Innovation in music: technology and creativity
"Innovation in Music: Technology and Creativity is a groundbreaking collection, bringing together contributions from instructors, researchers and professionals. Split into two sections, covering composition and performance, and technology and innovation, this volume offers truly international p...
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Weitere Verfasser: | , , , |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2024
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Schriftenreihe: | Perspectives on music production
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | "Innovation in Music: Technology and Creativity is a groundbreaking collection, bringing together contributions from instructors, researchers and professionals. Split into two sections, covering composition and performance, and technology and innovation, this volume offers truly international perspectives on ever-evolving practices. Including chapters on audience interaction, dynamic music methods, AI and live electronics performances, this is recommended reading for professionals, students and researchers looking for global insights into the fields of music production, music business and music technology"-- |
Beschreibung: | xi, 341 Seiten Illustrationen |
ISBN: | 9780367633363 9780367633370 |
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505 | 8 | |a Part One. Composition and Performance. Rethinking the Relationships Between Space, Performance and Composition in Notated Acoustic Music / Ambrose Field ; The 'Performable Recordings' Model and the Pursuit of Timing Consistency in Live Electronic Dance Music / Christos Moralis ; The Space is the Place : Interplay and interaction in an extreme location / Claus Sohn Andersen ; Composing Without Keys : The LFO as a Composition Tool / Dave Fortune ; Exploring a network setup for music experimentation / Enric Guaus, Àlex Barrachina, Josep Comajuncosas, Gabriel Saber, Víctor Sanahuja ; Performance mapping and control; enhanced musical connections and a strategy to optimise flow-state / Charlie Norton, Daniel Pratt, Justin Paterson ; Hacking the concert experience -- exploring co-creative audience interaction at a chiptune live performance / Matthias Jung, Vegard Kummen ; Exploring Cell-Based Dynamic Music Composition to Create Non-Linear Musical Works ; Samuel Lynch, Helen English, Jon Drummond, Nathan Scott ; A Deepened 'Sense of Place' : ecologies of sound and vibration in urban settings and domesticated landscapes / Stefan Östersjö, Jan Berg, Anders Hultqvist | |
505 | 8 | |a Part Two. Technology and Innovation. "Yesterday's Charm, Today's Precision" : Martin B. Kantola and the design of a new 'classic' microphone (Nordic Audio Labs NU-100K) / Antti Sakari Saario ; Audio beyond Demand : Creative Reinventions of the Broadcast Listening Experience / Florian Hollerweger ; Towards a Standard for Interactive Music / Hans Lindetorp ; Transforming performance with HASGS : research-led artistic practice with an augmented instrument / Henrique Portovedo, Ângelo Martingo ; Waveforms as Means of Time Tinkering / Bjørnar Ersland Sandvik ; Levelling up chiptune : nostalgic retro games console sounds for the ROLI Seaboard / Kirsten Hermes ; Forceful Action and Interaction in Non-Haptic Music Interfaces / Mads Walther-Hansen, Anders Eskildsen ; Artificial creativity and tools for understanding : music, creative labour and AI / Matthew Lovett ; From Intelligent Digital Assistant to Intelligent Digital Collaborator ; M. Nyssim Lefford, David Moffat, Gary Bromham ; Analyse! Development and integration of software-based tools for musicology and music theory / Martin Pfleiderer, Egor Polyakov, Christon-Ragavan Nadar ; A New Morphology : Strategies for Innovation in Live Electronics Performance / Mattias Petersson | |
520 | 3 | |a "Innovation in Music: Technology and Creativity is a groundbreaking collection, bringing together contributions from instructors, researchers and professionals. Split into two sections, covering composition and performance, and technology and innovation, this volume offers truly international perspectives on ever-evolving practices. Including chapters on audience interaction, dynamic music methods, AI and live electronics performances, this is recommended reading for professionals, students and researchers looking for global insights into the fields of music production, music business and music technology"-- | |
