Hamilton, history and Hip-Hop: essays on an American musical
"The volume is a collection of scholarly essays and personal responses that contextualizes Hamilton: An American Musical in various frameworks: hip-hop theatre and history, American history, musicals, contemporary politics, queer theory, feminism, and more. Hamilton is arguably the most importa...
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| Weitere Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
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Jefferson, North Carolina
McFarland & Company, Inc., Publishers
[2024]
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| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "The volume is a collection of scholarly essays and personal responses that contextualizes Hamilton: An American Musical in various frameworks: hip-hop theatre and history, American history, musicals, contemporary politics, queer theory, feminism, and more. Hamilton is arguably the most important piece of American theatre in 25 years in terms of both national impact and shaping influence on American theatre. It is part of a larger history of American theatre that reframes the United States and shows the nation its face in a manner not before seen but that is resolutely true. With essays from a number of scholars, artists, political scientists, and historians, the book engages with generational differences in response to the play, transformations of the perception of the musical between the Obama and Trump administrations, youth culture, color-conscious casting, feminist critiques, comparisons with black-ish, The Mountaintop, Assassins, and In the Heights, as well as Hamilton's place in hip hop theatre"-- "Hamilton: An American Musical is arguably the most important piece of American theatre in 25 years in terms of both national impact and shaping influence on American theatre. It is part of a larger history of American theatre that reframes the United States and shows the nation its face in a manner not before seen but that is resolutely true. Collecting new academic essays and personal responses from scholars, artists, political scientists, and historians, this volume contextualizes Hamilton in multiple frameworks. Essays illuminate such topics as generational differences in response to the play, transformations of its perception between the Obama and Trump administrations, youth culture, color-conscious casting, feminist critiques, and comparisons with other works, while assessing Hamilton's place in hip hop theatre."--Back cover |
| Beschreibung: | viii, 268 Seiten 23 cm |
| ISBN: | 9781476671796 |
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| 505 | 8 | 0 | |t Writing, erasing and versioning Hamilton |r Kevin J. Wetmore, Jr. |t "Grow into more of a phenomenon" : Hamilton as history and cultural experience |t The battle for Hamilton : then and now |r Michael A. Genovese |t "Watching the afterbirth of a nation, watching the tension grow" : meta-Hamilton and the citizen-artist during two presidencies |r Kevin J. Wetmore, Jr. |t "This is not a moment, it's a movement" : why millennials are "Hamiltrash" |r Vicki L. Hoskins |t "A bunch of revolutionary manumission abolitionists?" Race and class in Hamilton |t Hamilton hype and Hamilton hate : In Dahomey, A Raisin in the Sun, and a genealogy of race in American popular theater |r Megan E. Geigner |t Parodying through song : how comic devices in King George III's songs in Hamilton challenge contemporary dispositions about the symbolic value of youth culture |r Evi Stamatiou |t "The villain in your history": the complications of color-conscious casting in Hamilton's America |r Laura London Waringer |t "Who tells your story?" Exclusive inclusivity and whose story gets told |t "A woman who has never been satisfied" : a feminist critique of Hamilton |r Alexa Schreiber |t "Compel him to include female agency in the sequel," or gender construction in Hamilton |r Lisa Quoresimo |t "Here comes the general" : an examination of the depiction of the African American man as the father of America in Hamilton |r Aaron Brown |t "Even though we started at the very same time..." Comparative Hamiltons |t "You hear that music in the air?" Consciousness of music in In the Heights and Hamilton |r Dan Rubins |
| 505 | 8 | 0 | |t Contextualizing Lin-Manuel Miranda's In the Heights and Hamilton within hip-hop theater history |r Priscilla Maria Page |t Race, casting, and politics : a comparative study of Lin-Manuel Miranda's Hamilton and Katori Hall's The Mountaintop |r Anne Stefani |t "Everybody's got the right to their dreams" : the violent pursuit of the American dream in Assassins and Hamilton |r Stephanie Lim |t White supremacy and hyper-masculinity : Hamilton, hip-hop and homicide |r Alisa C. Roost |t A Hamilton Evolution |r Daniel Banks |
