Cold War country: how Nashville's Music Row and the Pentagon created the sound of American patriotism
"Country music maintains a special, decades-long relationship to American military life, but these ties didn't just happen. This readable history reveals how country music's Nashville-based business leaders on Music Row created partnerships with the Pentagon to sell their audiences on...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chapel Hill
The University of North Carolina Press
[2024]
|
| Schriftenreihe: | Studies in United States culture
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Country music maintains a special, decades-long relationship to American military life, but these ties didn't just happen. This readable history reveals how country music's Nashville-based business leaders on Music Row created partnerships with the Pentagon to sell their audiences on military service while selling the music to service members. Beginning in the 1950s, the military flooded armed forces airwaves with the music, hosted tour dates at bases around the world, and drew on artists from Johnny Cash to Lee Greenwood to support recruitment programs. Over the last half of the twentieth century, the close connections between the Defense Department and Music Row gave an economic boost to the white-dominated sounds of country while marginalizing Black artists and fueling divisions over the meaning of patriotism. This story is filled with familiar stars like Roy Acuff, Elvis Presley, and George Strait, as well as lesser-known figures: industry executives who worked the halls of Congress, country artists who dissented from the stereotypically patriotic trappings of the genre, and more. Joseph M. Thompson argues convincingly that the relationship between Music Row and the Pentagon helped shape not only the evolution of popular music but also race relations, partisanship, and images of the United States abroad"-- |
| Beschreibung: | 333 Seiten Illustrationen |
| ISBN: | 9781469678368 9781469678351 |
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| 520 | 3 | |a "Country music maintains a special, decades-long relationship to American military life, but these ties didn't just happen. This readable history reveals how country music's Nashville-based business leaders on Music Row created partnerships with the Pentagon to sell their audiences on military service while selling the music to service members. Beginning in the 1950s, the military flooded armed forces airwaves with the music, hosted tour dates at bases around the world, and drew on artists from Johnny Cash to Lee Greenwood to support recruitment programs. Over the last half of the twentieth century, the close connections between the Defense Department and Music Row gave an economic boost to the white-dominated sounds of country while marginalizing Black artists and fueling divisions over the meaning of patriotism. This story is filled with familiar stars like Roy Acuff, Elvis Presley, and George Strait, as well as lesser-known figures: industry executives who worked the halls of Congress, country artists who dissented from the stereotypically patriotic trappings of the genre, and more. Joseph M. Thompson argues convincingly that the relationship between Music Row and the Pentagon helped shape not only the evolution of popular music but also race relations, partisanship, and images of the United States abroad"-- | |
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Datensatz im Suchindex
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Contents List of Illustrations, ix Introduction, i 1 Big Government Country, 15 Connie B. Gay and the Roots of Country Music Militarization 2 A GI Bill for Country Music, 47 How Country Music and Military Recruitment Merged in the 1950s 3 Singing in the Ranks, 83 Memphis, Militarization, and the Country Roots of Rock and Roll 4 All-American Boy, 113 Elvis Presley and the Cold War’s Musical and Military Integration 5 Best Liked World-Wide, 146 Selling the Armed Forces and the World on Country Music 6 Tell Them What We’re Fighting For, 176 The CMA, Country Artists, and the Politics of the Vietnam War 7 Proud to Be an American, 219 Country Music Militarization and Patriotism after Vietnam Conclusion, 252 Acknowledgments, 259 Notes, 263 Bibliography, 303 Index, 321 |
| adam_txt | |
| any_adam_object | 1 |
| any_adam_object_boolean | |
| author | Thompson, Joseph M. |
| author_GND | (DE-588)1329895290 |
| author_facet | Thompson, Joseph M. |
| author_role | aut |
| author_sort | Thompson, Joseph M. |
| author_variant | j m t jm jmt |
| building | Verbundindex |
| bvnumber | BV049627387 |
| contents | Big government country : Connie B. Gay and the roots of country music militarization -- A G.I. Bill for country music : how country music and military recruitment merged in the 1950s -- Singing in the ranks : Memphis, militarization, and the country roots of rock and roll -- All-American boy : Elvis Presley and the Cold War's musical and military integration -- Best liked world wide : selling the armed forces and the world on country music -- Tell them what we're fighting for : the CMA, country artists, and the politics of the Vietnam War -- Proud to be an American : country music militarization and patriotism after Vietnam |
| ctrlnum | (OCoLC)1429563819 (DE-599)BVBBV049627387 |
| dewey-full | 782.4216420904 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.4216420904 |
| dewey-search | 782.4216420904 |
| dewey-sort | 3782.4216420904 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| era | Geschichte 1950-2000 gnd |
| era_facet | Geschichte 1950-2000 |
| format | Book |
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| id | DE-604.BV049627387 |
| illustrated | Illustrated |
| index_date | 2024-07-03T23:37:57Z |
