Said on opera:
"In May of 1997 Edward W. Said delivered the Empson Lectures at Cambridge University under the title "Authority and Transgression in Opera." He planned to publish the lectures with Cambridge but never finished the manuscript. Some portions of the lectures were published in journals, a...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | , |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Columbia University Press
[2024]
|
| Schlagworte: | |
| Zusammenfassung: | "In May of 1997 Edward W. Said delivered the Empson Lectures at Cambridge University under the title "Authority and Transgression in Opera." He planned to publish the lectures with Cambridge but never finished the manuscript. Some portions of the lectures were published in journals, about 20 years ago.The lecture typescripts are preserved in the Edward W. Said Papers at Columbia. The Edward W. Said Estate and Wouter Capitain have collaborated on the proposal for this book. The typescripts require minor editing, and an introduction, which Capitain plans to write. The introduction will explain the background of the lectures and position the book within Said's work on music and postcolonial theory. In four case studies on Cosi fan tutte, Fidelio, Les Troyens, and Die Meistersinger, Said deftly renders these operas more problematic and interesting than they have come to seem, thanks to his attention to both the works' historical context and the political possibilities open to contemporary interpreters. He questions the extent to which these operas are predetermined by the "authority" of their historical context, or whether they instead "transgress" their initial context and maintain their agency within contemporary society. These questions are central to Said's work at large, including in The World, The Text, and the Critic (1983), Culture and Imperialism (1993), and Humanism and Democratic Criticism (CUP 2004), which analyzes the political context of the arts while also arguing that artworks can occupy a relatively autonomous and potentially subversive position within society. "Authority and Transgression in Opera" foregrounds these questions about art and society, perhaps more than any of his other books. Said analyzes how these operas negotiate the power structures in which they operate by mirroring their historical social position to the portrayal of authority and transgression in the works themselves. He argues that the historical themes in these operas remain relevant today, and he appreciates stagings that highlight the contemporary resonances in these works"-- |
| Beschreibung: | xxxv, 119 Seiten 22 cm |
| ISBN: | 9780231212014 9780231212007 |
Internformat
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| 505 | 8 | |a Edward Said's inner music / by Peter Sellars -- Così fan tutte at the Limits -- Fidelio's Difficulties with the Past -- Les Troyens and the Obligation to Empire -- Creation and Coherence in Die Meistersinger | |
| 520 | 3 | |a "In May of 1997 Edward W. Said delivered the Empson Lectures at Cambridge University under the title "Authority and Transgression in Opera." He planned to publish the lectures with Cambridge but never finished the manuscript. Some portions of the lectures were published in journals, about 20 years ago.The lecture typescripts are preserved in the Edward W. Said Papers at Columbia. The Edward W. Said Estate and Wouter Capitain have collaborated on the proposal for this book. The typescripts require minor editing, and an introduction, which Capitain plans to write. The introduction will explain the background of the lectures and position the book within Said's work on music and postcolonial theory. | |
| 520 | 3 | |a In four case studies on Cosi fan tutte, Fidelio, Les Troyens, and Die Meistersinger, Said deftly renders these operas more problematic and interesting than they have come to seem, thanks to his attention to both the works' historical context and the political possibilities open to contemporary interpreters. He questions the extent to which these operas are predetermined by the "authority" of their historical context, or whether they instead "transgress" their initial context and maintain their agency within contemporary society. These questions are central to Said's work at large, including in The World, The Text, and the Critic (1983), Culture and Imperialism (1993), and Humanism and Democratic Criticism (CUP 2004), which analyzes the political context of the arts while also arguing that artworks can occupy a relatively autonomous and potentially subversive position within society. | |
