Blacksound: making race and popular music in the United States
"Blacksound explores the sonic history of blackface minstrelsy and the racial foundations of American musical culture from the early 1800s through the turn of the twentieth century. With this namesake book, Matthew D. Morrison develops the concept of "blacksound" to uncover how the po...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oakland, California
University of California Press
[2024]
|
| Schriftenreihe: | Roth Family Foundation imprint in music
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Blacksound explores the sonic history of blackface minstrelsy and the racial foundations of American musical culture from the early 1800s through the turn of the twentieth century. With this namesake book, Matthew D. Morrison develops the concept of "blacksound" to uncover how the popular music industry and popular entertainment in general in the United States took shape during slavery out of blackface. "Blacksound" as an idea is not the music or sounds produced by Black Americans but instead the material and fleeting remnants of their sounds and performances that have been co-opted and amalgamated into the making of popular music. Morrison unpacks the relationship between performance, racial identity, and intellectual property to reveal how blackface minstrelsy scripts became absorbed into commercial entertainment through an unequal system of intellectual property and copyright laws. By introducing this foundational new concept in musicology, Blacksound highlights what is politically at stake-and for whom-in revisiting the long history of American popular music"-- |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xviii, 304 Seiten 16 Illustrationen und Notenbeispiele, Porträt (des Verfassers auf dem Cover) 24 cm |
| ISBN: | 9780520390591 9780520390577 |
Internformat
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| 505 | 8 | |a Introduction : the origins of blacksound -- Slavery and blackface in the making of blacksound -- William Henry "Master Juba" Lane and Antebellum blacksound -- Stephen Foster and the composition of Americana -- The house that blackface built : M. Witmark & sons and the birth of Tin Pan Alley -- Intellectual (performance) property : ragtime goes pop -- Conclusion : blacksound and the legacies of blackface | |
| 520 | 3 | |a "Blacksound explores the sonic history of blackface minstrelsy and the racial foundations of American musical culture from the early 1800s through the turn of the twentieth century. With this namesake book, Matthew D. Morrison develops the concept of "blacksound" to uncover how the popular music industry and popular entertainment in general in the United States took shape during slavery out of blackface. "Blacksound" as an idea is not the music or sounds produced by Black Americans but instead the material and fleeting remnants of their sounds and performances that have been co-opted and amalgamated into the making of popular music. Morrison unpacks the relationship between performance, racial identity, and intellectual property to reveal how blackface minstrelsy scripts became absorbed into commercial entertainment through an unequal system of intellectual property and copyright laws. By introducing this foundational new concept in musicology, Blacksound highlights what is politically at stake-and for whom-in revisiting the long history of American popular music"-- | |
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Datensatz im Suchindex
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Contents List of Illustrations Author’s Note Acknowledgments ix xi xiii Introduction: The Origins of Blacksound i PART I. RACIAL IDENTITY AND POPULAR MUSIC IN EARLY BLACKFACE I. Slavery and Blackface in the Making of Blacksound 2. William Henry “Master Juba” Lane and Antebellum Blacksound 3. Stephen Foster and the Composition of Americana 23 65 100 PART II. THE BIRTH OF THE POPULAR MUSIC INDUSTRY 4. The House That Blackface Built: Μ. Witmark Sons and the Birth of Tin Pan Alley 5. Intellectual (Performance) Property: RagtimeGoes Pop 129 161 Conclusion: Blacksound and the Legaciesof Blackface 199 Notes Bibliography Index 207 269 289 |
| adam_txt | |
| any_adam_object | 1 |
| any_adam_object_boolean | |
| author | Morrison, Matthew D. 1981- |
| author_GND | (DE-588)1202853005 |
| author_facet | Morrison, Matthew D. 1981- |
| author_role | aut |
| author_sort | Morrison, Matthew D. 1981- |
| author_variant | m d m md mdm |
| building | Verbundindex |
| bvnumber | BV049607474 |
| contents | Introduction : the origins of blacksound -- Slavery and blackface in the making of blacksound -- William Henry "Master Juba" Lane and Antebellum blacksound -- Stephen Foster and the composition of Americana -- The house that blackface built : M. Witmark & sons and the birth of Tin Pan Alley -- Intellectual (performance) property : ragtime goes pop -- Conclusion : blacksound and the legacies of blackface |
| ctrlnum | (OCoLC)1424911447 (DE-599)BVBBV049607474 |
| dewey-full | 780.8996073 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.8996073 |
| dewey-search | 780.8996073 |
| dewey-sort | 3780.8996073 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Book |
