Dance practices as research: approaches to the safeguarding and transmission of the intangible cultural heritage of dance
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cham, Switzerland
Springer
[2023]
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| Schriftenreihe: | Heritage studies
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xxiii, 155 Seiten Illustrationen |
| ISBN: | 9783031305801 9783031305832 |
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Datensatz im Suchindex
| _version_ | 1805086482333958144 |
|---|---|
| adam_text |
Contents 1 The Cultural Heritage of Dance and Research Practice. 1 Insights into Intangible Heritage and Research Methods. 1.1.1 Intangible Heritage - Developing a Vision as Concept and Convention. 1.1.2 Cultural Forms of Expression-Constitutive and Performative. 1.1.3 Performative Methods - Empractical Processes and Practice as Research. 1.2 Intangible Cultural Heritage and Dance Practice in the German Context. 1.2.1 Inscription Process for Modern Expressive Dance. 1.2.2 Transmission and Further Development of Dance Heritage in the Present. 1.3 Case Study on the Intangible Cultural Heritage of Tango. 1.3.1 Theory of Practice. 1.3.2 Power of Practice. References. 1 1.1 2 The Intangible in the Context of Performative Situations. 2.1 Perspectives on the Intangible. 2.1.1 The Intangible in the Terms of the UNESCO Convention.
2.1.2 The Intangible as Implicit Knowledge and Performative Process. 2.1.3 The Intangible in the Perspective of the Performative. 2.2 Dance Practices and the Designation as Intangible. 2.2.1 Symbolic Value of Dance Practices. 2.2.2 Attributes Assigned to the Intangible: Ephemeralily and Presence. 52 2.2.3 Snapshot Dance. 1 7 15 22 25 27 31 32 33 40 43 43 43 45 49 51 51 54
XX Contents 2.3 Movement Material in Performative Processes of Becoming. 2.3.1 Materiality and Mediality . 2.3.2 Materiality of the Intangible. References. 55 55 57 59 3 Performative Doing as a Living Archive of Cultural Practices. 3.1 Movement as Value and Knowledge Order of the Intangible. 3.1.1 A Moved and Moving Research Discourse. 3.1.2 Functional Modes of Movement Practices. 3.2 Archiving Incorporated Knowledge. 3.2.1 Archiving Concepts. 3.2.2 Notation Systems for Dance Movements. 3.2.3 Dance Literacy. 3.3 On the Value of Dance Heritage in the Present: Modern Expressive Forms and Contemporary Ways of Working. 88 References. 61 61 62 67 69 70 74 84 4 Performative Methods as an Approach to Dance Practice. 4.1 Dance Knowledge - Danced Knowledge. 4.1.1 Concepts Related to Dance Practice. 4.1.2 Importance of Dance Practices in the Social Context. 4.2 Approaches to Dance
Practice. 4.2.1 (In)tangible Implications of Dance Moments. 4.2.2 Physical-Aesthetic Qualities in Dance. 4.2.3 Dancing as Thinking Space. 4.3 Safeguarding and Transmission of Dance Knowledge. 4.3.1 Knowledge Within the Performative. 4.3.2 Concepts for Archiving the Performative. References. 95 96 96 100 108 109 112 114 116 116 118 124 5 The Living Heritage of Dance: Dance Archives in Practice. 127 5.1 Dance Archives as an Approach to Dance Practices - Performative and Empractical. 127 5.2 The Performative Dance Archive - Research in Practice. 129 5.2.1 Theoretical Perspectives of Access. 129 5.2.2 Empractical Experience. 130 5.2.3 Reconstruction Work. 13! 5.2.4 Movement Analysis According to Laban. 133 5.2.5 Research in Practice and Artistic Research. 136 5.2.6 Choreographic Work. 138 5.2.7 Reflection Matrix for the Empractical Approach. 141 5.3 (Un)Critical Aspects in Terms of the Scientific
Nature of the Approach. 142 References. 144 92
Contents 6 хм 145 Arguments for a Living Heritage of Dance. 145 The Oxymoron of the Intangible or What to Do with the Dance Heritage?. 149 References. 151 Conclusion: Perspectives for the Living Heritage of Dance. 6.1 6.2
