Sleep No More and the discourses of Shakespeare performance:
This Element focuses on Sleep No More, theatre adaptation of Macbeth produced by the British company Punchdrunk. This Element frames the Shakespeare adaptation as part of a system of ghostly citationality through which audiences understand the significance of the past in performances today. Hopkins...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2024
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| Schriftenreihe: | Cambridge elements
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| Schlagworte: | |
| Online-Zugang: | DE-12 DE-473 Volltext |
| Zusammenfassung: | This Element focuses on Sleep No More, theatre adaptation of Macbeth produced by the British company Punchdrunk. This Element frames the Shakespeare adaptation as part of a system of ghostly citationality through which audiences understand the significance of the past in performances today. Hopkins introduces the concept of "uncanny spectatorship" to describe audience practice in Sleep No More and other performance contexts. The Element positions experiences like Sleep No More as forms of critical inquiry, and, despite its seemingly analog format, Sleep No More is discussed as a valuable site for media research. Ultimately, Sleep No More and the Discourses of Shakespeare Performance Sleep No More offers an opportunity to explore a set of concepts that are significant to the subject of Shakespeare Performance and to consider the ways in which audiences interact with bodies, spaces, text, and media |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 01 Feb 2024) |
| Beschreibung: | 1 Online-Ressource (98 Seiten) |
| ISBN: | 9781009436908 |
| DOI: | 10.1017/9781009436908 |
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| 520 | |a This Element focuses on Sleep No More, theatre adaptation of Macbeth produced by the British company Punchdrunk. This Element frames the Shakespeare adaptation as part of a system of ghostly citationality through which audiences understand the significance of the past in performances today. Hopkins introduces the concept of "uncanny spectatorship" to describe audience practice in Sleep No More and other performance contexts. The Element positions experiences like Sleep No More as forms of critical inquiry, and, despite its seemingly analog format, Sleep No More is discussed as a valuable site for media research. Ultimately, Sleep No More and the Discourses of Shakespeare Performance Sleep No More offers an opportunity to explore a set of concepts that are significant to the subject of Shakespeare Performance and to consider the ways in which audiences interact with bodies, spaces, text, and media | ||
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Datensatz im Suchindex
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| author | Hopkins, D. J. ca. 20. Jh |
| author_GND | (DE-588)1300575670 |
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| author_sort | Hopkins, D. J. ca. 20. Jh |
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| building | Verbundindex |
| bvnumber | BV049670985 |
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| ctrlnum | (ZDB-20-CBO)CR9781009436908 (OCoLC)1437857038 (DE-599)BVBBV049670985 |
| dewey-full | 822.33 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
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| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| doi_str_mv | 10.1017/9781009436908 |
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| id | DE-604.BV049670985 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-20T07:29:51Z |
| institution | BVB |
| isbn | 9781009436908 |
| language | English |
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| publisher | Cambridge University Press |
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| spelling | Hopkins, D. J. ca. 20. Jh. (DE-588)1300575670 aut Sleep No More and the discourses of Shakespeare performance D. J. Hopkins Cambridge Cambridge University Press 2024 1 Online-Ressource (98 Seiten) txt rdacontent c rdamedia cr rdacarrier Cambridge elements Title from publisher's bibliographic system (viewed on 01 Feb 2024) This Element focuses on Sleep No More, theatre adaptation of Macbeth produced by the British company Punchdrunk. This Element frames the Shakespeare adaptation as part of a system of ghostly citationality through which audiences understand the significance of the past in performances today. Hopkins introduces the concept of "uncanny spectatorship" to describe audience practice in Sleep No More and other performance contexts. The Element positions experiences like Sleep No More as forms of critical inquiry, and, despite its seemingly analog format, Sleep No More is discussed as a valuable site for media research. Ultimately, Sleep No More and the Discourses of Shakespeare Performance Sleep No More offers an opportunity to explore a set of concepts that are significant to the subject of Shakespeare Performance and to consider the ways in which audiences interact with bodies, spaces, text, and media Shakespeare, William / 1564-1616 / Macbeth Shakespeare, William / 1564-1616 / Adaptations Shakespeare, William / 1564-1616 / Criticism and interpretation Erscheint auch als Druck-Ausgabe 978-1-009-43689-2 https://doi.org/10.1017/9781009436908 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Hopkins, D. J. ca. 20. Jh Sleep No More and the discourses of Shakespeare performance Shakespeare, William / 1564-1616 / Macbeth Shakespeare, William / 1564-1616 / Adaptations Shakespeare, William / 1564-1616 / Criticism and interpretation |
| title | Sleep No More and the discourses of Shakespeare performance |
| title_auth | Sleep No More and the discourses of Shakespeare performance |
| title_exact_search | Sleep No More and the discourses of Shakespeare performance |
| title_full | Sleep No More and the discourses of Shakespeare performance D. J. Hopkins |
| title_fullStr | Sleep No More and the discourses of Shakespeare performance D. J. Hopkins |
| title_full_unstemmed | Sleep No More and the discourses of Shakespeare performance D. J. Hopkins |
| title_short | Sleep No More and the discourses of Shakespeare performance |
| title_sort | sleep no more and the discourses of shakespeare performance |
| topic | Shakespeare, William / 1564-1616 / Macbeth Shakespeare, William / 1564-1616 / Adaptations Shakespeare, William / 1564-1616 / Criticism and interpretation |
| topic_facet | Shakespeare, William / 1564-1616 / Macbeth Shakespeare, William / 1564-1616 / Adaptations Shakespeare, William / 1564-1616 / Criticism and interpretation |
| url | https://doi.org/10.1017/9781009436908 |
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