Verfügbarkeit: Conflict and Development in Iranian Film

Conflict and Development in Iranian Film:

The chapters in this volume explore the philosophical underpinnings and cinematic techniques characteristic of Iranian film. Collectively, they show how the pervasive themes of Iranian cinema, such as martyrdom and war, gender roles, and social policy issues have been addressed, and how directors ha...

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Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	Amsterdam Amsterdam University Press [2012]
Schriftenreihe:	Iranian Studies Series
Schlagworte:	Asian Studies FIL. LIN. HISTORY / Middle East / Iran Motion pictures > Iran > Iran Motion pictures > Iran
Online-Zugang:	DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-Aug4 DE-473 Volltext
Zusammenfassung:	The chapters in this volume explore the philosophical underpinnings and cinematic techniques characteristic of Iranian film. Collectively, they show how the pervasive themes of Iranian cinema, such as martyrdom and war, gender roles, and social policy issues have been addressed, and how directors have approached them using a variety of techniques. Some chapters outline the poetic and mystical dimensions of Abbas Kiarostami's movies. Other chapters describe the effects of the Islamic Revolution on codes of morality and their expression in film as well as on directors' tactics in response to the new theocratic system
Beschreibung:	Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mrz 2024)
Beschreibung:	1 Online-Ressource (152 Seiten)
ISBN:	9789400601031
DOI:	10.1515/9789400601031

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spelling	Conflict and Development in Iranian Film ed. by Seyed-Gohrab, Kamran Talattof Amsterdam Amsterdam University Press [2012] © 2012 1 Online-Ressource (152 Seiten) txt rdacontent c rdamedia cr rdacarrier Iranian Studies Series Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mrz 2024) The chapters in this volume explore the philosophical underpinnings and cinematic techniques characteristic of Iranian film. Collectively, they show how the pervasive themes of Iranian cinema, such as martyrdom and war, gender roles, and social policy issues have been addressed, and how directors have approached them using a variety of techniques. Some chapters outline the poetic and mystical dimensions of Abbas Kiarostami's movies. Other chapters describe the effects of the Islamic Revolution on codes of morality and their expression in film as well as on directors' tactics in response to the new theocratic system In English Asian Studies FIL. LIN. HISTORY / Middle East / Iran bisacsh Motion pictures Iran Iran Motion pictures Iran Seyed-Gohrab, Sonstige oth Talattof, Kamran Sonstige oth https://doi.org/10.1515/9789400601031 Verlag URL des Erstveröffentlichers Volltext
spellingShingle	Conflict and Development in Iranian Film Asian Studies FIL. LIN. HISTORY / Middle East / Iran bisacsh Motion pictures Iran Iran Motion pictures Iran
title	Conflict and Development in Iranian Film
title_auth	Conflict and Development in Iranian Film
title_exact_search	Conflict and Development in Iranian Film
title_exact_search_txtP	Conflict and Development in Iranian Film
title_full	Conflict and Development in Iranian Film ed. by Seyed-Gohrab, Kamran Talattof
title_fullStr	Conflict and Development in Iranian Film ed. by Seyed-Gohrab, Kamran Talattof
title_full_unstemmed	Conflict and Development in Iranian Film ed. by Seyed-Gohrab, Kamran Talattof
title_short	Conflict and Development in Iranian Film
title_sort	conflict and development in iranian film
topic	Asian Studies FIL. LIN. HISTORY / Middle East / Iran bisacsh Motion pictures Iran Iran Motion pictures Iran
topic_facet	Asian Studies FIL. LIN. HISTORY / Middle East / Iran Motion pictures Iran Iran Motion pictures Iran
url	https://doi.org/10.1515/9789400601031
work_keys_str_mv	AT seyedgohrab conflictanddevelopmentiniranianfilm AT talattofkamran conflictanddevelopmentiniranianfilm

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