French B movies: suburban spaces, universalism, and the challenge of Hollywood
"In the impoverished outskirts of French cities, known as the banlieues, minority communities are turning to American culture, history, and theory to make their own voices, cultures, and histories visible. Filmmakers have followed suit, turning to Hollywood genre conventions to challenge notion...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Bloomington, Indiana
Indiana University Press
[2023]
|
| Ausgabe: | First printing |
| Schriftenreihe: | New directions in national cinemas
|
| Schlagworte: | |
| Zusammenfassung: | "In the impoverished outskirts of French cities, known as the banlieues, minority communities are turning to American culture, history, and theory to make their own voices, cultures, and histories visible. Filmmakers have followed suit, turning to Hollywood genre conventions to challenge notions of identity, belonging, and marginalization in mainstream French film. French B Movies proposes that French banlieue films, far from being a fringe genre, offer a privileged site from which to understand the current state of the French film industry in an age of globalization. This gritty style appears in popular arthouse films such as Mathieu Kassovitz's La Haine and Bande de filles (Girlhood) along with the major Netflix hit series Lupin. David Pettersen traces how, in these works and others, directors fuse features of banlieue cinema with genre formulas associated with both Hollywood and Black cultural models, as well as how transnational genre hybridizations, such as B movies, have become part of the ecosystem of the French film industry. By combining film analysis, cultural history, critical theory, and industry studies, French B Movies reveals how featuring banlieues is as much about trying to imagine new identities and production models for French cinema as it is about representation"-- |
| Beschreibung: | xiii, 328 Seiten Illustrationen 24 cm |
| ISBN: | 9780253064899 0253064899 9780253064882 0253064880 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV049649191 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | t | ||
| 008 | 240415s2023 a||| b||| 00||| eng d | ||
| 020 | |a 9780253064899 |c (paperback) |9 978-0-253-06489-9 | ||
| 020 | |a 0253064899 |9 0-253-06489-9 | ||
| 020 | |a 9780253064882 |c (hardback) |9 978-0-253-06488-2 | ||
| 020 | |a 0253064880 |9 0-253-06488-0 | ||
| 035 | |a (DE-599)BVBBV049649191 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-M472 | ||
| 100 | 1 | |a Pettersen, David A. |e Verfasser |0 (DE-588)1104947897 |4 aut | |
| 245 | 1 | 0 | |a French B movies |b suburban spaces, universalism, and the challenge of Hollywood |c David Pettersen |
| 250 | |a First printing | ||
| 264 | 1 | |a Bloomington, Indiana |b Indiana University Press |c [2023] | |
| 300 | |a xiii, 328 Seiten |b Illustrationen |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a New directions in national cinemas | |
| 505 | 8 | |a Suburban cinema between art and genre -- Luc Besson's EuropaCorp and parkour in the suburbs -- Suburban gangsters: screen violence and the banlieues -- Suburbanoia and French banlieue horror films -- Omar Sy: Black superstardom in contemporary France -- Beyond the art/genre divide: Céline Sciamma's Girlhood -- Conclusion: Genre, inclusive casting, and the suburbs in the age of SVoD | |
| 520 | 3 | |a "In the impoverished outskirts of French cities, known as the banlieues, minority communities are turning to American culture, history, and theory to make their own voices, cultures, and histories visible. Filmmakers have followed suit, turning to Hollywood genre conventions to challenge notions of identity, belonging, and marginalization in mainstream French film. French B Movies proposes that French banlieue films, far from being a fringe genre, offer a privileged site from which to understand the current state of the French film industry in an age of globalization. This gritty style appears in popular arthouse films such as Mathieu Kassovitz's La Haine and Bande de filles (Girlhood) along with the major Netflix hit series Lupin. David Pettersen traces how, in these works and others, directors fuse features of banlieue cinema with genre formulas associated with both Hollywood and Black cultural models, as well as how transnational genre hybridizations, such as B movies, have become part of the ecosystem of the French film industry. By combining film analysis, cultural history, critical theory, and industry studies, French B Movies reveals how featuring banlieues is as much about trying to imagine new identities and production models for French cinema as it is about representation"-- | |
| 653 | 0 | |a Motion pictures / France / History / 20th century | |
| 653 | 0 | |a Motion pictures / France / History / 21st century | |
| 653 | 0 | |a Banlieue films / History and criticism | |
| 653 | 0 | |a Minorities in motion pictures | |
| 653 | 0 | |a Identity (Psychology) in motion pictures | |
| 653 | 0 | |a Film genres / France | |
| 653 | 0 | |a History | |
| 653 | 0 | |a Cinéma / France / Histoire / 20e siècle | |
| 653 | 0 | |a Cinéma / France / Histoire / 21e siècle | |
| 653 | 0 | |a Minorités au cinéma | |
| 653 | 0 | |a Identité (Psychologie) au cinéma | |
| 653 | 0 | |a Genres cinématographiques / France | |
| 653 | 0 | |a Histoire | |
| 653 | 0 | |a history (discipline) | |
| 653 | 0 | |a History | |
| 653 | 0 | |a Film genres | |
| 653 | 0 | |a Identity (Psychology) in motion pictures | |
| 653 | 0 | |a Minorities in motion pictures | |
| 653 | 0 | |a Motion pictures | |
| 653 | 2 | |a France / https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP | |
| 653 | 4 | |a 1900-2099 | |
| 653 | 6 | |a Criticism, interpretation, etc | |
| 653 | 6 | |a History | |
| 653 | 6 | |a Film criticism | |