Heritage Studies Series Editor: Marie-Theres Albert Vicky Kämpfe Dance Practices as Research Approaches to the Safeguarding and Transmission of the Intangible Cultural Heritage of Dance This book contributes to the growing scientific literature on ‘intangible cultural heritage’ - determined by UNESCO to be particularly worthy of safeguarding and transmission - by advancing a theoretical-analytical framework for the (in)tangible cultural heritage of dance. By exploring the potential of the ‘intangible materiality’ of dance practice the book argues that implementing the concept of a ‘performative dance-archive’ creates a new analytic field: research in praxis. The concept of the ‘performative dance-archive’ draws out the potential for safeguarding and transmission of dance heritage, but also the challenges of the opposition between living heritage and the codifying of cultural inventories. This book uses the formal and contextual transformation of Argentine tango and German modern dance to discuss this ambiguity of intangible heritage and how the “performative dance-archive” creates a cognitive, empractical approach to determine, archive, and distribute dance knowledge. This is a timely methodological intervention in the context of the increasing importance of the intangible cultural heritage. It enables us to re-revise the concept of (im)materiality and the specific knowledges within cultural practice as a necessary fundamental category for research-processes and societal growth. This book is directed both to researchers in the field of intangible cultural heritage and to
practitioners and researchers searching for new ways of investigating methods and perspectives to understand 'immaterial materialities'. |
| adam_txt |
Contents 1 The Cultural Heritage of Dance and Research Practice. 1 Insights into Intangible Heritage and Research Methods. 1.1.1 Intangible Heritage - Developing a Vision as Concept and Convention. 1.1.2 Cultural Forms of Expression-Constitutive and Performative. 1.1.3 Performative Methods - Empractical Processes and Practice as Research. 1.2 Intangible Cultural Heritage and Dance Practice in the German Context. 1.2.1 Inscription Process for Modern Expressive Dance. 1.2.2 Transmission and Further Development of Dance Heritage in the Present. 1.3 Case Study on the Intangible Cultural Heritage of Tango. 1.3.1 Theory of Practice. 1.3.2 Power of Practice. References. 1 1.1 2 The Intangible in the Context of Performative Situations. 2.1 Perspectives on the Intangible. 2.1.1 The Intangible in the Terms of the UNESCO Convention.
2.1.2 The Intangible as Implicit Knowledge and Performative Process. 2.1.3 The Intangible in the Perspective of the Performative. 2.2 Dance Practices and the Designation as Intangible. 2.2.1 Symbolic Value of Dance Practices. 2.2.2 Attributes Assigned to the Intangible: Ephemeralily and Presence. 52 2.2.3 Snapshot Dance. 1 7 15 22 25 27 31 32 33 40 43 43 43 45 49 51 51 54
XX Contents 2.3 Movement Material in Performative Processes of Becoming. 2.3.1 Materiality and Mediality . 2.3.2 Materiality of the Intangible. References. 55 55 57 59 3 Performative Doing as a Living Archive of Cultural Practices. 3.1 Movement as Value and Knowledge Order of the Intangible. 3.1.1 A Moved and Moving Research Discourse. 3.1.2 Functional Modes of Movement Practices. 3.2 Archiving Incorporated Knowledge. 3.2.1 Archiving Concepts. 3.2.2 Notation Systems for Dance Movements. 3.2.3 Dance Literacy. 3.3 On the Value of Dance Heritage in the Present: Modern Expressive Forms and Contemporary Ways of Working. 88 References. 61 61 62 67 69 70 74 84 4 Performative Methods as an Approach to Dance Practice. 4.1 Dance Knowledge - Danced Knowledge. 4.1.1 Concepts Related to Dance Practice. 4.1.2 Importance of Dance Practices in the Social Context. 4.2 Approaches to Dance
Practice. 4.2.1 (In)tangible Implications of Dance Moments. 4.2.2 Physical-Aesthetic Qualities in Dance. 4.2.3 Dancing as Thinking Space. 4.3 Safeguarding and Transmission of Dance Knowledge. 4.3.1 Knowledge Within the Performative. 4.3.2 Concepts for Archiving the Performative. References. 95 96 96 100 108 109 112 114 116 116 118 124 5 The Living Heritage of Dance: Dance Archives in Practice. 127 5.1 Dance Archives as an Approach to Dance Practices - Performative and Empractical. 127 5.2 The Performative Dance Archive - Research in Practice. 129 5.2.1 Theoretical Perspectives of Access. 129 5.2.2 Empractical Experience. 130 5.2.3 Reconstruction Work. 13! 5.2.4 Movement Analysis According to Laban. 133 5.2.5 Research in Practice and Artistic Research. 136 5.2.6 Choreographic Work. 138 5.2.7 Reflection Matrix for the Empractical Approach. 141 5.3 (Un)Critical Aspects in Terms of the Scientific
Nature of the Approach. 142 References. 144 92
Contents 6 хм 145 Arguments for a Living Heritage of Dance. 145 The Oxymoron of the Intangible or What to Do with the Dance Heritage?. 149 References. 151 Conclusion: Perspectives for the Living Heritage of Dance. 6.1 6.2
