Avant-garde on record: musical responses to stereos
An innovative contribution to music history, cultural studies, and sound studies, Avant-garde on Record revisits post-war composers and their technologically oriented brand of musical modernism. It describes how a broad range of figures (including Pierre Boulez, Karlheinz Stockhausen, Henri Pousseur...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge, United Kingdom ; New York, NY
Cambridge University Press
2024
|
Schriftenreihe: | Music since 1900
|
Schlagworte: | |
Online-Zugang: | DE-12 DE-473 Volltext |
Zusammenfassung: | An innovative contribution to music history, cultural studies, and sound studies, Avant-garde on Record revisits post-war composers and their technologically oriented brand of musical modernism. It describes how a broad range of figures (including Pierre Boulez, Karlheinz Stockhausen, Henri Pousseur, Toshirō Mayuzumi, Claire Schapira, Anthony Braxton and Gunther Schuller) engaged with avant-garde aesthetics while responding to a rapidly changing, technologically fuelled, spatialized audio culture. Jonathan Goldman focuses on how contemporary listeners understood these composers' works in the golden age of LPs and explores how this reception was mediated through consumer-oriented sound technology that formed a prism through which listeners processed the 'music of their time'. His account reveals unexpected aspects of twentieth-century audio culture: from sonic ping-pong to son et lumière shows, from Venetian choral music by Stravinsky to the soundscape of Niagara Falls, from a Buddhist Cantata to an LP box set cast as a parlour game |
Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Jan 2024) Introduction -- Ping-Pong and Its Discontents -- Doubles, Rhymes and Groups in Stereo -- Transnational Multiorchestralism -- The Monumental Stereo of Son Et Lumière -- Phonographic Spaces : Circling San Marco, Navigating Niagara -- Open Works Locked into Grooves -- Epilogue |
Beschreibung: | 1 Online-Ressource (xv, 317 Seiten) |
ISBN: | 9781009363433 |
DOI: | 10.1017/9781009363433 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV049675131 | ||
003 | DE-604 | ||
007 | cr|uuu---uuuuu | ||
008 | 240503s2024 |||| o||u| ||||||eng d | ||
020 | |a 9781009363433 |c Online |9 978-1-009-36343-3 | ||
024 | 7 | |a 10.1017/9781009363433 |2 doi | |
035 | |a (ZDB-20-CBO)CR9781009363433 | ||
035 | |a (OCoLC)1437849869 | ||
035 | |a (DE-599)BVBBV049675131 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-473 | ||
082 | 0 | |a 786.7 | |
100 | 1 | |a Goldman, Jonathan |d 1972- |0 (DE-588)14234205X |4 aut | |
245 | 1 | 0 | |a Avant-garde on record |b musical responses to stereos |c Jonathan Goldman |
264 | 1 | |a Cambridge, United Kingdom ; New York, NY |b Cambridge University Press |c 2024 | |
300 | |a 1 Online-Ressource (xv, 317 Seiten) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a Music since 1900 | |
500 | |a Title from publisher's bibliographic system (viewed on 05 Jan 2024) | ||
500 | |a Introduction -- Ping-Pong and Its Discontents -- Doubles, Rhymes and Groups in Stereo -- Transnational Multiorchestralism -- The Monumental Stereo of Son Et Lumière -- Phonographic Spaces : Circling San Marco, Navigating Niagara -- Open Works Locked into Grooves -- Epilogue | ||
520 | |a An innovative contribution to music history, cultural studies, and sound studies, Avant-garde on Record revisits post-war composers and their technologically oriented brand of musical modernism. It describes how a broad range of figures (including Pierre Boulez, Karlheinz Stockhausen, Henri Pousseur, Toshirō Mayuzumi, Claire Schapira, Anthony Braxton and Gunther Schuller) engaged with avant-garde aesthetics while responding to a rapidly changing, technologically fuelled, spatialized audio culture. Jonathan Goldman focuses on how contemporary listeners understood these composers' works in the golden age of LPs and explores how this reception was mediated through consumer-oriented sound technology that formed a prism through which listeners processed the 'music of their time'. His account reveals unexpected aspects of twentieth-century audio culture: from sonic ping-pong to son et lumière shows, from Venetian choral music by Stravinsky to the soundscape of Niagara Falls, from a Buddhist Cantata to an LP box set cast as a parlour game | ||
648 | 7 | |a Geschichte 1950-1970 |2 gnd |9 rswk-swf | |
650 | 4 | |a Electronic music / 20th century / History and criticism | |
650 | 4 | |a Avant-garde (Music) / History / 20th century | |
650 | 4 | |a Music and technology / History / 20th century | |
650 | 0 | 7 | |a Avantgarde |0 (DE-588)4133965-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Experimentelle Musik |0 (DE-588)4153365-3 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Elektronische Musik |0 (DE-588)4014355-7 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Schallaufzeichnung |0 (DE-588)4052020-1 |2 gnd |9 rswk-swf |
689 | 0 | 0 | |a Elektronische Musik |0 (DE-588)4014355-7 |D s |
689 | 0 | 1 | |a Experimentelle Musik |0 (DE-588)4153365-3 |D s |
689 | 0 | 2 | |a Avantgarde |0 (DE-588)4133965-4 |D s |
689 | 0 | 3 | |a Schallaufzeichnung |0 (DE-588)4052020-1 |D s |
689 | 0 | 4 | |a Geschichte 1950-1970 |A z |
