Poetry and the built environment: a theory of the flesh of art
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford University Press
[2024]
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| Schriftenreihe: | Oxford studies in medieval literature and culture
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Literaturverzeichnis: Seite 249-260 |
| Beschreibung: | xvii, 269 Seiten Illustrationen |
| ISBN: | 9780192888990 |
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Contents List of Figures List of Principal Objects Acknowledgments viii xii xv Introduction: Art Is the Habituation of Bodily Experience 1 PART ONE STATION 1. Two Aspects of Virtual Space 33 2. Station and Orientation 43 PART TWO MOTION 3. The Potential Energy of the Artifact 69 4. The Contagion of Attitude: Standing, Lying, Turning 89 PART THREE VIRTUAL PLEASURE AND PAIN 5. “A!”: Roaming in the Gap between Sensation and Meaning 115 6. The Reformation of the Senses 135 PART FOUR DUCTILITY AND GENRE: THE CASE OF ELEGY 7. Sensation and Emotion: Shattered Grief 159 8. Meaning and Emotion: Enriching Grief 185 PART FIVE VIRTUAL INJURIES AND REWARDS 9. Standing in the Historical Space of Injury 10. Presence: The Body in the Station Afterword: A Theory of the Flesh of Art in Manifesto Form Bibliography Index 205 218 246 249 261 |
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