The management of opera (1861-1918): Theatres of the Eastern Adriatic
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Abschlussarbeit Buch |
| Sprache: | German |
| Veröffentlicht: |
Köln
Böhlau
[2024]
|
| Ausgabe: | 1. Auflage |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 551 Seiten |
| ISBN: | 9783205216520 3205216520 |
Internformat
MARC
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| 100 | 1 | |a Scuderi, Cristina |e Verfasser |0 (DE-588)1071964062 |4 aut | |
| 245 | 1 | 0 | |a The management of opera (1861-1918) |b Theatres of the Eastern Adriatic |c Cristina Scuderi , translated from the Italian by Hugh Ward-Perkins |
| 264 | 1 | |a Köln |b Böhlau |c [2024] | |
| 264 | 4 | |c © 2024 | |
| 300 | |a 551 Seiten | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 502 | |b Habilitationsschrift |c Karl-Franzens-Universität Graz | ||
| 648 | 7 | |a Geschichte 1861-1918 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Management |0 (DE-588)4037278-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Oper |0 (DE-588)4043582-9 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Istrien |0 (DE-588)4027824-4 |2 gnd |9 rswk-swf | |
| 651 | 7 | |a Dalmatien |0 (DE-588)4070200-5 |2 gnd |9 rswk-swf | |
| 653 | |a Opera history | ||
| 653 | |a cultural management | ||
| 653 | |a Istria | ||
| 653 | |a Rijeka | ||
| 653 | |a Dalmatia | ||
| 653 | |a impresario | ||
| 653 | |a Eastern Adriatic | ||
| 653 | |a Habsburg era | ||
| 653 | |a working conditions | ||
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| 689 | 0 | 4 | |a Geschichte 1861-1918 |A z |
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| 700 | 1 | |a Ward-Perkins, Hugh |4 trl | |
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Datensatz im Suchindex
| _version_ | 1806595741929439232 |
|---|---|
| adam_text |
TABLE
OF
CONTENTS
ACKNOWLEDGEMENTS
.
11
ABBREVIATIONS
.
13
SOURCES
CONSULTED
.
15
INTRODUCTION
.
19
THEATRES
AND
THE
MANAGEMENT
OF
OPERA
IN
ISTRIA
AND
DALMATIA:
THE
PROJECT
.
.
19
STATE
OF
THE
ART,
ARCHIVAL
MATERIAL
AND
TYPES
OF
SOURCES
.
25
DIRECTIVES
OF
RESEARCH
.
33
1
SUBSIDISING
THE
OPERA
SEASONS
.
39
1.1
PRESENCE,
PROVENANCE
AND
AMOUNT
OF
THE
ENDOWMENT
.
39
1.2
THE
FUNDING
POSSIBILITIES
WITHOUT
AN
ENDOWMENT
.
48
1.3
THE
BOXHOLDERS:
IDENTITY
AND
ROLE
.
55
1.4
CENSUS
OF
THE
BOXHOLDERS
AT
THE
COASTAL
THEATRES
.
64
1.4.1
THE
BOXHOLDERS
OF
THE
THEATRE
OF
PULA
.
65
1.4.2
THE
BOXHOLDERS
OF
THE
TEATRO
ADAMICH
OF
RIJEKA
.
65
1.4.3
1H
E
BOXHOLDERS
OF
THE
TEATRO
NUOVO
OF
ZADAR
.
67
1.4.4
^
E
BOXHOLDERS
OF
THE
TEATRO
MAZZOLENI
OF
SIBENIK
.
70
1.4.5
THE
BOXHOLDERS
OF
THE
TEATRO
NUOVO
OF
SPLIT
.
76
2
THE
SEARCH
FOR
AN
IMPRESARIO
.
79
2.I
THE
RULES
OF
GAME:
THE
TENDER
SPECIFICATIONS
.
79
2.2
PROVENANCE
AND
IDENTITY
OF
THE
IMPRESARIOS
.
