653 | 0 | |a Opera / Social aspects / History / 21st century | |
| 653 | 0 | |a Opera / Political aspects / History / 21st century | |
| 653 | 0 | |a Opéra / Dramaturgie / Histoire | |
| 653 | 0 | |a Opéra / Production et mise en scène / Histoire | |
| 689 | 0 | 0 | |a Oper |0 (DE-588)4043582-9 |D s |
| 689 | 0 | 1 | |a Sexualisierte Gewalt |g Motiv |0 (DE-588)1257895214 |D s |
| 689 | 0 | 2 | |a Vergewaltigung |g Motiv |0 (DE-588)4187708-1 |D s |
| 689 | 0 | 3 | |a Geschichte 1790-1910 |A z |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Mozart, Wolfgang Amadeus |d 1756-1791 |t Don Giovanni |0 (DE-588)30010782X |D u |
| 689 | 1 | 1 | |a Mozart, Wolfgang Amadeus |d 1756-1791 |t Die Entführung aus dem Serail |0 (DE-588)300108001 |D u |
| 689 | 1 | 2 | |a Strauss, Richard |d 1864-1949 |t Salome |0 (DE-588)300157185 |D u |
| 689 | 1 | 3 | |a Sexualisierte Gewalt |g Motiv |0 (DE-588)1257895214 |D s |
| 689 | 1 | |5 DE-604 | |
| 776 | 0 | 8 | |i Online version |a Cormier, Margaret |t Rape at the opera |d Ann Arbor : University of Michigan Press, [2024] |z 9780472903634 |
| 940 | 1 | |n by | |
| 940 | 1 | |q BSB_NED_20240625 | |
| 942 | 1 | 1 | |c 306.09 |e 22/bsb |f 09034 |
| 942 | 1 | 1 | |c 781.5 |e 22/bsb |f 09041 |g 433 |
| 942 | 1 | 1 | |c 781.5 |e 22/bsb |f 09033 |g 436 |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035018545 | |
Datensatz im Suchindex
| _version_ | 1818337830247596032 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Cormier, Margaret |
| author_GND | (DE-588)1333267738 |
| author_facet | Cormier, Margaret |
| author_role | aut |
| author_sort | Cormier, Margaret |
| author_variant | m c mc |
| building | Verbundindex |
| bvnumber | BV049675637 |
| contents | Staging rape myths in Don Giovanni -- Salome as victim -- Die Entführung aus dem Serail and the limits of critique -- Rape in/as warfare : the perils of allegory |
| ctrlnum | (OCoLC)1419252098 (DE-599)BVBBV049675637 |
| era | Geschichte 1790-1910 gnd |
| era_facet | Geschichte 1790-1910 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV049675637</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240801</controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">240506s2024 xx agl| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780472056293</subfield><subfield code="c">paperback</subfield><subfield code="9">978-0-472-05629-3</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780472076291</subfield><subfield code="c">hardback</subfield><subfield code="9">978-0-472-07629-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1419252098</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049675637</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">803000 Strauss, Richard*by*ob</subfield><subfield code="2">sbb</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Cormier, Margaret</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1333267738</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Rape at the opera</subfield><subfield code="b">staging sexual violence</subfield><subfield code="c">Margaret Cormier</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Ann Arbor</subfield><subfield code="b">University of Michigan Press</subfield><subfield code="c">[2024]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2024</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">x, 200 Seiten</subfield><subfield code="b">12 Illustrationen, Notenbeispiele</subfield><subfield code="c">24 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Music and social justice</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Staging rape myths in Don Giovanni -- Salome as victim -- Die Entführung aus dem Serail and the limits of critique -- Rape in/as warfare : the perils of allegory</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">The most-performed operas today were written at least a hundred years ago and carry some outdated and deeply problematic ideas. When performed uncritically, the misogyny, racism, and other ideologies present in many of these works clash with modern sensibilities. In Rape at the Opera, Margaret Cormier argues that production and performance are vital elements of opera, and that contemporary opera practitioners not only interpret but create operatic works when they put them onstage. Where some directors explicitly respond to contemporary dialogues about sexual violence, others utilize sexual violence as a surefire way to titillate, to shock, and to generate press for a new production. Drawing on archival footage as well as attendance at live events, Cormier analyzes productions of canonic operas from German, Italian, and French traditions from the eighteenth to the early twentieth century, including Die Entführung aus dem Serail, Don