Perspectives on values: the network of satire and humor, the tragic and the absurd, the grotesque and the monstrous, play and irony, parody and the comic mode
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Heidelberg
Universitätsverlag Winter
[2024]
|
| Schriftenreihe: | American Studies
volume 323 |
| Schlagworte: | |
| Online-Zugang: | Inhaltstext Inhaltsverzeichnis |
| Beschreibung: | 812 Seiten Illustration |
| ISBN: | 9783825395865 |
Internformat
MARC
| LEADER | 00000nam a2200000 cb4500 | ||
|---|---|---|---|
| 001 | BV049651428 | ||
| 003 | DE-604 | ||
| 005 | 20240709 | ||
| 007 | t | ||
| 008 | 240416s2024 a||| |||| 00||| eng d | ||
| 016 | 7 | |a 1322051461 |2 DE-101 | |
| 020 | |a 9783825395865 |c Festeinband |9 978-3-8253-9586-5 | ||
| 035 | |a (OCoLC)1425130229 | ||
| 035 | |a (DE-599)DNB1322051461 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-11 |a DE-19 |a DE-188 |a DE-355 |a DE-12 |a DE-824 |a DE-473 |a DE-739 | ||
| 082 | 0 | |a 817. | |
| 084 | |a HG 439 |0 (DE-625)49197: |2 rvk | ||
| 084 | |a 420 |2 sdnb | ||
| 100 | 1 | |a Hoffmann, Gerhard |d 1931-2018 |e Verfasser |0 (DE-588)134071387 |4 aut | |
| 245 | 1 | 0 | |a Perspectives on values |b the network of satire and humor, the tragic and the absurd, the grotesque and the monstrous, play and irony, parody and the comic mode |c Gerhard Hoffmann |
| 264 | 1 | |a Heidelberg |b Universitätsverlag Winter |c [2024] | |
| 264 | 4 | |c © 2024 | |
| 300 | |a 812 Seiten |b Illustration | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a American Studies |v volume 323 | |
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Das Groteske |0 (DE-588)4134841-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Humor |0 (DE-588)4026170-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Ironie |0 (DE-588)4027676-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Satire |0 (DE-588)4051752-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Literatur |0 (DE-588)4035964-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Englisch |0 (DE-588)4014777-0 |2 gnd |9 rswk-swf |
| 651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
| 653 | |a amerikanische Literatur | ||
| 653 | |a Amerikanistik | ||
| 653 | |a Humor | ||
| 653 | |a Satire | ||
| 653 | |a Ironie | ||
| 653 | |a Groteske | ||
| 653 | |a Komik | ||
| 653 | |a 18. Jahrhundert | ||
| 653 | |a 19. Jahrhundert | ||
| 653 | |a 20. Jahrhundert | ||
| 653 | |a Hawthorne, Nathaniel | ||
| 653 | |a Melville, Herman | ||
| 653 | |a Twain, Mark | ||
| 653 | |a Naturalismus | ||
| 653 | |a Realismus | ||
| 653 | |a Wharton, Edith | ||
| 653 | |a James, Henry | ||
| 653 | |a Hemingway, Ernest | ||
| 653 | |a Lewis, Sinclair | ||
| 653 | |a Postmoderne | ||
| 653 | |a Moderne | ||
| 653 | |a Parodie | ||
| 653 | |a Bedeutung | ||
| 653 | |a Woolf, Virginia | ||
| 653 | |a Faulkner, William | ||
| 653 | |a Barthelme, Donald | ||
| 653 | |a Fielding, Henry | ||
| 653 | |a 21. Jahrhundert | ||
| 689 | 0 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
| 689 | 0 | 1 | |a Englisch |0 (DE-588)4014777-0 |D s |
| 689 | 0 | 2 | |a Literatur |0 (DE-588)4035964-5 |D s |
| 689 | 0 | 3 | |a Humor |0 (DE-588)4026170-0 |D s |
| 689 | 0 | 4 | |a Satire |0 (DE-588)4051752-4 |D s |
| 689 | 0 | 5 | |a Das Groteske |0 (DE-588)4134841-2 |D s |
| 689 | 0 | 6 | |a Ironie |0 (DE-588)4027676-4 |D s |
| 689 | 0 | 7 | |a Geschichte |A z |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
| 689 | 1 | 1 | |a Literatur |0 (DE-588)4035964-5 |D s |
| 689 | 1 | 2 | |a Humor |0 (DE-588)4026170-0 |D s |
| 689 | 1 | 3 | |a Satire |0 (DE-588)4051752-4 |D s |
| 689 | 1 | 4 | |a Das Groteske |0 (DE-588)4134841-2 |D s |
| 689 | 1 | 5 | |a Ironie |0 (DE-588)4027676-4 |D s |
| 689 | 1 | 6 | |a Geschichte |A z |
| 689 | 1 | |5 DE-604 | |
| 689 | 2 | 0 | |a Englisch |0 (DE-588)4014777-0 |D s |
| 689 | 2 | 1 | |a Literatur |0 (DE-588)4035964-5 |D s |
| 689 | 2 | 2 | |a Humor |0 (DE-588)4026170-0 |D s |
| 689 | 2 | 3 | |a Satire |0 (DE-588)4051752-4 |D s |
| 689 | 2 | 4 | |a Das Groteske |0 (DE-588)4134841-2 |D s |
| 689 | 2 | 5 | |a Ironie |0 (DE-588)4027676-4 |D s |
| 689 | 2 | 6 | |a Geschichte |A z |
| 689 | 2 | |5 DE-604 | |
| 830 | 0 | |a American Studies |v volume 323 |w (DE-604)BV000005812 |9 323 | |
| 856 | 4 | 2 | |m X:MVB |q text/html |u http://deposit.dnb.de/cgi-bin/dokserv?id=7afa8403c1514d87b27f140788d9e680&prov=M&dok_var=1&dok_ext=htm |3 Inhaltstext |
| 856 | 4 | 2 | |m DNB Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034994866&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
Datensatz im Suchindex
| _version_ | 1805084440370610176 |
|---|---|
| adam_text |
CONTENTS
P
REFACE
.
XV
I
N
M
EMORIAM
:
P
ROF
.
D
R
.
G
ERHARD
H
OFFMANN
(1931-2018)
.
XVII
1
P
ROBLEMS
O
F
D
EFINITION
AND
I
NTERRELATION
.
1
1.1
THE
COMIC
MODE
'
S
DOUBLE
STRUCTURE:
TARGET
AND
VALUE
POLES
.
1
1.2
SATIRE
AND
HUMOR
AS
NETWORK
OF
VALUES
.
3
1.3
THE
INTERPLAY
OF
FORM
AND
CONTENT
.
6
1.4
SATIRE
AS
MEDIATOR
OF
DIDACTICISM
AND
NARRATIVE
.
7
1.5
THE
SYSTEM
OFHUMOR
.
8
1.6
THE
CHAIN
OF
INCONGRUITY
CATEGORIES
AND
PLAY
OF
MEANING
.
11
1.7
THE
COMIC
PERSPECTIVE
.
12
1.8
SATIRE
VERSUS
HUMOR
.
14
1.9
THE
GROTESQUE
.
15
1.9.1
THE
ABSURD
.
16
1.9.2
PLAY
.
17
1.9.3
IRONY
.
18
1.9.4
PARODY
.
20
1.10
THE
SATIRIC
STANCE
.
21
1.11
NARRATIVE
AND
SATIRE
.
25
1.12
SATIRE
'
S
TARGETS:
THE
NARRATIVE
FORM
OF
HYPOCRISY,
SAMENESS,
AND
THE
"
SYSTEM
"
.
28
2
T
HE
18
TH
-C
ENTURY
NOVEL:
H
UMOR
AS
S
IGN
OF
G
OOD
N
ATURE
.
35
3
T
HE
M
ODEL
C
ASE
:
C
OMIC
V
IEW
,
H
UMOR
,
AND
S
ATIRE
IN
CERVANTES
'
S
D
ON
Q
UIXOTE
.
41
4
H
UMOR
AS
P
HILOSOPHICAL
A
TTITUDE
.
47
5
T
HE
R
IVALRY
BETWEEN
H
UMOR
AND
S
ATIRE
AND
T
HEIR
E
XHAUSTION
IN
THE
N
OVEL
.
