The American musical: evolution of an art form
"The American Musical is a comprehensive history of an American art form. It delivers a detailed and definitive portrait of the American musical's artistic evolution over the course of seven distinct, newly defined eras, with a unique perspective gleaned from research at more than twenty d...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2024
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "The American Musical is a comprehensive history of an American art form. It delivers a detailed and definitive portrait of the American musical's artistic evolution over the course of seven distinct, newly defined eras, with a unique perspective gleaned from research at more than twenty different archives across the United States. Individual in both its approach and coverage, The American Musical traces the form's creative journey from its 19th century beginnings, through its 20th century maturation, and to the turn of the 21st century, shedding new light on a myriad of authors, directors, and craftspeople who worked on Broadway and beyond. This book actively addresses the form's often overlooked female and African-American artists, provides an in-depth accounting of such outside influences as minstrelsy, vaudeville, nightclubs, and burlesque, and explores the dynamic relationship between the form and the consciousness of its country. The American Musical is a fascinating and insightful read for students, artists, and afficionados of the American musical, and anyone with an interest in this singular form of entertainment"-- |
| Beschreibung: | xii, 415 Seiten Illustrationen |
| ISBN: | 9780367556594 9780367556600 |
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| 505 | 8 | |a PART ONE. Inventions, Influences, and Imports (1800s). Minstrelsy ; The Variety Show ; The Legitimate Musical Stage ; Ragtime and Coon Songs -- PART TWO. Birth of an Art Form (1900-1924). Vaudeville, Part One : Time and Talent ; Vaudeville, Part Two : Tin Pan Alley ; Vaudeville, Part Three : Sketches and Tabs ; Burlesque ; Bob Cole and the Black Musical Stage ; The Early Musical Comedy ; Revue ; The Great Winter Garden Factory ; The Hippodrome Shows ; The Spectacular Musical Play ; American Operetta ; The Princess Musicals ; Nightclubs, Part One : Folies Bergère, etc. ; The Great War, Prohibition, and Women's Suffrage ; Jazz, Part One : The Musicians ; Jazz, Part Two : The Musicals ; The New Musical Comedy ; Shuffle Along and the Black Renaissance -- PART THREE. Intensification (1925-1930). Nightclubs, Part Two: The Plantation, etc. ; Pleasure Bound ; Howard Dietz and the New Revue ; Jazz Age Musical Comedy, Part One : The Tunersmiths ; Jazz Age Musical Comedy, Part Two : The Adventurers ; Oscar Hammerstein II and the Musical Play | |
| 505 | 8 | |a PART FOUR. Convention, or Maturity, Part One : Craft and Construction (1931-1950). Sophisticated Revue ; The Sophisticated Musical Stage ; Nightclubs, Part Three : Casino de Paree, etc. ; The African-American Exit ; Hollywood and the Popular Song ; The Second World War ; Integrated Folktales ; The Musical Comedy Stage ; The Abbott Touch ; Guys and Dolls -- PART FIVE. Convention, or Maturity, Part Two : Style and Structure (1951-1970). Character and Quirks and Comedy and Farce ; The New Musical Play ; Staging and Story ; Nontraditional Storytelling ; Hair vs. Your Own Thing ; Off-Broadway -- PART SIX. Diminution (1971-1980). Nostalgia, Revivals, and Reinventions ; The All-Purpose Revue ; The African-American Resurgence ; Contemporary Sounds, Part One : Andrew Lloyd Webber, etc. ; A Chorus Line ; Sophisticated Storytelling -- PART SEVEN. Growing Pains, or Identity Crisis (1981-1999). Dialogue, Song, and Dance ; George C. Wolfe and the Black Musical Stage ; Contemporary Sounds, Part Two : Jonathan Larson, etc. ; Revivals ; Miscellany | |
