Antony and Cleopatra:
"This volume offers, in separate sections, both critical opinions about Antony and Cleopatra across the centuries and an evaluation of their positions within, and their impact on, the reception of the play. The chronological arrangement of the text-excerpts engages the readers in a direct and u...
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| Weitere Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
The Arden Shakespeare
2024
|
| Schriftenreihe: | Shakespeare: the critical tradition
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "This volume offers, in separate sections, both critical opinions about Antony and Cleopatra across the centuries and an evaluation of their positions within, and their impact on, the reception of the play. The chronological arrangement of the text-excerpts engages the readers in a direct and unbiased dialogue, whereas the introduction provides a critical evaluation from a current stance, including modern theories and methods. This volume makes a major contribution to our understanding of the play and of the traditions of Shakespearean criticism surrounding it as they have developed from century to century." |
| Beschreibung: | xvi, 488 Seiten |
| ISBN: | 9781474257008 |
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Datensatz im Suchindex
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Contents General editor’s preface xi General editors’ preface to the revised series xiv Acknowledgements xv 1 Introduction 1 Richard Brathwait, virtue destroyed by vanity, 1631 73 2 John Cleveland, Antony: lyrical and satirical, 1647 75 3 4 Alexander Pope (Baldassare Castiglione), Cleopatra vindicating herself, 1710 Lewis Theobald, commenting before editing, 1729-31 77 80 5 Samuel Johnson, defending the absence of the unities, 1765 89 6 Edward Capell, puzzles in the text solved, 1774 92 7 Elizabeth Griffith, vices and virtues combined, 1775 96 8 Francis Gentleman, a double moral inferred, 1776 101 9 Ulrich Bräker,‘moved deeply’by the‘splendid pair’, c. 1780 104 10 Thomas Davies, the protagonists: ‘wild and irregular’, 1783 106 11 John Monck Mason, explaining textual obscurities, 1785 109 12 Edmond Malone, the Roman plays: chronology and grouping, 1790 112 13 Walter Whiter, art and literature: Cleopatra’s majesty, 1794 114 14 E. H. Seymour, metre and metaphor, 1805 116 15 FrancisDouce, ancient customs and beliefs, 1807 120 16 Elizabeth Inchbald, kings and queens: ‘part of the human species’,1808 123 17 August Wilhelm von Schlegel, ‘apparent artlessness’ with an ‘uncommon 18 degree of art’, 1808 Johann Wolfgang von Goethe, more ‘spiritual truth’ than ‘spectacular action’, 1815 125 127 19 Nathan Drake, ‘multiplicity of incidents’, 1817 129 20 William Hazlitt, ‘extreme magnificence’ and ‘extreme suffering’, 1817 131 21 Samuel Taylor Coleridge, ‘by far the most wonderful historical play,c. 1818 135 22 Augustine Skottowe, Cleopatra’s ‘depravity’: ‘congenial to Antony’s nature’,
1824 23 HartleyColeridge,‘detaining the action’, 1828 137 141 24 Annajameson, history‘purified and brightened’, 1832 143 25 George Daniel, Tost in the absorbing interest of the action’, 1833 149
viii Contents 26 Heinrich Heine, Cleopatra, a‘kept queen, 1838 152 27 Charles Knight, Antony: loving‘imaginatively, 1838 156 28 Hermann Ulrici, the victory of‘semi-virtues’, 1839 29 W. J· Birch, a‘eulogy of self-slaughter’, 1848 30 Anon. (Frasers Magazine), Cleopatra’s ‘vulgarity’, 1849 31 G. G. Gervinus, Antony’s ‘struggle between political duty and immoral 164 169 passion’, 1849-50 32 H. N. Hudson, the poet’s ‘invisible presence’, 1855 175 180 33 William Watkiss Lloyd, the spectators as ‘accomplices’, 1856 34 Charles Bathurst, looseness of subject matter and verse, 1857 35 Charles Cowden Clarke, characterization ‘in contrast’, 1863 36 Gustav Freytag, a defective third act, 1863 37 James Orchard Halliwell-Phillipps, ‘a wonderful drama’ transmitted in a 183 186 188 195 ‘somewhat imperfect state’, 1865 38 John A. Heraud, ‘infinit/ oflove: pathetic and sublime, 1865 197 199 39 40 41 42 43 44 H. T. Hall, settling for failures in the theatre, 1873 Edward Dowden, ‘the deeper intoxication of middle age’, 1875 N. Delius, epic elements, 1875-6 Algernon Charles Swinburne, ‘the perfect and the everlasting woman’, 1876 Paul Stapfer, the most humorous scene in all of Shakespeare, 1879 Μ. Leigh-Noel Elliott, Charmian and Iras: ‘quick-witted’ and ‘true to the last’, 1885 45 Hiram Corson, showing and telling: directing the audience’s sympathies, 1889 219 46 Martin Wright Sampson, metrical irregularities as ‘virtues’,1889 47 Anon. (Punch), Cleopatra’s death: the only scene worth seeing,1890 48 S. E. Peart, understanding Antony’s dotage, 1892 49 George Brandes, Shakespeare’s life reflected,
