This will not be generative:
"Attends to the semiotics of ecological writings via Caribbean literary studies and black critical theory. Closely reading texts by Donna Haraway, Monique Allewaert, and Lisa Wells, it exposes how the language of tentacles and tendrils, an assumptive "we," and redemptive sympathy or &...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Cambridge ; New York
Cambridge University Press
2023
|
Schriftenreihe: | Cambridge elements: Elements in feminism and contemporary critical theory
|
Schlagworte: | |
Zusammenfassung: | "Attends to the semiotics of ecological writings via Caribbean literary studies and black critical theory. Closely reading texts by Donna Haraway, Monique Allewaert, and Lisa Wells, it exposes how the language of tentacles and tendrils, an assumptive "we," and redemptive sympathy or "care" disguises extraction from black people and blackness"-- This Will Not Be Generative attends to the semiotics of ecological writings via Caribbean literary studies and black critical theory. Closely reading texts by Donna Haraway, Monique Allewaert, and Lisa Wells, it exposes how the language of tentacles and tendrils, an assumptive "we," and redemptive sympathy or "care" disguises extraction from black people and blackness. This often speculative rhetoric, abetted by fantasies of white communion with Indigenous groups, contrasts with the horror semiotics of the films Get Out (2017) and Midsommar (2019), which unmask the antagonistic relationship between white survival "at the end of the world" and blackness as compost. (back cover) |
Beschreibung: | 67 Seiten 23 cm |
ISBN: | 9781009320320 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV049630786 | ||
003 | DE-604 | ||
005 | 20240424 | ||
007 | t | ||
008 | 240328s2023 b||| 00||| eng d | ||
020 | |a 9781009320320 |c Paperback |9 978-1-009-32032-0 | ||
035 | |a (OCoLC)1437838229 | ||
035 | |a (DE-599)BVBBV049630786 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-188 | ||
082 | 0 | |a 304.209729 | |
100 | 1 | |a Ramírez, Dixa |e Verfasser |0 (DE-588)1158635532 |4 aut | |
245 | 1 | 0 | |a This will not be generative |c Dixa Ramírez-D'Oleo, Brown University |
264 | 1 | |a Cambridge ; New York |b Cambridge University Press |c 2023 | |
300 | |a 67 Seiten |c 23 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 0 | |a Cambridge elements: Elements in feminism and contemporary critical theory | |
505 | 8 | |a 1. Exergue -- 2. Introduction -- 3. The seduction -- 4. The disillusionment -- 5. Recoil and the speculative -- References | |
520 | 3 | |a "Attends to the semiotics of ecological writings via Caribbean literary studies and black critical theory. Closely reading texts by Donna Haraway, Monique Allewaert, and Lisa Wells, it exposes how the language of tentacles and tendrils, an assumptive "we," and redemptive sympathy or "care" disguises extraction from black people and blackness"-- | |
520 | 3 | |a This Will Not Be Generative attends to the semiotics of ecological writings via Caribbean literary studies and black critical theory. Closely reading texts by Donna Haraway, Monique Allewaert, and Lisa Wells, it exposes how the language of tentacles and tendrils, an assumptive "we," and redemptive sympathy or "care" disguises extraction from black people and blackness. This often speculative rhetoric, abetted by fantasies of white communion with Indigenous groups, contrasts with the horror semiotics of the films Get Out (2017) and Midsommar (2019), which unmask the antagonistic relationship between white survival "at the end of the world" and blackness as compost. (back cover) | |
653 | 0 | |a Feminist theory | |
653 | 0 | |a Feminist criticism | |
653 | 0 | |a Ecofeminism | |
653 | 0 | |a Critical race theory / Caribbean Area | |
653 | 0 | |a Théorie féministe | |
653 | 0 | |a Écoféminisme | |
653 | 0 | |a Théorie critique de la race / Caraïbes (Région) | |
653 | 0 | |a Critical theory | |
653 | 0 | |a Ecofeminism | |
653 | 0 | |a Feminist criticism | |
653 | 0 | |a Feminist theory | |
776 | 0 | 8 | |i Erscheint auch als |a Ramírez, Dixa |t This will not be generative |d Cambridge ; New York : Cambridge University Press, 2023 |z 978-1-009-32033-7 |w (DE-604)BV049053978 |
Datensatz im Suchindex
_version_ | 1805082056007352320 |
---|---|
adam_text | |
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Ramírez, Dixa |
author_GND | (DE-588)1158635532 |
author_facet | Ramírez, Dixa |
author_role | aut |
author_sort | Ramírez, Dixa |
author_variant | d r dr |
building | Verbundindex |
bvnumber | BV049630786 |
contents | 1. Exergue -- 2. Introduction -- 3. The seduction -- 4. The disillusionment -- 5. Recoil and the speculative -- References |
ctrlnum | (OCoLC)1437838229 (DE-599)BVBBV049630786 |
dewey-full | 304.209729 |
dewey-hundreds | 300 - Social sciences |
dewey-ones | 304 - Factors affecting social behavior |
dewey-raw | 304.209729 |
dewey-search | 304.209729 |
dewey-sort | 3304.209729 |
dewey-tens | 300 - Social sciences |
discipline | Soziologie |
discipline_str_mv | Soziologie |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV049630786</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240424</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">240328s2023 b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781009320320</subfield><subfield code="c">Paperback</subfield><subfield code="9">978-1-009-32032-0</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1437838229</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049630786</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-188</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">304.209729</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Ramírez, Dixa</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1158635532</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">This will not be generative</subfield><subfield code="c">Dixa Ramírez-D'Oleo, Brown