53
6
S
ATIRE
,
H
UMOR
,
AND
I
RONY
IN
A
MERICAN
F
ICTION
.
59
6.1
SATIRE
AND
AMERICAN
HUMOR
.
59
6.2
THE
TARGETS
OF
SATIRE
IN
AMERICAN
FICTION
.
66
7
S
ATIRE
AND
U
TOPIA
:
N
ATHANIEL
HAWTHORNE
'
S
T
HE
B
LITHEDALE
R
OMANCE
.
71
8
H
ERMAN
M
ELVILLE
:
S
TRANGENESS
,
S
ATIRE
,
H
UMOR
,
P
LAY
,
I
RONY
,
AND
THE
C
OMIC
M
ODE
.
75
8.1
THE
CURIOUS,
THE
MYSTERIOUS,
AND
SATIRE
AS
SUBSTRUCTURE
.
75
8.2
EXPERIMENTS
WITH
SOCIAL
AND
COSMIC
SATIRE,
SATIRE
AND
SYMBOLIC
METHOD,
TRAVEL
AND
BILDUNGSROMAN
AS
STRUCTURES
OF
SATIRE:
MARDI
AND
WHITE-JACKET
81
8.3
THE
COMBINATION
OF
STRANGENESS,
IRONY,
COSMIC
SATIRE,
AND
THE
POST-TRAGIC
MODE
AS
ATTITUDES
AND
FORMS
OF
INCONGRUITY:
MOBY-DICK
.
85
8.4
SOCIAL
SATIRE
AND
PARODY,
THE
MYSTIC
MODE,
AND
COSMIC
SATIRE:
PIERRE;
OR,
THE
AMBIGUITIES
.
94
8.5
SATIRE
AND
THE
ATTITUDES
OF
PLAY
AND
IRONY:
THE
CONFIDENCE-MAN
.
102
9
M
ARK
T
WAIN
:
H
UMOR
,
S
ATIRE
,
AND
THE
G
ROTESQUE
.
113
9.1
SATIRE
AND
HUMOR,
AUTHENTICITY
AND
REALITY
IN
THE
NOVEL
.
113
9.2
PLAY,
POSE,
IRONY
OF
FORM:
THE
INNOCENTS
ABROAD,
TOM
SAWYER,
AND
LIFE
ON
THE
MISSISSIPPI
.
120
9.3
SATIRE
AND
THE
GROTESQUE
AGAINST
HUMOR
AND
THE
COMIC
MODE:
HUCKLEBERRY
FINN
.
126
9.4
A
MEDLEY
OF
THE
FANTASTIC,
THE
SATIRIC,
AND
THE
GROTESQUE:
A
CONNECTICUT
YANKEE
IN
KING
ARTHUR'S
COURT
.
130
10
R
EALISM
AND
N
ATURALISM
AND
S
ATIRE
.
139
10.1
REALISM,
TIME,
LIFE
.
139
10.1.1
REALISM
OFTHE
ORDINARY:
WILLIAM
DEAN
HOWELLS
.
141
10.1.2
IMPRESSIONISM
AND
FACTUALISM:
HAMLIN
GARLAND
.
144
10.2
THE
NATURALIST
NOVEL:
SATIRE
AND
UNIVERSAL
DETERMINISM
.
145
10.2.1
SATIRE
AND
THE
EXISTENTIALIST
VIEW:
STEPHEN
CRANE
'
S
THE
RED
BADGE
OF
COURAGE
.
156
10.2.2
SATIRE
AND
THE
FORCE
OFNATURE:
FRANK
NORRIS
'
S
THE
OCTOPUS.
158
10.3
THE
MYSTERY
OF
THE
CITY,
MULTIPERSPECTIVITY,
SATIRE,
AND
THE
AMBIVALENCE
OF
THE
VALUE
POLE:
THEODORE
DREISER
.
162
10.3.1
SATIRE
AND
MYSTERY
IN
THE
CITY
NOVEL:
SISTER
CARRIE
.
163
10.3.2
SATIRE
IN
THE
CONTEXT
OF
PERSONAL
FAULTS,
SOCIAL
CORRUPTION,
AND
ACCIDENTAL
CIRCUMSTANCES:
AN
AMERICAN
TRAGEDY
.
168
11
S
ATIRE
AS
A
ESTHETIC
S
YSTEM
OF
D
IFFERENTIATION
AND
"CULTURE
C
ONSCIOUSNESS
"
:
H
ENRY
J
AMES
.
173
12
E
DITH
W
HARTON
:
S
TRATEGIES
OF
S
ATIRIC
AND
N
ARRATIVE
I
RONY
AND
THE
R
ISE
AND
F
ALL
M
ODEL
.
183
12.1
STRATEGIES
OF
SATIRIC
FICTION
.
183
12.2
THE
RISE
AND
FALL
MODEL
AND
THE
VALUES
OF
THE
PAST
.
188
13
T
OTAL
S
ATIRE
AND
THE
C
OMIC
V
IEW
:
S
INCLAIR
L
EWIS
AND
E
RNEST
H
EMINGWAY
.
197
13.1
SINCLAIR
LEWIS
'
S
BABBITT
.
197
13.2
ERNEST
HEMINGWAY:
SATIRE,
EXISTENTIALISM,
THE
"
BOUNDARY
SITUATION,
"
AND
PURIFICATION
OF
LANGUAGE
.
202
14
T
HE
T
HIRTIES
:
I
DEOLOGY
,
D
OCUMENTATION
,
S
ATIRE
,
AND
THE
S
ELF
'
S
L
IBERATION
FROM
THE
P
RESSURES
OF
THE
S
OCIAL
E
NVIRONMENT
205
15
T
RUTH
AND
I
DENTITY
INSTEAD
OF
M
ORAL
R
ULES
:
STEPHEN
S
PENDER
AND
THE
T
RANSFORMATION
OF
S
ATIRE
IN
M
ODERNIST
T
EXTS
.
211
16
T
HE
A
MERICAN
N
OVEL
AFTER
1945:
S
ATIRE
AND
THE
M
ULTIPLICATION
OF
V
IEWPOINTS
.
215
16.1
THE
NOVEL
OF
THE
1950S
AND
THE
1960S:
MOBILITY
OF
PERSPECTIVES,
NO
SATIRE
WITHOUT
A
COMIC
VIEW
.
215
16.2
THE
COMIC
VIEW
WINS
OUT
OVER
SATIRE:
SATIRE
TURNS
UPON
"
THE
IMMENSE
MASS
OF
THINGS,
IDEAS,
BELIEFS
"
-
SAUL
BELLOW
'
S
COMIC
NOVEL
OF
EDUCATION
218
16.3
A
BLACK
MAN
'
S
POINT
OF
VIEW
AND
A
SATIRIC
VIEW
OF
THE
SYSTEM:
RALPH
ELLISON
'
S
INVISIBLE
MAN
.
223
16.4
FEMINIST,
SOCIAL,
AND
UNIVERSAL
SATIRE:
MARY
MCCARTHY
'
S
CRITICISM
OF
CONSCIOUSNESS
.
226
16.5
THE
ARTIFICIALITY
AND
IDEOLOGICAL
CONSTRUCTEDNESS
OF
SATIRE
AND
THE
BODY
AS
VALUE
POLE:
NORMAN
MAILER
.
228
16.6
PLAY,
IRONY,
PARADOX,
AND
THE
SATIRIC
MODE
.
233
17
P
OSTMODERNIST
F
ICTION
.
241
17.1
MULTIPERSPECTIVISM
AND
PARTIALITY
OF
SATIRE
.
241
17.2
SATIRE,
WASTE,
AND
PARANOIA
.
245
17.3
ENTROPY,
THE
VOID,
AND
SATIRE
AGAINST
THE
SYSTEM
.
254
17.4
SATIRE
AND
THE
LABYRINTH,
PARANOIA,
AND
THE
VOID
.
257
17.5
PARODY,
SATIRE,
MYTH,
AND
THE
TRAGIC
VIEW:
JOHN
BARTH
'
S
GILES
GOAT-BOY
.
266
18
T
HE
T
RAGIC
V
IEW
IN
F
ICTION
.
T11
18.1
DEFINITIONS
AND
CONCEPTIONS
.
277
18.2
THE
NINETEENTH
CENTURY
AND
MODERNISM
.