| 520 | 3 | |a "Authority and Transgression in Opera" foregrounds these questions about art and society, perhaps more than any of his other books. Said analyzes how these operas negotiate the power structures in which they operate by mirroring their historical social position to the portrayal of authority and transgression in the works themselves. He argues that the historical themes in these operas remain relevant today, and he appreciates stagings that highlight the contemporary resonances in these works"-- | |
| 600 | 1 | 7 | |a Wagner, Richard |d 1813-1883 |t Die Meistersinger von Nürnberg |0 (DE-588)300170084 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Beethoven, Ludwig van |d 1770-1827 |t Fidelio |0 (DE-588)300015194 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Berlioz, Hector |d 1803-1869 |t Les Troyens |0 (DE-588)300019459 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Mozart, Wolfgang Amadeus |d 1756-1791 |t Così fan tutte |0 (DE-588)300107331 |2 gnd |9 rswk-swf |
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| 653 | 1 | |a Beethoven, Ludwig van / 1770-1827 / Fidelio / (1814) | |
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| 653 | 1 | |a Wagner, Richard / 1813-1883 / Meistersinger von Nürnberg | |
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Datensatz im Suchindex
| _version_ | 1808229318478790656 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Said, Edward W. 1935-2003 |
| author2 | Capitain, Wouter Sellars, Peter 1957- |
| author2_role | edt aui |
| author2_variant | w c wc p s ps |
| author_GND | (DE-588)119174308 (DE-588)1176208411 (DE-588)119325276 |
| author_facet | Said, Edward W. 1935-2003 Capitain, Wouter Sellars, Peter 1957- |
| author_role | aut |
| author_sort | Said, Edward W. 1935-2003 |
| author_variant | e w s ew ews |
| building | Verbundindex |
| bvnumber | BV049666542 |
| classification_rvk | CI 6644 |
| contents | Edward Said's inner music / by Peter Sellars -- Così fan tutte at the Limits -- Fidelio's Difficulties with the Past -- Les Troyens and the Obligation to Empire -- Creation and Coherence in Die Meistersinger |
| ctrlnum | (OCoLC)1435172050 (DE-599)BVBBV049666542 |
| discipline | Philosophie |
| format | Book |
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| id | DE-604.BV049666542 |
| illustrated | Not Illustrated |
| indexdate | 2024-08-24T01:10:58Z |
| institution | BVB |
| isbn | 9780231212014 9780231212007 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035009643 |
| oclc_num | 1435172050 |
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| owner | DE-703 DE-20 |
| owner_facet | DE-703 DE-20 |
| physical | xxxv, 119 Seiten 22 cm |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Columbia University Press |
| record_format | marc |
| spelling | Said, Edward W. 1935-2003 Verfasser (DE-588)119174308 aut Said on opera Edward W. Said ; edited by Wouter Capitain ; foreword by Peter Sellars New York Columbia University Press [2024] xxxv, 119 Seiten 22 cm txt rdacontent n rdamedia nc rdacarrier Edward Said's inner music / by Peter Sellars -- Così fan tutte at the Limits -- Fidelio's Difficulties with the Past -- Les Troyens and the Obligation to Empire -- Creation and Coherence in Die Meistersinger "In May of 1997 Edward W. Said delivered the Empson Lectures at Cambridge University under the title "Authority and Transgression in Opera." He planned to publish the lectures with Cambridge but never finished the manuscript. Some portions of the lectures were published in journals, about 20 years ago.The lecture typescripts are preserved in the Edward W. Said Papers at Columbia. The Edward W. Said Estate and Wouter Capitain have collaborated on the proposal for this book. The typescripts require minor editing, and an introduction, which Capitain plans to write. The introduction will explain the background of the lectures