Globalized queerness: identities and commodities in queer popular culture
"Has a global queer popular culture emerged at the expense of local queer artists? In this book, Helton Levy argues that global queer culture is indebted to specific, local references that artists carry from their early experiences in life, which then become homogenized by contemporary media ma...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2024
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Schriftenreihe: | Library of gender and popular culture
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Schlagworte: | |
Zusammenfassung: | "Has a global queer popular culture emerged at the expense of local queer artists? In this book, Helton Levy argues that global queer culture is indebted to specific, local references that artists carry from their early experiences in life, which then become homogenized by contemporary media markets. The assumption that queer publics live and consume only through a global set of references, including gay parades and rainbow flags, for example, erases many personal complexities. Levy revisits media characters that have caught the attention of the broader public - such as Calamity Jane (1953), the Daffyd Thomas character from the BBC comedy Little Britain (2003-2007), Brazilian drag queen Pabblo Vittar, French singer Christine and the Queens, and the Italian-Egyptian rapper Mahmood - and argues that they have gradually blended in the public's perception. This has often obscured the individual struggles faced by these characters, such as immigration, homophobia, poverty and societal exclusion. Levy also questions what happens when global media flows take queer culture to regions wherein the notion of LGBTQ+ rights are not entirely acceptable. Utilizing insights from media reports published across the world's ten biggest media markets, Levy argues that there are a series of conditions which artists and cultural actors negotiate once they achieve any kind of success in mainstream media, while local queer references remain unseen in the wider media world. For that reason, he argues for stronger incentives for communities to accept and acknowledge the work of queer people before and after commoditization."--Publisher's description |
Beschreibung: | ix, 219 Seiten Illustrationen, Diagramme 23 cm |
ISBN: | 9781350292789 1350292788 |
Internformat
MARC
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520 | 3 | |a "Has a global queer popular culture emerged at the expense of local queer artists? In this book, Helton Levy argues that global queer culture is indebted to specific, local references that artists carry from their early experiences in life, which then become homogenized by contemporary media markets. The assumption that queer publics live and consume only through a global set of references, including gay parades and rainbow flags, for example, erases many personal complexities. Levy revisits media characters that have caught the attention of the broader public - such as Calamity Jane (1953), the Daffyd Thomas character from the BBC comedy Little Britain (2003-2007), Brazilian drag queen Pabblo Vittar, French singer Christine and the Queens, and the Italian-Egyptian rapper Mahmood - and argues that they have gradually blended in the public's perception. This has often obscured the individual struggles faced by these characters, such as immigration, homophobia, poverty and societal exclusion. Levy also questions what happens when global media flows take queer culture to regions wherein the notion of LGBTQ+ rights are not entirely acceptable. Utilizing insights from media reports published across the world's ten biggest media markets, Levy argues that there are a series of conditions which artists and cultural actors negotiate once they achieve any kind of success in mainstream media, while local queer references remain unseen in the wider media world. For that reason, he argues for stronger incentives for communities to accept and acknowledge the work of queer people before and after commoditization."--Publisher's description | |
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653 | 0 | |a Sexual minorities / Identity | |
653 | 0 | |a Commodification / Social aspects | |
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943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035015886 |
Datensatz im Suchindex
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---|---|
adam_text | |
any_adam_object | |
author | Levy, Helton 1983- |
author_GND | (DE-588)1174704454 |
author_facet | Levy, Helton 1983- |
author_role | aut |
author_sort | Levy, Helton 1983- |
author_variant | h l hl |
building | Verbundindex |
bvnumber | BV049672928 |