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| illustrated | Illustrated |
| index_date | 2024-07-03T23:35:42Z |
| indexdate | 2024-09-04T00:10:49Z |
| institution | BVB |
| isbn | 9780520390591 9780520390577 |
| language | English |
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| physical | xviii, 304 Seiten 16 Illustrationen und Notenbeispiele, Porträt (des Verfassers auf dem Cover) 24 cm |
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| spelling | Morrison, Matthew D. 1981- Verfasser (DE-588)1202853005 aut Blacksound making race and popular music in the United States Matthew D. Morrison Black sound Oakland, California University of California Press [2024] © 2024 xviii, 304 Seiten 16 Illustrationen und Notenbeispiele, Porträt (des Verfassers auf dem Cover) 24 cm txt rdacontent n rdamedia nc rdacarrier Roth Family Foundation imprint in music Includes bibliographical references and index Introduction : the origins of blacksound -- Slavery and blackface in the making of blacksound -- William Henry "Master Juba" Lane and Antebellum blacksound -- Stephen Foster and the composition of Americana -- The house that blackface built : M. Witmark & sons and the birth of Tin Pan Alley -- Intellectual (performance) property : ragtime goes pop -- Conclusion : blacksound and the legacies of blackface "Blacksound explores the sonic history of blackface minstrelsy and the racial foundations of American musical culture from the early 1800s through the turn of the twentieth century. With this namesake book, Matthew D. Morrison develops the concept of "blacksound" to uncover how the popular music industry and popular entertainment in general in the United States took shape during slavery out of blackface. "Blacksound" as an idea is not the music or sounds produced by Black Americans but instead the material and fleeting remnants of their sounds and performances that have been co-opted and amalgamated into the making of popular music. Morrison unpacks the relationship between performance, racial identity, and intellectual property to reveal how blackface minstrelsy scripts became absorbed into commercial entertainment through an unequal system of intellectual property and copyright laws. By introducing this foundational new concept in musicology, Blacksound highlights what is politically at stake-and for whom-in revisiting the long history of American popular music"-- Musiksoziologie (DE-588)4040869-3 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf Popmusik (DE-588)4046781-8 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Minstrel music / United States / History and criticism Minstrel shows / United States Popular music / United States / History and criticism African American musicians / Race identity / United States African American musicians / Social conditions Musique de ménestrels (Théâtre américain) / États-Unis / Histoire et critique Spectacles de ménestrels (Théâtre américain) / États-Unis Musique populaire / États-Unis / Histoire et critique Musiciens noirs américains / Conditions sociales Minstrel music Minstrel shows Popular music United States Criticism, interpretation, etc USA (DE-588)4078704-7 g Popmusik (DE-588)4046781-8 s Schwarze (DE-588)4116433-7 s Musiksoziologie (DE-588)4040869-3 s DE-604 Erscheint auch als Online-Ausgabe Morrison, Matthew D., 1981- Blacksound Oakland, California : University of California Press, [2024] 978-0-520-39060-7 (DE-604)BV049638196 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034951752&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Morrison, Matthew D. 1981- Blacksound making race and popular music in the United States Introduction : the origins of blacksound -- Slavery and blackface in the making of blacksound -- William Henry "Master Juba" Lane and Antebellum blacksound -- Stephen Foster and the composition of Americana -- The house that blackface built : M. Witmark & sons and the birth of Tin Pan Alley -- Intellectual (performance) property : ragtime goes pop -- Conclusion : blacksound and the legacies of blackface Musiksoziologie (DE-588)4040869-3 gnd Schwarze (DE-588)4116433-7 gnd Popmusik (DE-588)4046781-8 gnd |
| subject_GND | (DE-588)4040869-3 (DE-588)4116433-7 (DE-588)4046781-8 (DE-588)4078704-7 |
| title | Blacksound making race and popular music in the United States |
| title_alt | Black sound |
| title_auth | Blacksound making race and popular music in the United States |
| title_exact_search | Blacksound making race and popular music in the United States |
| title_exact_search_txtP | Blacksound making race and popular music in the United States |
| title_full | Blacksound making race and popular music in the United States Matthew D. Morrison |
| title_fullStr | Blacksound making race and popular music in the United States Matthew D. Morrison |
| title_full_unstemmed | Blacksound making race and popular music in the United States Matthew D. Morrison |
| title_short | Blacksound |
| title_sort | blacksound making race and popular music in the united states |
| title_sub | making race and popular music in the United States |
| topic | Musiksoziologie (DE-588)4040869-3 gnd Schwarze (DE-588)4116433-7 gnd Popmusik (DE-588)4046781-8 gnd |
| topic_facet | Musiksoziologie Schwarze Popmusik USA |
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