Music, books and theatre in eighteenth-century Exton: a context for Handel's 'Comus'
"This book establishes the cultural background to the productions of Milton's Comus that were staged in the 1740s by Baptist Noel, 4th Earl of Gainsborough, at Exton Hall, his country seat in the East Midlands of England. The author reveals that Handel's visit in 1745 occurred in a ri...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2024
|
Schriftenreihe: | Royal Musical Association monographs
v.41 |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | "This book establishes the cultural background to the productions of Milton's Comus that were staged in the 1740s by Baptist Noel, 4th Earl of Gainsborough, at Exton Hall, his country seat in the East Midlands of England. The author reveals that Handel's visit in 1745 occurred in a richer and fuller context of cultural interests among the Noel family. Most of the music at Exton was selected from existing works by Handel, but the four movements of the finale were new, written by the composer specifically for the occasion. The study is based on receipted bills and other documents in an archival collection of Noel family papers, that provide evidence of the Earl's purchase of books and music and of the musical and theatrical activities undertaken on his Exton estate. The author discusses the Earl's interests in music, books and theatre, indicating a belief in performance as a valuable and enjoyable experience and as a vehicle for the education of the young. In addition to creating a context for Comus, this book sheds light on cultural life in a mid-eighteenth-century English country house and how the Earl's productions made a significant contribution to the cultural life of the East Midlands. The book will be of great value to cultural musicologists, historians and Handelians, as the documentation sheds a huge amount of light on a variety of cultural practices in eighteenth-century England"-- |
Beschreibung: | x, 125 Seiten Illustrationen |
ISBN: | 9781032627816 9781032627854 |
Internformat
MARC
LEADER | 00000nam a22000008cb4500 | ||
---|---|---|---|
001 | BV049631787 | ||
003 | DE-604 | ||
005 | 20240611 | ||
007 | t | ||
008 | 240402s2024 a||| |||| 00||| eng d | ||
020 | |a 9781032627816 |9 978-1-032-62781-6 | ||
020 | |a 9781032627854 |9 9781032627854 | ||
035 | |a (OCoLC)1435181229 | ||
035 | |a (DE-599)BVBBV049631787 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 | ||
084 | |a MUS |q DE-12 |2 fid | ||
100 | 1 | |a Timms, Colin |d 1944- |e Verfasser |0 (DE-588)103980768 |4 aut | |
245 | 1 | 0 | |a Music, books and theatre in eighteenth-century Exton |b a context for Handel's 'Comus' |c Colin Timms |
264 | 1 | |a London ; New York |b Routledge, Taylor & Francis Group |c 2024 | |
300 | |a x, 125 Seiten |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 1 | |a Royal Musical Association monographs |v v.41 | |
505 | 8 | |a The 4th Earl of Gainsborough -- Evidence from the Archives -- Gainsborough's Legacy -- Appendix I. Subscriptions and Dedications -- Appendix II. Documents on Music, Books and Theatre | |
520 | 3 | |a "This book establishes the cultural background to the productions of Milton's Comus that were staged in the 1740s by Baptist Noel, 4th Earl of Gainsborough, at Exton Hall, his country seat in the East Midlands of England. The author reveals that Handel's visit in 1745 occurred in a richer and fuller context of cultural interests among the Noel family. Most of the music at Exton was selected from existing works by Handel, but the four movements of the finale were new, written by the composer specifically for the occasion. The study is based on receipted bills and other documents in an archival collection of Noel family papers, that provide evidence of the Earl's purchase of books and music and of the musical and theatrical activities undertaken on his Exton estate. The author discusses the Earl's interests in music, books and theatre, indicating a belief in performance as a valuable and enjoyable experience and as a vehicle for the education of the young. In addition to creating a context for Comus, this book sheds light on cultural life in a mid-eighteenth-century English country house and how the Earl's productions made a significant contribution to the cultural life of the East Midlands. The book will be of great value to cultural musicologists, historians and Handelians, as the documentation sheds a huge amount of light on a variety of cultural practices in eighteenth-century England"-- | |
600 | 1 | 7 | |a Milton, John |d 1608-1674 |t Comus |0 (DE-588)4483839-6 |2 gnd |9 rswk-swf |
600 | 1 | 7 | |a Händel, Georg Friedrich |d 1685-1759 |0 (DE-588)118544489 |2 gnd |9 rswk-swf |
648 | 7 | |a Geschichte 1745-1750 |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Inszenierung |0 (DE-588)4027223-0 |2 gnd |9 rswk-swf |
653 | 0 | |a Masques with music / 18th century / History and criticism | |
653 | 0 | |a Music patronage / England / Rutland / History / 18th century | |