contents | Introduction: Globally queer? A tale of two worlds -- Commodifying queer culture -- Queer news -- Queer artists -- Trans content creators -- Global platforms, local characters -- Conclusion: From globalized queerness to possible homecomings |
ctrlnum | (OCoLC)1417738242 (DE-599)BVBBV049672928 |
format | Book |
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id | DE-604.BV049672928 |
illustrated | Illustrated |
indexdate | 2024-12-06T09:08:30Z |
institution | BVB |
isbn | 9781350292789 1350292788 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035015886 |
oclc_num | 1417738242 |
open_access_boolean | |
owner | DE-M472 DE-Y2 |
owner_facet | DE-M472 DE-Y2 |
physical | ix, 219 Seiten Illustrationen, Diagramme 23 cm |
publishDate | 2024 |
publishDateSearch | 2024 |
publishDateSort | 2024 |
publisher | Bloomsbury Academic |
record_format | marc |
series2 | Library of gender and popular culture |
spelling | Levy, Helton 1983- Verfasser (DE-588)1174704454 aut Globalized queerness identities and commodities in queer popular culture Helton Levy London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2024 ix, 219 Seiten Illustrationen, Diagramme 23 cm txt rdacontent n rdamedia nc rdacarrier Library of gender and popular culture "Has a global queer popular culture emerged at the expense of local queer artists? In this book, Helton Levy argues that global queer culture is indebted to specific, local references that artists carry from their early experiences in life, which then become homogenized by contemporary media markets. The assumption that queer publics live and consume only through a global set of references, including gay parades and rainbow flags, for example, erases many personal complexities. Levy revisits media characters that have caught the attention of the broader public - such as Calamity Jane (1953), the Daffyd Thomas character from the BBC comedy Little Britain (2003-2007), Brazilian drag queen Pabblo Vittar, French singer Christine and the Queens, and the Italian-Egyptian rapper Mahmood - and argues that they have gradually blended in the public's perception. This has often obscured the individual struggles faced by these characters, such as immigration, homophobia, poverty and societal exclusion. Levy also questions what happens when global media flows take queer culture to regions wherein the notion of LGBTQ+ rights are not entirely acceptable. Utilizing insights from media reports published across the world's ten biggest media markets, Levy argues that there are a series of conditions which artists and cultural actors negotiate once they achieve any kind of success in mainstream media, while local queer references remain unseen in the wider media world. For that reason, he argues for stronger incentives for communities to accept and acknowledge the work of queer people before and after commoditization."--Publisher's description Massenkultur (DE-588)4125858-7 gnd rswk-swf LGBT (DE-588)7705503-2 gnd rswk-swf Sexual minority culture Sexual minorities / Identity Commodification / Social aspects Culture des minorités sexuelles Minorités sexuelles / Identité Marchandisation / Aspect social LGBT (DE-588)7705503-2 s Massenkultur (DE-588)4125858-7 s DE-604 Erscheint auch als Online-Ausgabe, PDF 978-1-350-29280-2 Erscheint auch als Online-Ausgabe, EPUB 978-1-350-29279-6 |
spellingShingle | Levy, Helton 1983- Globalized queerness identities and commodities in queer popular culture Introduction: Globally queer? A tale of two worlds -- Commodifying queer culture -- Queer news -- Queer artists -- Trans content creators -- Global platforms, local characters -- Conclusion: From globalized queerness to possible homecomings Massenkultur (DE-588)4125858-7 gnd LGBT (DE-588)7705503-2 gnd |
subject_GND | (DE-588)4125858-7 (DE-588)7705503-2 |
title | Globalized queerness identities and commodities in queer popular culture |
title_auth | Globalized queerness identities and commodities in queer popular culture |
title_exact_search | Globalized queerness identities and commodities in queer popular culture |
title_full | Globalized queerness identities and commodities in queer popular culture Helton Levy |
title_fullStr | Globalized queerness identities and commodities in queer popular culture Helton Levy |
title_full_unstemmed | Globalized queerness identities and commodities in queer popular culture Helton Levy |
title_short | Globalized queerness |
title_sort | globalized queerness identities and commodities in queer popular culture |
title_sub | identities and commodities in queer popular culture |
topic | Massenkultur (DE-588)4125858-7 gnd LGBT (DE-588)7705503-2 gnd |
topic_facet | Massenkultur LGBT |
work_keys_str_mv | AT levyhelton globalizedqueernessidentitiesandcommoditiesinqueerpopularculture |