The Unintended: Photography, Property, and the Aesthetics of Racial Capitalism
Reimagines photography through the long history of ideas of expressionThe end of the nineteenth century saw massive developments and innovations in photography at a time when the forces of Western modernity-industrialization, racialization, and capitalism-were quickly reshaping the world. The Uninte...
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1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New York, NY
New York University Press
[2023]
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Schriftenreihe: | America and the Long 19th Century
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Schlagworte: | |
Online-Zugang: | FHA01 URL des Erstveröffentlichers |
Zusammenfassung: | Reimagines photography through the long history of ideas of expressionThe end of the nineteenth century saw massive developments and innovations in photography at a time when the forces of Western modernity-industrialization, racialization, and capitalism-were quickly reshaping the world. The Unintended slows down the moment in which the technology of photography seemed to speed itself-and so the history of racial capitalism-up. It follows the substantial shifts in the markets, mediums, and forms of photography during a legally murky period at the end of the nineteenth century. Monica Huerta traces the subtle and paradoxical ways legal thinking through photographic lenses reinscribed a particular aesthetics of whiteness in the very conceptions of property ownership. The book pulls together an archive that encompasses the histories of performance and portraiture alongside the legal, pursuing the logics by which property rights involving photographs are affirmed (or denied) in precedent-setting court cases and legal texts. Emphasizing the making of "expression" into property to focus our attention on the failures of control that cameras do not invent, but rather put new emphasis on, this book argues that designations of control's absence are central to the practice and idea of property-making. The Unintended proposes that tracking and analyzing the sensed horizons of intention, control, autonomy, will, and volition offers another way into understanding how white supremacy functions. Ultimately, its unique historical reading practice offers a historically-specific vantage on the everyday workings of racial capitalism and the inheritances of white supremacy that structure so much of our lives |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2024) |
Beschreibung: | 1 Online-Ressource 19 b/w Illustrationen |
ISBN: | 9781479812493 |
DOI: | 10.18574/nyu/9781479812493.001.0001 |
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author | Huerta, Monica |
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discipline | Kunstgeschichte |
discipline_str_mv | Kunstgeschichte |
doi_str_mv | 10.18574/nyu/9781479812493.001.0001 |
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series2 | America and the Long 19th Century |
spelling | Huerta, Monica Verfasser aut The Unintended Photography, Property, and the Aesthetics of Racial Capitalism Monica Huerta New York, NY New York University Press [2023] © 2023 1 Online-Ressource 19 b/w Illustrationen txt rdacontent c rdamedia cr rdacarrier America and the Long 19th Century Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2024) Reimagines photography through the long history of ideas of expressionThe end of the nineteenth century saw massive developments and innovations in photography at a time when the forces of Western modernity-industrialization, racialization, and capitalism-were quickly reshaping the world. The Unintended slows down the moment in which the technology of photography seemed to speed itself-and so the history of racial capitalism-up. It follows the substantial shifts in the markets, mediums, and forms of photography during a legally murky period at the end of the nineteenth century. Monica Huerta traces the subtle and paradoxical ways legal thinking through photographic lenses reinscribed a particular aesthetics of whiteness in the very conceptions of property ownership. The book pulls together an archive that encompasses the histories of performance and portraiture alongside the legal, pursuing the logics by which property rights involving photographs are affirmed (or denied) in precedent-setting court cases and legal texts. Emphasizing the making of "expression" into property to focus our attention on the failures of control that cameras do not invent, but rather put new emphasis on, this book argues that designations of control's absence are central to the practice and idea of property-making. The Unintended proposes that tracking and analyzing the sensed horizons of intention, control, autonomy, will, and volition offers another way into understanding how white supremacy functions. Ultimately, its unique historical reading practice offers a historically-specific vantage on the everyday workings of racial capitalism and the inheritances of white supremacy that structure so much of our lives In English Photography / History bisacsh https://doi.org/10.18574/nyu/9781479812493.001.0001 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Huerta, Monica The Unintended Photography, Property, and the Aesthetics of Racial Capitalism Photography / History bisacsh |
title | The Unintended Photography, Property, and the Aesthetics of Racial Capitalism |
title_auth | The Unintended Photography, Property, and the Aesthetics of Racial Capitalism |
title_exact_search | The Unintended Photography, Property, and the Aesthetics of Racial Capitalism |
title_exact_search_txtP | The Unintended Photography, Property, and the Aesthetics of Racial Capitalism |
title_full | The Unintended Photography, Property, and the Aesthetics of Racial Capitalism Monica Huerta |
title_fullStr | The Unintended Photography, Property, and the Aesthetics of Racial Capitalism Monica Huerta |
title_full_unstemmed | The Unintended Photography, Property, and the Aesthetics of Racial Capitalism Monica Huerta |
title_short | The Unintended |
title_sort | the unintended photography property and the aesthetics of racial capitalism |
title_sub | Photography, Property, and the Aesthetics of Racial Capitalism |
topic | Photography / History bisacsh |
topic_facet | Photography / History |
url | https://doi.org/10.18574/nyu/9781479812493.001.0001 |
work_keys_str_mv | AT huertamonica theunintendedphotographypropertyandtheaestheticsofracialcapitalism |