TV drama in the multiplatform era: transnational coproduction and cultural specificity
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cham, Switzerland
Palgrave Macmillan, Springer Nature
[2023]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xiii, 310 Seiten |
| ISBN: | 9783031355844 |
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Datensatz im Suchindex
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Contents 1 Multiplatform TV, the Cultural Diversification of HighEnd Drama, and New Coproduction Strategies Trisha Dunleavy 1 2 Moving across Platforms and Cultures: From BBC to Syfy to Amazon Prime: The Adaptation of Philip K. Dick’s The Man in the High Castle 35 Richard Paterson 3 Netflix and Borgen·. A Match Made in.? Jakob Isak Nielsen 4 Magnifica 70·. HBO’s Portrayal of the Brazilian Boca do Lixo Cinema 81 Maria Cristina P. Mungioli and Christian H. Pelegrini 5 British History from a Distance: Transnational and Intergenerational Framings of The Crown Will Stanford Abbiss 57 101 vii
viii 6 7 8 9 10 11 12 13 CONTENTS It’s a Sin: Cross-Platform Coproduction, Cultural Specificity, and Conflicting Cultures Trisha Dunleavy Unseen Particles in Time: Co-producing Transcultural Memory as a Discourse of TV Legitimacy Within the Sky/HBO Miniseries TV Event, Chernobyl (2019) Janet McCabe Les de I’Hoquei/The Hockey Girls: From a Catalan Bachelor’s Degree Project to Netflix Marta Lopera-Marmol, Ona Anglada Pujol, and Manel Jimenez-Morales Gender and the Youthification of German Television: Zeit der Geheimnisse/Holiday Secrets and Generational Change in High-End TV Drama Elke Weissmann 119 141 165 185 Atiye/The Gift: Narrating Cultural Diversities as Spiritual Fantasy in an Authoritarian Climate Deniz Zorlu 203 Freedom of Defection: The Representation of Ultra Orthodox Jews and Netflix’s Unorthodox Eik Dödtmann 223 Polish Culture? World on Fire, Transnational Coproduction and the Inscription of Cultural Specificity Joanna Rydzewska and Elzbieta Durys 249 El Robo del Siglo/The Great Heist: Perpetuating False Territorial Dichotomies in Colombia? Juan Pablo Osman 273 Index 291 |
| adam_txt |
Contents 1 Multiplatform TV, the Cultural Diversification of HighEnd Drama, and New Coproduction Strategies Trisha Dunleavy 1 2 Moving across Platforms and Cultures: From BBC to Syfy to Amazon Prime: The Adaptation of Philip K. Dick’s The Man in the High Castle 35 Richard Paterson 3 Netflix and Borgen·. A Match Made in.? Jakob Isak Nielsen 4 Magnifica 70·. HBO’s Portrayal of the Brazilian Boca do Lixo Cinema 81 Maria Cristina P. Mungioli and Christian H. Pelegrini 5 British History from a Distance: Transnational and Intergenerational Framings of The Crown Will Stanford Abbiss 57 101 vii
viii 6 7 8 9 10 11 12 13 CONTENTS It’s a Sin: Cross-Platform Coproduction, Cultural Specificity, and Conflicting Cultures Trisha Dunleavy Unseen Particles in Time: Co-producing Transcultural Memory as a Discourse of TV Legitimacy Within the Sky/HBO Miniseries TV Event, Chernobyl (2019) Janet McCabe Les de I’Hoquei/The Hockey Girls: From a Catalan Bachelor’s Degree Project to Netflix Marta Lopera-Marmol, Ona Anglada Pujol, and Manel Jimenez-Morales Gender and the Youthification of German Television: Zeit der Geheimnisse/Holiday Secrets and Generational Change in High-End TV Drama Elke Weissmann 119 141 165 185 Atiye/The Gift: Narrating Cultural Diversities as Spiritual Fantasy in an Authoritarian Climate Deniz Zorlu 203 Freedom of Defection: The Representation of Ultra Orthodox Jews and Netflix’s Unorthodox Eik Dödtmann 223 Polish Culture? World on Fire, Transnational Coproduction and the Inscription of Cultural Specificity Joanna Rydzewska and Elzbieta Durys 249 El Robo del Siglo/The Great Heist: Perpetuating False Territorial Dichotomies in Colombia? Juan Pablo Osman 273 Index 291 |
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| spelling | TV drama in the multiplatform era transnational coproduction and cultural specificity Trisha Dunleavy, Elke Weissmann (editors) Cham, Switzerland Palgrave Macmillan, Springer Nature [2023] xiii, 310 Seiten txt rdacontent n rdamedia nc rdacarrier Film and Television Industry Film and Television Production Motion picture industry Television broadcasting Motion pictures / Production and direction (DE-588)4143413-4 Aufsatzsammlung gnd-content Dunleavy, Trisha 19XX- (DE-588)1165549190 edt Weissmann, Elke (DE-588)1031357181 edt Erscheint auch als Online-Ausgabe 978-3-031-35585-1 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034978128&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | TV drama in the multiplatform era transnational coproduction and cultural specificity |
| title_auth | TV drama in the multiplatform era transnational coproduction and cultural specificity |
| title_exact_search | TV drama in the multiplatform era transnational coproduction and cultural specificity |
| title_exact_search_txtP | TV drama in the multiplatform era transnational coproduction and cultural specificity |
| title_full | TV drama in the multiplatform era transnational coproduction and cultural specificity Trisha Dunleavy, Elke Weissmann (editors) |
| title_fullStr | TV drama in the multiplatform era transnational coproduction and cultural specificity Trisha Dunleavy, Elke Weissmann (editors) |
| title_full_unstemmed | TV drama in the multiplatform era transnational coproduction and cultural specificity Trisha Dunleavy, Elke Weissmann (editors) |
| title_short | TV drama in the multiplatform era |
| title_sort | tv drama in the multiplatform era transnational coproduction and cultural specificity |
| title_sub | transnational coproduction and cultural specificity |
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| topic_facet | Film and Television Industry Film and Television Production Motion picture industry Television broadcasting Motion pictures / Production and direction Aufsatzsammlung |
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