Studies on authorship in historical keyboard music:
"Authorship is a prescient issue for historical musicology and musicians more widely, while some controversies concerned with major figures have even reached wider consciousness. Scholars have clarified some of the issues at stake in recent decades, such as the places of borrowing and arranging...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
[2024]
|
| Schriftenreihe: | Ashgate historical keyboard series
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Authorship is a prescient issue for historical musicology and musicians more widely, while some controversies concerned with major figures have even reached wider consciousness. Scholars have clarified some of the issues at stake in recent decades, such as the places of borrowing and arranging in the creative process and the wider cultural significance of these practices. The discovery of new sources and methodologies has also opened up opportunities for reassessing specific authorship problems. Drawing upon this wider musicological literature as well as insights from other disciplines, such as intellectual history and book history, this book aims to build on what has already been achieved by focusing on keyboard music. The nine chapters cover case studies of authorship problems, the socioeconomic conditions of music publishing, the contributions of composers, arrangers, copyists and music publishers in creating notated keyboard compositions, the functions of attribution and ascription, and how the contexts in which notated pieces were used affected concepts of authorship at different times and places"-- |
| Beschreibung: | xiv, 205 Seiten Illustrationen, Diagramme, Faksimiles, Notenbeispiele 25 cm |
| ISBN: | 9781032168111 |
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| 505 | 8 | |a Conrad Paumann's Fundamentum? : new light on authorship in fifteenth- and sixteenth-century instrumental music / August Rabe -- Authorship in sixteenth-century Italian printed keyboard music / Cristina Cassia -- Authorship and identity in early English keyboard music / David J. Smith -- Authorship and improvisation in sixteenth- and seventeenth-century keyboard music / Andrew Woolley -- Chronology, style and attribution in the early keyboard suites of J. S. Bach / Francis Knights, Pablo Padilla and Mateo Rodriguez -- The authorship of BWV 565 : disputing former methodologies and assessing the evidence of five new manuscript sources / John Scott Whiteley -- 'Es fällt kein Meister vom Himmel' : W. F. Bach's juvenilia and the methods of creative imitation / Matthew J. Hall -- Many hands make light work : 'Nel cor più non mi sento' and multiple layers of authorship at the keyboard / Penelope Cave and Katrina Faulds -- Authorship and authenticity in John and William Crotch's Original Airs (1803) / Alice Little | |
| 520 | 3 | |a "Authorship is a prescient issue for historical musicology and musicians more widely, while some controversies concerned with major figures have even reached wider consciousness. Scholars have clarified some of the issues at stake in recent decades, such as the places of borrowing and arranging in the creative process and the wider cultural significance of these practices. The discovery of new sources and methodologies has also opened up opportunities for reassessing specific authorship problems. Drawing upon this wider musicological literature as well as insights from other disciplines, such as intellectual history and book history, this book aims to build on what has already been achieved by focusing on keyboard music. The nine chapters cover case studies of authorship problems, the socioeconomic conditions of music publishing, the contributions of composers, arrangers, copyists and music publishers in creating notated keyboard compositions, the functions of attribution and ascription, and how the contexts in which notated pieces were used affected concepts of authorship at different times and places"-- | |
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Datensatz im Suchindex
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| adam_text |
