In 2018, artist Natacha Nisic attended the appeal trial in France of the two people responsible for the Tutsi genocide, Tito Barahira and Octavien Ngenzi, in the commune of Kabarondo, Rwanda. She drew and took notes during the sessions, capturing the exchanges, atmospheres, postures, behaviors, tens...

Ausführliche Beschreibung

Bibliographische Detailangaben

Hauptverfasser:	Nisic, Natacha 1967- (VerfasserIn), Dumas, Hélène 1981- (VerfasserIn)
Format:	Buch
Sprache:	French
Veröffentlicht:	[Grâne] Créaphis éditions [2023]
Schlagworte:	Nisic, Natacha > 1967- Internationaler Strafgerichtshof für Ruanda Völkermord in Ruanda > Motiv Gerichtszeichnung Bildband
Zusammenfassung:	In 2018, artist Natacha Nisic attended the appeal trial in France of the two people responsible for the Tutsi genocide, Tito Barahira and Octavien Ngenzi, in the commune of Kabarondo, Rwanda. She drew and took notes during the sessions, capturing the exchanges, atmospheres, postures, behaviors, tensions and emotions, and thus transmits them to us, with no pretensions to exhaustiveness or objectivity, in an operative incompleteness. As we move through these written images, we are in turn captured. This trial is crucial for what it raises in terms of history, justice and memory. Historian Hélène Dumas, who was also present at the trial and testified as an expert witness, gives us an insight into the issues at stake. Outside the courtroom, her own notes and the sources from the recordings take us on another journey. The notebooks, as if left in the courtroom, keep the memory alive in their souls and consciences. The continuous writing contained in these notebooks forms a work of art
Beschreibung:	580 Seiten Karte