| 653 | 6 | |a Critiques cinématographiques | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, webPDF |a Pettersen, David A. |t French B movies |d Bloomington, Indiana : Indiana University Press, 2023 |z 978-0-253-06490-5 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034992664 | ||
Datensatz im Suchindex
| _version_ | 1804186565590646784 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Pettersen, David A. |
| author_GND | (DE-588)1104947897 |
| author_facet | Pettersen, David A. |
| author_role | aut |
| author_sort | Pettersen, David A. |
| author_variant | d a p da dap |
| building | Verbundindex |
| bvnumber | BV049649191 |
| contents | Suburban cinema between art and genre -- Luc Besson's EuropaCorp and parkour in the suburbs -- Suburban gangsters: screen violence and the banlieues -- Suburbanoia and French banlieue horror films -- Omar Sy: Black superstardom in contemporary France -- Beyond the art/genre divide: Céline Sciamma's Girlhood -- Conclusion: Genre, inclusive casting, and the suburbs in the age of SVoD |
| ctrlnum | (DE-599)BVBBV049649191 |
| edition | First printing |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04039nam a2200637 c 4500</leader><controlfield tag="001">BV049649191</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">240415s2023 a||| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780253064899</subfield><subfield code="c">(paperback)</subfield><subfield code="9">978-0-253-06489-9</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0253064899</subfield><subfield code="9">0-253-06489-9</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780253064882</subfield><subfield code="c">(hardback)</subfield><subfield code="9">978-0-253-06488-2</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0253064880</subfield><subfield code="9">0-253-06488-0</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049649191</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-M472</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Pettersen, David A.</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1104947897</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">French B movies</subfield><subfield code="b">suburban spaces, universalism, and the challenge of Hollywood</subfield><subfield code="c">David Pettersen</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">First printing</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Bloomington, Indiana</subfield><subfield code="b">Indiana University Press</subfield><subfield code="c">[2023]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xiii, 328 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">24 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">New directions in national cinemas</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Suburban cinema between art and genre -- Luc Besson's EuropaCorp and parkour in the suburbs -- Suburban gangsters: screen violence and the banlieues -- Suburbanoia and French banlieue horror films -- Omar Sy: Black superstardom in contemporary France -- Beyond the art/genre divide: Céline Sciamma's Girlhood -- Conclusion: Genre, inclusive casting, and the suburbs in the age of SVoD</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"In the impoverished outskirts of French cities, known as the banlieues, minority communities are turning to American culture, history, and theory to make their own voices, cultures, and histories visible. Filmmakers have followed suit, turning to Hollywood genre conventions to challenge notions of identity, belonging, and marginalization in mainstream French film. French B Movies proposes that French banlieue films, far from being a fringe genre, offer a privileged site from which to understand the current state of the French film industry in an age of globalization. This gritty style appears in popular arthouse films such as Mathieu Kassovitz's La Haine and Bande de filles (Girlhood) along with the major Netflix hit series Lupin. David Pettersen traces how, in these works and others, directors fuse features of banlieue cinema with genre formulas associated with both Hollywood and Black cultural models, as well as how transnational genre hybridizations, such as B movies, have become part of the ecosystem of the French film industry. By combining film analysis, cultural history, critical theory, and industry studies, French B Movies reveals how featuring banlieues is as much about trying to imagine new identities and production models for French cinema as it is about representation"--</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion pictures / France / History / 20th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion pictures / France / History / 21st century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Banlieue films / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Minorities in motion pictures</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Identity (Psychology) in motion pictures</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Film genres / France</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">History</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Cinéma / France / Histoire / 20e siècle</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Cinéma / France / Histoire / 21e siècle</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Minorités au cinéma</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Identité (Psychologie) au cinéma</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Genres cinématographiques / France</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Histoire</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">history (discipline)</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">History</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Film genres</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Identity (Psychology) in motion pictures</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Minorities in motion pictures</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">France / https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP</subfield></datafield><datafield tag="653" ind1=" " ind2="4"><subfield code="a">1900-2099</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">History</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Film criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Critiques cinématographiques</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, webPDF</subfield><subfield code="a">Pettersen, David A.