| indexdate | 2024-07-20T06:14:27Z |
| institution | BVB |
| isbn | 9781469678368 9781469678351 |
| language | English |
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| physical | 333 Seiten Illustrationen |
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| publisher | The University of North Carolina Press |
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| series2 | Studies in United States culture |
| spelling | Thompson, Joseph M. Verfasser (DE-588)1329895290 aut Cold War country how Nashville's Music Row and the Pentagon created the sound of American patriotism Joseph M. Thompson Chapel Hill The University of North Carolina Press [2024] © 2024 333 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Studies in United States culture "Country music maintains a special, decades-long relationship to American military life, but these ties didn't just happen. This readable history reveals how country music's Nashville-based business leaders on Music Row created partnerships with the Pentagon to sell their audiences on military service while selling the music to service members. Beginning in the 1950s, the military flooded armed forces airwaves with the music, hosted tour dates at bases around the world, and drew on artists from Johnny Cash to Lee Greenwood to support recruitment programs. Over the last half of the twentieth century, the close connections between the Defense Department and Music Row gave an economic boost to the white-dominated sounds of country while marginalizing Black artists and fueling divisions over the meaning of patriotism. This story is filled with familiar stars like Roy Acuff, Elvis Presley, and George Strait, as well as lesser-known figures: industry executives who worked the halls of Congress, country artists who dissented from the stereotypically patriotic trappings of the genre, and more. Joseph M. Thompson argues convincingly that the relationship between Music Row and the Pentagon helped shape not only the evolution of popular music but also race relations, partisanship, and images of the United States abroad"-- USA Department of Defense (DE-588)1019534-8 gnd rswk-swf USA Army (DE-588)2188-X gnd rswk-swf Geschichte 1950-2000 gnd rswk-swf Nationalbewusstsein (DE-588)4041282-9 gnd rswk-swf Patriotismus (DE-588)4132835-8 gnd rswk-swf Countrymusic (DE-588)4138030-7 gnd rswk-swf Country music / History and criticism Country music / Political aspects / History / 20th century Music trade / Tennessee / Nashville / History / 20th century United States / Armed Forces / Recruiting, enlistment, etc / History / 20th century HISTORY / United States / 20th Century SOCIAL SCIENCE / Popular Culture Country music Country music / Political aspects Music trade Recruiting and enlistment Tennessee / Nashville United States 1900-1999 Criticism, interpretation, etc History USA Department of Defense (DE-588)1019534-8 b USA Army (DE-588)2188-X b Countrymusic (DE-588)4138030-7 s Nationalbewusstsein (DE-588)4041282-9 s Patriotismus (DE-588)4132835-8 s Geschichte 1950-2000 z DE-604 Erscheint auch als Online-Ausgabe, EPUB 978-1-4696-7837-5 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034971282&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Thompson, Joseph M. Cold War country how Nashville's Music Row and the Pentagon created the sound of American patriotism Big government country : Connie B. Gay and the roots of country music militarization -- A G.I. Bill for country music : how country music and military recruitment merged in the 1950s -- Singing in the ranks : Memphis, militarization, and the country roots of rock and roll -- All-American boy : Elvis Presley and the Cold War's musical and military integration -- Best liked world wide : selling the armed forces and the world on country music -- Tell them what we're fighting for : the CMA, country artists, and the politics of the Vietnam War -- Proud to be an American : country music militarization and patriotism after Vietnam USA Department of Defense (DE-588)1019534-8 gnd USA Army (DE-588)2188-X gnd Nationalbewusstsein (DE-588)4041282-9 gnd Patriotismus (DE-588)4132835-8 gnd Countrymusic (DE-588)4138030-7 gnd |
| subject_GND | (DE-588)1019534-8 (DE-588)2188-X (DE-588)4041282-9 (DE-588)4132835-8 (DE-588)4138030-7 |
| title | Cold War country how Nashville's Music Row and the Pentagon created the sound of American patriotism |
| title_auth | Cold War country how Nashville's Music Row and the Pentagon created the sound of American patriotism |
| title_exact_search | Cold War country how Nashville's Music Row and the Pentagon created the sound of American patriotism |
| title_exact_search_txtP | Cold War country how Nashville's Music Row and the Pentagon created the sound of American patriotism |
| title_full | Cold War country how Nashville's Music Row and the Pentagon created the sound of American patriotism Joseph M. Thompson |
| title_fullStr | Cold War country how Nashville's Music Row and the Pentagon created the sound of American patriotism Joseph M. Thompson |
| title_full_unstemmed | Cold War country how Nashville's Music Row and the Pentagon created the sound of American patriotism Joseph M. Thompson |
| title_short | Cold War country |
| title_sort | cold war country how nashville s music row and the pentagon created the sound of american patriotism |
| title_sub | how Nashville's Music Row and the Pentagon created the sound of American patriotism |
| topic | USA Department of Defense (DE-588)1019534-8 gnd USA Army (DE-588)2188-X gnd Nationalbewusstsein (DE-588)4041282-9 gnd Patriotismus (DE-588)4132835-8 gnd Countrymusic (DE-588)4138030-7 gnd |
| topic_facet | USA Department of Defense USA Army Nationalbewusstsein Patriotismus Countrymusic |
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