The VES handbook of virtual production:
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge
2024
|
| Schlagworte: | |
| Online-Zugang: | DE-1050 |
| Beschreibung: | 1 Online-Ressource (xxv, 427 Seiten) |
| ISBN: | 9781000957686 |
Internformat
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| 245 | 1 | 0 | |a The VES handbook of virtual production |c edited by Susan Zwerman, Jeffrey A. Okun |
| 264 | 1 | |a New York ; London |b Routledge |c 2024 | |
| 300 | |a 1 Online-Ressource (xxv, 427 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 505 | 8 | |a Intro -- Cover -- Half Title -- Title -- Copyright -- Contents -- About the VES -- Foreword -- An Evolving World for Visual Effects Artists -- Introduction -- A Visual Effects Paradigm Shift -- How Real-Time Enhances Traditional Visualization -- Cinematic Simulation Possibilities -- Visual Effects Roles in Virtual Production -- Creative Iteration in Real-Time -- Workflow Evolution -- Chapter 1: What Is Virtual Production -- Definition of Virtual Production / Types of Virtual Production -- Definition of Virtual Production -- What Types of Scenes Work Well for Virtual Production | |
| 505 | 8 | |a Green Screen for Virtual Production -- How to Shoot Green/Blue Screen Using Virtual Production -- Real-Time GS Compositing Systems Using Virtual Sets for Background -- Chapter 2: Advantages and Disadvantages of Shooting in Virtual Production -- Advantages and Disadvantages of Using LED Volumes for Production -- Is an LED Volume the Right Tool? -- Advantages of LED Volume Production -- Disadvantages of LED Volume Production -- Setting Up for Success -- The 10 Commandments of LED Volume Production -- Chapter 3: How the Virtual Production Supervisor and Producer Relate to Other Departments | |
| 505 | 8 | |a Virtual Production Supervisor Relationships -- What Is Unique About the Virtual Production Supervisor -- How the VFX Team on a Virtual Production Show Interfaces With Other Departments -- Production Design for Virtual Production -- What Has Changed, What Has Not? -- A Quick Definition of Virtual Production from the Art Department's Perspective -- The Impact of Emerging Technologies on Production Design -- Chapter 4: How to Shoot and Edit Animation Using Live-Action Virtual Production -- Introduction: The Creative Story Process -- Performance and Motion Capture for Animation | |
| 505 | 8 | |a Virtual Camera and Director's Layout -- Creative Editorial -- Chapter 5: Visualization -- What Is Storyvis -- Storyvis vs. Pitchvis -- 3D Storyboards -- Interactive Workflows -- Linear Content -- How Is It Used in the Early Development Stages? -- Tools and Techniques -- Cinematics -- Animation -- VCAM Use in Storyvis -- Previs/Mocap Pipeline and Flowchart -- VR Scouting -- Effective Preparation for Virtual Production -- Opportunities for VR Scouting -- VR Scouting Session: An Example -- Tools of VR Scouting -- Outputs -- Other Considerations -- VCAM -- Virtual Camera System Used During Prep | |
| 505 | 8 | |a What Is a Virtual Camera (VCAM)? -- DragonFly -- How to Use a VCAM -- Joystick Bindings and Controls -- Motion Tracking Systems -- How Is VCam Used in Pre-Production? -- Virtual Scouting and Layout -- Previsualization -- Lens Simulation -- Physical Cameras vs. Virtual Cameras -- Virtual Sets -- Techvis -- On-Set Visualization -- Motion Capture Shoots -- Techvis and Motion Control Techvis -- What Is Techvis? -- Guidelines for Presentation -- What Is Motion Control Techvis? -- Equipment: What Kind of Gear Is Typically Utilized in Motion Control? | |
| 650 | 4 | |a Digital cinematography / Handbooks, manuals, etc | |
| 650 | 4 | |a Cinematography / Special effects / Handbooks, manuals, etc | |
| 650 | 4 | |a Cinéma numérique / Guides, manuels, etc | |
| 650 | 4 | |a Cinéma / Effets spéciaux / Guides, manuels, etc | |
| 655 | 7 | |0 (DE-588)4123623-3 |a Lehrbuch |2 gnd-content | |
| 700 | 1 | |a Zwerman, Susan |4 edt | |