280
18.3
THE
POSTMODERNIST
VIEW
.
284
19
T
HE
A
BSURD
AS
R
EDUCTION
OF
THE
T
RAGIC
M
ODE
.
293
19.1
THE
CONCEPT
OF
THE
ABSURD
.
293
19.2
REBELLION
OF
THOUGHT
AND
LANGUAGE
AGAINST
NOTHINGNESS:
SAMUEL
BECKETT
'
S
THE
UNNAMABLE
.
296
19.3
REDUCTION
OF
THE
ABSURD
IN
THE
POSTMODERNIST
NOVEL
.
298
19.4
DESIGN
AND
DEBRIS,
CLARITY
AND
PARADOX:
SUICIDE
IN
JOHN
HAWKES
'
S
TRAVESTY
.
307
19.5
THE
ABSURDITY
OF
THE
ABSURD:
JOHN
BARTH
'
S
"
NIGHT-SEA
JOURNEY
"
.
310
20
T
HE
G
ROTESQUE
AND
THE
M
ONSTROUS
.
315
20.1
DEFINITIONS,
COMPONENTS,
AMBIGUITIES
.
315
20.2
THE
HISTORIC
VIEW
.
325
20.2.1
PROBLEM
ZONES
AND
VARIATIONS
OFFORMS
.
325
20.2.2
THE
DEVELOPMENT
OF
GROTESQUE
DEFORMATION
OUT
OF
THE
DISORIENTATION
POLE:
EDGAR
ALLAN
POE
'
S
"
THE
MASQUE
OF
THE
RED
DEATH
"
.
330
20.2.3
THE
GROTESQUE
AND
THE
ABSURD:
HERMAN
MELVILLE
'
S
"
BARTLEBY,
THE
SCRIVENER
"
.
334
20.2.4
GROTESQUE
LAUGHTER
.
339
20.2.5
THE
MODERNIST
NOVEL
.
343
20.2.6
THE
GROTESQUE
IDEAL
OF
LOVE
IN
THE
"
GROTESQUE
REALITY
"
OF
A
"
WASTELAND
"
SOCIETY:
F.
SCOTT
FITZGERALD
'
S
THE
GREAT
GATSBY
.
350
20.2.7
THE
GROTESQUE
AS
DEMONIC
FORCE
OF
THE
CITY
AND
AS
MYSTERIOUS
LIFE
PRINCIPLE:
JOHN
DOS
PASSOS
'
S
MANHATTAN
TRANSFER
.
353
20.2.8
THE
HEROIC
GROTESQUE,
THE
MENTAL,
FAUSTIAN
GROTESQUE,
HISTORY
AS
GROTESQUE
FORCE,
THE
GROTESQUE
FORM,
AND
THEIR
IRONIC
INTERRELATION:
WILLIAM
FAULKNER
'
S
ABSALOM,
ABSALOM!
.
357
20.2.9
THE
GROTESQUE
AS
STATION
TO
THE
MYSTICISM
OF
RELIGIOUS
EXPERIENCE:
FLANNERY
O
'
CONNOR
'
S
THE
VIOLENT
BEAR
IT
AWAY
.
363
20.3
THE
POSTMODERNIST
GROTESQUE:
ITS
RADICALIZATION
IN
TERMS
OF
THE
MONSTROUS
AND
ITS
ATTENUATION
BY
PLAY,
IRONY,
AND
THE
COMIC
MODE
.
366
20.3.1
THE
MONSTROUS
"
NATIONAL
STATE
OF
MIND
"
:
NATHANAEL
WEST
'
S
THE
DAY
OF
THE
LOCUST
.
369
20.3.2
THE
MONSTROUS
EXCESS
OF
VIOLENCE:
JERZY
KOSINSKI'S
THE
PAINTED
BIRD
.
373
20.3.3
THE
MONSTROUS,
THE
FAILURE
OF
THE
COMIC
MODE,
AND
THE
POSTMODERNIST
EXCESS
OF
DISTANCE:
JOHN
HAWKES
'
S
THE
CANNIBAL
.
375
20.3.4
THE
SATIRIC
AND
THE
PLAYFUL
GROTESQUE:
JOSEPH
HELLER
'
S
CATCH-22
.
381
20.3.5
LEVELS
OF
THE
GROTESQUE
AND
THE
PLAYFUL
GROTESQUE:
KURT
VONNEGUT
'
S
SLAUGHTERHOUSE-FIVE
.
387
20.4
THE
MYSTERY
FACTOR
OF
THE
GROTESQUE
AND
THE
GROTESQUE
AS
ONTOLOGICAL
ENIGMA:
ROBERT
COOVER'S
JOHN'S
WIFE
.
391
20.5
THE
NEW
REALISM
OF
THE
POST-POSTMODERNIST
NOVEL:
THE
GROTESQUE
SOCIAL
CONDITION,
AND
"
THE
MYSTERY
"
.
399
21
T
HE
M
ODALITY
OF
P
LAY
.
411
21.1
CONCEPTIONS
AND
CONTEXTS
.
413
21.2
FOURTEEN
THESES:
HUMAN
PLAY
AND
PLAY
OF
THE
WORLD
.
416
21.3
PLAY,
TEXT,
AND
ART
.
418
21.4
LIMITS
OF
PLAY
.
430
21.5
PLAY,
THE
COMIC
MODE,
AND
HUMOR
IN
THE
TRADITIONAL
NOVEL
.
435
21.5.1
THE
NOVEL
AS
PLAY:
MIGUEL
DE
CERVANTES
'
S
DON
QUIXOTE
.
435
21.5.2
PLAYFUL
HUMOR
IN
THE
ENGLISH
NOVEL
OF
THE
EIGHTEENTH
AND
NINETEETH
CENTURIES
.
438
21.5.3
PLAY
WITH
ODDITIES:
LAURENCE
STERNE
'
S
TRISTRAM
SHANDY
.
439
21.5.4
PLAY
ALONG
THE
WAY:
HENRY
FIELDING
'
S
TOM
JONES
.441
21.5.5
THE
FREEDOM
OF
PLAY
AND
THE
UNIFYING
POWER
OF
HUMOR:
CHARLES
DICKENS
'
S
PICKWICK
PAPERS
.
443
21.6
PLAYING
AROUND
STRANGENESS
AND
MYSTERY
IN
THE
AMERICAN
NOVEL:
HERMAN
MELVILLE
AND
MARK
TWAIN
.
445
21.6.1
PLAYING
AROUND
WITH
LANGUAGE
AS
REALITY
PRINCIPLE:
MOBY-DICK
AND
THE
CONFIDENCE-MAN
.
447
21.6.2
PLAY
VERSUS
REALITY:
TOM
SAWYER
AND
A
CONNECTICUT
YANKEE
IN
KING
ARTHUR
'
S
COURT
.
452
21.7
PLAY
IN
THE
MODERNIST
NOVEL:
PLAYING
AROUND
THINGS
.
456
21.8
PSYCHOLOGICAL
PLAY
WITH
IRONY:
HENRY
JAMES
'
S
THE
AMBASSADORS
.
458
21.9
PLAY
AND
DECONSTRUCTION
OF
THE
TRADITIONAL
CONCEPTS
OF
THE
IMAGINATION:
THE
POSTMODERNIST
NOVEL
.
461
21.9.1
PLAYFUL
AESTHETIC
MAXIMALISM
I:
PLAY,
PARODY,
AND
POSSIBILITY
THINKING
IN
JOHN
BARTH
.
466
21.9.2
PLAYFUL
AESTHETIC
MAXIMALISM
II:
THE
MULTIPLICATION
OF
VIEWPOINTS
IN
THOMAS
PYNCHON
474
21.9.3
PLAYFUL
"
MINUS
FUNCTIONS
"
:
MINIMALISM,
CHAOS,
AND
BOREDOM
IN
DONALD
BARTHELME,
RICHARD
BRAUTIGAN,
RAYMOND
FEDERMAN,
AND
RONALD
SUKENICK.
480
21.9.4
PLAY,
IRONY,
PARODY,
AND
THE
COMIC
MODE
.
487
21.9.5
STRANGENESS,
MYSTERY,
AND
FREEDOM
AS
CONTEXTS
OF
PLAY
.
489
22
IRONY
.