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Contents viii Preface PART ONE: COMPOSITION AND PERFORMANCE 1. Rethinking the relationships between space, performance and composition in notated acoustic music 3 AMBROSE FIELD 2. Timing consistency in live EDM: the Performable Recordings model 16 CHRISTOS MORALIS 3. The space is the place: interplay and interaction in an extreme location 36 CLAUS SOHN ANDERSEN 4. Composing without keys: the LFO as a composition tool 52 DAVE FORTUNE 5. Exploring a network setup for music experimentation 69 ENRIC GUAUS, ALEX BARRACHINA, JOSEP COMAJUNCOSAS, GABRIEL SABER, AND VICTOR SANAHUJA 6. Performance mapping and control: enhanced musical connections and a strategy to optimise flow-state 82 CHARLES NORTON, DANIEL PRATT, AND JUSTIN PATERSON 7. Hacking the concert experience: exploring co-creative audience interaction at a chiptune live performance 101 MATTHIAS JUNG AND VEGARD KUMMEN 8. Exploring cell-based dynamic music composition to create non-linear musical works 119 SAMUEL LYNCH, HELEN ENGLISH, JON DRUMMOND, AND NATHAN SCOTT V
Contents 9. A deepened ‘sense of place’: ecologies of sound and vibration in urban settings and domesticated landscapes 136 STEFAN ÖSTERSJÖ, JAN BERG, AND ANDERS HULTQVIST PART TWO: TECHNOLOGY AND INNOVATION 10. “Yesterday’s charm, today’s precision”: Martin B. Kantola and the design of a new ‘classic’ microphone (Nordic Audio Labs NU-100K) 153 ANTTI SAKARI SAARIO 11. Audio beyond demand: creative reinventions of the broadcast listening experience 172 FLORIAN HOLLERWEGER 12. Towards a standard for interactive music 189 HANS LINDETORP 13. Transforming performance with HASGS: research-led artistic practice with an augmented instrument 205 HENRIQUE PORTOVEDO AND ANGELO MARTINGO 14. Waveforms as means of time tinkering 219 BJ0RNAR ERSLAND SANDVIK 15. Levelling up chiptune: nostalgic retro games console sounds for the ROLI Seaboard 237 KIRSTEN HERMES 16. Forceful action and interaction in non-haptic music interfaces 253 MADS WALTHER-HANSEN AND ANDERS ESKILDSEN 17. Artificial creativity and tools for understanding: music, creative labour and AI 267 MATTHEW LOVETT 18. From digital assistant to digital collaborator 278 Μ. NYSSIM LEFFORD, DAVID MOFFAT, AND GARY BROMHAM 19. Analyse! Development and integration of software-based tools for musicology and music theory MARTIN PFLEIDERER, EGOR POLYAKOV, AND CHRISTON-RAGAVAN NADAR 292
Contents 20. A new morphology: strategies for innovation in live electronics performance vii 310 MATTIAS PETERSSON Index 328 |
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contents | Part One. Composition and Performance. Rethinking the Relationships Between Space, Performance and Composition in Notated Acoustic Music / Ambrose Field ; The 'Performable Recordings' Model and the Pursuit of Timing Consistency in Live Electronic Dance Music / Christos Moralis ; The Space is the Place : Interplay and interaction in an extreme location / Claus Sohn Andersen ; Composing Without Keys : The LFO as a Composition Tool / Dave Fortune ; Exploring a network setup for music experimentation / Enric Guaus, Àlex Barrachina, Josep Comajuncosas, Gabriel Saber, Víctor Sanahuja ; Performance mapping and control; enhanced musical connections and a strategy to optimise flow-state / Charlie Norton, Daniel Pratt, Justin Paterson ; Hacking the concert experience -- exploring co-creative audience interaction at a chiptune live performance / Matthias Jung, Vegard Kummen ; Exploring Cell-Based Dynamic Music Composition to Create Non-Linear Musical Works ; Samuel Lynch, Helen English, Jon Drummond, Nathan Scott ; A Deepened 'Sense of Place' : ecologies of sound and vibration in urban settings and domesticated landscapes / Stefan Östersjö, Jan Berg, Anders Hultqvist Part Two. Technology and Innovation. "Yesterday's Charm, Today's Precision" : Martin B. Kantola and the design of a new 'classic' microphone (Nordic Audio Labs NU-100K) / Antti Sakari Saario ; Audio beyond Demand : Creative Reinventions of the Broadcast Listening Experience / Florian Hollerweger ; Towards a Standard for Interactive Music / Hans Lindetorp ; Transforming performance with HASGS : research-led artistic practice with an augmented instrument / Henrique Portovedo, Ângelo Martingo ; Waveforms as Means of Time Tinkering / Bjørnar Ersland Sandvik ; Levelling up chiptune : nostalgic retro games console sounds for the ROLI Seaboard / Kirsten Hermes ; Forceful Action and Interaction in Non-Haptic Music Interfaces / Mads Walther-Hansen, Anders Eskildsen ; Artificial creativity and tools for understanding : music, creative labour and AI / Matthew Lovett ; From Intelligent Digital Assistant to Intelligent Digital Collaborator ; M. Nyssim Lefford, David Moffat, Gary Bromham ; Analyse! Development and integration of software-based tools for musicology and music theory / Martin Pfleiderer, Egor Polyakov, Christon-Ragavan Nadar ; A New Morphology : Strategies for Innovation in Live Electronics Performance / Mattias Petersson |
