Mapping Taiwanese Cinema, 2008-20: Environments, Poetics, Practice
Investigates how geographical environments are mapped in Taiwanese cinemaOffers a wide-ranging account of an under-researched period in Taiwanese film history, the years 2008 to 2020Foregrounds the importance of mapping in recent Taiwanese cinema, bringing together perspectives from cartography, fil...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2024]
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Online-Zugang: | FHA01 URL des Erstveröffentlichers |
Zusammenfassung: | Investigates how geographical environments are mapped in Taiwanese cinemaOffers a wide-ranging account of an under-researched period in Taiwanese film history, the years 2008 to 2020Foregrounds the importance of mapping in recent Taiwanese cinema, bringing together perspectives from cartography, film poetics, cultural history, design, gender and queer studies, East Asian studies, and production studiesAnalyses thematic, aesthetic, and historical trends, and films of diverse genres and styles, in contrast to the more typical focus on auteur directors and art cinemaDraws on existing and original interviews with filmmakers, providing first-hand perspectives on the topics discussedWhat is the relationship between filmmaking and mapping? Accounting for the unique characteristics of Taiwan's cinema from 2008 to 2020, this book examines how filmmakers have depicted and imagined the island's diverse environments.Drawing on cinema, cartography, and cultural studies, Christopher Brown argues that by refocusing attention on how films are shaped through a process of construction, the tradition of film poetics enables us to think about Taiwanese cinema differently: as a form of mapping. Wide-ranging in scope and drawing on original interviews with contemporary filmmakers, the analysis appraises case studies including works of popular entertainment, genre cinema such as comedies and horror, films about indigenous communities, LGBTQ+ cinema, and arthouse work. By asking what it means to map an environment onscreen, the book offers new insights into a critically neglected, yet creatively dynamic, period in Taiwan's film history |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2024) |
Beschreibung: | 1 Online-Ressource (232 Seiten) 36 B/W Illustrationen 36 b&w Illustrationen |
ISBN: | 9781474478298 |
DOI: | 10.1515/9781474478298 |
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spelling | Brown, Christopher Verfasser aut Mapping Taiwanese Cinema, 2008-20 Environments, Poetics, Practice Christopher Brown Edinburgh Edinburgh University Press [2024] © 2024 1 Online-Ressource (232 Seiten) 36 B/W Illustrationen 36 b&w Illustrationen txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2024) Investigates how geographical environments are mapped in Taiwanese cinemaOffers a wide-ranging account of an under-researched period in Taiwanese film history, the years 2008 to 2020Foregrounds the importance of mapping in recent Taiwanese cinema, bringing together perspectives from cartography, film poetics, cultural history, design, gender and queer studies, East Asian studies, and production studiesAnalyses thematic, aesthetic, and historical trends, and films of diverse genres and styles, in contrast to the more typical focus on auteur directors and art cinemaDraws on existing and original interviews with filmmakers, providing first-hand perspectives on the topics discussedWhat is the relationship between filmmaking and mapping? Accounting for the unique characteristics of Taiwan's cinema from 2008 to 2020, this book examines how filmmakers have depicted and imagined the island's diverse environments.Drawing on cinema, cartography, and cultural studies, Christopher Brown argues that by refocusing attention on how films are shaped through a process of construction, the tradition of film poetics enables us to think about Taiwanese cinema differently: as a form of mapping. Wide-ranging in scope and drawing on original interviews with contemporary filmmakers, the analysis appraises case studies including works of popular entertainment, genre cinema such as comedies and horror, films about indigenous communities, LGBTQ+ cinema, and arthouse work. By asking what it means to map an environment onscreen, the book offers new insights into a critically neglected, yet creatively dynamic, period in Taiwan's film history In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh https://doi.org/10.1515/9781474478298 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Brown, Christopher Mapping Taiwanese Cinema, 2008-20 Environments, Poetics, Practice Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh |
title | Mapping Taiwanese Cinema, 2008-20 Environments, Poetics, Practice |
title_auth | Mapping Taiwanese Cinema, 2008-20 Environments, Poetics, Practice |
title_exact_search | Mapping Taiwanese Cinema, 2008-20 Environments, Poetics, Practice |
title_exact_search_txtP | Mapping Taiwanese Cinema, 2008-20 Environments, Poetics, Practice |
title_full | Mapping Taiwanese Cinema, 2008-20 Environments, Poetics, Practice Christopher Brown |
title_fullStr | Mapping Taiwanese Cinema, 2008-20 Environments, Poetics, Practice Christopher Brown |
title_full_unstemmed | Mapping Taiwanese Cinema, 2008-20 Environments, Poetics, Practice Christopher Brown |
title_short | Mapping Taiwanese Cinema, 2008-20 |
title_sort | mapping taiwanese cinema 2008 20 environments poetics practice |
title_sub | Environments, Poetics, Practice |
topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh |
topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production |
url | https://doi.org/10.1515/9781474478298 |
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