Translation, adaptation, and intertextuality in Hungarian popular music:
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Lausanne ; Berlin ; Bruxelles
Peter Lang
[2023]
|
| Schriftenreihe: | Jazz
vol. 8 |
| Schlagworte: | |
| Online-Zugang: | Inhaltstext https://www.peterlang.com/document/1291475 Inhaltsverzeichnis Inhaltsverzeichnis |
| Beschreibung: | 282 Seiten Illustrationen 22 cm, 439 g |
| ISBN: | 9783631889749 3631889747 |
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| 245 | 1 | 0 | |a Translation, adaptation, and intertextuality in Hungarian popular music |c Ádám Ignácz (ed.) |
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Datensatz im Suchindex
| _version_ | 1813714088791900160 |
|---|---|
| adam_text |
CONTENTS
INTRODUCTION
ADAM
IGNACZ
A
NEW
VOLUME
ON
POPULAR
MUSIC
ADAPTATIONS
.
13
ADAM
IGNACZ
/
EMILIA
BARNA
WORK,
AUTHORSHIP,
AND
ORIGINALITY
IN
POPULAR
MUSIC
.
21
CASE
STUDIES
FROM
THE
HISTORY
OF
HUNGARIAN
POPULAR
MUSIC
FERENC
JANOS
SZABO
OPERETTA
ADAPTATIONS
IN
HUNGARY
IN
THE
FIRST
HALF
OF
THE
1940S
.
37
I.
INTRODUCTION
.
37
II.
REWRITING
-
FRANZ
LEHAR:
ZIGEUNERLIEBE/GARABONCIDS
(THE
WANDERING
SCHOLAR
[1910/1943])
.
39
III.
CHANGE
OF
MEDIUM
-
JENO
HUSZKA:
BOB
HERCEG
(PRINCE
BOB
[1902/1941])
.
44
IV.
INTERPRETATION
-
FRANZ
LEHAR:
DIE
LUSTIGE
WITWE
(THE
MERRY
WIDOW
[1905/1942])
.
51
V.
LOOKING
AHEAD.
AFTER
1945
.
55
BARBARA
ROSE
LANGE
/
ANNA
SZEMERE
DIALOGUE
WITH
A
LEGEND:
MUSICAL
ENGAGEMENTS
WITH
THE
SONGS
OF
KATALIN
KARADY
.
61
I.
INTRODUCTION
.
61
II.
FRAMING
KARADY:
THEORY
AND
METHOD
.
64
III.
THE
KARADY
REVIVAL
DURING
LATE
SOCIALISM
.
66
IV.
TAMAS
CSEH:
AN
IRONIC
TRIBUTE
.
69
V.
GABI
JOBBAS
KARADY:
A
COUNTER-NOSTALGIC
APPROACH
.
70
VI.
REDISCOVERING
CABARET,
UNCOVERING
AN
ERA:
THE
BUDAPEST
ORFEUM
.
72
6
CONTENTS
VII.
JUDIT
HERNADI:
THE
KARADY
OF
THE
1980S?
.
74
VII.
1.
VALAHOL
OROSZORSZAGBAN
(SOMEWHERE
IN
RUSSIA)
.
74
VIL
2.
SOHASE
MONDD
(NEVER
SAY)
AND
THE
DIVA
FIGURE
OF
LATE
SOCIALISM
.
74
VIII.
UNDERGROUND
MUSICAL
POLITICS:
NINES
KEGYELEM
(NO
MERCY)
A
RETRO
ALBUM
BY
ADAM
DEVENYI
AND
JULI
POSTASY
.
77
IX.
CONCLUSION
.
79
DANIEL
SZABOLCS
RADNAI
SELF-EVOCATION
AND
THE
CONSTRUCTION
OF
THE
PAST
IN
THE
SONGS
OF
JANOS
BRODY
85
I.
INTRODUCTION
.
85
II.
ILLES
AND
FONOGRAF
(1965-1980)
.
87
III.
BRODY
'
S
SOLO
ALBUMS
UNTIL
THE
REGIME
CHANGE
.
97
IV.
OUTLOOK:
BRODY
AND
THE
MEMORY
OF
HUNGARIAN
BEAT
.
101
JOZSEF
HAVASRETI
APPROPRIATION
AND
REINTERPRETATION:
COMMENTS
ON
P.