Giovanni, La forza del destino, Un ballo in maschera, Salome, and Turandot. In doing so, Cormier highlights the dynamism of twenty-first-century opera performance practice with regard to sexual violence, establishes methods to evaluate representations of sexual violence on the opera stage, and reframes the primary responsibility of opera critics and creators as being not to opera composers and librettists but to the public</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Mozart, Wolfgang Amadeus</subfield><subfield code="d">1756-1791</subfield><subfield code="t">Die Entführung aus dem Serail</subfield><subfield code="0">(DE-588)300108001</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Strauss, Richard</subfield><subfield code="d">1864-1949</subfield><subfield code="t">Salome</subfield><subfield code="0">(DE-588)300157185</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Mozart, Wolfgang Amadeus</subfield><subfield code="d">1756-1791</subfield><subfield code="t">Don Giovanni</subfield><subfield code="0">(DE-588)30010782X</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1790-1910</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Oper</subfield><subfield code="0">(DE-588)4043582-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Vergewaltigung</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4187708-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Sexualisierte Gewalt</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)1257895214</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Rape in opera</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Opera / Dramaturgy / History</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Opera / Production and direction / History</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Opera / Social aspects / History / 21st century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Opera / Political aspects / History / 21st century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Opéra / Dramaturgie / Histoire</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Opéra / Production et mise en scène / Histoire</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Oper</subfield><subfield code="0">(DE-588)4043582-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Sexualisierte Gewalt</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)1257895214</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Vergewaltigung</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4187708-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1790-1910</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Mozart, Wolfgang Amadeus</subfield><subfield code="d">1756-1791</subfield><subfield code="t">Don Giovanni</subfield><subfield code="0">(DE-588)30010782X</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Mozart, Wolfgang Amadeus</subfield><subfield code="d">1756-1791</subfield><subfield code="t">Die Entführung aus dem Serail</subfield><subfield code="0">(DE-588)300108001</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Strauss, Richard</subfield><subfield code="d">1864-1949</subfield><subfield code="t">Salome</subfield><subfield code="0">(DE-588)300157185</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Sexualisierte Gewalt</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)1257895214</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Online version</subfield><subfield code="a">Cormier, Margaret</subfield><subfield code="t">Rape at the opera</subfield><subfield code="d">Ann Arbor : University of Michigan Press, [2024]</subfield><subfield code="z">9780472903634</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">by</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20240625</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09034</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09041</subfield><subfield code="g">433</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09033</subfield><subfield code="g">436</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-035018545</subfield></datafield></record></collection> |
| id | DE-604.BV049675637 |
| illustrated | Illustrated |
| indexdate | 2024-12-13T15:01:26Z |
| institution | BVB |
| isbn | 9780472056293 9780472076291 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035018545 |
| oclc_num | 1419252098 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | x, 200 Seiten 12 Illustrationen, Notenbeispiele 24 cm |
| psigel | BSB_NED_20240625 |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | University of Michigan Press |
| record_format | marc |
| series2 | Music and social justice |