Heritage Studies Series Editor: Marie-Theres Albert Vicky Kämpfe Dance Practices as Research Approaches to the Safeguarding and Transmission of the Intangible Cultural Heritage of Dance This book contributes to the growing scientific literature on ‘intangible cultural heritage’ - determined by UNESCO to be particularly worthy of safeguarding and transmission - by advancing a theoretical-analytical framework for the (in)tangible cultural heritage of dance. By exploring the potential of the ‘intangible materiality’ of dance practice the book argues that implementing the concept of a ‘performative dance-archive’ creates a new analytic field: research in praxis. The concept of the ‘performative dance-archive’ draws out the potential for safeguarding and transmission of dance heritage, but also the challenges of the opposition between living heritage and the codifying of cultural inventories. This book uses the formal and contextual transformation of Argentine tango and German modern dance to discuss this ambiguity of intangible heritage and how the “performative dance-archive” creates a cognitive, empractical approach to determine, archive, and distribute dance knowledge. This is a timely methodological intervention in the context of the increasing importance of the intangible cultural heritage. It enables us to re-revise the concept of (im)materiality and the specific knowledges within cultural practice as a necessary fundamental category for research-processes and societal growth. This book is directed both to researchers in the field of intangible cultural heritage and to
practitioners and researchers searching for new ways of investigating methods and perspectives to understand 'immaterial materialities'. |
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| spelling | Kämpfe, Vicky Verfasser (DE-588)134228790 aut Dance practices as research approaches to the safeguarding and transmission of the intangible cultural heritage of dance Vicky Kämpfe Cham, Switzerland Springer [2023] xxiii, 155 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Heritage studies Darstellende Kunst (DE-588)4129566-3 gnd rswk-swf Tanz (DE-588)4059028-8 gnd rswk-swf Kulturgut (DE-588)4139819-1 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Kulturgut (DE-588)4139819-1 s Tanz (DE-588)4059028-8 s Darstellende Kunst (DE-588)4129566-3 s Theater (DE-588)4059702-7 s DE-604 Erscheint auch als Online-Ausgabe 978-3-031-30581-8 (DE-604)BV048982719 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034947155&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034947155&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Kämpfe, Vicky Dance practices as research approaches to the safeguarding and transmission of the intangible cultural heritage of dance Darstellende Kunst (DE-588)4129566-3 gnd Tanz (DE-588)4059028-8 gnd Kulturgut (DE-588)4139819-1 gnd Theater (DE-588)4059702-7 gnd |
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| title | Dance practices as research approaches to the safeguarding and transmission of the intangible cultural heritage of dance |
| title_auth | Dance practices as research approaches to the safeguarding and transmission of the intangible cultural heritage of dance |
| title_exact_search | Dance practices as research approaches to the safeguarding and transmission of the intangible cultural heritage of dance |
| title_exact_search_txtP | Dance practices as research approaches to the safeguarding and transmission of the intangible cultural heritage of dance |
| title_full | Dance practices as research approaches to the safeguarding and transmission of the intangible cultural heritage of dance Vicky Kämpfe |
| title_fullStr | Dance practices as research approaches to the safeguarding and transmission of the intangible cultural heritage of dance Vicky Kämpfe |
| title_full_unstemmed | Dance practices as research approaches to the safeguarding and transmission of the intangible cultural heritage of dance Vicky Kämpfe |
| title_short | Dance practices as research |
| title_sort | dance practices as research approaches to the safeguarding and transmission of the intangible cultural heritage of dance |
| title_sub | approaches to the safeguarding and transmission of the intangible cultural heritage of dance |
| topic | Darstellende Kunst (DE-588)4129566-3 gnd Tanz (DE-588)4059028-8 gnd Kulturgut (DE-588)4139819-1 gnd Theater (DE-588)4059702-7 gnd |
| topic_facet | Darstellende Kunst Tanz Kulturgut Theater |
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