653 | 1 | |a Gainsborough, Baptist Noel / Earl of / 1708-1751 | |
653 | 1 | |a Handel, George Frideric / 1685-1759 / There in blissful shades and bow'rs | |
653 | 1 | |a Milton, John / 1608-1674 / Comus | |
653 | 2 | |a Exton Hall (Rutland, England) | |
653 | 0 | |a Masques avec musique / 18e siècle / Histoire et critique | |
653 | 0 | |a Musique / Mécénat / Angleterre / Rutland / Histoire / 18e siècle | |
653 | |a Comus (Milton, John) | ||
653 | 0 | |a Masques with music | |
653 | 0 | |a Music patronage | |
653 | 2 | |a England / Rutland | |
653 | 4 | |a 1700-1799 | |
653 | 6 | |a Criticism, interpretation, etc | |
653 | 6 | |a History | |
689 | 0 | 0 | |a Milton, John |d 1608-1674 |t Comus |0 (DE-588)4483839-6 |D u |
689 | 0 | 1 | |a Händel, Georg Friedrich |d 1685-1759 |0 (DE-588)118544489 |D p |
689 | 0 | 2 | |a Inszenierung |0 (DE-588)4027223-0 |D s |
689 | 0 | 3 | |a Geschichte 1745-1750 |A z |
689 | 0 | |5 DE-604 | |
776 | 0 | 8 | |i Online version |z 978-1-032-62791-5 |a Timms, Colin |t Music, books and theatre in eighteenth-century Exton |b [1.] |d Abingdon, Oxon ; New York : Routledge, 2024 |
830 | 0 | |a Royal Musical Association monographs |v v.41 |w (DE-604)BV000617458 |9 41 | |
856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034975602&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
940 | 1 | |q BSB_NED_20240611 | |
942 | 1 | 1 | |c 780.9 |e 22/bsb |f 09033 |g 41 |
Datensatz im Suchindex
_version_ | 1805083813349425152 |
---|---|
adam_text |
Contents List ofIllustrations List ofMusic Examples Acknowledgements vn viii ix Introduction Notes 3 1 The 4th Earl of Gainsborough Subscriptions to Books and Music Notes 21 1 4 12 2 Evidence from the Archives Books 27 Music 32 Instruments 33 Purchase ofMusic 34 Binding 37 Paper and Copying 38 Performance 39 Theatre 41 Stages and Scenery 41 Repertory 44 Productions 45 Notes 50 26 3 Gainsborough’s Legacy Notes 59 54
vi Contents Appendix I: Subscriptions and Dedications Baptist Noel, 4th Earl of Gainsborough 61 Books 61 Music 62 Dorothy Noel (née Manners), Dowager Countess of Gainsborough 63 Elizabeth Noel (née Chapman), Countess of Gainsborough 63 Notes 64 61 Appendix II: Documents on Music, Books and Theatre Documents and Commentaries 65 Index to the Documents 99 Books 99 Positive Identifications (short titles) 100 Uncertain Identifications 107 Unidentified Items 109 Music 109 65 Compositions (short titles) 109 Instruments (including strings, bows, etc.) Plays 110 Theatre 111 Bibliography Index 110 112 118 |
adam_txt | |
any_adam_object | 1 |
any_adam_object_boolean | |
author | Timms, Colin 1944- |
author_GND | (DE-588)103980768 |
author_facet | Timms, Colin 1944- |
author_role | aut |
author_sort | Timms, Colin 1944- |
author_variant | c t ct |
building | Verbundindex |
bvnumber | BV049631787 |
contents | The 4th Earl of Gainsborough -- Evidence from the Archives -- Gainsborough's Legacy -- Appendix I. Subscriptions and Dedications -- Appendix II. Documents on Music, Books and Theatre |
ctrlnum | (OCoLC)1435181229 (DE-599)BVBBV049631787 |
era | Geschichte 1745-1750 gnd |
era_facet | Geschichte 1745-1750 |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a22000008cb4500</leader><controlfield tag="001">BV049631787</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240611</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">240402s2024 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781032627816</subfield><subfield code="9">978-1-032-62781-6</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781032627854</subfield><subfield code="9">9781032627854</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1435181229</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049631787</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Timms, Colin</subfield><subfield code="d">1944-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)103980768</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Music, books and theatre in eighteenth-century Exton</subfield><subfield code="b">a context for Handel's 'Comus'</subfield><subfield code="c">Colin Timms</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London ; New York</subfield><subfield code="b">Routledge, Taylor & Francis Group</subfield><subfield code="c">2024</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">x, 125 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Royal Musical Association monographs</subfield><subfield code="v">v.41</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">The 4th Earl of Gainsborough -- Evidence from the Archives -- Gainsborough's Legacy -- Appendix I. Subscriptions and Dedications -- Appendix II. Documents on Music, Books and Theatre</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"This book establishes the cultural background to the productions of Milton's Comus that were staged in the 1740s by Baptist Noel, 4th Earl of Gainsborough, at Exton Hall, his country seat in the East Midlands of England. The author reveals that Handel's visit in 1745 occurred