Folk Gothic:
Folk Gothic begins with the assertion that a significant part of what has been categorised as folk horror is more accurately and usefully labelled as Folk Gothic. Through the modifier 'folk', Folk Gothic obviously shares with folk horror its deployment (and frequent fabrication) of diegeti...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2023
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | Folk Gothic begins with the assertion that a significant part of what has been categorised as folk horror is more accurately and usefully labelled as Folk Gothic. Through the modifier 'folk', Folk Gothic obviously shares with folk horror its deployment (and frequent fabrication) of diegetic folklore. Folk Gothic does not share, however, folk horror's incarnate monsters, its forward impetus across spatial and ontological boundaries and the shock and repulsion elicited through its bodily violence. The author argues that the Folk Gothic as a literary, televisual and cinematic formation is defined by particular temporal and spatial structures that serve to forge distinctly nonhuman stories. In emphasising these temporal and spatial structures - not literal 'folk' and 'monsters' - the Folk Gothic tells stories that foreground land and 'things', consequently loosening the grip of anthropocentrism |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 15 Dec 2023) |
| Beschreibung: | 1 Online-Ressource (68 Seiten) |
| ISBN: | 9781009160902 |
| DOI: | 10.1017/9781009160902 |
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| 520 | |a Folk Gothic begins with the assertion that a significant part of what has been categorised as folk horror is more accurately and usefully labelled as Folk Gothic. Through the modifier 'folk', Folk Gothic obviously shares with folk horror its deployment (and frequent fabrication) of diegetic folklore. Folk Gothic does not share, however, folk horror's incarnate monsters, its forward impetus across spatial and ontological boundaries and the shock and repulsion elicited through its bodily violence. The author argues that the Folk Gothic as a literary, televisual and cinematic formation is defined by particular temporal and spatial structures that serve to forge distinctly nonhuman stories. In emphasising these temporal and spatial structures - not literal 'folk' and 'monsters' - the Folk Gothic tells stories that foreground land and 'things', consequently loosening the grip of anthropocentrism | ||
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Datensatz im Suchindex
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| author | Keetley, Dawn 1965- |
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| author_facet | Keetley, Dawn 1965- |
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| author_sort | Keetley, Dawn 1965- |
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| dewey-ones | 809 - History, description & criticism |
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| dewey-search | 809.38729 |
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| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Literaturwissenschaft |
| discipline_str_mv | Literaturwissenschaft |
| doi_str_mv | 10.1017/9781009160902 |
| format | Electronic eBook |
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| id | DE-604.BV049642790 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T23:39:32Z |
| indexdate | 2024-07-10T10:12:58Z |
| institution | BVB |
| isbn | 9781009160902 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034986388 |
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| owner_facet | DE-12 DE-473 DE-BY-UBG |
| physical | 1 Online-Ressource (68 Seiten) |
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| publishDate | 2023 |
| publishDateSearch | 2023 |
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| publisher | Cambridge University Press |
| record_format | marc |
| spelling | Keetley, Dawn 1965- (DE-588)1055086250 aut Folk Gothic Dawn Keetley Cambridge Cambridge University Press 2023 1 Online-Ressource (68 Seiten) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 15 Dec 2023) Folk Gothic begins with the assertion that a significant part of what has been categorised as folk horror is more accurately and usefully labelled as Folk Gothic. Through the modifier 'folk', Folk Gothic obviously shares with folk horror its deployment (and frequent fabrication) of diegetic folklore. Folk Gothic does not share, however, folk horror's incarnate monsters, its forward impetus across spatial and ontological boundaries and the shock and repulsion elicited through its bodily violence. The author argues that the Folk Gothic as a literary, televisual and cinematic formation is defined by particular temporal and spatial structures that serve to forge distinctly nonhuman stories. In emphasising these temporal and spatial structures - not literal 'folk' and 'monsters' - the Folk Gothic tells stories that foreground land and 'things', consequently loosening the grip of anthropocentrism Folk horror fiction / History and criticism Gothic fiction (Literary genre) / History and criticism Erscheint auch als Druck-Ausgabe 978-1-009-46781-0 Erscheint auch als Druck-Ausgabe 978-1-009-16089-6 https://doi.org/10.1017/9781009160902 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Keetley, Dawn 1965- Folk Gothic Folk horror fiction / History and criticism Gothic fiction (Literary genre) / History and criticism |
| title | Folk Gothic |
| title_auth | Folk Gothic |
| title_exact_search | Folk Gothic |
| title_exact_search_txtP | Folk Gothic |
| title_full | Folk Gothic Dawn Keetley |
| title_fullStr | Folk Gothic Dawn Keetley |
| title_full_unstemmed | Folk Gothic Dawn Keetley |
| title_short | Folk Gothic |
| title_sort | folk gothic |
| topic | Folk horror fiction / History and criticism Gothic fiction (Literary genre) / History and criticism |
| topic_facet | Folk horror fiction / History and criticism Gothic fiction (Literary genre) / History and criticism |
| url | https://doi.org/10.1017/9781009160902 |
| work_keys_str_mv | AT keetleydawn folkgothic |