The red sun is high, the blue low:
Throughout the run of "The Red Sun is High, the Blue Low" other artists, thinkers and collaborators responded to the exhibition’s prompt in the form of performances and interactive workshops. This eponymous publication represents a different instantiation of the exhibition’s thesis, loving...
Gespeichert in:
Hauptverfasser: | , , |
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Weitere Verfasser: | |
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London
Institute of Contemporary Arts
[2023]
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Ausgabe: | First edition |
Schlagworte: | |
Zusammenfassung: | Throughout the run of "The Red Sun is High, the Blue Low" other artists, thinkers and collaborators responded to the exhibition’s prompt in the form of performances and interactive workshops. This eponymous publication represents a different instantiation of the exhibition’s thesis, lovingly brought into being by the collaborative efforts of Wielebinski, Asa Seresin and Joe Shakespeare. Part artist’s book, part discursive response, it is a textual and archival collage of the cross-pollination of cultural and political themes of the exhibition—and the relevance of Delany’s writing—with essays by Seresin, Larne Abse Gogarty and Maxi Wallenhorst, and a visual narrative compiled from the Library of Congress. Seresin’s text orbits around the motif of the sun, specifically alighting on modes of defamiliarisation towards an interpretation of the exhibition as an ‘excavation of the apocalyptic in the mundane, foregrounding of the here-and-now within the imaginary of other worlds.’ Abse Gogarty traces Wielebinski’s chain of associations from public toilets to Don DeLillo, to Mike Kelley’s "Harems", addressing the motif of concentric circles in Wielebinski’s work with a correspondingly telescoping essay. Within an appropriately genre jumping text, Wallenhorst situates the artist’s work in the context of a trans poetics of the literal, ultimately spelling out an emancipatory horizon for literalness. The book is but one example of the defining generosity of Gray Wielebinski’s practice, and of the artist himself, in approaching our shared existence from a deeply curious and dialogic perspective |
Beschreibung: | First edition of 350 copies |
Beschreibung: | 120 ungezählte Seiten |
Internformat
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520 | 3 | |a Throughout the run of "The Red Sun is High, the Blue Low" other artists, thinkers and collaborators responded to the exhibition’s prompt in the form of performances and interactive workshops. This eponymous publication represents a different instantiation of the exhibition’s thesis, lovingly brought into being by the collaborative efforts of Wielebinski, Asa Seresin and Joe Shakespeare. Part artist’s book, part discursive response, it is a textual and archival collage of the cross-pollination of cultural and political themes of the exhibition—and the relevance of Delany’s writing—with essays by Seresin, Larne Abse Gogarty and Maxi Wallenhorst, and a visual narrative compiled from the Library of Congress. Seresin’s text orbits around the motif of the sun, specifically alighting on modes of defamiliarisation towards an interpretation of the exhibition as an ‘excavation of the apocalyptic in the mundane, foregrounding of the here-and-now within the imaginary of other worlds.’ Abse Gogarty traces Wielebinski’s chain of associations from public toilets to Don DeLillo, to Mike Kelley’s "Harems", addressing the motif of concentric circles in Wielebinski’s work with a correspondingly telescoping essay. Within an appropriately genre jumping text, Wallenhorst situates the artist’s work in the context of a trans poetics of the literal, ultimately spelling out an emancipatory horizon for literalness. The book is but one example of the defining generosity of Gray Wielebinski’s practice, and of the artist himself, in approaching our shared existence from a deeply curious and dialogic perspective | |
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Datensatz im Suchindex
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author | Abse Gogarty, Larne Seresin, Asa Wallenhorst, Maxi |