in a richer and fuller context of cultural interests among the Noel family. Most of the music at Exton was selected from existing works by Handel, but the four movements of the finale were new, written by the composer specifically for the occasion. The study is based on receipted bills and other documents in an archival collection of Noel family papers, that provide evidence of the Earl's purchase of books and music and of the musical and theatrical activities undertaken on his Exton estate. The author discusses the Earl's interests in music, books and theatre, indicating a belief in performance as a valuable and enjoyable experience and as a vehicle for the education of the young. In addition to creating a context for Comus, this book sheds light on cultural life in a mid-eighteenth-century English country house and how the Earl's productions made a significant contribution to the cultural life of the East Midlands. The book will be of great value to cultural musicologists, historians and Handelians, as the documentation sheds a huge amount of light on a variety of cultural practices in eighteenth-century England"--</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Milton, John</subfield><subfield code="d">1608-1674</subfield><subfield code="t">Comus</subfield><subfield code="0">(DE-588)4483839-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Händel, Georg Friedrich</subfield><subfield code="d">1685-1759</subfield><subfield code="0">(DE-588)118544489</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1745-1750</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Inszenierung</subfield><subfield code="0">(DE-588)4027223-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Masques with music / 18th century / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music patronage / England / Rutland / History / 18th century</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Gainsborough, Baptist Noel / Earl of / 1708-1751</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Handel, George Frideric / 1685-1759 / There in blissful shades and bow'rs</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Milton, John / 1608-1674 / Comus</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Exton Hall (Rutland, England)</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Masques avec musique / 18e siècle / Histoire et critique</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Musique / Mécénat / Angleterre / Rutland / Histoire / 18e siècle</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Comus (Milton, John)</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Masques with music</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music patronage</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">England / Rutland</subfield></datafield><datafield tag="653" ind1=" " ind2="4"><subfield code="a">1700-1799</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">History</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Milton, John</subfield><subfield code="d">1608-1674</subfield><subfield code="t">Comus</subfield><subfield code="0">(DE-588)4483839-6</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Händel, Georg Friedrich</subfield><subfield code="d">1685-1759</subfield><subfield code="0">(DE-588)118544489</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Inszenierung</subfield><subfield code="0">(DE-588)4027223-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1745-1750</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Online version</subfield><subfield code="z">978-1-032-62791-5</subfield><subfield code="a">Timms, Colin</subfield><subfield code="t">Music, books and theatre in eighteenth-century Exton</subfield><subfield code="b">[1.]</subfield><subfield code="d">Abingdon, Oxon ; New York : Routledge, 2024</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Royal Musical Association monographs</subfield><subfield code="v">v.41</subfield><subfield code="w">(DE-604)BV000617458</subfield><subfield code="9">41</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034975602&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20240611</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09033</subfield><subfield code="g">41</subfield></datafield></record></collection> |
id | DE-604.BV049631787 |
illustrated | Illustrated |
index_date | 2024-07-03T23:38:27Z |
indexdate | 2024-07-20T07:54:31Z |
institution | BVB |
isbn | 9781032627816 9781032627854 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034975602 |
oclc_num | 1435181229 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | x, 125 Seiten Illustrationen |
psigel | BSB_NED_20240611 |
publishDate | 2024 |
publishDateSearch | 2024 |
publishDateSort | 2024 |
publisher | Routledge, Taylor & Francis Group |
record_format | marc |
series | Royal Musical Association monographs |
series2 | Royal Musical Association monographs |