493
22.1
INTRODUCTION
.
493
22.2
IRONY
OF
SUBJECT
MATTER
AND
IRONY
OF
FORM
.
494
22.3
KIERKEGAARD
AND
THE
ATTITUDE
OF
IRONY
.
502
22.4
THE
MODERNIST
NOVEL:
COSMIC
IRONY
AND
THE
MOMENT
OF
REVELATION
.
506
22.4.1
FORMS
OFNARRATIVE
IRONY:
COSMIC
IRONY
.
508
22.4.2
COSMIC
IRONY
IN
HERMAN
MELVILLE
'
S
MOBY-DICK
VERSUS
THE
MODERNIST
NATURE
NOVEL
.
512
22.4.3
NATURAL
FORMATIONS
AND
PSYCHIC
TIME:
THE
MYTHIC
VIEW,
THE
SYMBOLIZING
METHOD,
AND
JOSEPH
CONRAD
'
S
HEART
OF
DARKNESS
AND
NOSTROMO.
532
22.5
IRONY
EVERYWHERE:
A
PORTRAIT
OF
THE
ARTIST
AS
A
YOUNG
MAN
541
22.6
THE
MOMENT
OF
BEING
AND
THE
IRONY
OF
TIME:
VIRIGINIA
WOOLFS
TO
THE
LIGHTHOUSE
.
547
22.7
THE
SEXUAL
ACT
AND
THE
MOMENT
OF
BEING:
D.
H.
LAWRENCE
'
S
THE
RAINBOW
AND
WOMEN
IN
LOVE
.
552
22.8
THE
IRONY
OF
TIME
.
560
22.8.1
JAMES
JOYCE,
ULYSSES
.
563
22.8.2
VIRGINIA
WOOLF,
MRS.
DALLOWAY
.
564
22.8.3
ERNEST
HEMINGWAY,
A
FAREWELL
TO
ARMS
.
568
22.8.4
WILLIAM
FAULKNER,
THE
SOUND
AND
THE
FURY
.
571
22.9
THE
QUEST
FOR
MEANING
AND
THE
IRONY
OF
ENDINGS
.
576
22.9.1
HENRY
JAMES,
THE
PORTRAIT
OF
A
LADY
.
577
22.9.2
JOSEPH
CONRAD,
HEART
OF
DARKNESS
.
578
22.9.3
F.
SCOTT
FITZGERALD,
THE
GREAT
GATSBY
.
580
22.9.4
ERNEST
HEMINGWAY,
A
FAREWELL
TO
ARMS
.
582
22.9.5
WILLIAM
FAULKNER,
ABSALOM,
ABSALOM!
.
584
22.10
POSTMODERNIST
IRONY
.
591
22.11
FREE
IRONY
AS
META-IRONY
IN
POSTMODERNIST
FICTION
.
594
22.12
PARADOX
AS
"
THE
SOUL,
SOURCE
AND
PRINCIPLE
"
OF
IRONY
.
603
22.13
IRONY
OF
STRUCTURE
AND
CHARACTER
AND
IRONIC
MULTIPERSPECTIVITY:
THOMAS
PYNCHON
'
S
GRAVITY'S
RAINBOW
.
610
23
T
HE
C
OMIC
M
ODE
.
625
23.1
TRANSFORMATIONS
OF
THE
COMIC
MODE
IN
THE
ENGLISH
AND
AMERICAN
NOVEL:
CONTEXTS
AND
DEFINITIONS
.
625
23.2
PLAY,
THE
COMIC
MODE,
AND
HUMOR:
THE
PICARESQUE
MODEL,
THE
ODD,
AND
THE
FLAT
CHARACTER
IN
THE
ENGLISH
NOVEL
.
631
23.3
SATIRE
AND
THE
COMIC
MODE
IN
THE
VICTORIAN
NOVEL
.
641
23.4
THE
COMICAL
SATIRIST
AS
QUASI-NIHILIST:
BECKY
SHARP
IN
W.
M.
THACKERAY
'
S
VANITY
FAIR
.
642
23.5
SATIRE
AND
THE
REVISED
COMIC
MODE:
GEORGE
MEREDITH
'
S
THE
EGOIST
.
644
24
T
HE
M
ODERNIST
C
OMIC
M
ODE
UNDER
THE
S
WAY
OF
I
RONY
.
653
24.1
THE
COMIC
MODE
AS
PARADOX
AND
UNIVERSAL
THEME:
HENRY
JAMES
.
653
24.2
THE
UNIVERSAL
COMIC
VIEW
AND
"
FREE,
"
LIFE-ORIENTED
HUMOR:
WILLIAM
FAULKNER
'
S
THE
HAMLET
.
659
25
T
HE
P
OSTMODERNIST
"
F
REE
"
C
OMIC
M
ODE
.
669
25.1
PLAY,
IRONY,
PARODY,
AND
THE
COMIC
MODE
IN
THE
POSTMODERNIST
CONTEXT
.
670
25.2
THE
AUTHOR
'
S
VOICE:
CHAOS,
TRASH,
DEBRIS,
AND
THE
DESIGN
OF
THE
FREE
COMIC
MODE
.
675
26
P
ARODY
AND
P
LAY
.
697
26.1
STATEMENTS
AND
TENDENCIES
.
705
26.2
THE
EXPANSION
OF
PARODY
AS
STRUCTURE
OF
EXISTENTIAL
ATTITUDES,
COMBINATIONS
WITH
PLAY,
IRONY,
SATIRE,
AND
COMIC
EFFECTS:
DONALD
BARTHELME
.
709
26.3
UNIVERSAL
PARODY,
IMITATION,
AND
TRANSFORMATION
OF
PATTERNS:
JOHN
BARTH
.
715
27
F
REE
H
UMOR
,
F
REE
I
RONY
,
F
REE
C
OMIC
V
IEW
:
T
HEIR
C
ONTRIBUTION
T
O
A
N
EW
S
ENSE
OF
C
OMPLETION
.
729
28
S
UMMING
U
P
:
F
RAMES
OF
A
RTICULATION
AND
THE
P
ERSPECTIVES
OF
I
NCONGRUITY
,
THE
O
RDINARY
AND
THE
E
XTRAORDINARY
,
W
HOLENESS
AND
D
IFFERENTIATION
,
THE
P
OSSIBLE
AND
THE
I
MPOSSIBLE
735
BIBLIOGRAPHY
.
757 |
| adam_txt |
CONTENTS
P
REFACE
.
XV
I
N
M
EMORIAM
:
P
ROF
.
D
R
.
G
ERHARD
H
OFFMANN
(1931-2018)
.
XVII
1
P
ROBLEMS
O
F
D
EFINITION
AND
I
NTERRELATION
.
1
1.1
THE
COMIC
MODE
'
S
DOUBLE
STRUCTURE:
TARGET
AND
VALUE
POLES
.
1
1.2
SATIRE
AND
HUMOR
AS
NETWORK
OF
VALUES
.
3
1.3
THE
INTERPLAY
OF
FORM
AND
CONTENT
.
6
1.4
SATIRE
AS
MEDIATOR
OF
DIDACTICISM
AND
NARRATIVE
.
7
1.5
THE
SYSTEM
OFHUMOR
.
8
1.6
THE
CHAIN
OF
INCONGRUITY
CATEGORIES
AND
PLAY
OF
MEANING
.
11
1.7
THE
COMIC
PERSPECTIVE
.
12
1.8
SATIRE
VERSUS
HUMOR
.
14
1.9
THE
GROTESQUE
.
15
1.9.1
THE
ABSURD
.
16
1.9.2
PLAY
.
17
1.9.3
IRONY
.
18
1.9.4
PARODY
.
20
1.10
THE
SATIRIC
STANCE
.
21
1.11
NARRATIVE
AND
SATIRE
.
25
1.12
SATIRE
'
S
TARGETS:
THE
NARRATIVE
FORM
OF
HYPOCRISY,
SAMENESS,
AND
THE
"
SYSTEM
"
.
28
2
T
HE
18
TH
-C
ENTURY
NOVEL:
H
UMOR
AS
S
IGN
OF
G
OOD
N
ATURE
.
35
3
T
HE
M
ODEL
C
ASE
:
C
OMIC
V
IEW
,
H
UMOR
,
AND
S
ATIRE
IN
CERVANTES
'
S
D
ON
Q
UIXOTE
.
