Streaming music, streaming capital:
"In Streaming Music, Streaming Capital, Eric Drott examines the relationships between music, technology, economy, and culture within the ecosystem of online streaming. Attentive to the way the rise of online platforms has reordered how music is circulated and consumed, Drott offers a Marxist in...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Durham ; London
Duke University Press
[2024]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "In Streaming Music, Streaming Capital, Eric Drott examines the relationships between music, technology, economy, and culture within the ecosystem of online streaming. Attentive to the way the rise of online platforms has reordered how music is circulated and consumed, Drott offers a Marxist interrogation of capitalism and its relation to music consumption. Drawing on digital sources and economic ephemera as evidence, Drott puts forth an overview of streaming's role within the music industry as a commentary on platform economy and economic power. By interrogating the tensions between streaming's benefits and pitfalls, Drott's work highlights important socioeconomic issues in music's digital ascendency, from accessibility, distribution, and data collection, to musical value, labor, and artist treatment"-- |
| Beschreibung: | xi, 343 Seiten Illustrationen 23 cm |
| ISBN: | 9781478025740 9781478020998 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV049627384 | ||
| 003 | DE-604 | ||
| 005 | 20240521 | ||
| 007 | t | ||
| 008 | 240326s2024 a||| b||| 00||| eng d | ||
| 020 | |a 9781478025740 |c paperback |9 978-1-4780-2574-0 | ||
| 020 | |a 9781478020998 |c hardback |9 978-1-4780-2099-8 | ||
| 035 | |a (OCoLC)1437836507 | ||
| 035 | |a (DE-599)BVBBV049627384 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-M382 |a DE-11 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 100 | 1 | |a Drott, Eric |d 1972- |e Verfasser |0 (DE-588)1017491399 |4 aut | |
| 245 | 1 | 0 | |a Streaming music, streaming capital |c Eric Drott |
| 264 | 1 | |a Durham ; London |b Duke University Press |c [2024] | |
| 264 | 4 | |c © 2024 | |
| 300 | |a xi, 343 Seiten |b Illustrationen |c 23 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 505 | 8 | |a Streaming Music -- Streaming Capital -- Music as a Technology of Surveillance -- Counterfeiting Attention in the Streaming Economy: Spam, Click Fraud, and Fake Artists -- Streaming, Cheap Music, and the Crises of Social Reproduction | |
| 520 | 3 | |a "In Streaming Music, Streaming Capital, Eric Drott examines the relationships between music, technology, economy, and culture within the ecosystem of online streaming. Attentive to the way the rise of online platforms has reordered how music is circulated and consumed, Drott offers a Marxist interrogation of capitalism and its relation to music consumption. Drawing on digital sources and economic ephemera as evidence, Drott puts forth an overview of streaming's role within the music industry as a commentary on platform economy and economic power. By interrogating the tensions between streaming's benefits and pitfalls, Drott's work highlights important socioeconomic issues in music's digital ascendency, from accessibility, distribution, and data collection, to musical value, labor, and artist treatment"-- | |
| 650 | 0 | 7 | |a Streaming |g Kommunikationstechnik |0 (DE-588)4614855-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musikwirtschaft |0 (DE-588)4268614-3 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Music trade / Technological innovations | |
| 653 | 0 | |a Sound recording industry | |
| 653 | 0 | |a Streaming audio | |
| 653 | 0 | |a Music and the Internet | |
| 653 | 0 | |a Musique / Industrie / Innovations | |
| 653 | 0 | |a Enregistrements sonores / Industrie | |
| 653 | 0 | |a Audio en continu | |
| 653 | 0 | |a Musique et Internet | |
| 653 | 0 | |a MUSIC / Business Aspects | |
| 653 | 0 | |a SOCIAL SCIENCE / Media Studies | |
| 689 | 0 | 0 | |a Streaming |g Kommunikationstechnik |0 (DE-588)4614855-3 |D s |
| 689 | 0 | 1 | |a Musikwirtschaft |0 (DE-588)4268614-3 |D s |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Online version |a Drott, Eric, 1972- |t Streaming music, streaming capital |d Durham : Duke University Press, 2024 |z 9781478027874 |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034971279&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
Datensatz im Suchindex
| _version_ | 1805084643807985664 |
|---|---|
| adam_text |