| 700 | 1 | |a Okun, Jeffrey A. |d 1953- |0 (DE-588)143011790 |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-003-36651-5 |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, hbk |z 978-1-032-43266-3 |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, pbk |z 978-1-032-43264-9 |
| 912 | |a ZDB-30-PQE | ||
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Datensatz im Suchindex
| _version_ | 1805069277687971840 |
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| author2 | Zwerman, Susan Okun, Jeffrey A. 1953- |
| author2_role | edt edt |
| author2_variant | s z sz j a o ja jao |
| author_GND | (DE-588)143011790 |
| author_facet | Zwerman, Susan Okun, Jeffrey A. 1953- |
| building | Verbundindex |
| bvnumber | BV049600637 |
| collection | ZDB-30-PQE |
| contents | Intro -- Cover -- Half Title -- Title -- Copyright -- Contents -- About the VES -- Foreword -- An Evolving World for Visual Effects Artists -- Introduction -- A Visual Effects Paradigm Shift -- How Real-Time Enhances Traditional Visualization -- Cinematic Simulation Possibilities -- Visual Effects Roles in Virtual Production -- Creative Iteration in Real-Time -- Workflow Evolution -- Chapter 1: What Is Virtual Production -- Definition of Virtual Production / Types of Virtual Production -- Definition of Virtual Production -- What Types of Scenes Work Well for Virtual Production Green Screen for Virtual Production -- How to Shoot Green/Blue Screen Using Virtual Production -- Real-Time GS Compositing Systems Using Virtual Sets for Background -- Chapter 2: Advantages and Disadvantages of Shooting in Virtual Production -- Advantages and Disadvantages of Using LED Volumes for Production -- Is an LED Volume the Right Tool? -- Advantages of LED Volume Production -- Disadvantages of LED Volume Production -- Setting Up for Success -- The 10 Commandments of LED Volume Production -- Chapter 3: How the Virtual Production Supervisor and Producer Relate to Other Departments Virtual Production Supervisor Relationships -- What Is Unique About the Virtual Production Supervisor -- How the VFX Team on a Virtual Production Show Interfaces With Other Departments -- Production Design for Virtual Production -- What Has Changed, What Has Not? -- A Quick Definition of Virtual Production from the Art Department's Perspective -- The Impact of Emerging Technologies on Production Design -- Chapter 4: How to Shoot and Edit Animation Using Live-Action Virtual Production -- Introduction: The Creative Story Process -- Performance and Motion Capture for Animation Virtual Camera and Director's Layout -- Creative Editorial -- Chapter 5: Visualization -- What Is Storyvis -- Storyvis vs. Pitchvis -- 3D Storyboards -- Interactive Workflows -- Linear Content -- How Is It Used in the Early Development Stages? -- Tools and Techniques -- Cinematics -- Animation -- VCAM Use in Storyvis -- Previs/Mocap Pipeline and Flowchart -- VR Scouting -- Effective Preparation for Virtual Production -- Opportunities for VR Scouting -- VR Scouting Session: An Example -- Tools of VR Scouting -- Outputs -- Other Considerations -- VCAM -- Virtual Camera System Used During Prep What Is a Virtual Camera (VCAM)? -- DragonFly -- How to Use a VCAM -- Joystick Bindings and Controls -- Motion Tracking Systems -- How Is VCam Used in Pre-Production? -- Virtual Scouting and Layout -- Previsualization -- Lens Simulation -- Physical Cameras vs. Virtual Cameras -- Virtual Sets -- Techvis -- On-Set Visualization -- Motion Capture Shoots -- Techvis and Motion Control Techvis -- What Is Techvis? -- Guidelines for Presentation -- What Is Motion Control Techvis? -- Equipment: What Kind of Gear Is Typically Utilized in Motion Control? |
| ctrlnum | (OCoLC)1427314967 (DE-599)BVBBV049600637 |
| format | Electronic eBook |
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| genre_facet | Lehrbuch |
| id | DE-604.BV049600637 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T23:34:40Z |
| indexdate | 2024-07-20T04:03:29Z |
| institution | BVB |
| isbn | 9781000957686 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034945066 |
| oclc_num | 1427314967 |
| open_access_boolean | |
| owner | DE-1050 |