| 520 | 3 | |a "The volume is a collection of scholarly essays and personal responses that contextualizes Hamilton: An American Musical in various frameworks: hip-hop theatre and history, American history, musicals, contemporary politics, queer theory, feminism, and more. Hamilton is arguably the most important piece of American theatre in 25 years in terms of both national impact and shaping influence on American theatre. It is part of a larger history of American theatre that reframes the United States and shows the nation its face in a manner not before seen but that is resolutely true. With essays from a number of scholars, artists, political scientists, and historians, the book engages with generational differences in response to the play, transformations of the perception of the musical between the Obama and Trump administrations, youth culture, color-conscious casting, feminist critiques, comparisons with black-ish, The Mountaintop, Assassins, and In the Heights, as well as Hamilton's place in hip hop theatre"-- | |
| 520 | 3 | |a "Hamilton: An American Musical is arguably the most important piece of American theatre in 25 years in terms of both national impact and shaping influence on American theatre. It is part of a larger history of American theatre that reframes the United States and shows the nation its face in a manner not before seen but that is resolutely true. Collecting new academic essays and personal responses from scholars, artists, political scientists, and historians, this volume contextualizes Hamilton in multiple frameworks. Essays illuminate such topics as generational differences in response to the play, transformations of its perception between the Obama and Trump administrations, youth culture, color-conscious casting, feminist critiques, and comparisons with other works, while assessing Hamilton's place in hip hop theatre."--Back cover | |
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Datensatz im Suchindex
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Table of Contents vi Acknowledgments Introduction: Writing, Erasing and Versioning Hamilton Kevin J. Wetmore, Jr. 1 I. “Grow into more of a phenomenon”: Hamilton as History and Cultural Experience The Battle for Hamilton: Then and Now Michael A. Genovese 17 “Watching the afterbirth of a nation, watching the tension grow”: Meta-Hamilton and the Citizen-Artist During Two Presidencies Kevin J. Wetmore, Jr. 28 “This is not a moment, it’s a movement”: Why Millennials Are “Hamiltrash” Vicki L. Hoskins 42 II. “A bunch of revolutionary manumission abolitionists?” Race and Class in Hamilton Hamilton Hype and Hamilton Hate: In Dahomey, A Raisin in the Sun, and a Genealogy of Race in American Popular Theater Megan E. Geigner 57 Parodying Through Song: How Comic Devices in King George Ill’s Songs in Hamilton Challenge Contemporary Dispositions About the Symbolic Value of Youth Culture Evi Stamatiou 73 “The villain in your history”: The Complications of Color-Conscious Casting in Hamiltons America Laura London Waringer 89 vii
viii Table of Contents III.“Who tells your story?” Exclusive Inclusivity and Whose Story Gets Told “A woman who has never been satisfied”: A Feminist Critique of Hamilton Alexa Schreiber 115 “Compel him to include female agency in the sequel,” or Gender Construction in Hamilton Lisa Quoresimo 127 “Here comes the general”: An Examination of the Depiction of the African American Man as the Father of America in Hamilton Aaron Brown 139 IV. “Even though we started at the very same time.” Comparative Hamiltons “You hear that music in the air?” Consciousness of Music in In the Heights and Hamilton Dan Rubins 155 Contextualizing Lin-Manuel Miranda’s In the Heights and Hamilton Within Hip-Hop Theater History Priscilla Maria Page 169 Race, Casting, and Politics: A Comparative Study of Lin-Manuel Miranda’s Hamilton and Katori Hall’s The Mountaintop Anne Stefani 183 “Everybody’s got the right to their dreams”: The Violent Pursuit of the American Dream in Assassins and Hamilton Stephanie Lim 199 White Supremacy and Hyper-Masculinity: Hamilton, Hip-Hop and Homicide Alisa C. Roost 214 Conclusion: A Hamilton Evolution Daniel Banks 227 Works Cited 253 About the Contributors 263 Index 265 |
| any_adam_object | 1 |
| author2 | Wetmore, Kevin J. Jr. 1969- |
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| author_additional | Kevin J. Wetmore, Jr. Michael A. Genovese Vicki L. Hoskins Megan E. Geigner Evi Stamatiou Laura London Waringer Alexa Schreiber Lisa Quoresimo Aaron Brown Dan Rubins Priscilla Maria Page Anne Stefani Stephanie Lim Alisa C. Roost Daniel Banks |
| author_facet | Wetmore, Kevin J. Jr. 1969- |
| building | Verbundindex |
| bvnumber | BV049662485 |
| contents | Writing, erasing and versioning Hamilton "Grow into more of a phenomenon" : Hamilton as history and cultural experience The battle for Hamilton : then and now "Watching the afterbirth of a nation, watching the tension grow" : meta-Hamilton and the citizen-artist during two presidencies "This is not a moment, it's a movement" : why millennials are "Hamiltrash" "A bunch of revolutionary manumission abolitionists?" Race and class in Hamilton Hamilton hype and Hamilton hate : In Dahomey, A Raisin in the Sun, and a genealogy of race in American popular theater Parodying through song : how comic devices in King George III's songs in Hamilton challenge contemporary dispositions about the symbolic value of youth culture "The villain in your history": the complications of color-conscious casting in Hamilton's America "Who tells your story?" Exclusive inclusivity and whose story gets told "A woman who has never been satisfied" : a feminist critique of Hamilton "Compel him to include female agency in the sequel," or gender construction in Hamilton "Here comes the general" : an examination of the depiction of the African American man as the father of America in Hamilton "Even though we started at the very same time..." Comparative Hamiltons "You hear that music in the air?" Consciousness of music in In the Heights and Hamilton Contextualizing Lin-Manuel Miranda's In the Heights and Hamilton within hip-hop theater history Race, casting, and politics : a comparative study of Lin-Manuel Miranda's Hamilton and Katori Hall's The Mountaintop "Everybody's got the right to their dreams" : the violent pursuit of the American dream in Assassins and Hamilton White supremacy and hyper-masculinity : Hamilton, hip-hop and homicide A Hamilton Evolution |
