Hollywood remaking: how film remakes, sequels, and franchises shape industry and culture
"From the inception of cinema to today's franchise era, remaking has always been a motor of ongoing textual production. Hollywood Remaking critically examines the persistent economic and cultural relevance of film remakes, series, sequels, crossovers, spin-offs, and prequels that emerge fr...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Oakland, California
University of California Press
[2024]
|
| Schlagworte: | |
| Online-Zugang: | DE-188 |
| Zusammenfassung: | "From the inception of cinema to today's franchise era, remaking has always been a motor of ongoing textual production. Hollywood Remaking critically examines the persistent economic and cultural relevance of film remakes, series, sequels, crossovers, spin-offs, and prequels that emerge from the large-scale system of remaking actively shape how the film industry, cinema, and audiences imagine themselves as these movies constantly negotiate past and present, stability and change through a serial dynamic of repetition and variation. The book develops a theory of Hollywood remaking as an inherently dynamic practice situated between the film industry's economic logic and the cultural imaginary and analyzes how remaking has developed as a business practice in the United States, how it has been imagined, discursively constructed, and defined by networked stakeholders from production and reception contexts, how it has shaped cinematic aesthetics and cultural debates, and how it has fostered film-historical knowledge, promoted feelings of generational belonging among audiences, and become deeply enmeshed with constructions of the self"-- |
| Beschreibung: | Includes bibliographical references and index. |
| Beschreibung: | 1 Online-Ressource (xvi, 300 Seiten) Illustrationen |
| ISBN: | 9780520976221 |
Internformat
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| 100 | 1 | |a Loock, Kathleen |d 1981- |e Verfasser |0 (DE-588)1031268618 |4 aut | |
| 245 | 1 | 0 | |a Hollywood remaking |b how film remakes, sequels, and franchises shape industry and culture |c Kathleen Loock |
| 264 | 1 | |a Oakland, California |b University of California Press |c [2024] | |
| 300 | |a 1 Online-Ressource (xvi, 300 Seiten) |b Illustrationen | ||
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| 500 | |a Includes bibliographical references and index. | ||
| 505 | 8 | |a Introduction -- Making sense of repetition -- Hollywood's usable past -- Cinematic pasts and presents -- The remake as archive -- Cinematic serialities from 'B' to 'A' -- From sequelitis to the forever franchise -- Conclusion : rebooting the past | |
| 520 | 3 | |a "From the inception of cinema to today's franchise era, remaking has always been a motor of ongoing textual production. Hollywood Remaking critically examines the persistent economic and cultural relevance of film remakes, series, sequels, crossovers, spin-offs, and prequels that emerge from the large-scale system of remaking actively shape how the film industry, cinema, and audiences imagine themselves as these movies constantly negotiate past and present, stability and change through a serial dynamic of repetition and variation. The book develops a theory of Hollywood remaking as an inherently dynamic practice situated between the film industry's economic logic and the cultural imaginary and analyzes how remaking has developed as a business practice in the United States, how it has been imagined, discursively constructed, and defined by networked stakeholders from production and reception contexts, how it has shaped cinematic aesthetics and cultural debates, and how it has fostered film-historical knowledge, promoted feelings of generational belonging among audiences, and become deeply enmeshed with constructions of the self"-- | |
| 653 | 0 | |a Film remakes / History and criticism | |
| 653 | 0 | |a Film sequels / History and criticism | |
| 653 | 0 | |a Motion picture audiences | |
| 653 | 0 | |a Nouvelles versions (Films) / Histoire et critique | |
| 653 | 0 | |a Suites (Films) / Histoire et critique | |
| 653 | 0 | |a Cinéma / Publics | |
| 653 | 0 | |a Film remakes | |
| 653 | 0 | |a Film sequels | |
| 653 | 0 | |a Motion picture audiences | |
| 653 | 6 | |a Criticism, interpretation, etc | |
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Datensatz im Suchindex
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| author | Loock, Kathleen 1981- |
| author_GND | (DE-588)1031268618 |
| author_facet | Loock, Kathleen 1981- |
| author_role | aut |
| author_sort | Loock, Kathleen 1981- |
| author_variant | k l kl |
| building | Verbundindex |
| bvnumber | BV049651809 |
| collection | ZDB-30-PQE |
