Artemisia Gentileschi and the business of art: money, markets, masters and museums
"A examination of one of the key artists of the early-modern era from the point of view of the business considerations that informed her life, art, career, and legacy"--
Gespeichert in:
1. Verfasser: | |
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Weitere Verfasser: | |
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Princeton ; Oxford
Princeton University Press
[2024]
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Zusammenfassung: | "A examination of one of the key artists of the early-modern era from the point of view of the business considerations that informed her life, art, career, and legacy"-- |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | 307 Seiten Illustrationen |
ISBN: | 9780691253886 |
Internformat
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Datensatz im Suchindex
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CONTENTS Introduction: Art, Luxury, Value PARTI BECOMING ARTEMISIA: ROME, 1606 I 1613 In her Master’s House: Gentileschi's Artistic Training in the Artists’ District ol Baroque Rome 12 2 ‘Ritratto nudo’: Gentileschi’s First Paintings in the Workshop ot Orazio Gentileschi 2 8 3 ‘Without peer’: The Beginnings of Gentileschi’s Career as an Independent Specialist 44 PART II ANNOUNCING ARTEMISIA: E LOR E Ν’ C 1 :. 1613 4 1620 Birth, Death, Rebirth: Gentileschi Launches Herself as an Independent Painter in Baroque Florence 62 5 6 Selling the Self: Self-portraiture and the Invention of ‘Artemisia* 68 ‘No little horror’: Reinventing Judith jnd IhdoferHts for the Medici 92 PART III 7 ACCLAIMING ARTEMISIA: ROME AND VENICE. 1620 162 Rome, 1620—1627: Transforming Old Subjects and the Challenge of Patronage 10S 8 A Business Evaluation of Gentileschi’s Career in the 1620s: Productivity, Specialisation and the Problem of Typecasting
CONTENTS 9 Venice, 1627-1629: From Realism to Refinement and the Creation oi a Celebrity Bran 132 PART IV 10 SELLING ARTEMISIA: NAPLES AND LONDON, 16.30 .1656 Ά great cry spread throughout the city’: Gentileschi's Neapolitan Success in the 163 c ISO II ‘Sold by her hand’: Setting Prices and Getting Paid in Baroque Naples 166 Naples, 1640—c. 1656: Gentileschi’s Neapolitan Workshop and 12 the Endgame of her Final Years 194 RESURRECTING ARTEMISIA, .1656- PRESENT PART V 13 A Star Is Born: The Afterlife of a‘Great genius’ 220 14 From the Connoisseur’s Studio to the Global Blockbuster: Gentileschi and the Monographic Retrospective Exhibition 236 15 Artemisia beyond the Academy 244 Appendix of Tables 255 Notes 265 Bibliography 283 Index 298 Acknowledgemen ts 304 Photography and Copyright Credits 306
Arc has long been viewed as a calling—a quasi religious vocation that drives artists to seek answers to humanity’s deepest questions. Yet the art world is a risky, competitive business that requires artists to make strategic decisions, especially if the artist is a woman. In Artemisia Gentileschi and the Business o( Art, Christopher R. Marshall presents a new account of the life, work, and legacy of the Italian Baroque painter, revealing how she built a successful four-decade career in a male-dominated field—and how her business acumen influenced the resurrection of her reputation todav, when she has been transformed from a footnote of art history to a globally famous artist and feminist icon. Combining the most recent research with detailed analyses of newly attributed paintings, Marshall highlights the business considerations behind Gentileschi’s development of a trade mark style as she marketed herself to the public across a range of Italian artistic centers. The disguised self-portraits in her early Florentine paintings are reevaluated as an effort to make a celebrity brand of her own image. And, challenging the common perception that Gentileschi’s only masterpieces are her early Caravaggesque paintings, the book emphasizes the importance of her neglected late Neapolitan works, which are reinterpreted as innovative responses to the conventional practices of Baroque workshops. Artemisia Gentileschi and the Business ofArt shows that Gentileschi’s remarkable success as a painter was due not only to her enormous talent but also to her ability to respond creatively to the
continuously evolving trends and challenges of the Italian Baroque art world.
is associate professor of art history, curatorship, and museum studies at the University ot Melbourne. I Ie is the author o! Laroifue Naples and the Industry of Painting rhe editor ot Sculpture and the Ми^енш, and a contributor to Paintin^pir Proht: The Economic Lives ^ Sevenseentb-ientury Italian Painters. |
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author | Marshall, Christopher R. |
author2 | Gentileschi, Artemisia 1593-1653 |
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author_GND | (DE-588)161106544 |
author_facet | Marshall, Christopher R. Gentileschi, Artemisia 1593-1653 |
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author_sort | Marshall, Christopher R. |
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building | Verbundindex |
bvnumber | BV049629522 |
classification_rvk | LI 32610 |
ctrlnum | (OCoLC)1443593823 (DE-599)KXP1876473479 |
discipline | Kunstgeschichte |
format | Book |
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language | English |
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spelling | Marshall, Christopher R. Verfasser (DE-588)161106544 aut Artemisia Gentileschi and the business of art Christopher R. Marshall Princeton ; Oxford Princeton University Press [2024] © 2024 307 Seiten Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index "A examination of one of the key artists of the early-modern era from the point of view of the business considerations that informed her life, art, career, and legacy"-- Gentileschi, Artemisia 1593-1652 or 1653 DLC Gentileschi, Artemisia 1593-1652 or 1653 Appreciation DLC Gentileschi, Artemisia 1593-1653 (DE-588)118936794 gnd rswk-swf Painters Italy Economic conditions 17th century DLC Painting Economic aspects History DLC Gentileschi, Artemisia 1593-1653 (DE-588)118936794 p DE-604 Erscheint auch als Online-Ausgabe Marshall, Christopher R Artemisia Gentileschi and the business of art Princeton : Princeton University Press, [2024] 978-0-691-25801-0 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034973383&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034973383&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | Marshall, Christopher R. Artemisia Gentileschi and the business of art Gentileschi, Artemisia 1593-1652 or 1653 DLC Gentileschi, Artemisia 1593-1652 or 1653 Appreciation DLC Gentileschi, Artemisia 1593-1653 (DE-588)118936794 gnd Painters Italy Economic conditions 17th century DLC Painting Economic aspects History DLC |
subject_GND | (DE-588)118936794 |
title | Artemisia Gentileschi and the business of art |
title_auth | Artemisia Gentileschi and the business of art |
title_exact_search | Artemisia Gentileschi and the business of art |
title_exact_search_txtP | Artemisia Gentileschi and the business of art money, markets, masters and museums |
title_full | Artemisia Gentileschi and the business of art Christopher R. Marshall |
title_fullStr | Artemisia Gentileschi and the business of art Christopher R. Marshall |
title_full_unstemmed | Artemisia Gentileschi and the business of art Christopher R. Marshall |
title_short | Artemisia Gentileschi and the business of art |
title_sort | artemisia gentileschi and the business of art |
title_sub | money, markets, masters and museums |
topic | Gentileschi, Artemisia 1593-1652 or 1653 DLC Gentileschi, Artemisia 1593-1652 or 1653 Appreciation DLC Gentileschi, Artemisia 1593-1653 (DE-588)118936794 gnd Painters Italy Economic conditions 17th century DLC Painting Economic aspects History DLC |
topic_facet | Gentileschi, Artemisia 1593-1652 or 1653 Gentileschi, Artemisia 1593-1652 or 1653 Appreciation Gentileschi, Artemisia 1593-1653 Painters Italy Economic conditions 17th century Painting Economic aspects History |
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