ctrlnum | (OCoLC)1435176769 (DE-599)BVBBV049644981 |
format | Book |
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record_format | marc |
series2 | Perspectives on music production |
spelling | Innovation in music technology and creativity edited by Jan-Olof Gullö, Russ Hepworth-Sawyer, Justin Paterson, Rob Toulson, and Mark Marrington Technology and creativity London ; New York Routledge, Taylor & Francis Group 2024 xi, 341 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Perspectives on music production Part One. Composition and Performance. Rethinking the Relationships Between Space, Performance and Composition in Notated Acoustic Music / Ambrose Field ; The 'Performable Recordings' Model and the Pursuit of Timing Consistency in Live Electronic Dance Music / Christos Moralis ; The Space is the Place : Interplay and interaction in an extreme location / Claus Sohn Andersen ; Composing Without Keys : The LFO as a Composition Tool / Dave Fortune ; Exploring a network setup for music experimentation / Enric Guaus, Àlex Barrachina, Josep Comajuncosas, Gabriel Saber, Víctor Sanahuja ; Performance mapping and control; enhanced musical connections and a strategy to optimise flow-state / Charlie Norton, Daniel Pratt, Justin Paterson ; Hacking the concert experience -- exploring co-creative audience interaction at a chiptune live performance / Matthias Jung, Vegard Kummen ; Exploring Cell-Based Dynamic Music Composition to Create Non-Linear Musical Works ; Samuel Lynch, Helen English, Jon Drummond, Nathan Scott ; A Deepened 'Sense of Place' : ecologies of sound and vibration in urban settings and domesticated landscapes / Stefan Östersjö, Jan Berg, Anders Hultqvist Part Two. Technology and Innovation. "Yesterday's Charm, Today's Precision" : Martin B. Kantola and the design of a new 'classic' microphone (Nordic Audio Labs NU-100K) / Antti Sakari Saario ; Audio beyond Demand : Creative Reinventions of the Broadcast Listening Experience / Florian Hollerweger ; Towards a Standard for Interactive Music / Hans Lindetorp ; Transforming performance with HASGS : research-led artistic practice with an augmented instrument / Henrique Portovedo, Ângelo Martingo ; Waveforms as Means of Time Tinkering / Bjørnar Ersland Sandvik ; Levelling up chiptune : nostalgic retro games console sounds for the ROLI Seaboard / Kirsten Hermes ; Forceful Action and Interaction in Non-Haptic Music Interfaces / Mads Walther-Hansen, Anders Eskildsen ; Artificial creativity and tools for understanding : music, creative labour and AI / Matthew Lovett ; From Intelligent Digital Assistant to Intelligent Digital Collaborator ; M. Nyssim Lefford, David Moffat, Gary Bromham ; Analyse! Development and integration of software-based tools for musicology and music theory / Martin Pfleiderer, Egor Polyakov, Christon-Ragavan Nadar ; A New Morphology : Strategies for Innovation in Live Electronics Performance / Mattias Petersson "Innovation in Music: Technology and Creativity is a groundbreaking collection, bringing together contributions from instructors, researchers and professionals. Split into two sections, covering composition and performance, and technology and innovation, this volume offers truly international perspectives on ever-evolving practices. Including chapters on audience interaction, dynamic music methods, AI and live electronics performances, this is recommended reading for professionals, students and researchers looking for global insights into the fields of music production, music business and music technology"-- Innovation (DE-588)4027089-0 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Technischer Fortschritt (DE-588)4059252-2 gnd rswk-swf Music and technology Music / Performance Sound recordings / Production and direction Music trade Musique et technologie Musique / Exécution Musique / Industrie (DE-588)4143413-4 