| 520 | 3 | |a "The American Musical is a comprehensive history of an American art form. It delivers a detailed and definitive portrait of the American musical's artistic evolution over the course of seven distinct, newly defined eras, with a unique perspective gleaned from research at more than twenty different archives across the United States. Individual in both its approach and coverage, The American Musical traces the form's creative journey from its 19th century beginnings, through its 20th century maturation, and to the turn of the 21st century, shedding new light on a myriad of authors, directors, and craftspeople who worked on Broadway and beyond. This book actively addresses the form's often overlooked female and African-American artists, provides an in-depth accounting of such outside influences as minstrelsy, vaudeville, nightclubs, and burlesque, and explores the dynamic relationship between the form and the consciousness of its country. The American Musical is a fascinating and insightful read for students, artists, and afficionados of the American musical, and anyone with an interest in this singular form of entertainment"-- | |
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Datensatz im Suchindex
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|---|---|
| adam_text |
Contents Author’s Note I xi PART 1 Inventions, Influences, and Imports (1800s) 1 1 Minstrelsy 3 2 The Variety Show 9 3 The Legitimate Musical Stage 11 4 Ragtime and Coon Songs 14 PART 2 Birth of an Art Form (1900-1924) 19 5 Vaudeville, Part One: Time and Talent 21 6 Vaudeville, Part Two: Tin Pan Alley 31 7 Vaudeville, Part Three: Sketches and Tabs 47 8 Burlesque 52 9 Bob Cole and the Black Musical Stage 55 10 The Early Musical Comedy 63 11 Revue 67 12 The Great Winter Garden Factory 86 13 The Hippodrome Shows 98 14 The Spectacular Musical Play 101 15 American Operetta 105 16 The Princess Musicals 111 17 Nightclubs, Part One: Folies Bergère, etc. 115
viii Contents 18 The Great War, Prohibition, and Women’s Suffrage 118 19 Jazz, Part One: The Musicians 123 20 Jazz, Part Two: The Musicals 128 21 The New Musical Comedy 137 22 Shuffle Along and the Black Renaissance 140 PART 3 Intensification (1925-1930) 145 23 Nightclubs, Part Two: The Plantation, etc. 147 24 Pleasure Bound 157 25 Howard Dietz and the New Revue 164 26 Jazz Age Musical Comedy, Part One: The Tunersmiths 177 27 Jazz Age Musical Comedy, Part Two: The Adventurers 181 28 Oscar Hammerstein II and the Musical Play 194 PART 4 Convention, or Maturity, Part One: Craft and Construction (1931-1950) 199 29 Sophisticated Revue 201 30 The Sophisticated Musical Stage 211 31 Nightclubs, Part Three: Casino de Paree, etc. 223 32 The African-American Exit 225 33 Hollywood and the Popular Song 228 34 The Second World War 233 35 Integrated Folktales 237 36 The Musical Comedy Stage 244 37 The Abbott Touch 254 38 Guys and Dolls 261 PART 5 Convention, or Maturity, Part Two: Style and Structure (1951-1970) 263 39 Character and Quirks and Comedy and Farce 265
Contents ix 40 The New Musical Play 275 41 Staging and Story 280 42 Nontraditional Storytelling 287 43 Hair vs. Tour Own Thing 292 44 Off-Broadway 298 PART 6 Diminution (1971-1980) 303 45 Nostalgia, Revivals, and Reinventions 305 46 The All-Purpose Revue 308 47 The African-American Resurgence 311 48 Contemporary Sounds, Part One: Andrew Lloyd Webber, etc. 314 49 A Chorus Line 318 50 Sophisticated Storytelling 321 PART 7 Growing Pains, or Identity Crisis (1981-1999) 327 51 Dialogue, Song, and Dance 329 52 George C. Wolfe and the Black Musical Stage 336 53 Contemporary Sounds, Part Two: Jonathan Larson, etc. 339 54 Revivals 342 55 Miscellany 344 Author’s Note II (2000 and Beyond) Evolutionary Timeline of the American Musical Quick Facts Archival Sources Photo Credits Acknowledgments Show Index General Index 348 356 373 376 377 379 380 397 |
| any_adam_object | 1 |
| author | West, Ben |
| author_GND | (DE-588)1340971860 |
| author_facet | West, Ben |
| author_role | aut |
| author_sort | West, Ben |
| author_variant | b w bw |
| building | Verbundindex |
| bvnumber | BV049665532 |
| classification_rvk | LR 54137 |
| contents | PART ONE. Inventions, Influences, and Imports (1800s). Minstrelsy ; The Variety Show ; The Legitimate Musical Stage ; Ragtime and Coon Songs -- PART TWO. Birth of an Art Form (1900-1924). Vaudeville, Part One : Time and Talent ; Vaudeville, Part Two : Tin Pan Alley ; Vaudeville, Part Three : Sketches and Tabs ; Burlesque ; Bob Cole and the Black Musical Stage ; The Early Musical Comedy ; Revue ; The Great Winter Garden Factory ; The Hippodrome Shows ; The Spectacular Musical Play ; American Operetta ; The Princess Musicals ; Nightclubs, Part One : Folies Bergère, etc. ; The Great War, Prohibition, and Women's Suffrage ; Jazz, Part One : The Musicians ; Jazz, Part Two : The Musicals ; The New Musical Comedy ; Shuffle Along and the Black Renaissance -- PART THREE. Intensification (1925-1930). Nightclubs, Part Two: The Plantation, etc. ; Pleasure Bound ; Howard Dietz and the New Revue ; Jazz Age Musical Comedy, Part One : The Tunersmiths ; Jazz Age Musical Comedy, Part Two : The Adventurers ; Oscar Hammerstein II and the Musical Play PART FOUR. Convention, or Maturity, Part One : Craft and Construction (1931-1950). Sophisticated Revue ; The Sophisticated Musical Stage ; Nightclubs, Part Three : Casino de Paree, etc. ; The African-American Exit ; Hollywood and the Popular Song ; The Second World War ; Integrated Folktales ; The Musical Comedy Stage ; The Abbott Touch ; Guys and Dolls -- PART FIVE. Convention, or Maturity, Part Two : Style and Structure (1951-1970). Character and Quirks and Comedy and Farce ; The New Musical Play ; Staging and Story ; Nontraditional Storytelling ; Hair vs. Your Own Thing ; Off-Broadway -- PART SIX. Diminution (1971-1980). Nostalgia, Revivals, and Reinventions ; The All-Purpose Revue ; The African-American Resurgence ; Contemporary Sounds, Part One : Andrew Lloyd Webber, etc. ; A Chorus Line ; Sophisticated Storytelling -- PART SEVEN. Growing Pains, or Identity Crisis (1981-1999). Dialogue, Song, and Dance ; George C. Wolfe and the Black Musical Stage ; Contemporary Sounds, Part Two : Jonathan Larson, etc. ; Revivals ; Miscellany |
| ctrlnum | (OCoLC)1435174913 (DE-599)BVBBV049665532 |
| discipline | Musikwissenschaft |
| era | Geschichte 1900-2000 gnd |
| era_facet | Geschichte 1900-2000 |
| format | Book |
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| spelling | West, Ben Verfasser (DE-588)1340971860 aut The American musical evolution of an art form Ben West London ; New York Routledge, Taylor & Francis Group 2024 xii, 415 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier PART ONE. Inventions, Influences, and Imports (1800s). Minstrelsy ; The Variety Show ; The Legitimate Musical Stage ; Ragtime and Coon Songs -- PART TWO. Birth of an Art Form (1900-1924). Vaudeville, Part One : Time and Talent ; Vaudeville, Part Two : Tin Pan Alley ; Vaudeville, Part Three : Sketches and Tabs ; Burlesque ; Bob Cole and the Black Musical Stage ; The Early Musical Comedy ; Revue ; The Great Winter Garden Factory ; The Hippodrome Shows ; The Spectacular Musical Play ; American Operetta ; The Princess Musicals ; Nightclubs, Part One : Folies Bergère, etc. ; The Great War, Prohibition, and Women's Suffrage ; Jazz, Part One : The Musicians ; Jazz, Part Two : The Musicals ; The New Musical Comedy ; Shuffle Along and the Black Renaissance -- PART THREE. Intensification (1925-1930). Nightclubs, Part Two: The Plantation, etc. ; Pleasure Bound ; Howard Dietz and the New Revue ; Jazz Age Musical Comedy, Part One : The Tunersmiths ; Jazz Age Musical Comedy, Part Two : The Adventurers ; Oscar Hammerstein II and the Musical Play PART FOUR. Convention, or Maturity, Part One : Craft and Construction (1931-1950). Sophisticated Revue ; The Sophisticated Musical Stage ; Nightclubs, Part Three : Casino de Paree, etc. ; The African-American Exit ; Hollywood and the Popular Song ; The Second World War ; Integrated Folktales ; The Musical Comedy Stage ; The Abbott Touch ; Guys and Dolls -- PART FIVE. Convention, or Maturity, Part Two : Style and Structure (1951-1970). Character and Quirks and Comedy and Farce ; The New Musical Play ; Staging and Story ; Nontraditional Storytelling ; Hair vs. Your Own Thing ; Off-Broadway -- PART SIX. Diminution (1971-1980). Nostalgia, Revivals, and Reinventions ; The All-Purpose Revue ; The African-American Resurgence ; Contemporary Sounds, Part One : Andrew Lloyd Webber, etc. ; A Chorus Line ; Sophisticated Storytelling -- PART SEVEN. Growing Pains, or Identity Crisis (1981-1999). Dialogue, Song, and Dance ; George C. Wolfe and the Black Musical Stage ; Contemporary Sounds, Part Two : Jonathan Larson, etc. ; Revivals ; Miscellany "The American Musical is a comprehensive history of an American art form. It delivers a detailed and definitive portrait of the American musical's artistic evolution over the course of seven distinct, newly defined eras, with a unique perspective gleaned from research at more than twenty different archives across the United States. Individual in both its approach and coverage, The American Musical traces the