Footprints:
"Morrison releases primordial film from being material that is destined to decomposition and darkness: in his hands, it transforms to become film as experience once more. Uninterested in restoring images to a pristine state, Morrison is nonetheless invested in restoring images, in various condi...
Gespeichert in:
Format: | Video Software |
---|---|
Sprache: | English |
Veröffentlicht: |
Paris
Re:Voir Vidéo
[2023]
|
Schlagworte: | |
Zusammenfassung: | "Morrison releases primordial film from being material that is destined to decomposition and darkness: in his hands, it transforms to become film as experience once more. Uninterested in restoring images to a pristine state, Morrison is nonetheless invested in restoring images, in various conditions of collapse, to movement and to people. And this is some of the magic of his cinema: that timeless magic of images being animated on a screen before a spectator. – Laura Staab. A film like Beyond Zero: 1914-1918, mainly made up of archival documentary footage from the First World War, presented without any captions or commentary, without the authority of a historian, gives viewers a harrowing sensory experience of the conflict. The monstrous drama stems from the very nature of photo-filmic celluloid, which is both indexical and material: the bodies of the soldiers, of the wounded and of the nurses are deformed, they shake under the filmic damage which looks like bombs raining down, they are riddled with holes, they disappear in decomposing celluloid. This is, quite literally, the last trace they will leave in this world, printed on celluloid, disappearing before our very eyes. – Anne-Violaine Houcke" [re-voir.com] |
Beschreibung: | Original: USA 1992-2021 Bildformat 4:3 |
Beschreibung: | 1 Blu-ray Disc (248 min) farbig / schwarz-weiß 12 cm 1 Beiheft (43 Seiten) |
Internformat
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505 | 8 | 0 | |t Footprints |t <<The>> film of her |t Ghost trip |t <<The>> Highwater trilogy |t Porch |t Who by water |t Release |t Just ancient loops |t Re:Awakenings |t Beyond zero: 1914-1918 |t <<The>> dockworker's dream |t <<The>> letter |t Wild girl |t Let me come in |t Her violet kiss |
520 | 3 | |a "Morrison releases primordial film from being material that is destined to decomposition and darkness: in his hands, it transforms to become film as experience once more. Uninterested in restoring images to a pristine state, Morrison is nonetheless invested in restoring images, in various conditions of collapse, to movement and to people. And this is some of the magic of his cinema: that timeless magic of images being animated on a screen before a spectator. – Laura Staab. A film like Beyond Zero: 1914-1918, mainly made up of archival documentary footage from the First World War, presented without any captions or commentary, without the authority of a historian, gives viewers a harrowing sensory experience of the conflict. The monstrous drama stems from the very nature of photo-filmic celluloid, which is both indexical and material: the bodies of the soldiers, of the wounded and of the nurses are deformed, they shake under the filmic damage which looks like bombs raining down, they are riddled with holes, they disappear in decomposing celluloid. This is, quite literally, the last trace they will leave in this world, printed on celluloid, disappearing before our very eyes. – Anne-Violaine Houcke" [re-voir.com] | |
546 | |a Englisch - Untertitel: Französisch | ||
655 | 7 | |0 (DE-588)4017102-4 |a Film |2 gnd-content | |
655 | 7 | |0 (DE-588)7597887-8 |a Blu-Ray-Disc |2 gnd-carrier | |
700 | 1 | |a Morrison, Bill |d 1965- |0 (DE-588)1090166958 |4 fmd | |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-034991400 |
Datensatz im Suchindex
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bvnumber | BV049647905 |
contents | Footprints <<The>> film of her Ghost trip <<The>> Highwater trilogy Porch Who by water Release Just ancient loops Re:Awakenings Beyond zero: 1914-1918 <<The>> dockworker's dream <<The>> letter Wild girl Let me come in Her violet kiss |
ctrlnum | (OCoLC)1456133640 (DE-599)BVBBV049647905 |
format | Video Software |