41
4
H
UMOR
AS
P
HILOSOPHICAL
A
TTITUDE
.
47
5
T
HE
R
IVALRY
BETWEEN
H
UMOR
AND
S
ATIRE
AND
T
HEIR
E
XHAUSTION
IN
THE
N
OVEL
.
53
6
S
ATIRE
,
H
UMOR
,
AND
I
RONY
IN
A
MERICAN
F
ICTION
.
59
6.1
SATIRE
AND
AMERICAN
HUMOR
.
59
6.2
THE
TARGETS
OF
SATIRE
IN
AMERICAN
FICTION
.
66
7
S
ATIRE
AND
U
TOPIA
:
N
ATHANIEL
HAWTHORNE
'
S
T
HE
B
LITHEDALE
R
OMANCE
.
71
8
H
ERMAN
M
ELVILLE
:
S
TRANGENESS
,
S
ATIRE
,
H
UMOR
,
P
LAY
,
I
RONY
,
AND
THE
C
OMIC
M
ODE
.
75
8.1
THE
CURIOUS,
THE
MYSTERIOUS,
AND
SATIRE
AS
SUBSTRUCTURE
.
75
8.2
EXPERIMENTS
WITH
SOCIAL
AND
COSMIC
SATIRE,
SATIRE
AND
SYMBOLIC
METHOD,
TRAVEL
AND
BILDUNGSROMAN
AS
STRUCTURES
OF
SATIRE:
MARDI
AND
WHITE-JACKET
81
8.3
THE
COMBINATION
OF
STRANGENESS,
IRONY,
COSMIC
SATIRE,
AND
THE
POST-TRAGIC
MODE
AS
ATTITUDES
AND
FORMS
OF
INCONGRUITY:
MOBY-DICK
.
85
8.4
SOCIAL
SATIRE
AND
PARODY,
THE
MYSTIC
MODE,
AND
COSMIC
SATIRE:
PIERRE;
OR,
THE
AMBIGUITIES
.
94
8.5
SATIRE
AND
THE
ATTITUDES
OF
PLAY
AND
IRONY:
THE
CONFIDENCE-MAN
.
102
9
M
ARK
T
WAIN
:
H
UMOR
,
S
ATIRE
,
AND
THE
G
ROTESQUE
.
113
9.1
SATIRE
AND
HUMOR,
AUTHENTICITY
AND
REALITY
IN
THE
NOVEL
.
113
9.2
PLAY,
POSE,
IRONY
OF
FORM:
THE
INNOCENTS
ABROAD,
TOM
SAWYER,
AND
LIFE
ON
THE
MISSISSIPPI
.
120
9.3
SATIRE
AND
THE
GROTESQUE
AGAINST
HUMOR
AND
THE
COMIC
MODE:
HUCKLEBERRY
FINN
.
126
9.4
A
MEDLEY
OF
THE
FANTASTIC,
THE
SATIRIC,
AND
THE
GROTESQUE:
A
CONNECTICUT
YANKEE
IN
KING
ARTHUR'S
COURT
.
130
10
R
EALISM
AND
N
ATURALISM
AND
S
ATIRE
.
139
10.1
REALISM,
TIME,
LIFE
.
139
10.1.1
REALISM
OFTHE
ORDINARY:
WILLIAM
DEAN
HOWELLS
.
141
10.1.2
IMPRESSIONISM
AND
FACTUALISM:
HAMLIN
GARLAND
.
144
10.2
THE
NATURALIST
NOVEL:
SATIRE
AND
UNIVERSAL
DETERMINISM
.
145
10.2.1
SATIRE
AND
THE
EXISTENTIALIST
VIEW:
STEPHEN
CRANE
'
S
THE
RED
BADGE
OF
COURAGE
.
156
10.2.2
SATIRE
AND
THE
FORCE
OFNATURE:
FRANK
NORRIS
'
S
THE
OCTOPUS.
158
10.3
THE
MYSTERY
OF
THE
CITY,
MULTIPERSPECTIVITY,
SATIRE,
AND
THE
AMBIVALENCE
OF
THE
VALUE
POLE:
THEODORE
DREISER
.
162
10.3.1
SATIRE
AND
MYSTERY
IN
THE
CITY
NOVEL:
SISTER
CARRIE
.
163
10.3.2
SATIRE
IN
THE
CONTEXT
OF
PERSONAL
FAULTS,
SOCIAL
CORRUPTION,
AND
ACCIDENTAL
CIRCUMSTANCES:
AN
AMERICAN
TRAGEDY
.
168
11
S
ATIRE
AS
A
ESTHETIC
S
YSTEM
OF
D
IFFERENTIATION
AND
"CULTURE
C
ONSCIOUSNESS
"
:
H
ENRY
J
AMES
.
173
12
E
DITH
W
HARTON
:
S
TRATEGIES
OF
S
ATIRIC
AND
N
ARRATIVE
I
RONY
AND
THE
R
ISE
AND
F
ALL
M
ODEL
.
183
12.1
STRATEGIES
OF
SATIRIC
FICTION
.
183
12.2
THE
RISE
AND
FALL
MODEL
AND
THE
VALUES
OF
THE
PAST
.
188
13
T
OTAL
S
ATIRE
AND
THE
C
OMIC
V
IEW
:
S
INCLAIR
L
EWIS
AND
E
RNEST
H
EMINGWAY
.
197
13.1
SINCLAIR
LEWIS
'
S
BABBITT
.
197
13.2
ERNEST
HEMINGWAY:
SATIRE,
EXISTENTIALISM,
THE
"
BOUNDARY
SITUATION,
"
AND
PURIFICATION
OF
LANGUAGE
.
202
14
T
HE
T
HIRTIES
:
I
DEOLOGY
,
D
OCUMENTATION
,
S
ATIRE
,
AND
THE
S
ELF
'
S
L
IBERATION
FROM
THE
P
RESSURES
OF
THE
S
OCIAL
E
NVIRONMENT
205
15
T
RUTH
AND
I
DENTITY
INSTEAD
OF
M
ORAL
R
ULES
:
STEPHEN
S
PENDER
AND
THE
T
RANSFORMATION
OF
S
ATIRE
IN
M
ODERNIST
T
EXTS
.
211
16
T
HE
A
MERICAN
N
OVEL
AFTER
1945:
S
ATIRE
AND
THE
M
ULTIPLICATION
OF
V
IEWPOINTS
.
215
16.1
THE
NOVEL
OF
THE
1950S
AND
THE
1960S:
MOBILITY
OF
PERSPECTIVES,
NO
SATIRE
WITHOUT
A
COMIC
VIEW
.
215
16.2
THE
COMIC
VIEW
WINS
OUT
OVER
SATIRE:
SATIRE
TURNS
UPON
"
THE
IMMENSE
MASS
OF
THINGS,
IDEAS,
BELIEFS
"
-
SAUL
BELLOW
'
S
COMIC
NOVEL
OF
EDUCATION
218
16.3
A
BLACK
MAN
'
S
POINT
OF
VIEW
AND
A
SATIRIC
VIEW
OF
THE
SYSTEM:
RALPH
ELLISON
'
S
INVISIBLE
MAN
.
223
16.4
FEMINIST,
SOCIAL,
AND
UNIVERSAL
SATIRE:
MARY
MCCARTHY
'
S
CRITICISM
OF
CONSCIOUSNESS
.
226
16.5
THE
ARTIFICIALITY
AND
IDEOLOGICAL
CONSTRUCTEDNESS
OF
SATIRE
AND
THE
BODY
AS
VALUE
POLE:
NORMAN
MAILER
.
228
16.6
PLAY,
IRONY,
PARADOX,
AND
THE
SATIRIC
MODE
.
233
17
P
OSTMODERNIST
F
ICTION
.
241
17.1
MULTIPERSPECTIVISM
AND
PARTIALITY
OF
SATIRE
.
241
17.2
SATIRE,
WASTE,
AND
PARANOIA
.
245
17.3
ENTROPY,
THE
VOID,
AND
SATIRE
AGAINST
THE
SYSTEM
.
254
17.4
SATIRE
AND
THE
LABYRINTH,
PARANOIA,
AND
THE
VOID
.