107
2.2.I
WOMEN
IMPRESARIOS
ON
THE
ADRIATIC
COAST
.
112
2.3
THE
THEATRICAL
AGENTS:
THEIR
STRATEGIES
OF
INTERMEDIATION
.
115
2.4
CENSUS
OF
THE
IMPRESARIOS
AND
AGENTS
IN
THE
EASTERN
ADRIATIC
.
128
3
PROPOSING
THE
OPERA
SEASON
.
171
3.1
THE
CONTRACT
PROPOSAL:
REQUESTS
AND
CONSTRAINTS
.
171
3.2
ASKING
FOR
REFERENCES
ON
IMPRESARIOS
AND
ARTISTS.
SOLVENCY
OF
THE
IMPRESARIOS
.
182
3.2.1
REFERENCES
REQUESTED
BY
THE
THEATRE
MANAGEMENTS
.
182
3.2.2
REFERENCES
PROPOSED
BY
THE
IMPRESARIO
.
187
3.3
THEATRE
NETWORK
OF
THE
EASTERN
ADRIATIC
.
190
4
CHOOSING
THE
IMPRESARIO
.
197
4.1
THE
CONTRACT
.
197
4.2
THE
LICENCE
TO
PERFORM
AND
CENSORSHIP
.
199
4.3
THE
OPERA
SEASONS
IN
PULA
.
211
4.3.1
CENSUS
OF
THE
OPERA
SEASONS
AT
THE
POLITEAMA
CISCUTTI
OF
PULA
221
4.4
THE
CONTRACTS
AND
OPERA
SEASONS
AT
RIJEKA
.
225
4.4.1
CESARE
TREVISAN
IN
RIJEKA
.227
4.4.2
MANGIAMELE,
UBALDI
AND
THE
INADEQUACY
OF
THE
ENDOWMENT
.
.
231
4.4.3
THE
1870S
AND
THE
NEW
THREE-YEAR
CONTRACT
.
235
4.4.4
THE
INAUGURATION
OF
THE
NEW
TEATRO
COMUNALE;
FAMOUS
NAMES
AT
RIJEKA
.
239
4.4.5
THE
ALPRON-BATTAGLIA
MANAGEMENT
AND
THE
WAR
YEARS
.
245
4.4.6
CENSUS
OF
THE
OPERA
SEASONS
AT
THE
TEATRO
CIVICO
ADAMICH
OF
RIJEKA,
THEN
TEATRO
COMUNALE,
THEN
TEATRO
VERDI
.
249
4.5
THE
CONTRACTS
AND
THE
SEASONS
AT
ZADAR
.
255
4.5.1
"
A
COMPANY
OF
DOGS
WILL
COME
TO
BARK
IN
THIS
THEATRE
"
:
SANTE
UTILI
AND
THE
RAZZANI
FIASCO
.
258
4.5.2
AIDA
ON
AND
OFF:
PAOLO
MASSIMINI
AND
THE
MISSED
SEASON
.
270
4.5.3
THE
SONZOGNO
YEARS
AND
THE
MANY
YEARS
OFTRAUNER
MANAGEMENT
.
277
4.5.4
CENSUS
OF
THE
OPERA
SEASONS
AT
THE
TEATRO
NUOVO
(LATER
TEATRO
VERDI)
OF
ZADAR
.
285
4.6
THE
CONTRACTS
AND
THE
SEASONS
AT
SIBENIK
.
289
4.6.1
"
COPPOLA
AND
UGONOTTI!
THAT
WAS
THE
FATAL
DECISION
"
:
THE
LAST
SEASON
OF
DOMENICO
VALENTI
.
293
4.6.2
ERNESTO
GUERRA
AT
SIBENIK:
IMPRESARIO,
DIRECTOR,
PROCURATOR,
PIANIST,
PEDAGOGUE
.