Contents Acknowledgments ix Introduction CHAPTER ONE Streaming Music CHAPTER FOUR Counterfeiting Attention in the Streaming Economy: Spam, Click Fraud, and Fake Artists -» 144 -4 22 CHAPTER FIVE CHAPTER TWO Streaming Capital - 63 Streaming, Cheap Music, and the Crises of Social Reproduction - 193 CHAPTER THREE Music as a Technology of Surveillance Epilogue -» 235 -* 101 Notes 255 Bibliography Index 331 307 |
| adam_txt | |
| any_adam_object | 1 |
| any_adam_object_boolean | |
| author | Drott, Eric 1972- |
| author_GND | (DE-588)1017491399 |
| author_facet | Drott, Eric 1972- |
| author_role | aut |
| author_sort | Drott, Eric 1972- |
| author_variant | e d ed |
| building | Verbundindex |
| bvnumber | BV049627384 |
| contents | Streaming Music -- Streaming Capital -- Music as a Technology of Surveillance -- Counterfeiting Attention in the Streaming Economy: Spam, Click Fraud, and Fake Artists -- Streaming, Cheap Music, and the Crises of Social Reproduction |
| ctrlnum | (OCoLC)1437836507 (DE-599)BVBBV049627384 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV049627384</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240521</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">240326s2024 a||| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781478025740</subfield><subfield code="c">paperback</subfield><subfield code="9">978-1-4780-2574-0</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781478020998</subfield><subfield code="c">hardback</subfield><subfield code="9">978-1-4780-2099-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1437836507</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049627384</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-M382</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Drott, Eric</subfield><subfield code="d">1972-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1017491399</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Streaming music, streaming capital</subfield><subfield code="c">Eric Drott</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Durham ; London</subfield><subfield code="b">Duke University Press</subfield><subfield code="c">[2024]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2024</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xi, 343 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">23 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Streaming Music -- Streaming Capital -- Music as a Technology of Surveillance -- Counterfeiting Attention in the Streaming Economy: Spam, Click Fraud, and Fake Artists -- Streaming, Cheap Music, and the Crises of Social Reproduction</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"In Streaming Music, Streaming Capital, Eric Drott examines the relationships between music, technology, economy, and culture within the ecosystem of online streaming. Attentive to the way the rise of online platforms has reordered how music is circulated and consumed, Drott offers a Marxist interrogation of capitalism and its relation to music consumption. Drawing on digital sources and economic ephemera as evidence, Drott puts forth an overview of streaming's role within the music industry as a commentary on platform economy and economic power. By interrogating the tensions between streaming's benefits and pitfalls, Drott's work highlights important socioeconomic issues in music's digital ascendency, from accessibility, distribution, and data collection, to musical value, labor, and artist treatment"--</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Streaming</subfield><subfield code="g">Kommunikationstechnik</subfield><subfield code="0">(DE-588)4614855-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikwirtschaft</subfield><subfield code="0">(DE-588)4268614-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music trade / Technological innovations</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Sound recording industry</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Streaming audio</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music and the Internet</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Musique / Industrie / Innovations</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Enregistrements sonores / Industrie</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Audio en continu</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Musique et Internet</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">MUSIC / Business Aspects</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">SOCIAL SCIENCE / Media