257
17.5
PARODY,
SATIRE,
MYTH,
AND
THE
TRAGIC
VIEW:
JOHN
BARTH
'
S
GILES
GOAT-BOY
.
266
18
T
HE
T
RAGIC
V
IEW
IN
F
ICTION
.
T11
18.1
DEFINITIONS
AND
CONCEPTIONS
.
277
18.2
THE
NINETEENTH
CENTURY
AND
MODERNISM
.
280
18.3
THE
POSTMODERNIST
VIEW
.
284
19
T
HE
A
BSURD
AS
R
EDUCTION
OF
THE
T
RAGIC
M
ODE
.
293
19.1
THE
CONCEPT
OF
THE
ABSURD
.
293
19.2
REBELLION
OF
THOUGHT
AND
LANGUAGE
AGAINST
NOTHINGNESS:
SAMUEL
BECKETT
'
S
THE
UNNAMABLE
.
296
19.3
REDUCTION
OF
THE
ABSURD
IN
THE
POSTMODERNIST
NOVEL
.
298
19.4
DESIGN
AND
DEBRIS,
CLARITY
AND
PARADOX:
SUICIDE
IN
JOHN
HAWKES
'
S
TRAVESTY
.
307
19.5
THE
ABSURDITY
OF
THE
ABSURD:
JOHN
BARTH
'
S
"
NIGHT-SEA
JOURNEY
"
.
310
20
T
HE
G
ROTESQUE
AND
THE
M
ONSTROUS
.
315
20.1
DEFINITIONS,
COMPONENTS,
AMBIGUITIES
.
315
20.2
THE
HISTORIC
VIEW
.
325
20.2.1
PROBLEM
ZONES
AND
VARIATIONS
OFFORMS
.
325
20.2.2
THE
DEVELOPMENT
OF
GROTESQUE
DEFORMATION
OUT
OF
THE
DISORIENTATION
POLE:
EDGAR
ALLAN
POE
'
S
"
THE
MASQUE
OF
THE
RED
DEATH
"
.
330
20.2.3
THE
GROTESQUE
AND
THE
ABSURD:
HERMAN
MELVILLE
'
S
"
BARTLEBY,
THE
SCRIVENER
"
.
334
20.2.4
GROTESQUE
LAUGHTER
.
339
20.2.5
THE
MODERNIST
NOVEL
.
343
20.2.6
THE
GROTESQUE
IDEAL
OF
LOVE
IN
THE
"
GROTESQUE
REALITY
"
OF
A
"
WASTELAND
"
SOCIETY:
F.
SCOTT
FITZGERALD
'
S
THE
GREAT
GATSBY
.
350
20.2.7
THE
GROTESQUE
AS
DEMONIC
FORCE
OF
THE
CITY
AND
AS
MYSTERIOUS
LIFE
PRINCIPLE:
JOHN
DOS
PASSOS
'
S
MANHATTAN
TRANSFER
.
353
20.2.8
THE
HEROIC
GROTESQUE,
THE
MENTAL,
FAUSTIAN
GROTESQUE,
HISTORY
AS
GROTESQUE
FORCE,
THE
GROTESQUE
FORM,
AND
THEIR
IRONIC
INTERRELATION:
WILLIAM
FAULKNER
'
S
ABSALOM,
ABSALOM!
.
357
20.2.9
THE
GROTESQUE
AS
STATION
TO
THE
MYSTICISM
OF
RELIGIOUS
EXPERIENCE:
FLANNERY
O
'
CONNOR
'
S
THE
VIOLENT
BEAR
IT
AWAY
.
363
20.3
THE
POSTMODERNIST
GROTESQUE:
ITS
RADICALIZATION
IN
TERMS
OF
THE
MONSTROUS
AND
ITS
ATTENUATION
BY
PLAY,
IRONY,
AND
THE
COMIC
MODE
.
366
20.3.1
THE
MONSTROUS
"
NATIONAL
STATE
OF
MIND
"
:
NATHANAEL
WEST
'
S
THE
DAY
OF
THE
LOCUST
.
369
20.3.2
THE
MONSTROUS
EXCESS
OF
VIOLENCE:
JERZY
KOSINSKI'S
THE
PAINTED
BIRD
.
373
20.3.3
THE
MONSTROUS,
THE
FAILURE
OF
THE
COMIC
MODE,
AND
THE
POSTMODERNIST
EXCESS
OF
DISTANCE:
JOHN
HAWKES
'
S
THE
CANNIBAL
.
375
20.3.4
THE
SATIRIC
AND
THE
PLAYFUL
GROTESQUE:
JOSEPH
HELLER
'
S
CATCH-22
.
381
20.3.5
LEVELS
OF
THE
GROTESQUE
AND
THE
PLAYFUL
GROTESQUE:
KURT
VONNEGUT
'
S
SLAUGHTERHOUSE-FIVE
.
387
20.4
THE
MYSTERY
FACTOR
OF
THE
GROTESQUE
AND
THE
GROTESQUE
AS
ONTOLOGICAL
ENIGMA:
ROBERT
COOVER'S
JOHN'S
WIFE
.
391
20.5
THE
NEW
REALISM
OF
THE
POST-POSTMODERNIST
NOVEL:
THE
GROTESQUE
SOCIAL
CONDITION,
AND
"
THE
MYSTERY
"
.
399
21
T
HE
M
ODALITY
OF
P
LAY
.
411
21.1
CONCEPTIONS
AND
CONTEXTS
.
413
21.2
FOURTEEN
THESES:
HUMAN
PLAY
AND
PLAY
OF
THE
WORLD
.
416
21.3
PLAY,
TEXT,
AND
ART
.
418
21.4
LIMITS
OF
PLAY
.
430
21.5
PLAY,
THE
COMIC
MODE,
AND
HUMOR
IN
THE
TRADITIONAL
NOVEL
.
435
21.5.1
THE
NOVEL
AS
PLAY:
MIGUEL
DE
CERVANTES
'
S
DON
QUIXOTE
.
435
21.5.2
PLAYFUL
HUMOR
IN
THE
ENGLISH
NOVEL
OF
THE
EIGHTEENTH
AND
NINETEETH
CENTURIES
.
438
21.5.3
PLAY
WITH
ODDITIES:
LAURENCE
STERNE
'
S
TRISTRAM
SHANDY
.
439
21.5.4
PLAY
ALONG
THE
WAY:
HENRY
FIELDING
'
S
TOM
JONES
.441
21.5.5
THE
FREEDOM
OF
PLAY
AND
THE
UNIFYING
POWER
OF
HUMOR:
CHARLES
DICKENS
'
S
PICKWICK
PAPERS
.
443
21.6
PLAYING
AROUND
STRANGENESS
AND
MYSTERY
IN
THE
AMERICAN
NOVEL:
HERMAN
MELVILLE
AND
MARK
TWAIN
.
445
21.6.1
PLAYING
AROUND
WITH
LANGUAGE
AS
REALITY
PRINCIPLE:
MOBY-DICK
AND
THE
CONFIDENCE-MAN
.
447
21.6.2
PLAY
VERSUS
REALITY:
TOM
SAWYER
AND
A
CONNECTICUT
YANKEE
IN
KING
ARTHUR
'
S
COURT
.
452
21.7
PLAY
IN
THE
MODERNIST
NOVEL:
PLAYING
AROUND
THINGS
.
456
21.8
PSYCHOLOGICAL
PLAY
WITH
IRONY:
HENRY
JAMES
'
S
THE
AMBASSADORS
.
458
21.9
PLAY
AND
DECONSTRUCTION
OF
THE
TRADITIONAL
CONCEPTS
OF
THE
IMAGINATION:
THE
POSTMODERNIST
NOVEL
.
461
21.9.1
PLAYFUL
AESTHETIC
MAXIMALISM
I:
PLAY,
PARODY,
AND
POSSIBILITY
THINKING
IN
JOHN
BARTH
.
466
21.9.2
PLAYFUL
AESTHETIC
MAXIMALISM
II:
THE
MULTIPLICATION
OF
VIEWPOINTS
IN
THOMAS
PYNCHON
474
21.9.3
PLAYFUL
"
MINUS
FUNCTIONS
"
:
MINIMALISM,
CHAOS,
AND
BOREDOM
IN
DONALD
BARTHELME,
RICHARD
BRAUTIGAN,
RAYMOND
FEDERMAN,
AND
RONALD
SUKENICK.
