Woody De Othello - maybe tomorrow:
The San Francisco based artist Woody De Othello (born 1991) finds inspiration for his paintings and ceramics by adapting a position of porousness to the things around him. Through his adroit interventions, everyday artifacts of the domestic tables, chairs, television remotes, telephone receivers, la...
Gespeichert in:
Weitere Verfasser: | , |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York
Karma Books
[2023]
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Schlagworte: | |
Zusammenfassung: | The San Francisco based artist Woody De Othello (born 1991) finds inspiration for his paintings and ceramics by adapting a position of porousness to the things around him. Through his adroit interventions, everyday artifacts of the domestic tables, chairs, television remotes, telephone receivers, lamps and air purifiers are anthropomorphized in glazed ceramic, bronze, wood and glass. The result is often tubular, drooping and coated in vibrant reds, purples and magnetic blacks, imbued with the subterranean futurity of jazz. Fittingly, this catalog, published following the eponymous solo exhibition in New York, is titled after jazz musician Grant Green's 1971 tune. The new body of ceramic works in Maybe Tomorrow brim with spiritual charge; the domestic objects are treated as repositories of psychic significance. The catalog explores this thematic wellspring, along with other topics, in an essay by Jason R. Young, as well as in two conversations with the artist. Exhibition: Karma, New York, USA (24.09-05.11.2022) |
Beschreibung: | 111 Seiten |
ISBN: | 9781949172966 |
Internformat
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520 | 3 | |a The San Francisco based artist Woody De Othello (born 1991) finds inspiration for his paintings and ceramics by adapting a position of porousness to the things around him. Through his adroit interventions, everyday artifacts of the domestic tables, chairs, television remotes, telephone receivers, lamps and air purifiers are anthropomorphized in glazed ceramic, bronze, wood and glass. The result is often tubular, drooping and coated in vibrant reds, purples and magnetic blacks, imbued with the subterranean futurity of jazz. Fittingly, this catalog, published following the eponymous solo exhibition in New York, is titled after jazz musician Grant Green's 1971 tune. The new body of ceramic works in Maybe Tomorrow brim with spiritual charge; the domestic objects are treated as repositories of psychic significance. The catalog explores this thematic wellspring, along with other topics, in an essay by Jason R. Young, as well as in two conversations with the artist. Exhibition: Karma, New York, USA (24.09-05.11.2022) | |
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Datensatz im Suchindex
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adam_text | |
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author2 | Biswas, Allie Shechet, Arlene 1951- |
author2_role | ivr ivr |
author2_variant | a b ab a s as |
author_GND | (DE-588)125188539X (DE-588)1249848415 (DE-588)144052717 |
author_facet | Biswas, Allie Shechet, Arlene 1951- |
building | Verbundindex |
bvnumber | BV049637002 |
classification_rvk | LI 99999 |
ctrlnum | (OCoLC)1423287266 (DE-599)BVBBV049637002 |
discipline | Kunstgeschichte |
format | Book |
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physical | 111 Seiten |
publishDate | 2023 |
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spelling | Othello, Woody De 1991- (DE-588)125188539X art ive Woody De Othello - maybe tomorrow [essay: Jason R. Young ; interviews: Allie Biswas and Arlene Shechet] New York Karma Books [2023] 111 Seiten sti rdacontent txt rdacontent n rdamedia nc rdacarrier The San Francisco based artist Woody De Othello (born 1991) finds inspiration for his paintings and ceramics by adapting a position of porousness to the things around him. Through his adroit interventions, everyday artifacts of the domestic tables, chairs, television remotes, telephone receivers, lamps and air purifiers are anthropomorphized in glazed ceramic, bronze, wood and glass. The result is often tubular, drooping and coated in vibrant reds, purples and magnetic blacks, imbued with the subterranean futurity of jazz. Fittingly, this catalog, published following the eponymous solo exhibition in New York, is titled after jazz musician Grant Green's 1971 tune. The new body of ceramic works in Maybe Tomorrow brim with spiritual charge; the domestic objects are treated as repositories of psychic significance. The catalog explores this thematic wellspring, along with other topics, in an essay by Jason R. Young, as well as in two conversations with the artist. Exhibition: Karma, New York, USA (24.09-05.11.2022) Othello, Woody De 1991- (DE-588)125188539X gnd rswk-swf Keramik (DE-588)4030270-2 gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog Karma 24.09.2022-05.11.2022 New York, NY. gnd-content (DE-588)4145395-5 Bildband gnd-content Othello, Woody De 1991- (DE-588)125188539X p Keramik (DE-588)4030270-2 s DE-604 Young, Jason R. wst Biswas, Allie (DE-588)1249848415 ivr Shechet, Arlene 1951- (DE-588)144052717 ivr Karma (Firma) (DE-588)1137232463 his isb |
spellingShingle | Woody De Othello - maybe tomorrow Othello, Woody De 1991- (DE-588)125188539X gnd Keramik (DE-588)4030270-2 gnd |
subject_GND | (DE-588)125188539X (DE-588)4030270-2 (DE-588)4135467-9 (DE-588)4145395-5 |
title | Woody De Othello - maybe tomorrow |
title_auth | Woody De Othello - maybe tomorrow |
title_exact_search | Woody De Othello - maybe tomorrow |
title_exact_search_txtP | Woody De Othello - maybe tomorrow |
title_full | Woody De Othello - maybe tomorrow [essay: Jason R. Young ; interviews: Allie Biswas and Arlene Shechet] |
title_fullStr | Woody De Othello - maybe tomorrow [essay: Jason R. Young ; interviews: Allie Biswas and Arlene Shechet] |
title_full_unstemmed | Woody De Othello - maybe tomorrow [essay: Jason R. Young ; interviews: Allie Biswas and Arlene Shechet] |
title_short | Woody De Othello - maybe tomorrow |
title_sort | woody de othello maybe tomorrow |
topic | Othello, Woody De 1991- (DE-588)125188539X gnd Keramik (DE-588)4030270-2 gnd |
topic_facet | Othello, Woody De 1991- Keramik Ausstellungskatalog Karma 24.09.2022-05.11.2022 New York, NY. Bildband |
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