301
4.6.3
DO
IT
YOURSELF,
IF
YOU
WANT
IT
DONE
PROPERLY:
THE
SELF-ORGANISED
SEASONS
OF
THE
MAZZOLENIS
.304
4.6.4
LEON
DRAGUTINOVIC
AND
THE
CROATIAN
COMPANY
OF
THE
NATIONAL
THEATRE
OF
OSIJEK
.
318
4.6.5
CENSUS
OF
THE
OPERA
SEASONS
AT
SIBENIK
.
325
4.7
THE
CONTRACTS
AND
THE
SEASONS
AT
SPLIT
.
328
4.7.1
THE
DIRECTOR-IMPRESARIOS:
LADISLAV
CHMELENSKY,
JOHANN
PISTEK,
VENDELIN
BUDIL
AND
THE
ECLIPSE
OF
ITALIAN
OPERA
.
331
4.7.2
ITALIAN
IMPRESARIOS
IN
SPLIT
.
337
4.7.3
CENSUS
OF
THE
OPERA
SEASONS
AT
SPLIT
.
347
5
OPERA
REPERTOIRE
IN
THE
THEATRES
OF
THE
EASTERN
ADRIATIC
(1861-1918)
.
.
.
353
5.1
OPERA
TYPES
AND
REPERTOIRE
.
353
5.2
PRESENCE
AND
CIRCULATION
OF
LOCAL
COMPOSERS
IN
THE
OPERA
PROGRAMMING
.
373
5.3
THE
OPERA
BUFFA
REPERTOIRE
AND
THE
LILLIPUTIAN
COMPANIES
.
381
5.4
THE
INTEGRITY
OF
THE
SCORE?
.
385
6
MOVING
ARTISTS
AND
STAGE
MATERIALS
.
391
6.I
TRAVEL
AND
ACCOMMODATION
FOR
THE
ARTISTS
.
391
6.2
SCENERY,
COSTUMES,
FOOTWEAR,
PROPERTIES
.
396
6.3
THE
HIRING
OF
MUSICAL
MATERIAL
.
404
7
WORKING
CONDITIONS
OF
THE
ARTISTIC
STAFF
.
409
7.1
RECRUITMENT
OF
SINGERS
.409
7.2
CONTRACTS
WITH
SINGERS
.
413
7.3
THE
BENEFIT
NIGHTS
.432
7.3.1
GIFTS
TO
SINGERS
.
438
7.4
THE
CHORUS
SINGERS
.
442
7.5
THE
ORCHESTRAL
PLAYERS
.
451
8
CONCLUDING
NOTE
.
481
ARCHIVAL
SOURCES
(MANUSCRIPT,
TYPEWRITTEN
AND
PRINTED)
.
487
HISTORICAL
PERIODICALS
.
509
BIBLIOGRAPHY
.
515
SITOGRAPHY
.
527
INDEX
OF
NAMES
AND
AUTHORS
.
529 |
| adam_txt |
TABLE
OF
CONTENTS
ACKNOWLEDGEMENTS
.
11
ABBREVIATIONS
.
13
SOURCES
CONSULTED
.
15
INTRODUCTION
.
19
THEATRES
AND
THE
MANAGEMENT
OF
OPERA
IN
ISTRIA
AND
DALMATIA:
THE
PROJECT
.
.
19
STATE
OF
THE
ART,
ARCHIVAL
MATERIAL
AND
TYPES
OF
SOURCES
.
25
DIRECTIVES
OF
RESEARCH
.
33
1
SUBSIDISING
THE
OPERA
SEASONS
.
39
1.1
PRESENCE,
PROVENANCE
AND
AMOUNT
OF
THE
ENDOWMENT
.
39
1.2
THE
FUNDING
POSSIBILITIES
WITHOUT
AN
ENDOWMENT
.
48
1.3
THE
BOXHOLDERS:
IDENTITY
AND
ROLE
.
55
1.4
CENSUS
OF
THE
BOXHOLDERS
AT
THE
COASTAL
THEATRES
.
64
1.4.1
THE
BOXHOLDERS
OF
THE
THEATRE
OF
PULA
.
