Making History Move: Five Principles of the Historical Film
Making History Move: Five Principles of the Historical Film builds upon decades of scholarship investigating history in visual culture by proposing a methodology of five principles to analyze history in moving images in the digital age. It charts a path to understanding the form of history with the...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New Brunswick, NJ
Rutgers University Press
[2024]
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Schlagworte: | |
Online-Zugang: | DE-Aug4 Volltext |
Zusammenfassung: | Making History Move: Five Principles of the Historical Film builds upon decades of scholarship investigating history in visual culture by proposing a methodology of five principles to analyze history in moving images in the digital age. It charts a path to understanding the form of history with the most significant impact on public perceptions of the past. The book develops insights across these fields, including philosophical considerations of film and history, to clarify the form and function of history in moving images. It addresses the implications of the historical film on public historical consciousness, presenting criteria to engage and assess the truth status of depictions of the past. Each chapter offers a detailed aspect of this methodology for analyzing history in moving images. Together, they propose five principles to organize past and future scholarship in this vital, interdisciplinary field of study |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mrz 2024) |
Beschreibung: | 1 Online-Ressource (234 Seiten) 6 B-W and 15 color images, 6 tables |
ISBN: | 9781978829800 |
DOI: | 10.36019/9781978829800 |
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500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mrz 2024) | ||
520 | |a Making History Move: Five Principles of the Historical Film builds upon decades of scholarship investigating history in visual culture by proposing a methodology of five principles to analyze history in moving images in the digital age. It charts a path to understanding the form of history with the most significant impact on public perceptions of the past. The book develops insights across these fields, including philosophical considerations of film and history, to clarify the form and function of history in moving images. It addresses the implications of the historical film on public historical consciousness, presenting criteria to engage and assess the truth status of depictions of the past. Each chapter offers a detailed aspect of this methodology for analyzing history in moving images. Together, they propose five principles to organize past and future scholarship in this vital, interdisciplinary field of study | ||
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Datensatz im Suchindex
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adam_text | |
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author | Nelson, Kim |
author_facet | Nelson, Kim |
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author_variant | k n kn |
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dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
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dewey-search | 791.43/658 |
dewey-sort | 3791.43 3658 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
discipline_str_mv | Allgemeines |
doi_str_mv | 10.36019/9781978829800 |
format | Electronic eBook |
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spelling | Nelson, Kim Verfasser aut Making History Move Five Principles of the Historical Film Kim Nelson New Brunswick, NJ Rutgers University Press [2024] © 2024 1 Online-Ressource (234 Seiten) 6 B-W and 15 color images, 6 tables txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mrz 2024) Making History Move: Five Principles of the Historical Film builds upon decades of scholarship investigating history in visual culture by proposing a methodology of five principles to analyze history in moving images in the digital age. It charts a path to understanding the form of history with the most significant impact on public perceptions of the past. The book develops insights across these fields, including philosophical considerations of film and history, to clarify the form and function of history in moving images. It addresses the implications of the historical film on public historical consciousness, presenting criteria to engage and assess the truth status of depictions of the past. Each chapter offers a detailed aspect of this methodology for analyzing history in moving images. Together, they propose five principles to organize past and future scholarship in this vital, interdisciplinary field of study In English PERFORMING ARTS / General bisacsh https://doi.org/10.36019/9781978829800 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Nelson, Kim Making History Move Five Principles of the Historical Film PERFORMING ARTS / General bisacsh |
title | Making History Move Five Principles of the Historical Film |
title_auth | Making History Move Five Principles of the Historical Film |
title_exact_search | Making History Move Five Principles of the Historical Film |
title_exact_search_txtP | Making History Move Five Principles of the Historical Film |
title_full | Making History Move Five Principles of the Historical Film Kim Nelson |
title_fullStr | Making History Move Five Principles of the Historical Film Kim Nelson |
title_full_unstemmed | Making History Move Five Principles of the Historical Film Kim Nelson |
title_short | Making History Move |
title_sort | making history move five principles of the historical film |
title_sub | Five Principles of the Historical Film |
topic | PERFORMING ARTS / General bisacsh |
topic_facet | PERFORMING ARTS / General |
url | https://doi.org/10.36019/9781978829800 |
work_keys_str_mv | AT nelsonkim makinghistorymovefiveprinciplesofthehistoricalfilm |