| ctrlnum | (OCoLC)1450734172 (DE-599)BVBBV049662485 |
| format | Book |
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| id | DE-604.BV049662485 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-11T09:06:17Z |
| institution | BVB |
| isbn | 9781476671796 |
| language | English |
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| physical | viii, 268 Seiten 23 cm |
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| spelling | Hamilton, history and Hip-Hop essays on an American musical edited by Kevin J. Wetmore Jefferson, North Carolina McFarland & Company, Inc., Publishers [2024] © 2024 viii, 268 Seiten 23 cm txt rdacontent n rdamedia nc rdacarrier Writing, erasing and versioning Hamilton Kevin J. Wetmore, Jr. "Grow into more of a phenomenon" : Hamilton as history and cultural experience The battle for Hamilton : then and now Michael A. Genovese "Watching the afterbirth of a nation, watching the tension grow" : meta-Hamilton and the citizen-artist during two presidencies Kevin J. Wetmore, Jr. "This is not a moment, it's a movement" : why millennials are "Hamiltrash" Vicki L. Hoskins "A bunch of revolutionary manumission abolitionists?" Race and class in Hamilton Hamilton hype and Hamilton hate : In Dahomey, A Raisin in the Sun, and a genealogy of race in American popular theater Megan E. Geigner Parodying through song : how comic devices in King George III's songs in Hamilton challenge contemporary dispositions about the symbolic value of youth culture Evi Stamatiou "The villain in your history": the complications of color-conscious casting in Hamilton's America Laura London Waringer "Who tells your story?" Exclusive inclusivity and whose story gets told "A woman who has never been satisfied" : a feminist critique of Hamilton Alexa Schreiber "Compel him to include female agency in the sequel," or gender construction in Hamilton Lisa Quoresimo "Here comes the general" : an examination of the depiction of the African American man as the father of America in Hamilton Aaron Brown "Even though we started at the very same time..." Comparative Hamiltons "You hear that music in the air?" Consciousness of music in In the Heights and Hamilton Dan Rubins Contextualizing Lin-Manuel Miranda's In the Heights and Hamilton within hip-hop theater history Priscilla Maria Page Race, casting, and politics : a comparative study of Lin-Manuel Miranda's Hamilton and Katori Hall's The Mountaintop Anne Stefani "Everybody's got the right to their dreams" : the violent pursuit of the American dream in Assassins and Hamilton Stephanie Lim White supremacy and hyper-masculinity : Hamilton, hip-hop and homicide Alisa C. Roost A Hamilton Evolution Daniel Banks "The volume is a collection of scholarly essays and personal responses that contextualizes Hamilton: An American Musical in various frameworks: hip-hop theatre and history, American history, musicals, contemporary politics, queer theory, feminism, and more. Hamilton is arguably the most important piece of American theatre in 25 years in terms of both national impact and shaping influence on American theatre. It is part of a larger history of American theatre that reframes the United States and shows the nation its face in a manner not before seen but that is resolutely true. With essays from a number of scholars, artists, political scientists, and historians, the book engages with generational differences in response to the play, transformations of the perception of the musical between the Obama and Trump administrations, youth culture, color-conscious casting, feminist critiques, comparisons with black-ish, The Mountaintop, Assassins, and In the Heights, as well as Hamilton's place in hip hop theatre"-- "Hamilton: An American Musical is arguably the most important piece of American theatre in 25 years in terms of both national impact and shaping influence on American theatre. It is part of a larger history of American theatre that reframes the United States and shows the nation its face in a manner not before seen but that is resolutely true. Collecting new academic essays and personal responses from scholars, artists, political scientists, and historians, this volume contextualizes Hamilton in multiple frameworks. Essays illuminate such topics as generational differences in response to the play, transformations of its perception between the Obama and Trump administrations, youth culture, color-conscious casting, feminist critiques, and comparisons with other works, while assessing Hamilton's place in hip hop theatre."