Ethnographic returns: memory processes and archive film
In the past decades cultural heritage stored at museums and archives has been returned to source communities in various forms and under diverse circumstances. This contribution to the Elements series explores and discusses specifically the return of digital 'ethnographic' images to indigen...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Cambridge
Cambridge University Press
2021
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Schriftenreihe: | Cambridge elements. Elements in critical heritage studies
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Schlagworte: | |
Zusammenfassung: | In the past decades cultural heritage stored at museums and archives has been returned to source communities in various forms and under diverse circumstances. This contribution to the Elements series explores and discusses specifically the return of digital 'ethnographic' images to indigenous and non indigenous people that share a common recent history of coexistence and dispute over the same territory that is to be understood in the light of the consolidation of a Nation State with a settler colonial logic. The author argues that the affective reception of what a given archive labels as tangible and intangible heritage varies according to each audience's particular memory practices, historical experience and way of relating to shared hegemonic notions of 'whiteness' and 'indigeneity' |
Beschreibung: | Title from publisher's bibliographic system (viewed on 27 Aug 2021) |
Beschreibung: | 72 Seiten |
ISBN: | 9781108823425 |
Internformat
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490 | 0 | |a Cambridge elements. Elements in critical heritage studies | |
500 | |a Title from publisher's bibliographic system (viewed on 27 Aug 2021) | ||
520 | |a In the past decades cultural heritage stored at museums and archives has been returned to source communities in various forms and under diverse circumstances. This contribution to the Elements series explores and discusses specifically the return of digital 'ethnographic' images to indigenous and non indigenous people that share a common recent history of coexistence and dispute over the same territory that is to be understood in the light of the consolidation of a Nation State with a settler colonial logic. The author argues that the affective reception of what a given archive labels as tangible and intangible heritage varies according to each audience's particular memory practices, historical experience and way of relating to shared hegemonic notions of 'whiteness' and 'indigeneity' | ||
650 | 4 | |a Photography in ethnology | |
650 | 4 | |a Ethnic barriers | |
650 | 4 | |a Museums and indigenous peoples | |
650 | 4 | |a Collective memory | |
650 | 4 | |a Group identity | |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-108-91408-6 |
Datensatz im Suchindex
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adam_text | |
any_adam_object | |
author | Gustavsson, Anne ca. 20./21. Jh |
author_GND | (DE-588)1242300139 |
author_facet | Gustavsson, Anne ca. 20./21. Jh |
author_role | aut |
author_sort | Gustavsson, Anne ca. 20./21. Jh |
author_variant | a g ag |
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dewey-search | 301 |
dewey-sort | 3301 |
dewey-tens | 300 - Social sciences |
discipline | Soziologie |
format | Book |
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illustrated | Not Illustrated |
indexdate | 2024-07-20T07:54:53Z |
institution | BVB |
isbn | 9781108823425 |
language | English |
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series2 | Cambridge elements. Elements in critical heritage studies |
spelling | Gustavsson, Anne ca. 20./21. Jh. (DE-588)1242300139 aut Ethnographic returns memory processes and archive film Anne Gustavsson Cambridge Cambridge University Press 2021 72 Seiten txt rdacontent n rdamedia nc rdacarrier Cambridge elements. Elements in critical heritage studies Title from publisher's bibliographic system (viewed on 27 Aug 2021) In the past decades cultural heritage stored at museums and archives has been returned to source communities in various forms and under diverse circumstances. This contribution to the Elements series explores and discusses specifically the return of digital 'ethnographic' images to indigenous and non indigenous people that share a common recent history of coexistence and dispute over the same territory that is to be understood in the light of the consolidation of a Nation State with a settler colonial logic. The author argues that the affective reception of what a given archive labels as tangible and intangible heritage varies according to each audience's particular memory practices, historical experience and way of relating to shared hegemonic notions of 'whiteness' and 'indigeneity' Photography in ethnology Ethnic barriers Museums and indigenous peoples Collective memory Group identity Erscheint auch als Online-Ausgabe 978-1-108-91408-6 |
spellingShingle | Gustavsson, Anne ca. 20./21. Jh Ethnographic returns memory processes and archive film Photography in ethnology Ethnic barriers Museums and indigenous peoples Collective memory Group identity |
title | Ethnographic returns memory processes and archive film |
title_auth | Ethnographic returns memory processes and archive film |
title_exact_search | Ethnographic returns memory processes and archive film |
title_full | Ethnographic returns memory processes and archive film Anne Gustavsson |
title_fullStr | Ethnographic returns memory processes and archive film Anne Gustavsson |
title_full_unstemmed | Ethnographic returns memory processes and archive film Anne Gustavsson |
title_short | Ethnographic returns |
title_sort | ethnographic returns memory processes and archive film |
title_sub | memory processes and archive film |
topic | Photography in ethnology Ethnic barriers Museums and indigenous peoples Collective memory Group identity |
topic_facet | Photography in ethnology Ethnic barriers Museums and indigenous peoples Collective memory Group identity |
work_keys_str_mv | AT gustavssonanne ethnographicreturnsmemoryprocessesandarchivefilm |