Contents List of figures List of tables List of music examples List of contributors List of abbreviations Manuscript (RISM) Sigla vii viii ix xi xiii xv Introduction 1 ANDREW WOOLLEY 1 Conrad Paumann’s fundamentum? New light on authorship in fifteenth- and sixteenth-century instrumental music 8 AUGUST VALENTIN RABE 2 Authorship in sixteenth-century Italian printed keyboard music 32 CRISTINA CASSIA 3 Authorship and identity in early English keyboard music 57 DAVID J. SMITH 4 Authorship and improvisation in sixteenth- and seventeenth century keyboard music 82 ANDREW WOOLLEY 5 Chronology, style and attribution in the early keyboard suites of J. S. Bach FRANCIS KNIGHTS, PABLO PADILLA AND MATEO RODRIGUEZ 106
vi Contents 6 The authorship of BWV 565: Disputing former methodologies and assessing the evidence of five new manuscript sources 123 JOHN SCOTT WHITELEY 7 ‘Es fällt kein Meister vom Himmel’: W. E Bach’s juvenilia and the methods of creative imitation 147 MATTHEW J. HALL 8 Many hands make light work: ‘Nel cor più non mi sento’ and multiple layers of authorship at the keyboard 167 PENELOPE CAVE AND KATRINA FAULDS 9 Authorship and authenticity in John and William Crotch’s Original Airs (1803) 189 ALICE LITTLE Index 201 |
| adam_txt |
Contents List of figures List of tables List of music examples List of contributors List of abbreviations Manuscript (RISM) Sigla vii viii ix xi xiii xv Introduction 1 ANDREW WOOLLEY 1 Conrad Paumann’s fundamentum? New light on authorship in fifteenth- and sixteenth-century instrumental music 8 AUGUST VALENTIN RABE 2 Authorship in sixteenth-century Italian printed keyboard music 32 CRISTINA CASSIA 3 Authorship and identity in early English keyboard music 57 DAVID J. SMITH 4 Authorship and improvisation in sixteenth- and seventeenth century keyboard music 82 ANDREW WOOLLEY 5 Chronology, style and attribution in the early keyboard suites of J. S. Bach FRANCIS KNIGHTS, PABLO PADILLA AND MATEO RODRIGUEZ 106
vi Contents 6 The authorship of BWV 565: Disputing former methodologies and assessing the evidence of five new manuscript sources 123 JOHN SCOTT WHITELEY 7 ‘Es fällt kein Meister vom Himmel’: W. E Bach’s juvenilia and the methods of creative imitation 147 MATTHEW J. HALL 8 Many hands make light work: ‘Nel cor più non mi sento’ and multiple layers of authorship at the keyboard 167 PENELOPE CAVE AND KATRINA FAULDS 9 Authorship and authenticity in John and William Crotch’s Original Airs (1803) 189 ALICE LITTLE Index 201 |
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| contents | Conrad Paumann's Fundamentum? : new light on authorship in fifteenth- and sixteenth-century instrumental music / August Rabe -- Authorship in sixteenth-century Italian printed keyboard music / Cristina Cassia -- Authorship and identity in early English keyboard music / David J. Smith -- Authorship and improvisation in sixteenth- and seventeenth-century keyboard music / Andrew Woolley -- Chronology, style and attribution in the early keyboard suites of J. S. Bach / Francis Knights, Pablo Padilla and Mateo Rodriguez -- The authorship of BWV 565 : disputing former methodologies and assessing the evidence of five new manuscript sources / John Scott Whiteley -- 'Es fällt kein Meister vom Himmel' : W. F. Bach's juvenilia and the methods of creative imitation / Matthew J. Hall -- Many hands make light work : 'Nel cor più non mi sento' and multiple layers of authorship at the keyboard / Penelope Cave and Katrina Faulds -- Authorship and authenticity in John and William Crotch's Original Airs (1803) / Alice Little |
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| spelling | Studies on authorship in historical keyboard music edited by Andrew Woolley ; contributors: Cristina Cassia [und zahlreiche weitere] London ; New York Routledge [2024] xiv, 205 Seiten Illustrationen, Diagramme, Faksimiles, Notenbeispiele 25 cm txt rdacontent n rdamedia nc rdacarrier Ashgate historical keyboard series Conrad Paumann's Fundamentum? : new light on authorship in fifteenth- and sixteenth-century instrumental music / August Rabe -- Authorship in sixteenth-century Italian printed keyboard music / Cristina Cassia -- Authorship and identity in early English keyboard music / David J. Smith -- Authorship and improvisation in sixteenth- and seventeenth-century keyboard music / Andrew Woolley -- Chronology, style and attribution in the early keyboard suites of J. S. Bach / Francis Knights, Pablo Padilla and Mateo Rodriguez -- The authorship of BWV 565 : disputing former methodologies and assessing the evidence of five new manuscript sources / John Scott Whiteley -- 'Es fällt kein Meister vom Himmel' : W. F. Bach's juvenilia and the methods of creative imitation / Matthew J. Hall -- Many hands make light work : 'Nel cor più