Seeing and not believing: the photography of Allan Chasanoff
"From the 1960s onward, Allan Chasanoff (1936-2020) maintained a daily photographic practice, producing tens of thousands of images that pushed the limits of the medium and questioned its reliability as a document of reality. Preferring to experiment away from the art world, Chasanoff rarely ex...
Gespeichert in:
1. Verfasser: | |
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Körperschaft: | |
Weitere Verfasser: | |
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New Haven
Yale University Gallery
[2023]
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Schlagworte: | |
Zusammenfassung: | "From the 1960s onward, Allan Chasanoff (1936-2020) maintained a daily photographic practice, producing tens of thousands of images that pushed the limits of the medium and questioned its reliability as a document of reality. Preferring to experiment away from the art world, Chasanoff rarely exhibited his photographs, his art remaining unknown to all but a select circle of friends and collaborators. This catalogue is the first to survey his beguiling work. Artist Mónika Sziládi, who worked as an archivist for Chasanoff, contributes an outline of Chasanoff's life and practice, tracing the development of his art from his early experiments with light, shadow, and color in his lens-shot photographs to his late-career foray into 3D printing, which he viewed as the latest frontier of photography. Influenced by the ideas of Marshall McLuhan and Jacques Derrida, Chasanoff understood photographic images to be full of multivalent symbolism, and his art highlights the fluid nature of the medium. Using analog optical effects, such as blurring and other distortions, and on-screen tools to cut and layer digital images, Chasanoff created a wide range of pictures, some of which reference or appropriate the work of artists like Henri Matisse, Mark Rothko, or Giorgio Morandi. With nearly 200 plates organized into 7 thematic sections, Seeing and Not Believing brings Chasanoff's contribution to postmodern photography to a wider audience and underlines how the artist's work challenges our assumptions about believing what we see."-- |
Beschreibung: | 235 Seiten Illustrationen |
ISBN: | 9780300273397 0300273398 |
Internformat
MARC
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245 | 1 | 0 | |a Seeing and not believing |b the photography of Allan Chasanoff |c Mónika Sziládi ; with a preface by Richard Ovenden |
246 | 1 | 3 | |a The photography of Allan Chasanoff |
264 | 1 | |a New Haven |b Yale University Gallery |c [2023] | |
264 | 2 | |a New Haven ; London |b Yale University Art Gallery | |
300 | |a 235 Seiten |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
336 | |b sti |2 rdacontent | ||
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520 | 3 | |a "From the 1960s onward, Allan Chasanoff (1936-2020) maintained a daily photographic practice, producing tens of thousands of images that pushed the limits of the medium and questioned its reliability as a document of reality. Preferring to experiment away from the art world, Chasanoff rarely exhibited his photographs, his art remaining unknown to all but a select circle of friends and collaborators. This catalogue is the first to survey his beguiling work. Artist Mónika Sziládi, who worked as an archivist for Chasanoff, contributes an outline of Chasanoff's life and practice, tracing the development of his art from his early experiments with light, shadow, and color in his lens-shot photographs to his late-career foray into 3D printing, which he viewed as the latest frontier of photography. Influenced by the ideas of Marshall McLuhan and Jacques Derrida, Chasanoff understood photographic images to be full of multivalent symbolism, and his art highlights the fluid nature of the medium. Using analog optical effects, such as blurring and other distortions, and on-screen tools to cut and layer digital images, Chasanoff created a wide range of pictures, some of which reference or appropriate the work of artists like Henri Matisse, Mark Rothko, or Giorgio Morandi. With nearly 200 plates organized into 7 thematic sections, Seeing and Not Believing brings Chasanoff's contribution to postmodern photography to a wider audience and underlines how the artist's work challenges our assumptions about believing what we see."-- | |
600 | 1 | 7 | |a Chasanoff, Allan |d 1936- |0 (DE-588)137714971 |2 gnd |9 rswk-swf |
648 | 7 | |a Geschichte 1972-2020 |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Fotografie |0 (DE-588)4045895-7 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Fotomontage |0 (DE-588)4045920-2 |2 gnd |9 rswk-swf |
653 | |a Yale University Art Gallery | ||
653 | |a Allan Chasanoff Archive | ||
653 | |a The Allan Chasanoff Photographic Collection | ||
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689 | 0 | 0 | |a Chasanoff, Allan |d 1936- |0 (DE-588)137714971 |D p |
689 | 0 | 1 | |a Fotografie |0 (DE-588)4045895-7 |D s |
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689 | 0 | 3 | |a Geschichte 1972-2020 |A z |
689 | 0 | |5 DE-604 | |
700 | 1 | |a Sziládi, Mónika |d ca. 20./21.Jh. |0 (DE-588)1109106491 |4 aut | |
700 | 1 | |a Chasanoff, Allan |d 1936- |0 (DE-588)137714971 |4 pht | |
700 | 1 | |a Ovenden, Richard |d 1964- |0 (DE-588)1217444637 |4 wpr | |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035003274 |
