Wigs, hair and make-up: abackstage guide
Written by the Deputy Head of Make-Up and Wigs at the National Theatre, this book opens up a process that very few people will otherwise be privy to, giving perspectives on the preparation before a production and responsibilities during, as well as looking more widely at training, career opportuniti...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London
Methuen Drama
2023
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| Ausgabe: | 1st ed |
| Schriftenreihe: | National Theatre Backstage Guides
|
| Schlagworte: | |
| Online-Zugang: | HTW01 URL des Erstveröffentlichers |
| Zusammenfassung: | Written by the Deputy Head of Make-Up and Wigs at the National Theatre, this book opens up a process that very few people will otherwise be privy to, giving perspectives on the preparation before a production and responsibilities during, as well as looking more widely at training, career opportunities and success. It does so through drawing upon some of the most adventurous and challenging productions mounted at the National Theatre and elsewhere. From designing and fitting wigs to managing lighting-fast quick changes, hair, wigs and make-up people are a major part of the creation of any theatrical production. Yet their role and contribution are much less discussed and written about than elements such as writing, directing and acting, despite being critical to defining and executing the aesthetic of a production. Their involvement requires a great deal of research and creative thinking; collaboration with other members of the creative team; specific knowledge of wig-making and measuring, make-up design and application; and managing all of these elements during the course of the evening. Often required to cover all three elements (and sometimes more), the designer looking after hair, wigs and make-up needs to bring to the production multiple areas of expertise and is a core part of the creative team.. |
| Beschreibung: | 1 Online-Ressource (vii, 140 Seiten) |
| ISBN: | 9781350135901 9781350135888 9781350135895 |
| DOI: | 10.5040/9781350135901 |
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| index_date | 2024-07-03T23:37:07Z |
| indexdate | 2024-07-10T10:12:20Z |
| institution | BVB |
| isbn | 9781350135901 9781350135888 9781350135895 |
| language | English |
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| publisher | Methuen Drama |
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| spelling | Casey, Helen (DE-588)1287991149 aut Wigs, hair and make-up abackstage guide Helen Casey 1st ed London Methuen Drama 2023 London Bloomsbury Fashion Central 1 Online-Ressource (vii, 140 Seiten) txt rdacontent c rdamedia cr rdacarrier National Theatre Backstage Guides Written by the Deputy Head of Make-Up and Wigs at the National Theatre, this book opens up a process that very few people will otherwise be privy to, giving perspectives on the preparation before a production and responsibilities during, as well as looking more widely at training, career opportunities and success. It does so through drawing upon some of the most adventurous and challenging productions mounted at the National Theatre and elsewhere. From designing and fitting wigs to managing lighting-fast quick changes, hair, wigs and make-up people are a major part of the creation of any theatrical production. Yet their role and contribution are much less discussed and written about than elements such as writing, directing and acting, despite being critical to defining and executing the aesthetic of a production. Their involvement requires a great deal of research and creative thinking; collaboration with other members of the creative team; specific knowledge of wig-making and measuring, make-up design and application; and managing all of these elements during the course of the evening. Often required to cover all three elements (and sometimes more), the designer looking after hair, wigs and make-up needs to bring to the production multiple areas of expertise and is a core part of the creative team.. Theatre direction & production / bicssc Theatre: technical & background skills / bicssc Erscheint auch als Druck-Ausgabe, Paperback 978-1-3501-3587-1 https://doi.org/10.5040/9781350135901?locatt=label:secondary_bloomsburyFashionCentral Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Casey, Helen Wigs, hair and make-up abackstage guide Theatre direction & production / bicssc Theatre: technical & background skills / bicssc |
| title | Wigs, hair and make-up abackstage guide |
| title_auth | Wigs, hair and make-up abackstage guide |
| title_exact_search | Wigs, hair and make-up abackstage guide |
| title_exact_search_txtP | Wigs, hair and make-up abackstage guide |
| title_full | Wigs, hair and make-up abackstage guide Helen Casey |
| title_fullStr | Wigs, hair and make-up abackstage guide Helen Casey |
| title_full_unstemmed | Wigs, hair and make-up abackstage guide Helen Casey |
| title_short | Wigs, hair and make-up |
| title_sort | wigs hair and make up abackstage guide |
| title_sub | abackstage guide |
| topic | Theatre direction & production / bicssc Theatre: technical & background skills / bicssc |
| topic_facet | Theatre direction & production / bicssc Theatre: technical & background skills / bicssc |
| url | https://doi.org/10.5040/9781350135901?locatt=label:secondary_bloomsburyFashionCentral |
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