University</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge ; New York</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">67 Seiten</subfield><subfield code="c">23 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Cambridge elements: Elements in feminism and contemporary critical theory</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">1. Exergue -- 2. Introduction -- 3. The seduction -- 4. The disillusionment -- 5. Recoil and the speculative -- References</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Attends to the semiotics of ecological writings via Caribbean literary studies and black critical theory. Closely reading texts by Donna Haraway, Monique Allewaert, and Lisa Wells, it exposes how the language of tentacles and tendrils, an assumptive "we," and redemptive sympathy or "care" disguises extraction from black people and blackness"--</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">This Will Not Be Generative attends to the semiotics of ecological writings via Caribbean literary studies and black critical theory. Closely reading texts by Donna Haraway, Monique Allewaert, and Lisa Wells, it exposes how the language of tentacles and tendrils, an assumptive "we," and redemptive sympathy or "care" disguises extraction from black people and blackness. This often speculative rhetoric, abetted by fantasies of white communion with Indigenous groups, contrasts with the horror semiotics of the films Get Out (2017) and Midsommar (2019), which unmask the antagonistic relationship between white survival "at the end of the world" and blackness as compost. (back cover)</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Feminist theory</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Feminist criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Ecofeminism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Critical race theory / Caribbean Area</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Théorie féministe</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Écoféminisme</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Théorie critique de la race / Caraïbes (Région)</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Critical theory</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Ecofeminism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Feminist criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Feminist theory</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="a">Ramírez, Dixa</subfield><subfield code="t">This will not be generative</subfield><subfield code="d">Cambridge ; New York : Cambridge University Press, 2023</subfield><subfield code="z">978-1-009-32033-7</subfield><subfield code="w">(DE-604)BV049053978</subfield></datafield></record></collection> |
id | DE-604.BV049630786 |
illustrated | Not Illustrated |
index_date | 2024-07-03T23:38:22Z |
indexdate | 2024-07-20T07:26:35Z |
institution | BVB |
isbn | 9781009320320 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034974616 |
oclc_num | 1437838229 |
open_access_boolean | |
owner | DE-188 |
owner_facet | DE-188 |
physical | 67 Seiten 23 cm |
publishDate | 2023 |
publishDateSearch | 2023 |
publishDateSort | 2023 |
publisher | Cambridge University Press |
record_format | marc |
series2 | Cambridge elements: Elements in feminism and contemporary critical theory |
spelling | Ramírez, Dixa Verfasser (DE-588)1158635532 aut This will not be generative Dixa Ramírez-D'Oleo, Brown University Cambridge ; New York Cambridge University Press 2023 67 Seiten 23 cm txt rdacontent n rdamedia nc rdacarrier Cambridge elements: Elements in feminism and contemporary critical theory 1. Exergue -- 2. Introduction -- 3. The seduction -- 4. The disillusionment -- 5. Recoil and the speculative -- References "Attends to the semiotics of ecological writings via Caribbean literary studies and black critical theory. Closely reading texts by Donna Haraway, Monique Allewaert, and Lisa Wells, it exposes how the language of tentacles and tendrils, an assumptive "we," and redemptive sympathy or "care" disguises extraction from black people and blackness"-- This Will Not Be Generative attends to the semiotics of ecological writings via Caribbean literary studies and black critical theory. Closely reading texts by Donna Haraway, Monique Allewaert, and Lisa Wells, it exposes how the language of tentacles and tendrils, an assumptive "we," and redemptive sympathy or "care" disguises extraction from black people and blackness. This often speculative rhetoric, abetted by fantasies of white communion with Indigenous groups, contrasts with the horror semiotics of the films Get Out (2017) and Midsommar (2019), which unmask the antagonistic relationship between white survival "at the end of the world" and blackness as compost. (back cover) Feminist theory Feminist criticism Ecofeminism Critical race theory / Caribbean Area Théorie féministe Écoféminisme Théorie critique de la race / Caraïbes (Région) Critical theory Erscheint auch als Ramírez, Dixa This will not be generative Cambridge ; New York : Cambridge University Press, 2023 978-1-009-32033-7 (DE-604)BV049053978 |
spellingShingle | Ramírez, Dixa This will not be generative 1. Exergue -- 2. Introduction -- 3. The seduction -- 4. The disillusionment -- 5. Recoil and the speculative -- References |
title | This will not be generative |
title_auth | This will not be generative |
title_exact_search | This will not be generative |
title_exact_search_txtP | This will not be generative |
title_full | This will not be generative Dixa Ramírez-D'Oleo, Brown University |
title_fullStr | This will not be generative Dixa Ramírez-D'Oleo, Brown University |
title_full_unstemmed | This will not be generative Dixa Ramírez-D'Oleo, Brown University |
title_short | This will not be generative |
title_sort | this will not be generative |
work_keys_str_mv | AT ramirezdixa thiswillnotbegenerative |