An ontology of multiple artworks:
David Davies examines the ontology of multiple artworks, such as books and musical performances. He argues against a theory of multiple works as 'types' that are independent of creative and appreciative acts, instead defending a view on which they are performances essentially embedded in a...
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Oxford ; New York, NY
Oxford University Press
[2024]
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| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Summary: | David Davies examines the ontology of multiple artworks, such as books and musical performances. He argues against a theory of multiple works as 'types' that are independent of creative and appreciative acts, instead defending a view on which they are performances essentially embedded in artistic practices. |
| Physical Description: | viii, 223 Seiten |
| ISBN: | 9780192848864 |
Staff View
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Contents Preface Acknowledgements vii ix Introduction 1.1 Berthold and Magda Talk about Art 1.2 Some Preliminary Methodological Reflections 1.3 Nine Explananda in Search of an Explanans 1 1 2 7 1. What Is a Multiple Artwork? 1.1 Multiple Instances and Multiple‘Instances’ 1.2 Currie’s ‘Instance Multiplicity Hypothesis’ 1.3 Challenges to the IMH 1.4 Conclusion 12 12 18 25 31 2. Multiple Artworks as Abstract Entities: An Introductory Overview 2.1 The Origins of Contemporary ‘Type’ Theories of Multiple Artworks 2.2 Julian Dodd’s ‘Simple View’ 33 33 44 3. Two Explananda for a Theory of Multiples: Perceivability and Creatability 3.1 The Audibility of Musical Works 3.2 The Creatability of Multiples 4. Two Further Explananda: Fine Individuation and Performance Means 4.1 Contextualist Views of Art 4.2 Levinson’s Contextualist Explanandum for the Ontology of Musical Works: ‘Fine Individuation’ 4.3 Levinson’s Third Explanandum for Musical Ontology: ‘Performance Means’ 4.4 Dodd on Contextualism and Instrumentalism as Explananda for Musical Ontology 5. Methodological Interlude: The Primacy of Practice in the Ontology of Art 5.1 Introduction 5.2 The Dialectical Structure of Works of Music and the ‘Pragmatic Constraint’ 5.3 Individuating Works, Identifying Instances of Works, and the ‘Appreciation Constraint’ 52 52 62 70 70 74 79 82 91 91 92 97
VÎ CONTENTS 5.4 Dodd’s ‘Meta-ontological’ Argument 5.5 The Place of Artistic Practice in the Ontology of Art: the ‘Pragmatic Constraint’ Revisited 5.6 Meta-ontological Postscript 102 106 115 6. Further Explananda: Flexibility and Variability 6.1 Berthold and Magda Debate the Modal and Temporal Flexibility of Artworks 116 6.2 Rohrbaugh’s Challenge to Platonist Views of Multiple Artworks 6.3 Problems for Platonist Theories of Multiples Initiated via a Production Artefact 6.4 Enigmatic Variations: Variability as an Explanandum 6.5 A Few Words about Literary Artworks 116 7. The Nine Explananda Revisited 7.1 Repeatability 7.2 The Possibility of Unexemplified Works 7.3 Perceivability 7.4 Creatability 7.5 ‘Fine Individuation’ and Contextualism 7.6 Instrumentalism 7.7 Modal Flexibility 7.8 Temporal Flexibility 7.9 Variability 143 143 145 146 147 148 149 150 152 152 8. Non-Platonist Ontologies of Multiples 8.1 Three Non-Platonist ‘Materialist’ Ontologies ofMultiples 8.2 ‘Sophisticated Idealism’ 154 154 164 9. Multiple Artworks as Wollheimian Types 9.1 Introduction 9.2 The Nature of Wollheimian Types 9.3 Artworks as Performances—a Brief Overview 9.4 Multiple Artworks as Wollheimian Types and the Explananda for an Ontology of Multiples 172 172 173 184 117 126 127 140 189 10. Can Non-Platonists Be Realists about Multiple Artworks? 10.1 Introduction 10.2 Mag Uidhir, Hazlett, and Moruzzi: ‘Multiples’ as ‘Relevantly Similar’ Concreta 10.3 Kania: Fictionalism about Multiples 10.4 Azzouni: Multiples and the ‘External DiscourseDemand’ 10.5 Nominalist Realism about Multiples:a Provisional
Defence 193 193 Bibliography Index 215 221 194 202 205 210 |
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| spelling | Davies, David 1949- Verfasser (DE-588)173809804 aut An ontology of multiple artworks David Davies Oxford ; New York, NY Oxford University Press [2024] © 2024 viii, 223 Seiten txt rdacontent n rdamedia nc rdacarrier David Davies examines the ontology of multiple artworks, such as books and musical performances. He argues against a theory of multiple works as 'types' that are independent of creative and appreciative acts, instead defending a view on which they are performances essentially embedded in artistic practices. Multiple (DE-588)4170716-3 gnd rswk-swf Künste (DE-588)4033422-3 gnd rswk-swf Philosophie (DE-588)4045791-6 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Künste (DE-588)4033422-3 s Multiple (DE-588)4170716-3 s Philosophie (DE-588)4045791-6 s Ästhetik (DE-588)4000626-8 s DE-604 Erscheint auch als Online-Ausgabe 978-0-19-194413-0 Erscheint auch als Online-Ausgabe 978-0-19-266522-5 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034946334&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Davies, David 1949- An ontology of multiple artworks Multiple (DE-588)4170716-3 gnd Künste (DE-588)4033422-3 gnd Philosophie (DE-588)4045791-6 gnd Ästhetik (DE-588)4000626-8 gnd |
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| title | An ontology of multiple artworks |
| title_auth | An ontology of multiple artworks |
| title_exact_search | An ontology of multiple artworks |
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| title_full | An ontology of multiple artworks David Davies |
| title_fullStr | An ontology of multiple artworks David Davies |
| title_full_unstemmed | An ontology of multiple artworks David Davies |
| title_short | An ontology of multiple artworks |
| title_sort | an ontology of multiple artworks |
| topic | Multiple (DE-588)4170716-3 gnd Künste (DE-588)4033422-3 gnd Philosophie (DE-588)4045791-6 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Multiple Künste Philosophie Ästhetik |
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