--Back cover Miranda, Lin-Manuel 1980- Hamilton (DE-588)1096364719 gnd rswk-swf Miranda, Lin-Manuel / 1980- / Hamilton Hamilton, Alexander / 1757-1804 / Drama / History and criticism Hip-hop / United States / History and criticism United States / History / Revolution, 1775-1783 / Drama / History and criticism Hip-hop / États-Unis / Histoire et critique PERFORMING ARTS / Theater / History & Criticism MUSIC / Genres & Styles / Rap & Hip Hop Miranda, Lin-Manuel 1980- Hamilton (DE-588)1096364719 u DE-604 Wetmore, Kevin J. Jr. 1969- (DE-588)136912559 edt Erscheint auch als Online-Ausgabe, EPUB 978-1-4766-5089-0 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035005685&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Hamilton, history and Hip-Hop essays on an American musical Writing, erasing and versioning Hamilton "Grow into more of a phenomenon" : Hamilton as history and cultural experience The battle for Hamilton : then and now "Watching the afterbirth of a nation, watching the tension grow" : meta-Hamilton and the citizen-artist during two presidencies "This is not a moment, it's a movement" : why millennials are "Hamiltrash" "A bunch of revolutionary manumission abolitionists?" Race and class in Hamilton Hamilton hype and Hamilton hate : In Dahomey, A Raisin in the Sun, and a genealogy of race in American popular theater Parodying through song : how comic devices in King George III's songs in Hamilton challenge contemporary dispositions about the symbolic value of youth culture "The villain in your history": the complications of color-conscious casting in Hamilton's America "Who tells your story?" Exclusive inclusivity and whose story gets told "A woman who has never been satisfied" : a feminist critique of Hamilton "Compel him to include female agency in the sequel," or gender construction in Hamilton "Here comes the general" : an examination of the depiction of the African American man as the father of America in Hamilton "Even though we started at the very same time..." Comparative Hamiltons "You hear that music in the air?" Consciousness of music in In the Heights and Hamilton Contextualizing Lin-Manuel Miranda's In the Heights and Hamilton within hip-hop theater history Race, casting, and politics : a comparative study of Lin-Manuel Miranda's Hamilton and Katori Hall's The Mountaintop "Everybody's got the right to their dreams" : the violent pursuit of the American dream in Assassins and Hamilton White supremacy and hyper-masculinity : Hamilton, hip-hop and homicide A Hamilton Evolution Miranda, Lin-Manuel 1980- Hamilton (DE-588)1096364719 gnd |
| subject_GND | (DE-588)1096364719 |
| title | Hamilton, history and Hip-Hop essays on an American musical |
| title_alt | Writing, erasing and versioning Hamilton "Grow into more of a phenomenon" : Hamilton as history and cultural experience The battle for Hamilton : then and now "Watching the afterbirth of a nation, watching the tension grow" : meta-Hamilton and the citizen-artist during two presidencies "This is not a moment, it's a movement" : why millennials are "Hamiltrash" "A bunch of revolutionary manumission abolitionists?" Race and class in Hamilton Hamilton hype and Hamilton hate : In Dahomey, A Raisin in the Sun, and a genealogy of race in American popular theater Parodying through song : how comic devices in King George III's songs in Hamilton challenge contemporary dispositions about the symbolic value of youth culture "The villain in your history": the complications of color-conscious casting in Hamilton's America "Who tells your story?" Exclusive inclusivity and whose story gets told "A woman who has never been satisfied" : a feminist critique of Hamilton "Compel him to include female agency in the sequel," or gender construction in Hamilton "Here comes the general" : an examination of the depiction of the African American man as the father of America in Hamilton "Even though we started at the very same time..." Comparative Hamiltons "You hear that music in the air?" Consciousness of music in In the Heights and Hamilton Contextualizing Lin-Manuel Miranda's In the Heights and Hamilton within hip-hop theater history Race, casting, and politics : a comparative study of Lin-Manuel Miranda's Hamilton and Katori Hall's The Mountaintop "Everybody's got the right to their dreams" : the violent pursuit of the American dream in Assassins and Hamilton White supremacy and hyper-masculinity : Hamilton, hip-hop and homicide A Hamilton Evolution |
| title_auth | Hamilton, history and Hip-Hop essays on an American musical |
| title_exact_search | Hamilton, history and Hip-Hop essays on an American musical |
| title_full | Hamilton, history and Hip-Hop essays on an American musical edited by Kevin J. Wetmore |
| title_fullStr | Hamilton, history and Hip-Hop essays on an American musical edited by Kevin J. Wetmore |
| title_full_unstemmed | Hamilton, history and Hip-Hop essays on an American musical edited by Kevin J. Wetmore |
| title_short | Hamilton, history and Hip-Hop |
| title_sort | hamilton history and hip hop essays on an american musical |
| title_sub | essays on an American musical |
| topic | Miranda, Lin-Manuel 1980- Hamilton (DE-588)1096364719 gnd |
| topic_facet | Miranda, Lin-Manuel 1980- Hamilton |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035005685&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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