65
1.4.2
THE
BOXHOLDERS
OF
THE
TEATRO
ADAMICH
OF
RIJEKA
.
65
1.4.3
1H
E
BOXHOLDERS
OF
THE
TEATRO
NUOVO
OF
ZADAR
.
67
1.4.4
^
E
BOXHOLDERS
OF
THE
TEATRO
MAZZOLENI
OF
SIBENIK
.
70
1.4.5
THE
BOXHOLDERS
OF
THE
TEATRO
NUOVO
OF
SPLIT
.
76
2
THE
SEARCH
FOR
AN
IMPRESARIO
.
79
2.I
THE
RULES
OF
GAME:
THE
TENDER
SPECIFICATIONS
.
79
2.2
PROVENANCE
AND
IDENTITY
OF
THE
IMPRESARIOS
.
107
2.2.I
WOMEN
IMPRESARIOS
ON
THE
ADRIATIC
COAST
.
112
2.3
THE
THEATRICAL
AGENTS:
THEIR
STRATEGIES
OF
INTERMEDIATION
.
115
2.4
CENSUS
OF
THE
IMPRESARIOS
AND
AGENTS
IN
THE
EASTERN
ADRIATIC
.
128
3
PROPOSING
THE
OPERA
SEASON
.
171
3.1
THE
CONTRACT
PROPOSAL:
REQUESTS
AND
CONSTRAINTS
.
171
3.2
ASKING
FOR
REFERENCES
ON
IMPRESARIOS
AND
ARTISTS.
SOLVENCY
OF
THE
IMPRESARIOS
.
182
3.2.1
REFERENCES
REQUESTED
BY
THE
THEATRE
MANAGEMENTS
.
182
3.2.2
REFERENCES
PROPOSED
BY
THE
IMPRESARIO
.
187
3.3
THEATRE
NETWORK
OF
THE
EASTERN
ADRIATIC
.
190
4
CHOOSING
THE
IMPRESARIO
.
197
4.1
THE
CONTRACT
.
197
4.2
THE
LICENCE
TO
PERFORM
AND
CENSORSHIP
.
199
4.3
THE
OPERA
SEASONS
IN
PULA
.
211
4.3.1
CENSUS
OF
THE
OPERA
SEASONS
AT
THE
POLITEAMA
CISCUTTI
OF
PULA
221
4.4
THE
CONTRACTS
AND
OPERA
SEASONS
AT
RIJEKA
.
225
4.4.1
CESARE
TREVISAN
IN
RIJEKA
.227
4.4.2
MANGIAMELE,
UBALDI
AND
THE
INADEQUACY
OF
THE
ENDOWMENT
.
.
231
4.4.3
THE
1870S
AND
THE
NEW
THREE-YEAR
CONTRACT
.
235
4.4.4
THE
INAUGURATION
OF
THE
NEW
TEATRO
COMUNALE;
FAMOUS
NAMES
AT
RIJEKA
.
239
4.4.5
THE
ALPRON-BATTAGLIA
MANAGEMENT
AND
THE
WAR
YEARS
.
245
4.4.6
CENSUS
OF
THE
OPERA
SEASONS
AT
THE
TEATRO
CIVICO
ADAMICH
OF
RIJEKA,
THEN
TEATRO
COMUNALE,
THEN
TEATRO
VERDI
.
249
4.5
THE
CONTRACTS
AND
THE
SEASONS
AT
ZADAR
.
255
4.5.1
"
A
COMPANY
OF
DOGS
WILL
COME
TO
BARK
IN
THIS
THEATRE
"
:
SANTE
UTILI
AND
THE
RAZZANI
FIASCO
.
258
4.5.2
AIDA
ON
AND
OFF:
PAOLO
MASSIMINI
AND
THE
MISSED
SEASON
.
270
4.5.3
THE
SONZOGNO
YEARS
AND
THE
MANY
YEARS
OFTRAUNER
MANAGEMENT
.