| contents | Introduction -- Making sense of repetition -- Hollywood's usable past -- Cinematic pasts and presents -- The remake as archive -- Cinematic serialities from 'B' to 'A' -- From sequelitis to the forever franchise -- Conclusion : rebooting the past |
| ctrlnum | (OCoLC)1430766650 (DE-599)BVBBV049651809 |
| dewey-full | 791.436 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.436 |
| dewey-search | 791.436 |
| dewey-sort | 3791.436 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| format | Electronic eBook |
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| id | DE-604.BV049651809 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T23:40:23Z |
| indexdate | 2024-07-20T04:38:06Z |
| institution | BVB |
| isbn | 9780520976221 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034995234 |
| oclc_num | 1430766650 |
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| owner_facet | DE-188 |
| physical | 1 Online-Ressource (xvi, 300 Seiten) Illustrationen |
| psigel | ZDB-30-PQE |
| publishDate | 2024 |
| publishDateSearch | 2024 |
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| publisher | University of California Press |
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| spelling | Loock, Kathleen 1981- Verfasser (DE-588)1031268618 aut Hollywood remaking how film remakes, sequels, and franchises shape industry and culture Kathleen Loock Oakland, California University of California Press [2024] 1 Online-Ressource (xvi, 300 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index. Introduction -- Making sense of repetition -- Hollywood's usable past -- Cinematic pasts and presents -- The remake as archive -- Cinematic serialities from 'B' to 'A' -- From sequelitis to the forever franchise -- Conclusion : rebooting the past "From the inception of cinema to today's franchise era, remaking has always been a motor of ongoing textual production. Hollywood Remaking critically examines the persistent economic and cultural relevance of film remakes, series, sequels, crossovers, spin-offs, and prequels that emerge from the large-scale system of remaking actively shape how the film industry, cinema, and audiences imagine themselves as these movies constantly negotiate past and present, stability and change through a serial dynamic of repetition and variation. The book develops a theory of Hollywood remaking as an inherently dynamic practice situated between the film industry's economic logic and the cultural imaginary and analyzes how remaking has developed as a business practice in the United States, how it has been imagined, discursively constructed, and defined by networked stakeholders from production and reception contexts, how it has shaped cinematic aesthetics and cultural debates, and how it has fostered film-historical knowledge, promoted feelings of generational belonging among audiences, and become deeply enmeshed with constructions of the self"-- Film remakes / History and criticism Film sequels / History and criticism Motion picture audiences Nouvelles versions (Films) / Histoire et critique Suites (Films) / Histoire et critique Cinéma / Publics Film remakes Film sequels Criticism, interpretation, etc Erscheint auch als Druck-Ausgabe, Hardcover 978-0-52037576-5 (DE-604)BV049651523 Erscheint auch als Druck-Ausgabe, Paperback 978-0-52037577-2 (DE-604)BV049651523 |
| spellingShingle | Loock, Kathleen 1981- Hollywood remaking how film remakes, sequels, and franchises shape industry and culture Introduction -- Making sense of repetition -- Hollywood's usable past -- Cinematic pasts and presents -- The remake as archive -- Cinematic serialities from 'B' to 'A' -- From sequelitis to the forever franchise -- Conclusion : rebooting the past |
| title | Hollywood remaking how film remakes, sequels, and franchises shape industry and culture |
| title_auth | Hollywood remaking how film remakes, sequels, and franchises shape industry and culture |
| title_exact_search | Hollywood remaking how film remakes, sequels, and franchises shape industry and culture |
| title_exact_search_txtP | Hollywood remaking how film remakes, sequels, and franchises shape industry and culture |
| title_full | Hollywood remaking how film remakes, sequels, and franchises shape industry and culture Kathleen Loock |
| title_fullStr | Hollywood remaking how film remakes, sequels, and franchises shape industry and culture Kathleen Loock |
| title_full_unstemmed | Hollywood remaking how film remakes, sequels, and franchises shape industry and culture Kathleen Loock |
| title_short | Hollywood remaking |
| title_sort | hollywood remaking how film remakes sequels and franchises shape industry and culture |
| title_sub | how film remakes, sequels, and franchises shape industry and culture |
| work_keys_str_mv | AT loockkathleen hollywoodremakinghowfilmremakessequelsandfranchisesshapeindustryandculture |