MOBIL
'
S
COVER
ALBUM
ES?
.
109
I.
INTRODUCTION
.
109
II.
WHAT
IS
A
COVER?
.
110
III.
THE
P.
MOBIL
TRAJECTORY:
FROM
HARD
ROCK
TO
NATIONAL
ROCK
.
113
IV.
TRACKS
FROM
THE
ALBUM
.
116
V
CANON
FORMATION
.
121
VI.
SUMMARY:
AFFIRMATION
AND
PARODY
.
124
ANDRAS
KAPPANYOS
ALL
TOGETHER
NOW:
THE
TRANSLATABILITY
OF
THE
POPULAR
SONG
IN
SOCIALIST
HUNGARY
.
129
I.
INTRO
.
129
II.
THE
TWO
FACES
OF
SPEEDY
GONZALES:
QUESTIONS
OF
GENRE,
AUTHENTICITY,
AND
COOLNESS
.
131
III.
IN
THE
SHADOWS:
THINGS
TO
DO
INSTEAD
OF
TRANSLATIONS
.
134
CONTENTS
7
IV.
BLOWN
IN
THE
WIND:
"CAMPFIRE
VERSIONS
"
AND
MORE
.
137
V
STAIRWAY
TO
THE
HEAVISIDE
LAYER:
TWO
GENUINE
TRIUMPHS
.
139
VI.
EPIGRAPHS
OF
CHRISTINE:
A
SUBJECTIVE
INTERJECTION
.
143
VII.
UNDER
THEIR
THUMB:
THE
QUESTION
OF
CONTROL
.
145
VIII.
ROLL
OVER
ZHDANOV:
A
TRIUMPH
OF
IRONY
.
148
ZSOLT
K.
HORVATH
WHAT
IS
POL-BEAT?
THE
GLOBAL
POLITICAL
AND
LOCAL
INTELLECTUAL
SOURCES
OF
THE
HUNGARIAN
BAND
GERILLA,
1965-1971
.
153
I.
INTRODUCTION
.
154
II.
A
"KHRUSHCHEVIST"
MODEL
STATE:
SIMULATED
PUBLIC
SPHERE
AND
SUBLIMATED
CONSUMPTION
.
154
III.
GLOBAL
REVOLUTIONARY
IMAGINATION
-
IMAGINED
LOCAL
REVOLUTION
.
158
IV.
POL-BEAT
AND
REVOLUTIONARY
POETRY
.
160
V.
POL-BEAT
AS
URBAN
FOLK
MUSIC:
JANOS
MAROTHY
AND
THE
CRITIQUE
OF
KADAR
'
S
HEGEMONY
.
169
ESZTER
GYORGY
AUTHENTICITY
AND
HYBRIDITY
IN
ROMA
FOLK
MUSIC
OF
HUNGARY
.
177
I.
HUTTYAN
.
177
II.
AUTHENTICITY
.
179
III.
CACIPEN
-
"
REAL
"
ROMA
FOLK
MUSIC
.
180
IV.
RESEARCH
ON
ROMA
FOLK
MUSIC
IN
HUNGARY
.
181
V.
ROMA
FOLK
MUSIC
UNDER
STATE
SOCIALISM
.
183
VI.
ROMA
FOLK
MOVEMENT
.
185
VII.
ENTERING
WORLD
MUSIC:
THE
HYBRIDIZATION
OF
ROMA
FOLK
MUSIC
.
188
VIII.
CONCLUSION
.
192
8
CONTENTS
BEATLES
ADAPTATIONS
IN
THE
EASTERN
BLOC:
CASE
STUDIES
FOR
CZECHOSLOVAKIA,
THE
SOVIET
UNION,
THE
GDR,
AND
HUNGARY
JAN
BLUMI
WE
CAN
WORK
IT
OUT:
ADAPTATIONS
OF
THE
BEATLES
'
SONGS
IN
COMMUNIST
CZECHOSLOVAKIA
.
199
I.
INTRODUCTION
.
199
IL
THE
FIRST
RECORDING
AND
OLYMPIC
'
S
IMAGE
AS
THE
CZECH
BEATLES
.
203
III.
THE
BEATLES
IN
THE
REPERTOIRE
OF
PROFESSIONAL
ORCHESTRAS
.