Studies</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Streaming</subfield><subfield code="g">Kommunikationstechnik</subfield><subfield code="0">(DE-588)4614855-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Musikwirtschaft</subfield><subfield code="0">(DE-588)4268614-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Online version</subfield><subfield code="a">Drott, Eric, 1972-</subfield><subfield code="t">Streaming music, streaming capital</subfield><subfield code="d">Durham : Duke University Press, 2024</subfield><subfield code="z">9781478027874</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034971279&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield></record></collection> |
| id | DE-604.BV049627384 |
| illustrated | Illustrated |
| index_date | 2024-07-03T23:37:57Z |
| indexdate | 2024-07-20T08:07:43Z |
| institution | BVB |
| isbn | 9781478025740 9781478020998 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034971279 |
| oclc_num | 1437836507 |
| open_access_boolean | |
| owner | DE-12 DE-M382 DE-11 |
| owner_facet | DE-12 DE-M382 DE-11 |
| physical | xi, 343 Seiten Illustrationen 23 cm |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Duke University Press |
| record_format | marc |
| spelling | Drott, Eric 1972- Verfasser (DE-588)1017491399 aut Streaming music, streaming capital Eric Drott Durham ; London Duke University Press [2024] © 2024 xi, 343 Seiten Illustrationen 23 cm txt rdacontent n rdamedia nc rdacarrier Streaming Music -- Streaming Capital -- Music as a Technology of Surveillance -- Counterfeiting Attention in the Streaming Economy: Spam, Click Fraud, and Fake Artists -- Streaming, Cheap Music, and the Crises of Social Reproduction "In Streaming Music, Streaming Capital, Eric Drott examines the relationships between music, technology, economy, and culture within the ecosystem of online streaming. Attentive to the way the rise of online platforms has reordered how music is circulated and consumed, Drott offers a Marxist interrogation of capitalism and its relation to music consumption. Drawing on digital sources and economic ephemera as evidence, Drott puts forth an overview of streaming's role within the music industry as a commentary on platform economy and economic power. By interrogating the tensions between streaming's benefits and pitfalls, Drott's work highlights important socioeconomic issues in music's digital ascendency, from accessibility, distribution, and data collection, to musical value, labor, and artist treatment"-- Streaming Kommunikationstechnik (DE-588)4614855-3 gnd rswk-swf Musikwirtschaft (DE-588)4268614-3 gnd rswk-swf Music trade / Technological innovations Sound recording industry Streaming audio Music and the Internet Musique / Industrie / Innovations Enregistrements sonores / Industrie Audio en continu Musique et Internet MUSIC / Business Aspects SOCIAL SCIENCE / Media Studies Streaming Kommunikationstechnik (DE-588)4614855-3 s Musikwirtschaft (DE-588)4268614-3 s DE-604 Online version Drott, Eric, 1972- Streaming music, streaming capital Durham : Duke University Press, 2024 9781478027874 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034971279&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Drott, Eric 1972- Streaming music, streaming capital Streaming Music -- Streaming Capital -- Music as a Technology of Surveillance -- Counterfeiting Attention in the Streaming Economy: Spam, Click Fraud, and Fake Artists -- Streaming, Cheap Music, and the Crises of Social Reproduction Streaming Kommunikationstechnik (DE-588)4614855-3 gnd Musikwirtschaft (DE-588)4268614-3 gnd |
| subject_GND | (DE-588)4614855-3 (DE-588)4268614-3 |
| title | Streaming music, streaming capital |
| title_auth | Streaming music, streaming capital |
| title_exact_search | Streaming music, streaming capital |
| title_exact_search_txtP | Streaming music, streaming capital |
| title_full | Streaming music, streaming capital Eric Drott |
| title_fullStr | Streaming music, streaming capital Eric Drott |
| title_full_unstemmed | Streaming music, streaming capital Eric Drott |
| title_short | Streaming music, streaming capital |
| title_sort | streaming music streaming capital |
| topic | Streaming Kommunikationstechnik (DE-588)4614855-3 gnd Musikwirtschaft (DE-588)4268614-3 gnd |
| topic_facet | Streaming Kommunikationstechnik Musikwirtschaft |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034971279&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT drotteric streamingmusicstreamingcapital |