| owner_facet | DE-1050 |
| physical | 1 Online-Ressource (xxv, 427 Seiten) |
| psigel | ZDB-30-PQE ZDB-30-PQE FHD01_PQE_Kauf |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Routledge |
| record_format | marc |
| spelling | The VES handbook of virtual production edited by Susan Zwerman, Jeffrey A. Okun New York ; London Routledge 2024 1 Online-Ressource (xxv, 427 Seiten) txt rdacontent c rdamedia cr rdacarrier Intro -- Cover -- Half Title -- Title -- Copyright -- Contents -- About the VES -- Foreword -- An Evolving World for Visual Effects Artists -- Introduction -- A Visual Effects Paradigm Shift -- How Real-Time Enhances Traditional Visualization -- Cinematic Simulation Possibilities -- Visual Effects Roles in Virtual Production -- Creative Iteration in Real-Time -- Workflow Evolution -- Chapter 1: What Is Virtual Production -- Definition of Virtual Production / Types of Virtual Production -- Definition of Virtual Production -- What Types of Scenes Work Well for Virtual Production Green Screen for Virtual Production -- How to Shoot Green/Blue Screen Using Virtual Production -- Real-Time GS Compositing Systems Using Virtual Sets for Background -- Chapter 2: Advantages and Disadvantages of Shooting in Virtual Production -- Advantages and Disadvantages of Using LED Volumes for Production -- Is an LED Volume the Right Tool? -- Advantages of LED Volume Production -- Disadvantages of LED Volume Production -- Setting Up for Success -- The 10 Commandments of LED Volume Production -- Chapter 3: How the Virtual Production Supervisor and Producer Relate to Other Departments Virtual Production Supervisor Relationships -- What Is Unique About the Virtual Production Supervisor -- How the VFX Team on a Virtual Production Show Interfaces With Other Departments -- Production Design for Virtual Production -- What Has Changed, What Has Not? -- A Quick Definition of Virtual Production from the Art Department's Perspective -- The Impact of Emerging Technologies on Production Design -- Chapter 4: How to Shoot and Edit Animation Using Live-Action Virtual Production -- Introduction: The Creative Story Process -- Performance and Motion Capture for Animation Virtual Camera and Director's Layout -- Creative Editorial -- Chapter 5: Visualization -- What Is Storyvis -- Storyvis vs. Pitchvis -- 3D Storyboards -- Interactive Workflows -- Linear Content -- How Is It Used in the Early Development Stages? -- Tools and Techniques -- Cinematics -- Animation -- VCAM Use in Storyvis -- Previs/Mocap Pipeline and Flowchart -- VR Scouting -- Effective Preparation for Virtual Production -- Opportunities for VR Scouting -- VR Scouting Session: An Example -- Tools of VR Scouting -- Outputs -- Other Considerations -- VCAM -- Virtual Camera System Used During Prep What Is a Virtual Camera (VCAM)? -- DragonFly -- How to Use a VCAM -- Joystick Bindings and Controls -- Motion Tracking Systems -- How Is VCam Used in Pre-Production? -- Virtual Scouting and Layout -- Previsualization -- Lens Simulation -- Physical Cameras vs. Virtual Cameras -- Virtual Sets -- Techvis -- On-Set Visualization -- Motion Capture Shoots -- Techvis and Motion Control Techvis -- What Is Techvis? -- Guidelines for Presentation -- What Is Motion Control Techvis? -- Equipment: What Kind of Gear Is Typically Utilized in Motion Control? Digital cinematography / Handbooks, manuals, etc Cinematography / Special effects / Handbooks, manuals, etc Cinéma numérique / Guides, manuels, etc Cinéma / Effets spéciaux / Guides, manuels, etc (DE-588)4123623-3 Lehrbuch gnd-content Zwerman, Susan edt Okun, Jeffrey A. 1953- (DE-588)143011790 edt Erscheint auch als Online-Ausgabe 978-1-003-36651-5 Erscheint auch als Druck-Ausgabe, hbk 978-1-032-43266-3 Erscheint auch als Druck-Ausgabe, pbk 978-1-032-43264-9 |