</subfield><subfield code="t">French B movies</subfield><subfield code="d">Bloomington, Indiana : Indiana University Press, 2023</subfield><subfield code="z">978-0-253-06490-5</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034992664</subfield></datafield></record></collection> |
| id | DE-604.BV049649191 |
| illustrated | Illustrated |
| index_date | 2024-07-03T23:40:09Z |
| indexdate | 2024-07-10T10:13:09Z |
| institution | BVB |
| isbn | 9780253064899 0253064899 9780253064882 0253064880 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034992664 |
| open_access_boolean | |
| owner | DE-M472 |
| owner_facet | DE-M472 |
| physical | xiii, 328 Seiten Illustrationen 24 cm |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Indiana University Press |
| record_format | marc |
| series2 | New directions in national cinemas |
| spelling | Pettersen, David A. Verfasser (DE-588)1104947897 aut French B movies suburban spaces, universalism, and the challenge of Hollywood David Pettersen First printing Bloomington, Indiana Indiana University Press [2023] xiii, 328 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier New directions in national cinemas Suburban cinema between art and genre -- Luc Besson's EuropaCorp and parkour in the suburbs -- Suburban gangsters: screen violence and the banlieues -- Suburbanoia and French banlieue horror films -- Omar Sy: Black superstardom in contemporary France -- Beyond the art/genre divide: Céline Sciamma's Girlhood -- Conclusion: Genre, inclusive casting, and the suburbs in the age of SVoD "In the impoverished outskirts of French cities, known as the banlieues, minority communities are turning to American culture, history, and theory to make their own voices, cultures, and histories visible. Filmmakers have followed suit, turning to Hollywood genre conventions to challenge notions of identity, belonging, and marginalization in mainstream French film. French B Movies proposes that French banlieue films, far from being a fringe genre, offer a privileged site from which to understand the current state of the French film industry in an age of globalization. This gritty style appears in popular arthouse films such as Mathieu Kassovitz's La Haine and Bande de filles (Girlhood) along with the major Netflix hit series Lupin. David Pettersen traces how, in these works and others, directors fuse features of banlieue cinema with genre formulas associated with both Hollywood and Black cultural models, as well as how transnational genre hybridizations, such as B movies, have become part of the ecosystem of the French film industry. By combining film analysis, cultural history, critical theory, and industry studies, French B Movies reveals how featuring banlieues is as much about trying to imagine new identities and production models for French cinema as it is about representation"-- Motion pictures / France / History / 20th century Motion pictures / France / History / 21st century Banlieue films / History and criticism Minorities in motion pictures Identity (Psychology) in motion pictures Film genres / France History Cinéma / France / Histoire / 20e siècle Cinéma / France / Histoire / 21e siècle Minorités au cinéma Identité (Psychologie) au cinéma Genres cinématographiques / France Histoire history (discipline) Film genres Motion pictures France / https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP 1900-2099 Criticism, interpretation, etc Film criticism Critiques cinématographiques Erscheint auch als Online-Ausgabe, webPDF Pettersen, David A. French B movies Bloomington, Indiana : Indiana University Press, 2023 978-0-253-06490-5 |
| spellingShingle | Pettersen, David A. French B movies suburban spaces, universalism, and the challenge of Hollywood Suburban cinema between art and genre -- Luc Besson's EuropaCorp and parkour in the suburbs -- Suburban gangsters: screen violence and the banlieues -- Suburbanoia and French banlieue horror films -- Omar Sy: Black superstardom in contemporary France -- Beyond the art/genre divide: Céline Sciamma's Girlhood -- Conclusion: Genre, inclusive casting, and the suburbs in the age of SVoD |
| title | French B movies suburban spaces, universalism, and the challenge of Hollywood |
| title_auth | French B movies suburban spaces, universalism, and the challenge of Hollywood |
| title_exact_search | French B movies suburban spaces, universalism, and the challenge of Hollywood |
| title_exact_search_txtP | French B movies suburban spaces, universalism, and the challenge of Hollywood |
| title_full | French B movies suburban spaces, universalism, and the challenge of Hollywood David Pettersen |
| title_fullStr | French B movies suburban spaces, universalism, and the challenge of Hollywood David Pettersen |
| title_full_unstemmed | French B movies suburban spaces, universalism, and the challenge of Hollywood David Pettersen |
| title_short | French B movies |
| title_sort | french b movies suburban spaces universalism and the challenge of hollywood |
| title_sub | suburban spaces, universalism, and the challenge of Hollywood |
| work_keys_str_mv | AT pettersendavida frenchbmoviessuburbanspacesuniversalismandthechallengeofhollywood |