210
IV.
THE
BEATLES
IN
THE
CONTEXT
OF
THE
CULTURAL
POLITICS
OF
NORMALIZATION
214
V.
CONCLUSIONS
.
218
ALEXANDRA
GRABARCHUK
BACK
IN
THE
USSR:
THE
EPHEMERALITY
OF
SOVIET
BEATLES
COVERS
.
223
I.
INTRODUCTION
.
223
II.
VOCAL-INSTRUMENTAL
ENSEMBLE
ARIEL
'
.
225
III.
LET
IT
BE
.
228
IV.
CONCLUSION
.
231
MICHAEL
RAUHUT
SHARING
ALL
THE
WORLD:
THE
BEATLES
'
RECEPTION
IN
THE
GDR
.
235
I.
THE
BEATLES
AND
THE
PARTY
LINE
.
236
II.
MEDIA
RESONANCE
AND
COVER
VERSIONS
.
240
III.
ADAPTED
FOR
THE
GDR
STAGE:
BRIGADE
FEUERSTEIN
.
246
IV.
OUT
PAST
ALL
THE
BORDERS:
BEATLES
COVERS
IN
THE
GDR
.
247
ADAM
IGNACZ
MUSIC
FOR
THE
OLD
AND
THE
YOUNG:
ADAPTATIONS
OF
THE
BEATLES
'
SONGS
IN
SOCIALIST
HUNGARY
.
253
I.
UPBEAT
.
253
II.
PRELIMINARY
CONSIDERATIONS
.
255
III. BEATLES
ADAPTATIONS
IN
SOCIALIST
HUNGARY:
A
GENERAL
OVERVIEW
.
258
CONTENTS
9
IV.
IMITATIONS
IN
THE
1960S
.
264
V
1970S:
THE
DECADE
OF
TRANSITION
.
269
VI.
JAZZ,
DISCO,
POP:
TRACKS
OF
BEATLES
NOSTALGIA
IN
THE
LATE
1970S
AND
EARLY
1980S
.
272
VII.
THE
BEATLES
GO
TO
THE
THEATER:
THE
LAST
YEARS
.
275
VIII.
CONCLUDING
COMMENTS
.
276
ABOUT
THE
AUTHORS
.
281 |
| adam_txt |
CONTENTS
INTRODUCTION
ADAM
IGNACZ
A
NEW
VOLUME
ON
POPULAR
MUSIC
ADAPTATIONS
.
13
ADAM
IGNACZ
/
EMILIA
BARNA
WORK,
AUTHORSHIP,
AND
ORIGINALITY
IN
POPULAR
MUSIC
.
21
CASE
STUDIES
FROM
THE
HISTORY
OF
HUNGARIAN
POPULAR
MUSIC
FERENC
JANOS
SZABO
OPERETTA
ADAPTATIONS
IN
HUNGARY
IN
THE
FIRST
HALF
OF
THE
1940S
.
37
I.
INTRODUCTION
.
37
II.
REWRITING
-
FRANZ
LEHAR:
ZIGEUNERLIEBE/GARABONCIDS
(THE
WANDERING
SCHOLAR
[1910/1943])
.
39
III.
CHANGE
OF
MEDIUM
-
JENO
HUSZKA:
BOB
HERCEG
(PRINCE
BOB
[1902/1941])
.
44
IV.
INTERPRETATION
-
FRANZ
LEHAR:
DIE
LUSTIGE
WITWE
(THE
MERRY
WIDOW
[1905/1942])
.
51
V.
LOOKING
AHEAD.
AFTER
1945
.
55
BARBARA
ROSE
LANGE
/
ANNA
SZEMERE
DIALOGUE
WITH
A
LEGEND:
MUSICAL
ENGAGEMENTS
WITH
THE
SONGS
OF
KATALIN
KARADY
.
61
I.
INTRODUCTION
.
61
II.
FRAMING
KARADY:
THEORY
AND
METHOD
.
64
III.
THE
KARADY
REVIVAL
DURING
LATE
SOCIALISM
.
66
IV.
TAMAS
CSEH:
AN
IRONIC
TRIBUTE
.
69
V.
GABI
JOBBAS
KARADY:
A
COUNTER-NOSTALGIC
APPROACH
.