1895-6 50 Frederick S. Boas, not love, but ‘amorous rivalry’, 1896 51 Bernard Shaw, Shakespeare for the ear or comedy and tragedy confused, 1897 52 Gamaliel Bradford, Jr., Cleopatra: ‘impenetrable’ and without competition, 1898 53 Bernard Shaw, not the stuff for tragedy, 1900 54 Richard G. Moulton, ‘antithesis of the world without and the world within’, 1903 55 J. J. Jusserand, the ‘horror’ of a fall, 1904 56 Herbert Beerbohm Tree, preparing the text for the stage, 1906 161 202 204 208 210 212 215 223 227 229 232 236 240 243 247 249 253 255
Contents ix R. H. Case, Cleopatra’s motives reconsidered, 1906 257 58 A. C. Bradley, an untypical tragedy, 1906 260 59 Sidney Lee, ‘adding dramatic variety’: Octavius, Octavia, Lepidus, 57 60 61 Enobarbus, 1907 265 E. K. Chambers, from gallant adventures’ to ‘magnificent dirge’, 1907 269 Anon. (The New York Times'), ‘a play that defies adequate translation to the theatre’, 1909 271 62 Rosa Grindon, Antony’s three women, 1909 273 63 Frank Harris, Shakespeare’s revenge, 1909 277 64 August Strindberg, an ‘infernal or hellish love’, 1909 281 65 Μ. W. MacCallum, Shakespeare’s ‘story of Enobarbus’, 1910 284 66 Henry David Gray, amending Antony’s triple falseness: a textual transposition, 1917 290 67 Levin L. Schücking, signs of‘careless workmanship’, 1919 294 68 С. T. Winchester, ‘coming under the fascination of Cleopatra’, 1920 298 69 Benedetto Croce, a ‘tragedy of the will’, 1920 300 70 Arthur Quiller-Couch, description transformed: ’men and women in action’, 1922 303 71 Agnes Mure Mackenzie, Octavia vs Cleopatra, 1924 309 72 Albert H. Tolman, Dolabella: Cleopatra’s last conquest, 1925 313 73 Lucie Simpson, Cleopatra, ‘the most human of women’, 1928 315 74 Harley Granville-Barker, Shakespeare’s stagecraft: turning ‘limitations to account’, 1930 319 75 G. Wilson Knight, ‘the divine and the satanic’, 1931 323 76 John W. Draper, Roman and Egyptian realism, 1933 326 77 Arthur Colby Sprague, the‘running commentary’of Enobarbus, 1935 329 78 Caroline E E. Spurgeon, ‘so vast a scale’, 1935 333 79 F. R. Leavis,‘making language create and enact’, 1936 338 80 John Middleton Murry, royalty
and loyalty created by the ‘magic of poetry’, 1936 81 82 83 affections’, 1937 348 Edgar I. Fripp, Cleopatra’s (biblical)'Egyptian-ness; 1938 350 James Emerson Phillips, Jr., illustrations of Renaissance political theory, 1940 84 85 342 Kenneth Muir and Sean O’Loughlin, ‘synthesis of the desires and the 354 Elkin Calhoun Wilson, Enobarbus, ‘between pure comedy and high tragedy’, 1948 358 W. K. Wimsatt, Jr., ‘bad subject’ and ‘good literature’, 1948 362
Contents X 86 John E Danby, cinematic movement’ and ‘rapid impressionism’, 1949 365 87 Donald A. Stauffer, a ‘marriage of true minds’, 1949 367 88 John Dover Wilson, Cleopatra: converting legend and history, 1950 370 89 Harold C. Goddard, experiential analogies with Othello and King Lear, 1951 374 Notes 377 A select bibliography 442 Permissions 468 Index 470 |
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| spelling | Antony and Cleopatra edited by Marga Munkelt London ; New York ; Oxford ; New Delhi ; Sydney The Arden Shakespeare 2024 xvi, 488 Seiten txt rdacontent n rdamedia nc rdacarrier Shakespeare: the critical tradition "This volume offers, in separate sections, both critical opinions about Antony and Cleopatra across the centuries and an evaluation of their positions within, and their impact on, the reception of the play. The chronological arrangement of the text-excerpts engages the readers in a direct and unbiased dialogue, whereas the introduction provides a critical evaluation from a current stance, including modern theories and methods. This volume makes a major contribution to our understanding of the play and of the traditions of Shakespearean criticism surrounding it as they have developed from century to century." Shakespeare, William 1564-1616 Antony and Cleopatra (DE-588)4099345-0 gnd rswk-swf Geschichte 1631-1951 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Shakespeare, William / 1564-1616 / Antony and Cleopatra Antonius, Marcus / 83 B.C.?-30 B.C. / In literature Cleopatra / Queen of Egypt / -30 B.C. / In literature Literary criticism Antonius, Marcus / 83 B.C.?-30 B.C. Cleopatra / Queen of Egypt / -30 B.C. Antony and Cleopatra (Shakespeare, William) Literature (DE-588)4135952-5 Quelle gnd-content Römische Republik, 44 - 31 v. Chr. (Triumviralzeit) (DE-2581)TH000003832 gbd Spätere Republik (201 - 44 v. Chr.) (DE-2581)TH000003796 gbd William Shakespeare (1564 - 1616) (DE-2581)TH000005455 gbd Kleopatra VII. Philopator (DE-2581)TH000003677 gbd Marcus Antonius (Triumviralzeit) (DE-2581)TH000003833 gbd Shakespeare, William 1564-1616 Antony and Cleopatra (DE-588)4099345-0 u Rezeption (DE-588)4049716-1 s Geschichte 1631-1951 z DE-604 Munkelt, Marga (DE-588)1032415088 edt Erscheint auch als Online-Ausgabe 978-1-3501-6490-1 Erscheint auch als Online-Ausgabe, PDF 978-1-3503-2143-4 Erscheint auch als Online-Ausgabe, EPUB 978-1-3503-2144-1 Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035013980&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| volume_link | (DE-604)BV048582036 |
| work_keys_str_mv | AT munkeltmarga antonyandcleopatra |