689 | 0 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-1-009-36339-6 |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-1-009-36341-9 |
856 | 4 | 0 | |u https://doi.org/10.1017/9781009363433 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-20-CBO | ||
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035018055 | |
966 | e | |u https://doi.org/10.1017/9781009363433 |l DE-12 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1017/9781009363433 |l DE-473 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1814902711627284480 |
---|---|
adam_text | |
any_adam_object | |
author | Goldman, Jonathan 1972- |
author_GND | (DE-588)14234205X |
author_facet | Goldman, Jonathan 1972- |
author_role | aut |
author_sort | Goldman, Jonathan 1972- |
author_variant | j g jg |
building | Verbundindex |
bvnumber | BV049675131 |
collection | ZDB-20-CBO |
ctrlnum | (ZDB-20-CBO)CR9781009363433 (OCoLC)1437849869 (DE-599)BVBBV049675131 |
dewey-full | 786.7 |
dewey-hundreds | 700 - The arts |
dewey-ones | 786 - Keyboard & other instruments |
dewey-raw | 786.7 |
dewey-search | 786.7 |
dewey-sort | 3786.7 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
doi_str_mv | 10.1017/9781009363433 |
era | Geschichte 1950-1970 gnd |
era_facet | Geschichte 1950-1970 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nmm a2200000zc 4500</leader><controlfield tag="001">BV049675131</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">240503s2024 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781009363433</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-009-36343-3</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/9781009363433</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9781009363433</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1437849869</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049675131</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">786.7</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Goldman, Jonathan</subfield><subfield code="d">1972-</subfield><subfield code="0">(DE-588)14234205X</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Avant-garde on record</subfield><subfield code="b">musical responses to stereos</subfield><subfield code="c">Jonathan Goldman</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge, United Kingdom ; New York, NY</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2024</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xv, 317 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Music since 1900</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Title from publisher's bibliographic system (viewed on 05 Jan 2024)</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Introduction -- Ping-Pong and Its Discontents -- Doubles, Rhymes and Groups in Stereo -- Transnational Multiorchestralism -- The Monumental Stereo of Son Et Lumière -- Phonographic Spaces : Circling San Marco, Navigating Niagara -- Open Works Locked into Grooves -- Epilogue</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">An innovative contribution to music history, cultural studies, and sound studies, Avant-garde on Record revisits post-war composers and their technologically oriented brand of musical modernism. It describes how a broad range of figures (including Pierre Boulez, Karlheinz Stockhausen, Henri Pousseur, Toshirō Mayuzumi, Claire Schapira, Anthony Braxton and Gunther Schuller) engaged with avant-garde aesthetics while responding to a rapidly changing, technologically fuelled, spatialized audio culture. Jonathan Goldman focuses on how contemporary listeners understood these composers' works in the golden age of LPs and explores how this reception was mediated through consumer-oriented sound technology that formed a prism through which listeners processed the 'music of their time'. His account reveals unexpected aspects of twentieth-century audio culture: from sonic ping-pong to son et lumière shows, from Venetian choral music by Stravinsky to the soundscape of Niagara Falls, from a Buddhist Cantata to an LP box set cast as a parlour game</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1950-1970</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Electronic music / 20th century / History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Avant-garde (Music) / History / 20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music and technology / History / 20th century</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Avantgarde</subfield><subfield code="0">(DE-588)4133965-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Experimentelle Musik</subfield><subfield code="0">(DE-588)4153365-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Elektronische Musik</subfield><subfield code="0">(DE-588)4014355-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Schallaufzeichnung</subfield><subfield code="0">(DE-588)4052020-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Elektronische Musik</subfield><subfield code="0">(DE-588)4014355-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Experimentelle Musik</subfield><subfield code="0">(DE-588)4153365-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Avantgarde</subfield><subfield code="0">(DE-588)4133965-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Schallaufzeichnung</subfield><subfield code="0">(DE-588)4052020-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte 1950-1970</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-1-009-36339-6</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-1-009-36341-9</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/9781009363433</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-035018055</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781009363433</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781009363433</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV049675131 |
