A performance history of The fair penitent:
Theatre is the most ephemeral of art forms. It is a truism that the ephemeral performance text is divorced from the static published play text. This Element is of the eighteenth-century performance history of The Fair Penitent demonstrates the interrelation of print and performance and models how re...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2024
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| Schriftenreihe: | Cambridge elements. Elements in eighteenth-century connections
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| Schlagworte: | |
| Zusammenfassung: | Theatre is the most ephemeral of art forms. It is a truism that the ephemeral performance text is divorced from the static published play text. This Element is of the eighteenth-century performance history of The Fair Penitent demonstrates the interrelation of print and performance and models how readers can recover elements of performance through close attention to text. Traces of performance adhere to the mediascape in playbills and puffs, reviews and accounts. The printed text also preserves traces of performance in notation and illustration. By analysing traces found in performance trends, casting decisions, publication histories and repertory intertexts, this Element recovers how The Fair Penitent was interpreted at different points in the century and explains how a play that bombed in its first season could become a repertory staple. |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 28 Feb 2024) |
| Beschreibung: | 74 Seiten Illustrationen |
| ISBN: | 9781009485968 9781009351843 |
Internformat
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| 520 | 3 | |a Theatre is the most ephemeral of art forms. It is a truism that the ephemeral performance text is divorced from the static published play text. This Element is of the eighteenth-century performance history of The Fair Penitent demonstrates the interrelation of print and performance and models how readers can recover elements of performance through close attention to text. Traces of performance adhere to the mediascape in playbills and puffs, reviews and accounts. The printed text also preserves traces of performance in notation and illustration. By analysing traces found in performance trends, casting decisions, publication histories and repertory intertexts, this Element recovers how The Fair Penitent was interpreted at different points in the century and explains how a play that bombed in its first season could become a repertory staple. | |
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Datensatz im Suchindex
| _version_ | 1816072923871444992 |
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| author | McGirr, Elaine M. 1972- |
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| bvnumber | BV049649284 |
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| ctrlnum | (OCoLC)1425867073 (DE-599)BVBBV049649284 |
| dewey-full | 823.5 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 823 - English fiction |
| dewey-raw | 823.5 |
| dewey-search | 823.5 |
| dewey-sort | 3823.5 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| era | Geschichte 1703-1800 gnd |
| era_facet | Geschichte 1703-1800 |
| format | Book |
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| index_date | 2024-07-03T23:40:10Z |
| indexdate | 2024-11-18T15:01:44Z |
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| isbn | 9781009485968 9781009351843 |
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| spelling | McGirr, Elaine M. 1972- Verfasser (DE-588)132807890 aut A performance history of The fair penitent Elaine M. McGirr Cambridge Cambridge University Press 2024 74 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Cambridge elements. Elements in eighteenth-century connections Title from publisher's bibliographic system (viewed on 28 Feb 2024) Theatre is the most ephemeral of art forms. It is a truism that the ephemeral performance text is divorced from the static published play text. This Element is of the eighteenth-century performance history of The Fair Penitent demonstrates the interrelation of print and performance and models how readers can recover elements of performance through close attention to text. Traces of performance adhere to the mediascape in playbills and puffs, reviews and accounts. The printed text also preserves traces of performance in notation and illustration. By analysing traces found in performance trends, casting decisions, publication histories and repertory intertexts, this Element recovers how The Fair Penitent was interpreted at different points in the century and explains how a play that bombed in its first season could become a repertory staple. Rowe, Nicholas 1674-1718 The fair penitent (DE-588)4717670-2 gnd rswk-swf Geschichte 1703-1800 gnd rswk-swf Aufführung (DE-588)4143388-9 gnd rswk-swf Rowe, Nicholas / 1674-1718 / Criticism and interpretation Rowe, Nicholas / 1674-1718 / Fair penitent Rowe, Nicholas / 1674-1718 / Dramatic production Rowe, Nicholas 1674-1718 The fair penitent (DE-588)4717670-2 u Aufführung (DE-588)4143388-9 s Geschichte 1703-1800 z DE-604 Erscheint auch als Online-Ausgabe 978-1-00-935185-0 |
| spellingShingle | McGirr, Elaine M. 1972- A performance history of The fair penitent Rowe, Nicholas 1674-1718 The fair penitent (DE-588)4717670-2 gnd Aufführung (DE-588)4143388-9 gnd |
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| title | A performance history of The fair penitent |
| title_auth | A performance history of The fair penitent |
| title_exact_search | A performance history of The fair penitent |
| title_exact_search_txtP | A performance history of The fair penitent |
| title_full | A performance history of The fair penitent Elaine M. McGirr |
| title_fullStr | A performance history of The fair penitent Elaine M. McGirr |
| title_full_unstemmed | A performance history of The fair penitent Elaine M. McGirr |
| title_short | A performance history of The fair penitent |
| title_sort | a performance history of the fair penitent |
| topic | Rowe, Nicholas 1674-1718 The fair penitent (DE-588)4717670-2 gnd Aufführung (DE-588)4143388-9 gnd |
| topic_facet | Rowe, Nicholas 1674-1718 The fair penitent Aufführung |
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