Competing Germanies: Nazi, Antifascist, and Jewish Theater in German Argentina, 1933-1965
Following World War II, German antifascists and nationalists in Buenos Aires believed theater was crucial to their highly politicized efforts at community-building, and each population devoted considerable resources to competing against its rival onstage. Competing Germanies tracks the paths of seve...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Ithaca, NY
Cornell University Press
[2020]
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| Schriftenreihe: | Signale: Modern German Letters, Cultures, and Thought
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FKE01 FLA01 UPA01 FHA01 UBG01 Volltext |
| Zusammenfassung: | Following World War II, German antifascists and nationalists in Buenos Aires believed theater was crucial to their highly politicized efforts at community-building, and each population devoted considerable resources to competing against its rival onstage. Competing Germanies tracks the paths of several stage actors from European theaters to Buenos Aires and explores how two of Argentina's most influential immigrant groups, German nationalists and antifascists (Jewish and non-Jewish), clashed on the city's stages. Covered widely in German- and Spanish-language media, theatrical performances articulated strident Nazi, antifascist, and Zionist platforms. Meanwhile, as their thespian representatives grappled onstage for political leverage among emigrants and Argentines, behind the curtain, conflicts simmered within partisan institutions and among theatergoers. Publicly they projected unity, but offstage nationalist, antifascist, and Zionist populations were rife with infighting on issues of political allegiance, cultural identity and, especially, integration with their Argentine hosts.Competing Germanies reveals interchange and even mimicry between antifascist and nationalist German cultural institutions. Furthermore, performances at both theaters also fit into contemporary invocations of diasporas, including taboos and postponements of return to the native country, connections among multiple communities, and forms of longing, memory, and (dis)identification. Sharply divergent at first glance, their shared condition as cultural institutions of emigrant populations caused the antifascist Free German Stage and the nationalist German Theater to adopt parallel tactics in community-building, intercultural relationships, and dramatic performance.Its cross-cultural, polyglot blend of German, Jewish, and Latin American studies gives Competing Germanies a wide, interdisciplinary academic appeal and offers a novel intervention in Exile studies through the lens of theater, in which both victims of Nazism and its adherents remain in focus |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2024) |
| Beschreibung: | 1 Online-Ressource (372 Seiten) 10 b&w halftones |
| ISBN: | 9781501739873 |
| DOI: | 10.1515/9781501739873 |
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| 520 | |a Publicly they projected unity, but offstage nationalist, antifascist, and Zionist populations were rife with infighting on issues of political allegiance, cultural identity and, especially, integration with their Argentine hosts.Competing Germanies reveals interchange and even mimicry between antifascist and nationalist German cultural institutions. Furthermore, performances at both theaters also fit into contemporary invocations of diasporas, including taboos and postponements of return to the native country, connections among multiple communities, and forms of longing, memory, and (dis)identification. | ||
| 520 | |a Sharply divergent at first glance, their shared condition as cultural institutions of emigrant populations caused the antifascist Free German Stage and the nationalist German Theater to adopt parallel tactics in community-building, intercultural relationships, and dramatic performance.Its cross-cultural, polyglot blend of German, Jewish, and Latin American studies gives Competing Germanies a wide, interdisciplinary academic appeal and offers a novel intervention in Exile studies through the lens of theater, in which both victims of Nazism and its adherents remain in focus | ||
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| format | Electronic eBook |
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| spelling | Kelz, Robert Verfasser aut Competing Germanies Nazi, Antifascist, and Jewish Theater in German Argentina, 1933-1965 Robert Kelz Ithaca, NY Cornell University Press [2020] © 2020 1 Online-Ressource (372 Seiten) 10 b&w halftones txt rdacontent c rdamedia cr rdacarrier Signale: Modern German Letters, Cultures, and Thought Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2024) Following World War II, German antifascists and nationalists in Buenos Aires believed theater was crucial to their highly politicized efforts at community-building, and each population devoted considerable resources to competing against its rival onstage. Competing Germanies tracks the paths of several stage actors from European theaters to Buenos Aires and explores how two of Argentina's most influential immigrant groups, German nationalists and antifascists (Jewish and non-Jewish), clashed on the city's stages. Covered widely in German- and Spanish-language media, theatrical performances articulated strident Nazi, antifascist, and Zionist platforms. Meanwhile, as their thespian representatives grappled onstage for political leverage among emigrants and Argentines, behind the curtain, conflicts simmered within partisan institutions and among theatergoers. Publicly they projected unity, but offstage nationalist, antifascist, and Zionist populations were rife with infighting on issues of political allegiance, cultural identity and, especially, integration with their Argentine hosts.Competing Germanies reveals interchange and even mimicry between antifascist and nationalist German cultural institutions. Furthermore, performances at both theaters also fit into contemporary invocations of diasporas, including taboos and postponements of return to the native country, connections among multiple communities, and forms of longing, memory, and (dis)identification. Sharply divergent at first glance, their shared condition as cultural institutions of emigrant populations caused the antifascist Free German Stage and the nationalist German Theater to adopt parallel tactics in community-building, intercultural relationships, and dramatic performance.Its cross-cultural, polyglot blend of German, Jewish, and Latin American studies gives Competing Germanies a wide, interdisciplinary academic appeal and offers a novel intervention in Exile studies through the lens of theater, in which both victims of Nazism and its adherents remain in focus In English German Studies History Performing Arts & Drama LITERARY CRITICISM / European / German bisacsh Ethnic theater Argentina History 20th century German drama 20th century History and criticism Germans Argentina History 20th century Jewish theater Argentina History 20th century National socialism and theater Argentina History https://doi.org/10.1515/9781501739873?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Kelz, Robert Competing Germanies Nazi, Antifascist, and Jewish Theater in German Argentina, 1933-1965 German Studies History Performing Arts & Drama LITERARY CRITICISM / European / German bisacsh Ethnic theater Argentina History 20th century German drama 20th century History and criticism Germans Argentina History 20th century Jewish theater Argentina History 20th century National socialism and theater Argentina History |
| title | Competing Germanies Nazi, Antifascist, and Jewish Theater in German Argentina, 1933-1965 |
| title_auth | Competing Germanies Nazi, Antifascist, and Jewish Theater in German Argentina, 1933-1965 |
| title_exact_search | Competing Germanies Nazi, Antifascist, and Jewish Theater in German Argentina, 1933-1965 |
| title_full | Competing Germanies Nazi, Antifascist, and Jewish Theater in German Argentina, 1933-1965 Robert Kelz |
| title_fullStr | Competing Germanies Nazi, Antifascist, and Jewish Theater in German Argentina, 1933-1965 Robert Kelz |
| title_full_unstemmed | Competing Germanies Nazi, Antifascist, and Jewish Theater in German Argentina, 1933-1965 Robert Kelz |
| title_short | Competing Germanies |
| title_sort | competing germanies nazi antifascist and jewish theater in german argentina 1933 1965 |
| title_sub | Nazi, Antifascist, and Jewish Theater in German Argentina, 1933-1965 |
| topic | German Studies History Performing Arts & Drama LITERARY CRITICISM / European / German bisacsh Ethnic theater Argentina History 20th century German drama 20th century History and criticism Germans Argentina History 20th century Jewish theater Argentina History 20th century National socialism and theater Argentina History |
| topic_facet | German Studies History Performing Arts & Drama LITERARY CRITICISM / European / German Ethnic theater Argentina History 20th century German drama 20th century History and criticism Germans Argentina History 20th century Jewish theater Argentina History 20th century National socialism and theater Argentina History |
| url | https://doi.org/10.1515/9781501739873?locatt=mode:legacy |
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