480
21.9.4
PLAY,
IRONY,
PARODY,
AND
THE
COMIC
MODE
.
487
21.9.5
STRANGENESS,
MYSTERY,
AND
FREEDOM
AS
CONTEXTS
OF
PLAY
.
489
22
IRONY
.
493
22.1
INTRODUCTION
.
493
22.2
IRONY
OF
SUBJECT
MATTER
AND
IRONY
OF
FORM
.
494
22.3
KIERKEGAARD
AND
THE
ATTITUDE
OF
IRONY
.
502
22.4
THE
MODERNIST
NOVEL:
COSMIC
IRONY
AND
THE
MOMENT
OF
REVELATION
.
506
22.4.1
FORMS
OFNARRATIVE
IRONY:
COSMIC
IRONY
.
508
22.4.2
COSMIC
IRONY
IN
HERMAN
MELVILLE
'
S
MOBY-DICK
VERSUS
THE
MODERNIST
NATURE
NOVEL
.
512
22.4.3
NATURAL
FORMATIONS
AND
PSYCHIC
TIME:
THE
MYTHIC
VIEW,
THE
SYMBOLIZING
METHOD,
AND
JOSEPH
CONRAD
'
S
HEART
OF
DARKNESS
AND
NOSTROMO.
532
22.5
IRONY
EVERYWHERE:
A
PORTRAIT
OF
THE
ARTIST
AS
A
YOUNG
MAN
541
22.6
THE
MOMENT
OF
BEING
AND
THE
IRONY
OF
TIME:
VIRIGINIA
WOOLFS
TO
THE
LIGHTHOUSE
.
547
22.7
THE
SEXUAL
ACT
AND
THE
MOMENT
OF
BEING:
D.
H.
LAWRENCE
'
S
THE
RAINBOW
AND
WOMEN
IN
LOVE
.
552
22.8
THE
IRONY
OF
TIME
.
560
22.8.1
JAMES
JOYCE,
ULYSSES
.
563
22.8.2
VIRGINIA
WOOLF,
MRS.
DALLOWAY
.
564
22.8.3
ERNEST
HEMINGWAY,
A
FAREWELL
TO
ARMS
.
568
22.8.4
WILLIAM
FAULKNER,
THE
SOUND
AND
THE
FURY
.
571
22.9
THE
QUEST
FOR
MEANING
AND
THE
IRONY
OF
ENDINGS
.
576
22.9.1
HENRY
JAMES,
THE
PORTRAIT
OF
A
LADY
.
577
22.9.2
JOSEPH
CONRAD,
HEART
OF
DARKNESS
.
578
22.9.3
F.
SCOTT
FITZGERALD,
THE
GREAT
GATSBY
.
580
22.9.4
ERNEST
HEMINGWAY,
A
FAREWELL
TO
ARMS
.
582
22.9.5
WILLIAM
FAULKNER,
ABSALOM,
ABSALOM!
.
584
22.10
POSTMODERNIST
IRONY
.
591
22.11
FREE
IRONY
AS
META-IRONY
IN
POSTMODERNIST
FICTION
.
594
22.12
PARADOX
AS
"
THE
SOUL,
SOURCE
AND
PRINCIPLE
"
OF
IRONY
.
603
22.13
IRONY
OF
STRUCTURE
AND
CHARACTER
AND
IRONIC
MULTIPERSPECTIVITY:
THOMAS
PYNCHON
'
S
GRAVITY'S
RAINBOW
.
610
23
T
HE
C
OMIC
M
ODE
.
625
23.1
TRANSFORMATIONS
OF
THE
COMIC
MODE
IN
THE
ENGLISH
AND
AMERICAN
NOVEL:
CONTEXTS
AND
DEFINITIONS
.
625
23.2
PLAY,
THE
COMIC
MODE,
AND
HUMOR:
THE
PICARESQUE
MODEL,
THE
ODD,
AND
THE
FLAT
CHARACTER
IN
THE
ENGLISH
NOVEL
.
631
23.3
SATIRE
AND
THE
COMIC
MODE
IN
THE
VICTORIAN
NOVEL
.
641
23.4
THE
COMICAL
SATIRIST
AS
QUASI-NIHILIST:
BECKY
SHARP
IN
W.
M.
THACKERAY
'
S
VANITY
FAIR
.
642
23.5
SATIRE
AND
THE
REVISED
COMIC
MODE:
GEORGE
MEREDITH
'
S
THE
EGOIST
.
644
24
T
HE
M
ODERNIST
C
OMIC
M
ODE
UNDER
THE
S
WAY
OF
I
RONY
.
653
24.1
THE
COMIC
MODE
AS
PARADOX
AND
UNIVERSAL
THEME:
HENRY
JAMES
.
653
24.2
THE
UNIVERSAL
COMIC
VIEW
AND
"
FREE,
"
LIFE-ORIENTED
HUMOR:
WILLIAM
FAULKNER
'
S
THE
HAMLET
.
659
25
T
HE
P
OSTMODERNIST
"
F
REE
"
C
OMIC
M
ODE
.
669
25.1
PLAY,
IRONY,
PARODY,
AND
THE
COMIC
MODE
IN
THE
POSTMODERNIST
CONTEXT
.
670
25.2
THE
AUTHOR
'
S
VOICE:
CHAOS,
TRASH,
DEBRIS,
AND
THE
DESIGN
OF
THE
FREE
COMIC
MODE
.
675
26
P
ARODY
AND
P
LAY
.
697
26.1
STATEMENTS
AND
TENDENCIES
.
705
26.2
THE
EXPANSION
OF
PARODY
AS
STRUCTURE
OF
EXISTENTIAL
ATTITUDES,
COMBINATIONS
WITH
PLAY,
IRONY,
SATIRE,
AND
COMIC
EFFECTS:
DONALD
BARTHELME
.
709
26.3
UNIVERSAL
PARODY,
IMITATION,
AND
TRANSFORMATION
OF
PATTERNS:
JOHN
BARTH
.
715
27
F
REE
H
UMOR
,
F
REE
I
RONY
,
F
REE
C
OMIC
V
IEW
:
T
HEIR
C
ONTRIBUTION
T
O
A
N
EW
S
ENSE
OF
C
OMPLETION
.
729
28
S
UMMING
U
P
:
F
RAMES
OF
A
RTICULATION
AND
THE
P
ERSPECTIVES
OF
I
NCONGRUITY
,
THE
O
RDINARY
AND
THE
E
XTRAORDINARY
,
W
HOLENESS
AND
D
IFFERENTIATION
,
THE
P
OSSIBLE
AND
THE
I
MPOSSIBLE
735
BIBLIOGRAPHY
.