form's creative journey from its 19th century beginnings, through its 20th century maturation, and to the turn of the 21st century, shedding new light on a myriad of authors, directors, and craftspeople who worked on Broadway and beyond. This book actively addresses the form's often overlooked female and African-American artists, provides an in-depth accounting of such outside influences as minstrelsy, vaudeville, nightclubs, and burlesque, and explores the dynamic relationship between the form and the consciousness of its country. The American Musical is a fascinating and insightful read for students, artists, and afficionados of the American musical, and anyone with an interest in this singular form of entertainment"-- Geschichte 1900-2000 gnd rswk-swf Musical (DE-588)4040801-2 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Musicals / United States / History and criticism Musical theater / United States Comédies musicales / États-Unis / Histoire et critique Théâtre musical / États-Unis Musical theater Musicals United States Criticism, interpretation, etc USA (DE-588)4078704-7 g Musical (DE-588)4040801-2 s Geschichte 1900-2000 z DE-604 Erscheint auch als Online-Ausgabe, PDF 978-1-00-309454-8 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035008653&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | West, Ben The American musical evolution of an art form PART ONE. Inventions, Influences, and Imports (1800s). Minstrelsy ; The Variety Show ; The Legitimate Musical Stage ; Ragtime and Coon Songs -- PART TWO. Birth of an Art Form (1900-1924). Vaudeville, Part One : Time and Talent ; Vaudeville, Part Two : Tin Pan Alley ; Vaudeville, Part Three : Sketches and Tabs ; Burlesque ; Bob Cole and the Black Musical Stage ; The Early Musical Comedy ; Revue ; The Great Winter Garden Factory ; The Hippodrome Shows ; The Spectacular Musical Play ; American Operetta ; The Princess Musicals ; Nightclubs, Part One : Folies Bergère, etc. ; The Great War, Prohibition, and Women's Suffrage ; Jazz, Part One : The Musicians ; Jazz, Part Two : The Musicals ; The New Musical Comedy ; Shuffle Along and the Black Renaissance -- PART THREE. Intensification (1925-1930). Nightclubs, Part Two: The Plantation, etc. ; Pleasure Bound ; Howard Dietz and the New Revue ; Jazz Age Musical Comedy, Part One : The Tunersmiths ; Jazz Age Musical Comedy, Part Two : The Adventurers ; Oscar Hammerstein II and the Musical Play PART FOUR. Convention, or Maturity, Part One : Craft and Construction (1931-1950). Sophisticated Revue ; The Sophisticated Musical Stage ; Nightclubs, Part Three : Casino de Paree, etc. ; The African-American Exit ; Hollywood and the Popular Song ; The Second World War ; Integrated Folktales ; The Musical Comedy Stage ; The Abbott Touch ; Guys and Dolls -- PART FIVE. Convention, or Maturity, Part Two : Style and Structure (1951-1970). Character and Quirks and Comedy and Farce ; The New Musical Play ; Staging and Story ; Nontraditional Storytelling ; Hair vs. Your Own Thing ; Off-Broadway -- PART SIX. Diminution (1971-1980). Nostalgia, Revivals, and Reinventions ; The All-Purpose Revue ; The African-American Resurgence ; Contemporary Sounds, Part One : Andrew Lloyd Webber, etc. ; A Chorus Line ; Sophisticated Storytelling -- PART SEVEN. Growing Pains, or Identity Crisis (1981-1999). Dialogue, Song, and Dance ; George C. Wolfe and the Black Musical Stage ; Contemporary Sounds, Part Two : Jonathan Larson, etc. ; Revivals ; Miscellany Musical (DE-588)4040801-2 gnd |
| subject_GND | (DE-588)4040801-2 (DE-588)4078704-7 |
| title | The American musical evolution of an art form |
| title_auth | The American musical evolution of an art form |
| title_exact_search | The American musical evolution of an art form |
| title_full | The American musical evolution of an art form Ben West |
| title_fullStr | The American musical evolution of an art form Ben West |
| title_full_unstemmed | The American musical evolution of an art form Ben West |
| title_short | The American musical |
| title_sort | the american musical evolution of an art form |
| title_sub | evolution of an art form |
| topic | Musical (DE-588)4040801-2 gnd |
| topic_facet | Musical USA |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035008653&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT westben theamericanmusicalevolutionofanartform |