spelling | Timms, Colin 1944- Verfasser (DE-588)103980768 aut Music, books and theatre in eighteenth-century Exton a context for Handel's 'Comus' Colin Timms London ; New York Routledge, Taylor & Francis Group 2024 x, 125 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Royal Musical Association monographs v.41 The 4th Earl of Gainsborough -- Evidence from the Archives -- Gainsborough's Legacy -- Appendix I. Subscriptions and Dedications -- Appendix II. Documents on Music, Books and Theatre "This book establishes the cultural background to the productions of Milton's Comus that were staged in the 1740s by Baptist Noel, 4th Earl of Gainsborough, at Exton Hall, his country seat in the East Midlands of England. The author reveals that Handel's visit in 1745 occurred in a richer and fuller context of cultural interests among the Noel family. Most of the music at Exton was selected from existing works by Handel, but the four movements of the finale were new, written by the composer specifically for the occasion. The study is based on receipted bills and other documents in an archival collection of Noel family papers, that provide evidence of the Earl's purchase of books and music and of the musical and theatrical activities undertaken on his Exton estate. The author discusses the Earl's interests in music, books and theatre, indicating a belief in performance as a valuable and enjoyable experience and as a vehicle for the education of the young. In addition to creating a context for Comus, this book sheds light on cultural life in a mid-eighteenth-century English country house and how the Earl's productions made a significant contribution to the cultural life of the East Midlands. The book will be of great value to cultural musicologists, historians and Handelians, as the documentation sheds a huge amount of light on a variety of cultural practices in eighteenth-century England"-- Milton, John 1608-1674 Comus (DE-588)4483839-6 gnd rswk-swf Händel, Georg Friedrich 1685-1759 (DE-588)118544489 gnd rswk-swf Geschichte 1745-1750 gnd rswk-swf Inszenierung (DE-588)4027223-0 gnd rswk-swf Masques with music / 18th century / History and criticism Music patronage / England / Rutland / History / 18th century Gainsborough, Baptist Noel / Earl of / 1708-1751 Handel, George Frideric / 1685-1759 / There in blissful shades and bow'rs Milton, John / 1608-1674 / Comus Exton Hall (Rutland, England) Masques avec musique / 18e siècle / Histoire et critique Musique / Mécénat / Angleterre / Rutland / Histoire / 18e siècle Comus (Milton, John) Masques with music Music patronage England / Rutland 1700-1799 Criticism, interpretation, etc History Milton, John 1608-1674 Comus (DE-588)4483839-6 u Händel, Georg Friedrich 1685-1759 (DE-588)118544489 p Inszenierung (DE-588)4027223-0 s Geschichte 1745-1750 z DE-604 Online version 978-1-032-62791-5 Timms, Colin Music, books and theatre in eighteenth-century Exton [1.] Abingdon, Oxon ; New York : Routledge, 2024 Royal Musical Association monographs v.41 (DE-604)BV000617458 41 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034975602&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Timms, Colin 1944- Music, books and theatre in eighteenth-century Exton a context for Handel's 'Comus' Royal Musical Association monographs The 4th Earl of Gainsborough -- Evidence from the Archives -- Gainsborough's Legacy -- Appendix I. Subscriptions and Dedications -- Appendix II. Documents on Music, Books and Theatre Milton, John 1608-1674 Comus (DE-588)4483839-6 gnd Händel, Georg Friedrich 1685-1759 (DE-588)118544489 gnd Inszenierung (DE-588)4027223-0 gnd |
subject_GND | (DE-588)4483839-6 (DE-588)118544489 (DE-588)4027223-0 |
title | Music, books and theatre in eighteenth-century Exton a context for Handel's 'Comus' |
title_auth | Music, books and theatre in eighteenth-century Exton a context for Handel's 'Comus' |
title_exact_search | Music, books and theatre in eighteenth-century Exton a context for Handel's 'Comus' |
title_exact_search_txtP | Music, books and theatre in eighteenth-century Exton a context for Handel's 'Comus' |
title_full | Music, books and theatre in eighteenth-century Exton a context for Handel's 'Comus' Colin Timms |
title_fullStr | Music, books and theatre in eighteenth-century Exton a context for Handel's 'Comus' Colin Timms |
title_full_unstemmed | Music, books and theatre in eighteenth-century Exton a context for Handel's 'Comus' Colin Timms |
title_short | Music, books and theatre in eighteenth-century Exton |
title_sort | music books and theatre in eighteenth century exton a context for handel s comus |
title_sub | a context for Handel's 'Comus' |
topic | Milton, John 1608-1674 Comus (DE-588)4483839-6 gnd Händel, Georg Friedrich 1685-1759 (DE-588)118544489 gnd Inszenierung (DE-588)4027223-0 gnd |
topic_facet | Milton, John 1608-1674 Comus Händel, Georg Friedrich 1685-1759 Inszenierung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034975602&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV000617458 |
work_keys_str_mv | AT timmscolin musicbooksandtheatreineighteenthcenturyextonacontextforhandelscomus |