757 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Hoffmann, Gerhard 1931-2018 |
| author_GND | (DE-588)134071387 |
| author_facet | Hoffmann, Gerhard 1931-2018 |
| author_role | aut |
| author_sort | Hoffmann, Gerhard 1931-2018 |
| author_variant | g h gh |
| building | Verbundindex |
| bvnumber | BV049651428 |
| classification_rvk | HG 439 |
| ctrlnum | (OCoLC)1425130229 (DE-599)DNB1322051461 |
| dewey-full | 817. |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 817 - American humor and satire in English |
| dewey-raw | 817. |
| dewey-search | 817. |
| dewey-sort | 3817 |
| dewey-tens | 810 - American literature in English |
| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 cb4500</leader><controlfield tag="001">BV049651428</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240709</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">240416s2024 a||| |||| 00||| eng d</controlfield><datafield tag="016" ind1="7" ind2=" "><subfield code="a">1322051461</subfield><subfield code="2">DE-101</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783825395865</subfield><subfield code="c">Festeinband</subfield><subfield code="9">978-3-8253-9586-5</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1425130229</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)DNB1322051461</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-11</subfield><subfield code="a">DE-19</subfield><subfield code="a">DE-188</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-824</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">817.</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HG 439</subfield><subfield code="0">(DE-625)49197:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">420</subfield><subfield code="2">sdnb</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Hoffmann, Gerhard</subfield><subfield code="d">1931-2018</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)134071387</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Perspectives on values</subfield><subfield code="b">the network of satire and humor, the tragic and the absurd, the grotesque and the monstrous, play and irony, parody and the comic mode</subfield><subfield code="c">Gerhard Hoffmann</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Heidelberg</subfield><subfield code="b">Universitätsverlag Winter</subfield><subfield code="c">[2024]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2024</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">812 Seiten</subfield><subfield code="b">Illustration</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">American Studies</subfield><subfield code="v">volume 323</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Das Groteske</subfield><subfield code="0">(DE-588)4134841-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Humor</subfield><subfield code="0">(DE-588)4026170-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ironie</subfield><subfield code="0">(DE-588)4027676-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Satire</subfield><subfield code="0">(DE-588)4051752-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">amerikanische Literatur</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Amerikanistik</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Humor</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Satire</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Ironie</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Groteske</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Komik</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">18. Jahrhundert</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">19. Jahrhundert</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">20. Jahrhundert</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Hawthorne, Nathaniel</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Melville, Herman</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Twain, Mark</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Naturalismus</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Realismus</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Wharton, Edith</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">James, Henry</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Hemingway, Ernest</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Lewis, Sinclair</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Postmoderne</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Moderne</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Parodie</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Bedeutung</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Woolf, Virginia</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Faulkner, William</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Barthelme, Donald</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Fielding, Henry</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">21. Jahrhundert</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Humor</subfield><subfield code="0">(DE-588)4026170-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Satire</subfield><subfield code="0">(DE-588)4051752-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Das Groteske</subfield><subfield code="0">(DE-588)4134841-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="6"><subfield code="a">Ironie</subfield><subfield code="0">(DE-588)4027676-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="7"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Humor</subfield><subfield code="0">(DE-588)4026170-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Satire</subfield><subfield code="0">(DE-588)4051752-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="4"><subfield code="a">Das Groteske</subfield><subfield code="0">(DE-588)4134841-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="5"><subfield code="a">Ironie</subfield><subfield code="0">(DE-588)4027676-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="6"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="2" ind2="0"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="1"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="2"><subfield code="a">Humor</subfield><subfield code="0">(DE-588)4026170-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="3"><subfield code="a">Satire</subfield><subfield code="0">(DE-588)4051752-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="4"><subfield code="a">Das Groteske</subfield><subfield code="0">(DE-588)4134841-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="5"><subfield code="a">Ironie</subfield><subfield code="0">(DE-588)4027676-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="6"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="2" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">American Studies</subfield><subfield code="v">volume 323</subfield><subfield code="w">(DE-604)BV000005812</subfield><subfield code="9">323</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">X:MVB</subfield><subfield code="q">text/html</subfield><subfield code="u">http://deposit.dnb.de/cgi-bin/dokserv?id=7afa8403c1514d87b27f140788d9e680&prov=M&dok_var=1&dok_ext=htm</subfield><subfield code="3">Inhaltstext</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">DNB Datenaustausch</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034994866&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield></record></collection> |
| geographic | USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV049651428 |
| illustrated | Illustrated |
| index_date | 2024-07-03T23:40:21Z |
| indexdate | 2024-07-20T08:04:29Z |
| institution | BVB |
| isbn | 9783825395865 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034994866 |
| oclc_num | 1425130229 |
| open_access_boolean | |
| owner | DE-11 DE-19 DE-BY-UBM DE-188 DE-355 DE-BY-UBR DE-12 DE-824 DE-473 DE-BY-UBG DE-739 |
| owner_facet | DE-11 DE-19 DE-BY-UBM DE-188 DE-355 DE-BY-UBR DE-12 DE-824 DE-473 DE-BY-UBG DE-739 |
| physical | 812 Seiten Illustration |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Universitätsverlag Winter |
| record_format | marc |
| series | American Studies |
| series2 | American Studies |
| spelling | Hoffmann, Gerhard 1931-2018 Verfasser (DE-588)134071387 aut Perspectives on values the network of satire and humor, the tragic and the absurd, the grotesque and the monstrous, play and irony, parody and the comic mode Gerhard Hoffmann Heidelberg Universitätsverlag Winter [2024] © 2024 812 Seiten Illustration txt rdacontent n rdamedia nc rdacarrier American Studies volume 323 Geschichte gnd rswk-swf Das Groteske (DE-588)4134841-2 gnd rswk-swf Humor (DE-588)4026170-0 gnd rswk-swf Ironie (DE-588)4027676-4 gnd rswk-swf Satire (DE-588)4051752-4 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf amerikanische Literatur Amerikanistik Humor Satire Ironie Groteske Komik 18. Jahrhundert 19. Jahrhundert 20. Jahrhundert Hawthorne, Nathaniel Melville, Herman Twain, Mark Naturalismus Realismus Wharton, Edith James, Henry Hemingway, Ernest Lewis, Sinclair Postmoderne Moderne Parodie Bedeutung Woolf, Virginia Faulkner, William Barthelme, Donald Fielding, Henry 21. Jahrhundert USA (DE-588)4078704-7 g Englisch (DE-588)4014777-0 s Literatur (DE-588)4035964-5 s Humor (DE-588)4026170-0 s Satire (DE-588)4051752-4 s Das Groteske (DE-588)4134841-2 s Ironie (DE-588)4027676-4 s Geschichte z DE-604 American Studies volume 323 (DE-604)BV000005812 323 X:MVB text/html http://deposit.dnb.de/cgi-bin/dokserv?id=7afa8403c1514d87b27f140788d9e680&prov=M&dok_var=1&dok_ext=htm Inhaltstext DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034994866&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Hoffmann, Gerhard 1931-2018 Perspectives on values the network of satire and humor, the tragic and the absurd, the grotesque and the monstrous, play and irony, parody and the comic mode American Studies Das Groteske (DE-588)4134841-2 gnd Humor (DE-588)4026170-0 gnd Ironie (DE-588)4027676-4 gnd Satire (DE-588)4051752-4 gnd Literatur (DE-588)4035964-5 gnd Englisch (DE-588)4014777-0 gnd |
| subject_GND | (DE-588)4134841-2 (DE-588)4026170-0 (DE-588)4027676-4 (DE-588)4051752-4 (DE-588)4035964-5 (DE-588)4014777-0 (DE-588)4078704-7 |
| title | Perspectives on values the network of satire and humor, the tragic and the absurd, the grotesque and the monstrous, play and irony, parody and the comic mode |
| title_auth | Perspectives on values the network of satire and humor, the tragic and the absurd, the grotesque and the monstrous, play and irony, parody and the comic mode |
| title_exact_search | Perspectives on values the network of satire and humor, the tragic and the absurd, the grotesque and the monstrous, play and irony, parody and the comic mode |
| title_exact_search_txtP | Perspectives on values the network of satire and humor, the tragic and the absurd, the grotesque and the monstrous, play and irony, parody and the comic mode |
| title_full | Perspectives on values the network of satire and humor, the tragic and the absurd, the grotesque and the monstrous, play and irony, parody and the comic mode Gerhard Hoffmann |
| title_fullStr | Perspectives on values the network of satire and humor, the tragic and the absurd, the grotesque and the monstrous, play and irony, parody and the comic mode Gerhard Hoffmann |
| title_full_unstemmed | Perspectives on values the network of satire and humor, the tragic and the absurd, the grotesque and the monstrous, play and irony, parody and the comic mode Gerhard Hoffmann |
| title_short | Perspectives on values |
| title_sort | perspectives on values the network of satire and humor the tragic and the absurd the grotesque and the monstrous play and irony parody and the comic mode |
| title_sub | the network of satire and humor, the tragic and the absurd, the grotesque and the monstrous, play and irony, parody and the comic mode |
| topic | Das Groteske (DE-588)4134841-2 gnd Humor (DE-588)4026170-0 gnd Ironie (DE-588)4027676-4 gnd Satire (DE-588)4051752-4 gnd Literatur (DE-588)4035964-5 gnd Englisch (DE-588)4014777-0 gnd |
| topic_facet | Das Groteske Humor Ironie Satire Literatur Englisch USA |
| url | http://deposit.dnb.de/cgi-bin/dokserv?id=7afa8403c1514d87b27f140788d9e680&prov=M&dok_var=1&dok_ext=htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034994866&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV000005812 |
| work_keys_str_mv | AT hoffmanngerhard perspectivesonvaluesthenetworkofsatireandhumorthetragicandtheabsurdthegrotesqueandthemonstrousplayandironyparodyandthecomicmode |