277
4.5.4
CENSUS
OF
THE
OPERA
SEASONS
AT
THE
TEATRO
NUOVO
(LATER
TEATRO
VERDI)
OF
ZADAR
.
285
4.6
THE
CONTRACTS
AND
THE
SEASONS
AT
SIBENIK
.
289
4.6.1
"
COPPOLA
AND
UGONOTTI!
THAT
WAS
THE
FATAL
DECISION
"
:
THE
LAST
SEASON
OF
DOMENICO
VALENTI
.
293
4.6.2
ERNESTO
GUERRA
AT
SIBENIK:
IMPRESARIO,
DIRECTOR,
PROCURATOR,
PIANIST,
PEDAGOGUE
.
301
4.6.3
DO
IT
YOURSELF,
IF
YOU
WANT
IT
DONE
PROPERLY:
THE
SELF-ORGANISED
SEASONS
OF
THE
MAZZOLENIS
.304
4.6.4
LEON
DRAGUTINOVIC
AND
THE
CROATIAN
COMPANY
OF
THE
NATIONAL
THEATRE
OF
OSIJEK
.
318
4.6.5
CENSUS
OF
THE
OPERA
SEASONS
AT
SIBENIK
.
325
4.7
THE
CONTRACTS
AND
THE
SEASONS
AT
SPLIT
.
328
4.7.1
THE
DIRECTOR-IMPRESARIOS:
LADISLAV
CHMELENSKY,
JOHANN
PISTEK,
VENDELIN
BUDIL
AND
THE
ECLIPSE
OF
ITALIAN
OPERA
.
331
4.7.2
ITALIAN
IMPRESARIOS
IN
SPLIT
.
337
4.7.3
CENSUS
OF
THE
OPERA
SEASONS
AT
SPLIT
.
347
5
OPERA
REPERTOIRE
IN
THE
THEATRES
OF
THE
EASTERN
ADRIATIC
(1861-1918)
.
.
.
353
5.1
OPERA
TYPES
AND
REPERTOIRE
.
353
5.2
PRESENCE
AND
CIRCULATION
OF
LOCAL
COMPOSERS
IN
THE
OPERA
PROGRAMMING
.
373
5.3
THE
OPERA
BUFFA
REPERTOIRE
AND
THE
LILLIPUTIAN
COMPANIES
.
381
5.4
THE
INTEGRITY
OF
THE
SCORE?
.
385
6
MOVING
ARTISTS
AND
STAGE
MATERIALS
.
391
6.I
TRAVEL
AND
ACCOMMODATION
FOR
THE
ARTISTS
.
391
6.2
SCENERY,
COSTUMES,
FOOTWEAR,
PROPERTIES
.
396
6.3
THE
HIRING
OF
MUSICAL
MATERIAL
.
404
7
WORKING
CONDITIONS
OF
THE
ARTISTIC
STAFF
.
409
7.1
RECRUITMENT
OF
SINGERS
.409
7.2
CONTRACTS
WITH
SINGERS
.
413
7.3
THE
BENEFIT
NIGHTS
.432
7.3.1
GIFTS
TO
SINGERS
.
438
7.4
THE
CHORUS
SINGERS
.
442
7.5
THE
ORCHESTRAL
PLAYERS
.
451
8
CONCLUDING
NOTE
.
481
ARCHIVAL
SOURCES
(MANUSCRIPT,
TYPEWRITTEN
AND
PRINTED)
.
487
HISTORICAL
PERIODICALS
.
509
BIBLIOGRAPHY
.
515
SITOGRAPHY
.
527
INDEX
OF
NAMES
AND
AUTHORS
.