| spellingShingle | The VES handbook of virtual production Intro -- Cover -- Half Title -- Title -- Copyright -- Contents -- About the VES -- Foreword -- An Evolving World for Visual Effects Artists -- Introduction -- A Visual Effects Paradigm Shift -- How Real-Time Enhances Traditional Visualization -- Cinematic Simulation Possibilities -- Visual Effects Roles in Virtual Production -- Creative Iteration in Real-Time -- Workflow Evolution -- Chapter 1: What Is Virtual Production -- Definition of Virtual Production / Types of Virtual Production -- Definition of Virtual Production -- What Types of Scenes Work Well for Virtual Production Green Screen for Virtual Production -- How to Shoot Green/Blue Screen Using Virtual Production -- Real-Time GS Compositing Systems Using Virtual Sets for Background -- Chapter 2: Advantages and Disadvantages of Shooting in Virtual Production -- Advantages and Disadvantages of Using LED Volumes for Production -- Is an LED Volume the Right Tool? -- Advantages of LED Volume Production -- Disadvantages of LED Volume Production -- Setting Up for Success -- The 10 Commandments of LED Volume Production -- Chapter 3: How the Virtual Production Supervisor and Producer Relate to Other Departments Virtual Production Supervisor Relationships -- What Is Unique About the Virtual Production Supervisor -- How the VFX Team on a Virtual Production Show Interfaces With Other Departments -- Production Design for Virtual Production -- What Has Changed, What Has Not? -- A Quick Definition of Virtual Production from the Art Department's Perspective -- The Impact of Emerging Technologies on Production Design -- Chapter 4: How to Shoot and Edit Animation Using Live-Action Virtual Production -- Introduction: The Creative Story Process -- Performance and Motion Capture for Animation Virtual Camera and Director's Layout -- Creative Editorial -- Chapter 5: Visualization -- What Is Storyvis -- Storyvis vs. Pitchvis -- 3D Storyboards -- Interactive Workflows -- Linear Content -- How Is It Used in the Early Development Stages? -- Tools and Techniques -- Cinematics -- Animation -- VCAM Use in Storyvis -- Previs/Mocap Pipeline and Flowchart -- VR Scouting -- Effective Preparation for Virtual Production -- Opportunities for VR Scouting -- VR Scouting Session: An Example -- Tools of VR Scouting -- Outputs -- Other Considerations -- VCAM -- Virtual Camera System Used During Prep What Is a Virtual Camera (VCAM)? -- DragonFly -- How to Use a VCAM -- Joystick Bindings and Controls -- Motion Tracking Systems -- How Is VCam Used in Pre-Production? -- Virtual Scouting and Layout -- Previsualization -- Lens Simulation -- Physical Cameras vs. Virtual Cameras -- Virtual Sets -- Techvis -- On-Set Visualization -- Motion Capture Shoots -- Techvis and Motion Control Techvis -- What Is Techvis? -- Guidelines for Presentation -- What Is Motion Control Techvis? -- Equipment: What Kind of Gear Is Typically Utilized in Motion Control? Digital cinematography / Handbooks, manuals, etc Cinematography / Special effects / Handbooks, manuals, etc Cinéma numérique / Guides, manuels, etc Cinéma / Effets spéciaux / Guides, manuels, etc |
| subject_GND | (DE-588)4123623-3 |
| title | The VES handbook of virtual production |
| title_auth | The VES handbook of virtual production |
| title_exact_search | The VES handbook of virtual production |
| title_exact_search_txtP | The VES handbook of virtual production |
| title_full | The VES handbook of virtual production edited by Susan Zwerman, Jeffrey A. Okun |
| title_fullStr | The VES handbook of virtual production edited by Susan Zwerman, Jeffrey A. Okun |
| title_full_unstemmed | The VES handbook of virtual production edited by Susan Zwerman, Jeffrey A. Okun |
| title_short | The VES handbook of virtual production |
| title_sort | the ves handbook of virtual production |
| topic | Digital cinematography / Handbooks, manuals, etc Cinematography / Special effects / Handbooks, manuals, etc Cinéma numérique / Guides, manuels, etc Cinéma / Effets spéciaux / Guides, manuels, etc |
| topic_facet | Digital cinematography / Handbooks, manuals, etc Cinematography / Special effects / Handbooks, manuals, etc Cinéma numérique / Guides, manuels, etc Cinéma / Effets spéciaux / Guides, manuels, etc Lehrbuch |
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