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Uninterested in restoring images to a pristine state, Morrison is nonetheless invested in restoring images, in various conditions of collapse, to movement and to people. And this is some of the magic of his cinema: that timeless magic of images being animated on a screen before a spectator. – Laura Staab. A film like Beyond Zero: 1914-1918, mainly made up of archival documentary footage from the First World War, presented without any captions or commentary, without the authority of a historian, gives viewers a harrowing sensory experience of the conflict. The monstrous drama stems from the very nature of photo-filmic celluloid, which is both indexical and material: the bodies of the soldiers, of the wounded and of the nurses are deformed, they shake under the filmic damage which looks like bombs raining down, they are riddled with holes, they disappear in decomposing celluloid. This is, quite literally, the last trace they will leave in this world, printed on celluloid, disappearing before our very eyes. – Anne-Violaine Houcke" [re-voir.com]</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">Englisch - Untertitel: Französisch</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4017102-4</subfield><subfield code="a">Film</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)7597887-8</subfield><subfield code="a">Blu-Ray-Disc</subfield><subfield code="2">gnd-carrier</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Morrison, Bill</subfield><subfield code="d">1965-</subfield><subfield code="0">(DE-588)1090166958</subfield><subfield code="4">fmd</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034991400</subfield></datafield></record></collection> |
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genre_facet | Film Blu-Ray-Disc |
id | DE-604.BV049647905 |
illustrated | Not Illustrated |
index_date | 2024-07-03T23:40:04Z |
indexdate | 2024-10-15T10:03:51Z |
institution | BVB |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034991400 |
oclc_num | 1456133640 |
open_access_boolean | |
owner | DE-B170 |
owner_facet | DE-B170 |
physical | 1 Blu-ray Disc (248 min) farbig / schwarz-weiß 12 cm 1 Beiheft (43 Seiten) |
publishDate | 2023 |
publishDateSearch | 2023 |
publishDateSort | 2023 |
publisher | Re:Voir Vidéo |
record_format | marc |
spelling | Footprints [Regie:] Bill Morrison Paris Re:Voir Vidéo [2023] © 2023 1 Blu-ray Disc (248 min) farbig / schwarz-weiß 12 cm 1 Beiheft (43 Seiten) tdi rdacontent v rdamedia vd rdacarrier digital Laser optical Videodatei Blu-ray Alle Regionen Original: USA 1992-2021 Bildformat 4:3 Footprints <<The>> film of her Ghost trip <<The>> Highwater trilogy Porch Who by water Release Just ancient loops Re:Awakenings Beyond zero: 1914-1918 <<The>> dockworker's dream <<The>> letter Wild girl Let me come in Her violet kiss "Morrison releases primordial film from being material that is destined to decomposition and darkness: in his hands, it transforms to become film as experience once more. Uninterested in restoring images to a pristine state, Morrison is nonetheless invested in restoring images, in various conditions of collapse, to movement and to people. And this is some of the magic of his cinema: that timeless magic of images being animated on a screen before a spectator. – Laura Staab. A film like Beyond Zero: 1914-1918, mainly made up of archival documentary footage from the First World War, presented without any captions or commentary, without the authority of a historian, gives viewers a harrowing sensory experience of the conflict. The monstrous drama stems from the very nature of photo-filmic celluloid, which is both indexical and material: the bodies of the soldiers, of the wounded and of the nurses are deformed, they shake under the filmic damage which looks like bombs raining down, they are riddled with holes, they disappear in decomposing celluloid. This is, quite literally, the last trace they will leave in this world, printed on celluloid, disappearing before our very eyes. – Anne-Violaine Houcke" [re-voir.com] Englisch - Untertitel: Französisch (DE-588)4017102-4 Film gnd-content (DE-588)7597887-8 Blu-Ray-Disc gnd-carrier Morrison, Bill 1965- (DE-588)1090166958 fmd |
spellingShingle | Footprints Footprints <<The>> film of her Ghost trip <<The>> Highwater trilogy Porch Who by water Release Just ancient loops Re:Awakenings Beyond zero: 1914-1918 <<The>> dockworker's dream <<The>> letter Wild girl Let me come in Her violet kiss |
subject_GND | (DE-588)4017102-4 (DE-588)7597887-8 |
title | Footprints |
title_alt | Footprints <<The>> film of her Ghost trip <<The>> Highwater trilogy Porch Who by water Release Just ancient loops Re:Awakenings Beyond zero: 1914-1918 <<The>> dockworker's dream <<The>> letter Wild girl Let me come in Her violet kiss |
title_auth | Footprints |
title_exact_search | Footprints |
title_exact_search_txtP | Footprints |
title_full | Footprints [Regie:] Bill Morrison |
title_fullStr | Footprints [Regie:] Bill Morrison |
title_full_unstemmed | Footprints [Regie:] Bill Morrison |
title_short | Footprints |
title_sort | footprints |
topic_facet | Film Blu-Ray-Disc |
work_keys_str_mv | AT morrisonbill footprints |