Aufsatzsammlung gnd-content Musik (DE-588)4040802-4 s Innovation (DE-588)4027089-0 s Technischer Fortschritt (DE-588)4059252-2 s DE-604 Gullö, Jan-Olof 1961- (DE-588)144011034 edt Hepworth-Sawyer, Russ (DE-588)1188342320 edt Paterson, Justin ca. 20./21. Jh. (DE-588)1153905434 edt Toulson, Rob (DE-588)1079424288 edt Online version 978-1-003-11881-7 Innovation in music Abingdon, Oxon ; New York : Routledge, 2024 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034988536&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Innovation in music technology and creativity Part One. Composition and Performance. Rethinking the Relationships Between Space, Performance and Composition in Notated Acoustic Music / Ambrose Field ; The 'Performable Recordings' Model and the Pursuit of Timing Consistency in Live Electronic Dance Music / Christos Moralis ; The Space is the Place : Interplay and interaction in an extreme location / Claus Sohn Andersen ; Composing Without Keys : The LFO as a Composition Tool / Dave Fortune ; Exploring a network setup for music experimentation / Enric Guaus, Àlex Barrachina, Josep Comajuncosas, Gabriel Saber, Víctor Sanahuja ; Performance mapping and control; enhanced musical connections and a strategy to optimise flow-state / Charlie Norton, Daniel Pratt, Justin Paterson ; Hacking the concert experience -- exploring co-creative audience interaction at a chiptune live performance / Matthias Jung, Vegard Kummen ; Exploring Cell-Based Dynamic Music Composition to Create Non-Linear Musical Works ; Samuel Lynch, Helen English, Jon Drummond, Nathan Scott ; A Deepened 'Sense of Place' : ecologies of sound and vibration in urban settings and domesticated landscapes / Stefan Östersjö, Jan Berg, Anders Hultqvist Part Two. Technology and Innovation. "Yesterday's Charm, Today's Precision" : Martin B. Kantola and the design of a new 'classic' microphone (Nordic Audio Labs NU-100K) / Antti Sakari Saario ; Audio beyond Demand : Creative Reinventions of the Broadcast Listening Experience / Florian Hollerweger ; Towards a Standard for Interactive Music / Hans Lindetorp ; Transforming performance with HASGS : research-led artistic practice with an augmented instrument / Henrique Portovedo, Ângelo Martingo ; Waveforms as Means of Time Tinkering / Bjørnar Ersland Sandvik ; Levelling up chiptune : nostalgic retro games console sounds for the ROLI Seaboard / Kirsten Hermes ; Forceful Action and Interaction in Non-Haptic Music Interfaces / Mads Walther-Hansen, Anders Eskildsen ; Artificial creativity and tools for understanding : music, creative labour and AI / Matthew Lovett ; From Intelligent Digital Assistant to Intelligent Digital Collaborator ; M. Nyssim Lefford, David Moffat, Gary Bromham ; Analyse! Development and integration of software-based tools for musicology and music theory / Martin Pfleiderer, Egor Polyakov, Christon-Ragavan Nadar ; A New Morphology : Strategies for Innovation in Live Electronics Performance / Mattias Petersson Innovation (DE-588)4027089-0 gnd Musik (DE-588)4040802-4 gnd Technischer Fortschritt (DE-588)4059252-2 gnd |
subject_GND | (DE-588)4027089-0 (DE-588)4040802-4 (DE-588)4059252-2 (DE-588)4143413-4 |
title | Innovation in music technology and creativity |
title_alt | Technology and creativity |
title_auth | Innovation in music technology and creativity |
title_exact_search | Innovation in music technology and creativity |
title_exact_search_txtP | Innovation in music technology and creativity |
title_full | Innovation in music technology and creativity edited by Jan-Olof Gullö, Russ Hepworth-Sawyer, Justin Paterson, Rob Toulson, and Mark Marrington |
title_fullStr | Innovation in music technology and creativity edited by Jan-Olof Gullö, Russ Hepworth-Sawyer, Justin Paterson, Rob Toulson, and Mark Marrington |
title_full_unstemmed | Innovation in music technology and creativity edited by Jan-Olof Gullö, Russ Hepworth-Sawyer, Justin Paterson, Rob Toulson, and Mark Marrington |
title_short | Innovation in music |
title_sort | innovation in music technology and creativity |
title_sub | technology and creativity |
topic | Innovation (DE-588)4027089-0 gnd Musik (DE-588)4040802-4 gnd Technischer Fortschritt (DE-588)4059252-2 gnd |
topic_facet | Innovation Musik Technischer Fortschritt Aufsatzsammlung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034988536&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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