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spelling | The red sun is high, the blue low edited by Gray Wielebinski ; [texts: Larne Abse Gogarty, Andrea Nitsche-Krupp, Asa Seresin, Maxi Wallenhorst] First edition London Institute of Contemporary Arts [2023] 120 ungezählte Seiten sti rdacontent txt rdacontent n rdamedia nc rdacarrier First edition of 350 copies Throughout the run of "The Red Sun is High, the Blue Low" other artists, thinkers and collaborators responded to the exhibition’s prompt in the form of performances and interactive workshops. This eponymous publication represents a different instantiation of the exhibition’s thesis, lovingly brought into being by the collaborative efforts of Wielebinski, Asa Seresin and Joe Shakespeare. Part artist’s book, part discursive response, it is a textual and archival collage of the cross-pollination of cultural and political themes of the exhibition—and the relevance of Delany’s writing—with essays by Seresin, Larne Abse Gogarty and Maxi Wallenhorst, and a visual narrative compiled from the Library of Congress. Seresin’s text orbits around the motif of the sun, specifically alighting on modes of defamiliarisation towards an interpretation of the exhibition as an ‘excavation of the apocalyptic in the mundane, foregrounding of the here-and-now within the imaginary of other worlds.’ Abse Gogarty traces Wielebinski’s chain of associations from public toilets to Don DeLillo, to Mike Kelley’s "Harems", addressing the motif of concentric circles in Wielebinski’s work with a correspondingly telescoping essay. Within an appropriately genre jumping text, Wallenhorst situates the artist’s work in the context of a trans poetics of the literal, ultimately spelling out an emancipatory horizon for literalness. The book is but one example of the defining generosity of Gray Wielebinski’s practice, and of the artist himself, in approaching our shared existence from a deeply curious and dialogic perspective Wielebinski, Gray 1991- (DE-588)1326325817 gnd rswk-swf Institute of Contemporary Arts London (DE-588)1018957-9 gnd rswk-swf Geschichte 2023 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Fotografie (DE-588)4045895-7 gnd rswk-swf Ausstellung (DE-588)4129601-1 gnd rswk-swf (DE-588)4145395-5 Bildband gnd-content (DE-588)4229053-3 Künstlerbuch gnd-content Fotografie (DE-588)4045895-7 s DE-604 Wielebinski, Gray 1991- (DE-588)1326325817 p Institute of Contemporary Arts London (DE-588)1018957-9 b Ausstellung (DE-588)4129601-1 s Geschichte 2023 z Rezeption (DE-588)4049716-1 s Wielebinski, Gray 1991- (DE-588)1326325817 edt Abse Gogarty, Larne (DE-588)1129882586 aut Nitsche-Krupp, Andrea win Seresin, Asa aut Wallenhorst, Maxi aut |
spellingShingle | Abse Gogarty, Larne Seresin, Asa Wallenhorst, Maxi The red sun is high, the blue low Wielebinski, Gray 1991- (DE-588)1326325817 gnd Institute of Contemporary Arts London (DE-588)1018957-9 gnd Rezeption (DE-588)4049716-1 gnd Fotografie (DE-588)4045895-7 gnd Ausstellung (DE-588)4129601-1 gnd |
subject_GND | (DE-588)1326325817 (DE-588)1018957-9 (DE-588)4049716-1 (DE-588)4045895-7 (DE-588)4129601-1 (DE-588)4145395-5 (DE-588)4229053-3 |
title | The red sun is high, the blue low |
title_auth | The red sun is high, the blue low |
title_exact_search | The red sun is high, the blue low |
title_exact_search_txtP | The red sun is high, the blue low |
title_full | The red sun is high, the blue low edited by Gray Wielebinski ; [texts: Larne Abse Gogarty, Andrea Nitsche-Krupp, Asa Seresin, Maxi Wallenhorst] |
title_fullStr | The red sun is high, the blue low edited by Gray Wielebinski ; [texts: Larne Abse Gogarty, Andrea Nitsche-Krupp, Asa Seresin, Maxi Wallenhorst] |
title_full_unstemmed | The red sun is high, the blue low edited by Gray Wielebinski ; [texts: Larne Abse Gogarty, Andrea Nitsche-Krupp, Asa Seresin, Maxi Wallenhorst] |
title_short | The red sun is high, the blue low |
title_sort | the red sun is high the blue low |
topic | Wielebinski, Gray 1991- (DE-588)1326325817 gnd Institute of Contemporary Arts London (DE-588)1018957-9 gnd Rezeption (DE-588)4049716-1 gnd Fotografie (DE-588)4045895-7 gnd Ausstellung (DE-588)4129601-1 gnd |
topic_facet | Wielebinski, Gray 1991- Institute of Contemporary Arts London Rezeption Fotografie Ausstellung Bildband Künstlerbuch |
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