illustrated | Not Illustrated |
indexdate | 2024-11-05T17:01:42Z |
institution | BVB |
isbn | 9781009363433 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035018055 |
oclc_num | 1437849869 |
open_access_boolean | |
owner | DE-12 DE-473 DE-BY-UBG |
owner_facet | DE-12 DE-473 DE-BY-UBG |
physical | 1 Online-Ressource (xv, 317 Seiten) |
psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
publishDate | 2024 |
publishDateSearch | 2024 |
publishDateSort | 2024 |
publisher | Cambridge University Press |
record_format | marc |
series2 | Music since 1900 |
spelling | Goldman, Jonathan 1972- (DE-588)14234205X aut Avant-garde on record musical responses to stereos Jonathan Goldman Cambridge, United Kingdom ; New York, NY Cambridge University Press 2024 1 Online-Ressource (xv, 317 Seiten) txt rdacontent c rdamedia cr rdacarrier Music since 1900 Title from publisher's bibliographic system (viewed on 05 Jan 2024) Introduction -- Ping-Pong and Its Discontents -- Doubles, Rhymes and Groups in Stereo -- Transnational Multiorchestralism -- The Monumental Stereo of Son Et Lumière -- Phonographic Spaces : Circling San Marco, Navigating Niagara -- Open Works Locked into Grooves -- Epilogue An innovative contribution to music history, cultural studies, and sound studies, Avant-garde on Record revisits post-war composers and their technologically oriented brand of musical modernism. It describes how a broad range of figures (including Pierre Boulez, Karlheinz Stockhausen, Henri Pousseur, Toshirō Mayuzumi, Claire Schapira, Anthony Braxton and Gunther Schuller) engaged with avant-garde aesthetics while responding to a rapidly changing, technologically fuelled, spatialized audio culture. Jonathan Goldman focuses on how contemporary listeners understood these composers' works in the golden age of LPs and explores how this reception was mediated through consumer-oriented sound technology that formed a prism through which listeners processed the 'music of their time'. His account reveals unexpected aspects of twentieth-century audio culture: from sonic ping-pong to son et lumière shows, from Venetian choral music by Stravinsky to the soundscape of Niagara Falls, from a Buddhist Cantata to an LP box set cast as a parlour game Geschichte 1950-1970 gnd rswk-swf Electronic music / 20th century / History and criticism Avant-garde (Music) / History / 20th century Music and technology / History / 20th century Avantgarde (DE-588)4133965-4 gnd rswk-swf Experimentelle Musik (DE-588)4153365-3 gnd rswk-swf Elektronische Musik (DE-588)4014355-7 gnd rswk-swf Schallaufzeichnung (DE-588)4052020-1 gnd rswk-swf Elektronische Musik (DE-588)4014355-7 s Experimentelle Musik (DE-588)4153365-3 s Avantgarde (DE-588)4133965-4 s Schallaufzeichnung (DE-588)4052020-1 s Geschichte 1950-1970 z DE-604 Erscheint auch als Druck-Ausgabe 978-1-009-36339-6 Erscheint auch als Druck-Ausgabe 978-1-009-36341-9 https://doi.org/10.1017/9781009363433 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Goldman, Jonathan 1972- Avant-garde on record musical responses to stereos Electronic music / 20th century / History and criticism Avant-garde (Music) / History / 20th century Music and technology / History / 20th century Avantgarde (DE-588)4133965-4 gnd Experimentelle Musik (DE-588)4153365-3 gnd Elektronische Musik (DE-588)4014355-7 gnd Schallaufzeichnung (DE-588)4052020-1 gnd |
subject_GND | (DE-588)4133965-4 (DE-588)4153365-3 (DE-588)4014355-7 (DE-588)4052020-1 |
title | Avant-garde on record musical responses to stereos |
title_auth | Avant-garde on record musical responses to stereos |
title_exact_search | Avant-garde on record musical responses to stereos |
title_full | Avant-garde on record musical responses to stereos Jonathan Goldman |
title_fullStr | Avant-garde on record musical responses to stereos Jonathan Goldman |
title_full_unstemmed | Avant-garde on record musical responses to stereos Jonathan Goldman |
title_short | Avant-garde on record |
title_sort | avant garde on record musical responses to stereos |
title_sub | musical responses to stereos |
topic | Electronic music / 20th century / History and criticism Avant-garde (Music) / History / 20th century Music and technology / History / 20th century Avantgarde (DE-588)4133965-4 gnd Experimentelle Musik (DE-588)4153365-3 gnd Elektronische Musik (DE-588)4014355-7 gnd Schallaufzeichnung (DE-588)4052020-1 gnd |
topic_facet | Electronic music / 20th century / History and criticism Avant-garde (Music) / History / 20th century Music and technology / History / 20th century Avantgarde Experimentelle Musik Elektronische Musik Schallaufzeichnung |
url | https://doi.org/10.1017/9781009363433 |
work_keys_str_mv | AT goldmanjonathan avantgardeonrecordmusicalresponsestostereos |