529 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Scuderi, Cristina |
| author2 | Ward-Perkins, Hugh |
| author2_role | trl |
| author2_variant | h w p hwp |
| author_GND | (DE-588)1071964062 |
| author_facet | Scuderi, Cristina Ward-Perkins, Hugh |
| author_role | aut |
| author_sort | Scuderi, Cristina |
| author_variant | c s cs |
| building | Verbundindex |
| bvnumber | BV049624092 |
| ctrlnum | (OCoLC)1428532837 (DE-599)DNB1281354163 |
| edition | 1. Auflage |
| era | Geschichte 1861-1918 gnd |
| era_facet | Geschichte 1861-1918 |
| format | Thesis Book |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| geographic | Istrien (DE-588)4027824-4 gnd Dalmatien (DE-588)4070200-5 gnd |
| geographic_facet | Istrien Dalmatien |
| id | DE-604.BV049624092 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T23:37:34Z |
| indexdate | 2024-08-06T00:25:59Z |
| institution | BVB |
| institution_GND | (DE-588)2005806-8 |
| isbn | 9783205216520 3205216520 |
| language | German |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034968064 |
| oclc_num | 1428532837 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 551 Seiten |
| psigel | BSB_NED_20240730 |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Böhlau |
| record_format | marc |
| spelling | Scuderi, Cristina Verfasser (DE-588)1071964062 aut The management of opera (1861-1918) Theatres of the Eastern Adriatic Cristina Scuderi , translated from the Italian by Hugh Ward-Perkins Köln Böhlau [2024] © 2024 551 Seiten txt rdacontent n rdamedia nc rdacarrier Habilitationsschrift Karl-Franzens-Universität Graz Geschichte 1861-1918 gnd rswk-swf Management (DE-588)4037278-9 gnd rswk-swf Oper (DE-588)4043582-9 gnd rswk-swf Istrien (DE-588)4027824-4 gnd rswk-swf Dalmatien (DE-588)4070200-5 gnd rswk-swf Opera history cultural management Istria Rijeka Dalmatia impresario Eastern Adriatic Habsburg era working conditions (DE-588)4113937-9 Hochschulschrift gnd-content Istrien (DE-588)4027824-4 g Dalmatien (DE-588)4070200-5 g Oper (DE-588)4043582-9 s Management (DE-588)4037278-9 s Geschichte 1861-1918 z DE-604 Ward-Perkins, Hugh trl Böhlau-Verlag (DE-588)2005806-8 pbl Erscheint auch als Online-Ausgabe 978-3-205-21653-7 DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034968064&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p vlb 20230218 DE-101 https://d-nb.info/provenance/plan#vlb |
| spellingShingle | Scuderi, Cristina The management of opera (1861-1918) Theatres of the Eastern Adriatic Management (DE-588)4037278-9 gnd Oper (DE-588)4043582-9 gnd |
| subject_GND | (DE-588)4037278-9 (DE-588)4043582-9 (DE-588)4027824-4 (DE-588)4070200-5 (DE-588)4113937-9 |
| title | The management of opera (1861-1918) Theatres of the Eastern Adriatic |
| title_auth | The management of opera (1861-1918) Theatres of the Eastern Adriatic |
| title_exact_search | The management of opera (1861-1918) Theatres of the Eastern Adriatic |
| title_exact_search_txtP | The Management of Opera Eastern Adriatic Theatres (1861-1918) |
| title_full | The management of opera (1861-1918) Theatres of the Eastern Adriatic Cristina Scuderi , translated from the Italian by Hugh Ward-Perkins |
| title_fullStr | The management of opera (1861-1918) Theatres of the Eastern Adriatic Cristina Scuderi , translated from the Italian by Hugh Ward-Perkins |
| title_full_unstemmed | The management of opera (1861-1918) Theatres of the Eastern Adriatic Cristina Scuderi , translated from the Italian by Hugh Ward-Perkins |
| title_short | The management of opera (1861-1918) |
| title_sort | the management of opera 1861 1918 theatres of the eastern adriatic |
| title_sub | Theatres of the Eastern Adriatic |
| topic | Management (DE-588)4037278-9 gnd Oper (DE-588)4043582-9 gnd |
| topic_facet | Management Oper Istrien Dalmatien Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034968064&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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