Transcending imagination: artificial intelligence and the future of creativity
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Boca Raton ; London ; New York
CRC Press
2024
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Ausgabe: | First edition |
Schriftenreihe: | CEC Artificial Intelligence and robotics
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | xv, 247 Seiten Illustrationen |
ISBN: | 9781032584027 9781032584539 |
Internformat
MARC
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653 | 0 | |a Creative ability | |
653 | 0 | |a Imagination | |
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653 | 0 | |a Créativité | |
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Datensatz im Suchindex
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adam_text |
Contents Acknowledgments, xi Preface, xiii Part I A New Creative Archetype Introduction 3 1.1 ALL ART IS ARTIFICIAL 3 1,2 HOW IS Al TRANSFORMING CREATIVITY? 4 1.3 DEFINITIONS 5 1.4 OPTIMIZING CREATIVE POTENTIAL AND CULTIVATING INNOVATIVE KNOWLEDGE 6 1.5 Al: GENERATING IMAGE OUTPUTS WITHOUT COMPROMISE 7 1.6 BEYOND ARCHETYPES 1.7 TO FEAR OR NOT TO FEAR? I.8 A NEW AGE OF DISCOVERY NOTES Chapter 1 7 12 13 13 . Beyond Imagination 15 1.1 ART AS INTENTION, ARTICULATION, AND MANIFESTATION 15 1.2 THE ROLE OF BEAUTY 18 1.3 INTENTION 18 1.4 ARTICULATION 20 1.5 MANIFESTATION 21 1.6 ART AND Al ARTISTIC VISION 21 1.7 ARTAND AI-FOCUSED CREATIVE INSIGHT 22 1.8 CLOSING THOUGHTS NOTES 25 25
vi ■ Contents Chapter 2 · Art and the Sense of Sacredness 28 2.1 ART AS THE MEANS TO SPIRITUALITY 2.2 DOES ART NECESSITATE SENTIENCE? 30 2.3 A NEW VISUAL SPACE 31 2.4 CREATIVE GENERATIVITY 32 2.5 A THEORY OF GENERATIVE ART 33 2.6 A REVOLUTION 35 2.7 Al ENABLES A DRAMATIC EXPANSION OF BEAUTY 36 2.8 CLOSING THOUGHTS 37 NOTES Chapter 3 ■ Form Shapes Perceptions 3.1 3.2 3.3 38 40 FORM AS A FRAMEWORK FOR PERCEPTION 40 RAPID ITERATIONS AS A BRIDGE TO A NEWREALITY 41 ARTIFICIAL INTELLIGENCE AND THE AESTHETIC OF VIRTUAL SPACE 43 3.4 INTERACTIONS IN VIRTUAL REALITY 45 3.5 FORMS IN VIRTUAL SPACE 47 3.6 NEW FORMS REVOLUTIONIZED PERCEPTION 50 3.7 CLOSING THOUGHTS 50 NOTES Chapter 4 ■ Incidental Beauty 54 56 4.1 WHAT IS AN AESTHETICALLY BEAUTIFUL OBJECT? 56 4.2 BEAUTY IN ART AND DESIGN 58 4.3 WHAT IS INCIDENTAL BEAUTY? 61 4.4 CLOSING THOUGHTS 66 NOTES Part ll 67 Expanding Possibilities Chapter 5 . Bias and Creative Intent 71 5.1 THE BALANCE BETWEEN SKILL AND A DESIRED OUTCOME 71 5.2 BIAS IN CREATIVE INTENT 76 5.3 ARTIFICIAL INTELLIGENCE CHALLENGES 76 5.4 PARTNERING WITH ARTIFICIAL INTELLIGENCE 78
Contents ■ vii 5.5 IMPACT OF AI ON ARTISTIC EXPRESSION 79 5.6 CLOSING THOUGHTS: CONVERGENCE 81 82 NOTES Chapter 6 ■ Maximizing Creativity 84 6.1 CREATIVE INTENTION 84 6.2 THE AMBIGUITY OF CONCEALED INTENT 85 6.3 INTENT AND SKILL IN IMAGE GENERATION 86 6.4 INTENT AND INDIVIDUAL BIAS 88 6.5 AMPLIFYING INTENT THROUGH ENHANCED ARTICULATION 89 6.6 DECONSTRUCTING THE DIALECTICS OF ART AND TECHNOLOGY: Al AND HUMAN CREATIVITY 91 6.7 CLOSING THOUGHTS: AMPLIFYING CREATIVE INTENT THROUGH GENERATIVE Al 92 93 NOTES 7 ■ From Creators to Narrators 95 7.1 THE SHIFT TO A NARRATED ECONOMY 95 7.2 ARCHITECTING EXPERIENCES 96 7.3 CO-CREATING A NEW NARRATIVE 98 7.4 A HUMAN-TO-HUMAN NARRATIVE 98 CHAPTER 7.5 7.6 7.7 GENERATIVE DESIGN AND GENERATIVE NARRATIVES CONTEMPLATING AN AI-FACILITATED WORLD: THE EVOLUTION OF HUMAN NARRATIVES CLOSING THOUGHTS NOTES 100 102 104 105 Chapter 8 ■ Sentience and Agency 107 Tib Roibu 8.1 THE EMERGENCE OF INSIGHT 107 8.2 MEANING BUILT WITH ATTENTION AND TECHNIQUE 109 8.3 FANTASY AND NEW DIMENSIONS FOR PERCEPTION 112 8.4 AUTOPOIETIC INTELLIGENCE 114 CONTRIBUTOR BIOGRAPHY 115 NOTES 116