| spelling | Cormier, Margaret Verfasser (DE-588)1333267738 aut Rape at the opera staging sexual violence Margaret Cormier Ann Arbor University of Michigan Press [2024] © 2024 x, 200 Seiten 12 Illustrationen, Notenbeispiele 24 cm txt rdacontent n rdamedia nc rdacarrier Music and social justice Staging rape myths in Don Giovanni -- Salome as victim -- Die Entführung aus dem Serail and the limits of critique -- Rape in/as warfare : the perils of allegory The most-performed operas today were written at least a hundred years ago and carry some outdated and deeply problematic ideas. When performed uncritically, the misogyny, racism, and other ideologies present in many of these works clash with modern sensibilities. In Rape at the Opera, Margaret Cormier argues that production and performance are vital elements of opera, and that contemporary opera practitioners not only interpret but create operatic works when they put them onstage. Where some directors explicitly respond to contemporary dialogues about sexual violence, others utilize sexual violence as a surefire way to titillate, to shock, and to generate press for a new production. Drawing on archival footage as well as attendance at live events, Cormier analyzes productions of canonic operas from German, Italian, and French traditions from the eighteenth to the early twentieth century, including Die Entführung aus dem Serail, Don Giovanni, La forza del destino, Un ballo in maschera, Salome, and Turandot. In doing so, Cormier highlights the dynamism of twenty-first-century opera performance practice with regard to sexual violence, establishes methods to evaluate representations of sexual violence on the opera stage, and reframes the primary responsibility of opera critics and creators as being not to opera composers and librettists but to the public Mozart, Wolfgang Amadeus 1756-1791 Die Entführung aus dem Serail (DE-588)300108001 gnd rswk-swf Strauss, Richard 1864-1949 Salome (DE-588)300157185 gnd rswk-swf Mozart, Wolfgang Amadeus 1756-1791 Don Giovanni (DE-588)30010782X gnd rswk-swf Geschichte 1790-1910 gnd rswk-swf Oper (DE-588)4043582-9 gnd rswk-swf Vergewaltigung Motiv (DE-588)4187708-1 gnd rswk-swf Sexualisierte Gewalt Motiv (DE-588)1257895214 gnd rswk-swf Rape in opera Opera / Dramaturgy / History Opera / Production and direction / History Opera / Social aspects / History / 21st century Opera / Political aspects / History / 21st century Opéra / Dramaturgie / Histoire Opéra / Production et mise en scène / Histoire Oper (DE-588)4043582-9 s Sexualisierte Gewalt Motiv (DE-588)1257895214 s Vergewaltigung Motiv (DE-588)4187708-1 s Geschichte 1790-1910 z DE-604 Mozart, Wolfgang Amadeus 1756-1791 Don Giovanni (DE-588)30010782X u Mozart, Wolfgang Amadeus 1756-1791 Die Entführung aus dem Serail (DE-588)300108001 u Strauss, Richard 1864-1949 Salome (DE-588)300157185 u Online version Cormier, Margaret Rape at the opera Ann Arbor : University of Michigan Press, [2024] 9780472903634 |
| spellingShingle | Cormier, Margaret Rape at the opera staging sexual violence Staging rape myths in Don Giovanni -- Salome as victim -- Die Entführung aus dem Serail and the limits of critique -- Rape in/as warfare : the perils of allegory Mozart, Wolfgang Amadeus 1756-1791 Die Entführung aus dem Serail (DE-588)300108001 gnd Strauss, Richard 1864-1949 Salome (DE-588)300157185 gnd Mozart, Wolfgang Amadeus 1756-1791 Don Giovanni (DE-588)30010782X gnd Oper (DE-588)4043582-9 gnd Vergewaltigung Motiv (DE-588)4187708-1 gnd Sexualisierte Gewalt Motiv (DE-588)1257895214 gnd |
| subject_GND | (DE-588)300108001 (DE-588)300157185 (DE-588)30010782X (DE-588)4043582-9 (DE-588)4187708-1 (DE-588)1257895214 |
| title | Rape at the opera staging sexual violence |
| title_auth | Rape at the opera staging sexual violence |
| title_exact_search | Rape at the opera staging sexual violence |
| title_full | Rape at the opera staging sexual violence Margaret Cormier |
| title_fullStr | Rape at the opera staging sexual violence Margaret Cormier |
| title_full_unstemmed | Rape at the opera staging sexual violence Margaret Cormier |
| title_short | Rape at the opera |
| title_sort | rape at the opera staging sexual violence |
| title_sub | staging sexual violence |
| topic | Mozart, Wolfgang Amadeus 1756-1791 Die Entführung aus dem Serail (DE-588)300108001 gnd Strauss, Richard 1864-1949 Salome (DE-588)300157185 gnd Mozart, Wolfgang Amadeus 1756-1791 Don Giovanni (DE-588)30010782X gnd Oper (DE-588)4043582-9 gnd Vergewaltigung Motiv (DE-588)4187708-1 gnd Sexualisierte Gewalt Motiv (DE-588)1257895214 gnd |
| topic_facet | Mozart, Wolfgang Amadeus 1756-1791 Die Entführung aus dem Serail Strauss, Richard 1864-1949 Salome Mozart, Wolfgang Amadeus 1756-1791 Don Giovanni Oper Vergewaltigung Motiv Sexualisierte Gewalt Motiv |
| work_keys_str_mv | AT cormiermargaret rapeattheoperastagingsexualviolence |