and position the book within Said's work on music and postcolonial theory. In four case studies on Cosi fan tutte, Fidelio, Les Troyens, and Die Meistersinger, Said deftly renders these operas more problematic and interesting than they have come to seem, thanks to his attention to both the works' historical context and the political possibilities open to contemporary interpreters. He questions the extent to which these operas are predetermined by the "authority" of their historical context, or whether they instead "transgress" their initial context and maintain their agency within contemporary society. These questions are central to Said's work at large, including in The World, The Text, and the Critic (1983), Culture and Imperialism (1993), and Humanism and Democratic Criticism (CUP 2004), which analyzes the political context of the arts while also arguing that artworks can occupy a relatively autonomous and potentially subversive position within society. "Authority and Transgression in Opera" foregrounds these questions about art and society, perhaps more than any of his other books. Said analyzes how these operas negotiate the power structures in which they operate by mirroring their historical social position to the portrayal of authority and transgression in the works themselves. He argues that the historical themes in these operas remain relevant today, and he appreciates stagings that highlight the contemporary resonances in these works"-- Wagner, Richard 1813-1883 Die Meistersinger von Nürnberg (DE-588)300170084 gnd rswk-swf Beethoven, Ludwig van 1770-1827 Fidelio (DE-588)300015194 gnd rswk-swf Berlioz, Hector 1803-1869 Les Troyens (DE-588)300019459 gnd rswk-swf Mozart, Wolfgang Amadeus 1756-1791 Così fan tutte (DE-588)300107331 gnd rswk-swf Mozart, Wolfgang Amadeus / 1756-1791 / Così fan tutte Beethoven, Ludwig van / 1770-1827 / Fidelio / (1814) Berlioz, Hector / 1803-1869 / Troyens Wagner, Richard / 1813-1883 / Meistersinger von Nürnberg Opera Così fan tutte (Mozart, Wolfgang Amadeus) Fidelio (Beethoven, Ludwig van) Meistersinger von Nürnberg (Wagner, Richard) Troyens (Berlioz, Hector) Mozart, Wolfgang Amadeus 1756-1791 Così fan tutte (DE-588)300107331 u DE-604 Beethoven, Ludwig van 1770-1827 Fidelio (DE-588)300015194 u Berlioz, Hector 1803-1869 Les Troyens (DE-588)300019459 u Wagner, Richard 1813-1883 Die Meistersinger von Nürnberg (DE-588)300170084 u Capitain, Wouter (DE-588)1176208411 edt Sellars, Peter 1957- (DE-588)119325276 aui Erscheint auch als Online-Ausgabe 978-0-231-55916-4 |
| spellingShingle | Said, Edward W. 1935-2003 Said on opera Edward Said's inner music / by Peter Sellars -- Così fan tutte at the Limits -- Fidelio's Difficulties with the Past -- Les Troyens and the Obligation to Empire -- Creation and Coherence in Die Meistersinger Wagner, Richard 1813-1883 Die Meistersinger von Nürnberg (DE-588)300170084 gnd Beethoven, Ludwig van 1770-1827 Fidelio (DE-588)300015194 gnd Berlioz, Hector 1803-1869 Les Troyens (DE-588)300019459 gnd Mozart, Wolfgang Amadeus 1756-1791 Così fan tutte (DE-588)300107331 gnd |
| subject_GND | (DE-588)300170084 (DE-588)300015194 (DE-588)300019459 (DE-588)300107331 |
| title | Said on opera |
| title_auth | Said on opera |
| title_exact_search | Said on opera |
| title_full | Said on opera Edward W. Said ; edited by Wouter Capitain ; foreword by Peter Sellars |
| title_fullStr | Said on opera Edward W. Said ; edited by Wouter Capitain ; foreword by Peter Sellars |
| title_full_unstemmed | Said on opera Edward W. Said ; edited by Wouter Capitain ; foreword by Peter Sellars |
| title_short | Said on opera |
| title_sort | said on opera |
| topic | Wagner, Richard 1813-1883 Die Meistersinger von Nürnberg (DE-588)300170084 gnd Beethoven, Ludwig van 1770-1827 Fidelio (DE-588)300015194 gnd Berlioz, Hector 1803-1869 Les Troyens (DE-588)300019459 gnd Mozart, Wolfgang Amadeus 1756-1791 Così fan tutte (DE-588)300107331 gnd |
| topic_facet | Wagner, Richard 1813-1883 Die Meistersinger von Nürnberg Beethoven, Ludwig van 1770-1827 Fidelio Berlioz, Hector 1803-1869 Les Troyens Mozart, Wolfgang Amadeus 1756-1791 Così fan tutte |
| work_keys_str_mv | AT saidedwardw saidonopera AT capitainwouter saidonopera AT sellarspeter saidonopera |