viii ■ Contents Part III Disruption and Transformation Chapter 9 ■ The Myth of the Creative Genius 119 9.1 A SOCIETAL CONSTRUCT 119 9.2 GENIUS IS AN ILLUSION 121 9.3 REMIX AND COLLABORATIVE CREATIVITY 9.4 COLLABORATIVE INTELLIGENCE: THE MAKING OF 9.5 THE FUTURE OF CREATIVITY 9.6 CREATIVE INTELLIGENCE: WHERE SCIENCE AND 9.7 ART TRANSCENDS BOTH SELF AND TECHNOLOGY 128 9.8 CLOSING THOUGHTS 129 A REVOLUTION ART MEET NOTES Chapter 10 ■ Intention, Articulation, and Manifestation 122 124 126 127 129 132 10.1 MEANING, ENERGY, AND MATTER 132 10.2 INTENTION CREATES A SYSTEM OF MEANING 134 10.3 INTENTION AND MEANING 138 10.4 ARTICULATION 139 10.5 MANIFESTATION 141 10.6 CLOSING THOUGHTS 144 NOTES 145 Chapter 11 . Generative Al as a Disruptor 147 11.1 THE GREAT DISRUPTOR 147 11.2 THE DISRUPTION INDEX 149 11.2.1 The Disruptor 149 11.2.2 The Enabler 150 11.2.3 The Integrator 151 11.2.4 The Follower 152 11.3 THE DISRUPTION FRAMEWORK 152 11.4 DISRUPTION AND DISRUPTORS 153 11.5 TRANSFORMED BY TECHNOLOGY 154 11.6 WHAT IS TRANSITION? 155 11.7 TRANSFORMATIONAL CHANGE 155 11.8 UNDERSTANDING TRANSITION AND TRANSFORMATION 156
Contents ■ ix 11.9 GENERATIVE AI: THE FASTEST TRANSFORMATIONAL CHANGE RATE 159 11.10 CLOSING THOUGHTS 160 NOTES 161 Part IV A Radical New Aesthetic Chapter 12 ■ Moving Past Archetypes 165 12.1 THE END OF THE CONDITIONAL ARCHETYPE 165 12.2 HOW DO WE TEACH ART AND DESIGN IN THE CONTEXT OF TEXT-CONDITIONAL INSPIRATION? 167 12.3 TEXT CONDITIONAL DESIGN SYSTEMS 169 12.4 WORKING WITHOUT ARCHETYPES 173 12.5 RADICAL CENTRIC DESIGN AS A NEW CONCEPTUAL MODEL 176 12.6 NO ARCHETYPE 178 12.7 CLOSING THOUGHTS 181 NOTES 182 185 Chapter 13 ■ Less Is Not More Anymore 13.1 THE AESTHETIC OF INSIDE-OUT 185 13.2 LESS IS MORE 187 13.3 LESS IS NOT MORE ANYMORE 189 13.4 CLOSING THOUGHTS 198 NOTES 200 Chapter 14 . The Richly Imagined Everything 202 14.1 SCENARIO-BASED DESIGN AND INNOVATION 202 14.2 NORMATIVE, STRATEGIC, AND USER SCENARIOS 203 14.3 THE COMPELLING POWER OF VISUAL NARRATIVES 204 14.4 RICHLY IMAGINED EVERYTHING: DESIGN AND ARCHITECTURE 208 14.5 RICHLY IMAGINED ENTERTAINMENT 210 14.6 RICHLY IMAGINED FOOD 211 14.7 RICHLY IMAGINED HEALTH 212 14.8 RICHLY IMAGINED EDUCATION 215 14.9 RICHLY IMAGINED MARKETING 216 14.10 RICHLY IMAGINED WORK 217
X ■ Contents 14.11 CLOSING THOUGHTS 218 NOTES 219 Chapter 15 ■ A Provocation: Is Anything Artificial?_ 220 15.1 EXTINGUISHING LABELS 220 15.2 THE PERMANENT EXISTENCE 222 NOTES 226 AFTERWORD, 229 BIBLIOGRAPHY, 235 INDEX, 239 |
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spelling | Manu, Alexander 1954- Verfasser (DE-588)1076682502 aut Transcending imagination artificial intelligence and the future of creativity Alexander Manu First edition Boca Raton ; London ; New York CRC Press 2024 xv, 247 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier CEC Artificial Intelligence and robotics Creative ability Imagination Artificial intelligence Créativité Intelligence artificielle creativity artificial intelligence Erscheint auch als Online-Ausgabe, PDF 978-1-003-45013-9 Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035003976&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Manu, Alexander 1954- Transcending imagination artificial intelligence and the future of creativity |
title | Transcending imagination artificial intelligence and the future of creativity |
title_auth | Transcending imagination artificial intelligence and the future of creativity |
title_exact_search | Transcending imagination artificial intelligence and the future of creativity |
title_full | Transcending imagination artificial intelligence and the future of creativity Alexander Manu |
title_fullStr | Transcending imagination artificial intelligence and the future of creativity Alexander Manu |
title_full_unstemmed | Transcending imagination artificial intelligence and the future of creativity Alexander Manu |
title_short | Transcending imagination |
title_sort | transcending imagination artificial intelligence and the future of creativity |
title_sub | artificial intelligence and the future of creativity |
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