The methuen drama handbook of gender and theatre:

Cover -- Halftitle page -- Series page -- Title page -- Copyright page -- CONTENTS -- ILLUSTRATIONS -- CONTRIBUTORS -- ABOUT THIS BOOK -- ACKNOWLEDGEMENTS -- PART ONE Orientations and Reorientations -- CHAPTER ONE Introduction: Gender and Theatre -- STUDYING 'THEATRE' -- REHEARSING GENDER...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
1. Verfasser: Metzger, Sean 1973- (VerfasserIn)
Weitere Verfasser: Mock, Roberta (MitwirkendeR)
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: London ; New York ; Oxford ; New Delhi ; Sydney Methuen Drama 2024
Ausgabe:1st ed.
Schriftenreihe:Methuen Drama Handbooks
Schlagworte:
Zusammenfassung:Cover -- Halftitle page -- Series page -- Title page -- Copyright page -- CONTENTS -- ILLUSTRATIONS -- CONTRIBUTORS -- ABOUT THIS BOOK -- ACKNOWLEDGEMENTS -- PART ONE Orientations and Reorientations -- CHAPTER ONE Introduction: Gender and Theatre -- STUDYING 'THEATRE' -- REHEARSING GENDER THROUGH A GENEALOGY OF FEMINIST THEORY, OR BUTLER ENTERS THE STAGE -- A HISTORIOGRAPHIC TOUCHSTONE: GENDER, FEMINIST THEATRE AND THE ROUTLEDGE READER -- CROSSINGS -- THE TRANSGENDER TIPPING POINT? -- PARADISE CAMP : MATERIALITY, CITATION AND THE IN-DRAG-ENOUS -- METHODOLOGICAL ARCHITECTURES FOR GENDER AND THEATRE -- NOTES -- CHAPTER TWO Keywords: Gender, Trans, and Intersectionality -- GENDER -- TRANS -- INTERSECTIONALITY -- CONCLUSION -- NOTES -- CHAPTER THREE Framing Theatre and Gender through Indigenous Performance Practices: A Roundtable -- NOTES -- CHAPTER FOUR Gender as Method: Brecht, Mao, and Objects of History -- GENDER, BRECHT, AND STAGING -- GENDER, MAO, AND DOCUMENTARY -- BRECHT AND MAO IN LATE CAPITAL -- CONCLUSION -- NOTES -- PART TWO Geopolitics and Biopolitics -- CHAPTER FIVE Introduction to Part Two -- NOTES -- CHAPTER SIX Disobedient Women and Theatre Historiography in India -- DISOBEDIENT WOMEN AND THE ARCHIVE -- PERFORMING PARTITION -- ROUTINE VIOLENCE -- WOMEN IN PUBLIC SPACES -- 'ANTI-NATIONAL' WOMEN -- ACKNOWLEDGEMENTS -- NOTES -- CHAPTER SEVEN Gender Politics in the Cabaret Theatre of Jesusa Rodríguez and Astrid Hadad -- HISTORICAL PRECEDENTS OF CABARET THEATRE IN MEXICO -- JESUSA RODRÍGUEZ JOKES WITH MEXICAN HISTORY -- ASTRID HADAD PLAYS WITH THE POWER OF THE DIVA -- CONCLUSION -- NOTES -- CHAPTER EIGHT Afro/Caribbean Crossings: Gaël Octavia, Guy Régis Jr, and Sex/Gender/Theatre Work with Heteroimperiality -- AFRO/CARIBBEAN THEATRES 'ANEW': TWENTIETH INTO TWENTY-FIRST CENTURIES -- SEX/GENDER/THEATRE WORK: CROSSINGS WITH HETEROIMPERIALITY.
Beschreibung:1 Online-Ressource (xx, 532 Seiten) Illustrationen
ISBN:9781350123182
9781350123199

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