non mi sento' and multiple layers of authorship at the keyboard / Penelope Cave and Katrina Faulds -- Authorship and authenticity in John and William Crotch's Original Airs (1803) / Alice Little "Authorship is a prescient issue for historical musicology and musicians more widely, while some controversies concerned with major figures have even reached wider consciousness. Scholars have clarified some of the issues at stake in recent decades, such as the places of borrowing and arranging in the creative process and the wider cultural significance of these practices. The discovery of new sources and methodologies has also opened up opportunities for reassessing specific authorship problems. Drawing upon this wider musicological literature as well as insights from other disciplines, such as intellectual history and book history, this book aims to build on what has already been achieved by focusing on keyboard music. The nine chapters cover case studies of authorship problems, the socioeconomic conditions of music publishing, the contributions of composers, arrangers, copyists and music publishers in creating notated keyboard compositions, the functions of attribution and ascription, and how the contexts in which notated pieces were used affected concepts of authorship at different times and places"-- Geschichte 1430-1803 gnd rswk-swf Autorschaft (DE-588)4130545-0 gnd rswk-swf Tasteninstrumentenmusik (DE-588)4462339-2 gnd rswk-swf Keyboard instrument music / History and criticism Music / Attribution Instrument à clavier, Musique d' / Histoire et critique Musique / Attribution Keyboard instrument music Criticism, interpretation, etc (DE-588)4143413-4 Aufsatzsammlung gnd-content Tasteninstrumentenmusik (DE-588)4462339-2 s Autorschaft (DE-588)4130545-0 s Geschichte 1430-1803 z DE-604 Woolley, Andrew (DE-588)1035442086 edt Cassia, Cristina 1978- (DE-588)1076612172 aut Äquivalent Druck-Ausgabe, Paperback 978-1-032-16814-2 Erscheint auch als Online-Ausgabe 978-1-003-25039-5 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034948874&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Cassia, Cristina 1978- Studies on authorship in historical keyboard music Conrad Paumann's Fundamentum? : new light on authorship in fifteenth- and sixteenth-century instrumental music / August Rabe -- Authorship in sixteenth-century Italian printed keyboard music / Cristina Cassia -- Authorship and identity in early English keyboard music / David J. Smith -- Authorship and improvisation in sixteenth- and seventeenth-century keyboard music / Andrew Woolley -- Chronology, style and attribution in the early keyboard suites of J. S. Bach / Francis Knights, Pablo Padilla and Mateo Rodriguez -- The authorship of BWV 565 : disputing former methodologies and assessing the evidence of five new manuscript sources / John Scott Whiteley -- 'Es fällt kein Meister vom Himmel' : W. F. Bach's juvenilia and the methods of creative imitation / Matthew J. Hall -- Many hands make light work : 'Nel cor più non mi sento' and multiple layers of authorship at the keyboard / Penelope Cave and Katrina Faulds -- Authorship and authenticity in John and William Crotch's Original Airs (1803) / Alice Little Autorschaft (DE-588)4130545-0 gnd Tasteninstrumentenmusik (DE-588)4462339-2 gnd |
| subject_GND | (DE-588)4130545-0 (DE-588)4462339-2 (DE-588)4143413-4 |
| title | Studies on authorship in historical keyboard music |
| title_auth | Studies on authorship in historical keyboard music |
| title_exact_search | Studies on authorship in historical keyboard music |
| title_exact_search_txtP | Studies on authorship in historical keyboard music |
| title_full | Studies on authorship in historical keyboard music edited by Andrew Woolley ; contributors: Cristina Cassia [und zahlreiche weitere] |
| title_fullStr | Studies on authorship in historical keyboard music edited by Andrew Woolley ; contributors: Cristina Cassia [und zahlreiche weitere] |
| title_full_unstemmed | Studies on authorship in historical keyboard music edited by Andrew Woolley ; contributors: Cristina Cassia [und zahlreiche weitere] |
| title_short | Studies on authorship in historical keyboard music |
| title_sort | studies on authorship in historical keyboard music |
| topic | Autorschaft (DE-588)4130545-0 gnd Tasteninstrumentenmusik (DE-588)4462339-2 gnd |
| topic_facet | Autorschaft Tasteninstrumentenmusik Aufsatzsammlung |
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