Datensatz im Suchindex
_version_ | 1811026488834654208 |
---|---|
adam_text | |
any_adam_object | |
author | Sziládi, Mónika ca. 20./21.Jh |
author2 | Chasanoff, Allan 1936- |
author2_role | pht |
author2_variant | a c ac |
author_GND | (DE-588)1109106491 (DE-588)137714971 (DE-588)1217444637 |
author_corporate | Yale University Art Gallery |
author_corporate_role | aut |
author_facet | Sziládi, Mónika ca. 20./21.Jh Chasanoff, Allan 1936- Yale University Art Gallery |
author_role | aut |
author_sort | Yale University Art Gallery |
author_variant | m s ms |
building | Verbundindex |
bvnumber | BV049659992 |
classification_rvk | AP 94100 |
ctrlnum | (OCoLC)1425866911 (DE-599)KXP1880664372 |
discipline | Allgemeines |
era | Geschichte 1972-2020 gnd |
era_facet | Geschichte 1972-2020 |
format | Book |
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genre_facet | Katalog |
id | DE-604.BV049659992 |
illustrated | Illustrated |
indexdate | 2024-09-23T22:10:48Z |
institution | BVB |
institution_GND | (DE-588)1019500-2 |
isbn | 9780300273397 0300273398 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035003274 |
oclc_num | 1425866911 |
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owner | DE-255 |
owner_facet | DE-255 |
physical | 235 Seiten Illustrationen |
publishDate | 2023 |
publishDateSearch | 2023 |
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publisher | Yale University Gallery |
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spelling | Yale University Art Gallery Verfasser (DE-588)1019500-2 aut Seeing and not believing the photography of Allan Chasanoff Mónika Sziládi ; with a preface by Richard Ovenden The photography of Allan Chasanoff New Haven Yale University Gallery [2023] New Haven ; London Yale University Art Gallery 235 Seiten Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier "From the 1960s onward, Allan Chasanoff (1936-2020) maintained a daily photographic practice, producing tens of thousands of images that pushed the limits of the medium and questioned its reliability as a document of reality. Preferring to experiment away from the art world, Chasanoff rarely exhibited his photographs, his art remaining unknown to all but a select circle of friends and collaborators. This catalogue is the first to survey his beguiling work. Artist Mónika Sziládi, who worked as an archivist for Chasanoff, contributes an outline of Chasanoff's life and practice, tracing the development of his art from his early experiments with light, shadow, and color in his lens-shot photographs to his late-career foray into 3D printing, which he viewed as the latest frontier of photography. Influenced by the ideas of Marshall McLuhan and Jacques Derrida, Chasanoff understood photographic images to be full of multivalent symbolism, and his art highlights the fluid nature of the medium. Using analog optical effects, such as blurring and other distortions, and on-screen tools to cut and layer digital images, Chasanoff created a wide range of pictures, some of which reference or appropriate the work of artists like Henri Matisse, Mark Rothko, or Giorgio Morandi. With nearly 200 plates organized into 7 thematic sections, Seeing and Not Believing brings Chasanoff's contribution to postmodern photography to a wider audience and underlines how the artist's work challenges our assumptions about believing what we see."-- Chasanoff, Allan 1936- (DE-588)137714971 gnd rswk-swf Geschichte 1972-2020 gnd rswk-swf Fotografie (DE-588)4045895-7 gnd rswk-swf Fotomontage (DE-588)4045920-2 gnd rswk-swf Yale University Art Gallery Allan Chasanoff Archive The Allan Chasanoff Photographic Collection (DE-588)4163417-2 Katalog gnd-content Chasanoff, Allan 1936- (DE-588)137714971 p Fotografie (DE-588)4045895-7 s Fotomontage (DE-588)4045920-2 s Geschichte 1972-2020 z DE-604 Sziládi, Mónika ca. 20./21.Jh. (DE-588)1109106491 aut Chasanoff, Allan 1936- (DE-588)137714971 pht Ovenden, Richard 1964- (DE-588)1217444637 wpr |
spellingShingle | Sziládi, Mónika ca. 20./21.Jh Seeing and not believing the photography of Allan Chasanoff Chasanoff, Allan 1936- (DE-588)137714971 gnd Fotografie (DE-588)4045895-7 gnd Fotomontage (DE-588)4045920-2 gnd |
subject_GND | (DE-588)137714971 (DE-588)4045895-7 (DE-588)4045920-2 (DE-588)4163417-2 |
title | Seeing and not believing the photography of Allan Chasanoff |
title_alt | The photography of Allan Chasanoff |
title_auth | Seeing and not believing the photography of Allan Chasanoff |
title_exact_search | Seeing and not believing the photography of Allan Chasanoff |
title_full | Seeing and not believing the photography of Allan Chasanoff Mónika Sziládi ; with a preface by Richard Ovenden |
title_fullStr | Seeing and not believing the photography of Allan Chasanoff Mónika Sziládi ; with a preface by Richard Ovenden |
title_full_unstemmed | Seeing and not believing the photography of Allan Chasanoff Mónika Sziládi ; with a preface by Richard Ovenden |
title_short | Seeing and not believing |
title_sort | seeing and not believing the photography of allan chasanoff |
title_sub | the photography of Allan Chasanoff |
topic | Chasanoff, Allan 1936- (DE-588)137714971 gnd Fotografie (DE-588)4045895-7 gnd Fotomontage (DE-588)4045920-2 gnd |
topic_facet | Chasanoff, Allan 1936- Fotografie Fotomontage Katalog |
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