70
VI.
REDISCOVERING
CABARET,
UNCOVERING
AN
ERA:
THE
BUDAPEST
ORFEUM
.
72
6
CONTENTS
VII.
JUDIT
HERNADI:
THE
KARADY
OF
THE
1980S?
.
74
VII.
1.
VALAHOL
OROSZORSZAGBAN
(SOMEWHERE
IN
RUSSIA)
.
74
VIL
2.
SOHASE
MONDD
(NEVER
SAY)
AND
THE
DIVA
FIGURE
OF
LATE
SOCIALISM
.
74
VIII.
UNDERGROUND
MUSICAL
POLITICS:
NINES
KEGYELEM
(NO
MERCY)
A
RETRO
ALBUM
BY
ADAM
DEVENYI
AND
JULI
POSTASY
.
77
IX.
CONCLUSION
.
79
DANIEL
SZABOLCS
RADNAI
SELF-EVOCATION
AND
THE
CONSTRUCTION
OF
THE
PAST
IN
THE
SONGS
OF
JANOS
BRODY
85
I.
INTRODUCTION
.
85
II.
ILLES
AND
FONOGRAF
(1965-1980)
.
87
III.
BRODY
'
S
SOLO
ALBUMS
UNTIL
THE
REGIME
CHANGE
.
97
IV.
OUTLOOK:
BRODY
AND
THE
MEMORY
OF
HUNGARIAN
BEAT
.
101
JOZSEF
HAVASRETI
APPROPRIATION
AND
REINTERPRETATION:
COMMENTS
ON
P.
MOBIL
'
S
COVER
ALBUM
ES?
.
109
I.
INTRODUCTION
.
109
II.
WHAT
IS
A
COVER?
.
110
III.
THE
P.
MOBIL
TRAJECTORY:
FROM
HARD
ROCK
TO
NATIONAL
ROCK
.
113
IV.
TRACKS
FROM
THE
ALBUM
.
116
V
CANON
FORMATION
.
121
VI.
SUMMARY:
AFFIRMATION
AND
PARODY
.
124
ANDRAS
KAPPANYOS
ALL
TOGETHER
NOW:
THE
TRANSLATABILITY
OF
THE
POPULAR
SONG
IN
SOCIALIST
HUNGARY
.
129
I.
INTRO
.
129
II.
THE
TWO
FACES
OF
SPEEDY
GONZALES:
QUESTIONS
OF
GENRE,
AUTHENTICITY,
AND
COOLNESS
.
131
III.
IN
THE
SHADOWS:
THINGS
TO
DO
INSTEAD
OF
TRANSLATIONS
.
134
CONTENTS
7
IV.
BLOWN
IN
THE
WIND:
"CAMPFIRE
VERSIONS
"
AND
MORE
.
137
V
STAIRWAY
TO
THE
HEAVISIDE
LAYER:
TWO
GENUINE
TRIUMPHS
.
139
VI.
EPIGRAPHS
OF
CHRISTINE:
A
SUBJECTIVE
INTERJECTION
.
143
VII.
UNDER
THEIR
THUMB:
THE
QUESTION
OF
CONTROL
.
145
VIII.
ROLL
OVER
ZHDANOV:
A
TRIUMPH
OF
IRONY
.
148
ZSOLT
K.
HORVATH
WHAT
IS
POL-BEAT?
THE
GLOBAL
POLITICAL
AND
LOCAL
INTELLECTUAL
SOURCES
OF
THE
HUNGARIAN
BAND
GERILLA,
1965-1971
.
153
I.
INTRODUCTION
.
154
II.
A
"KHRUSHCHEVIST"
MODEL
STATE:
SIMULATED
PUBLIC
SPHERE
AND
SUBLIMATED
CONSUMPTION
.
154
III.
GLOBAL
REVOLUTIONARY
IMAGINATION
-
IMAGINED
LOCAL
REVOLUTION
.
158
IV.
POL-BEAT
AND
REVOLUTIONARY
POETRY
.
160
V.
POL-BEAT
AS
URBAN
FOLK
MUSIC:
JANOS
MAROTHY
AND
THE
CRITIQUE
OF
KADAR
'
S
HEGEMONY
.
169
ESZTER
GYORGY
AUTHENTICITY
AND
HYBRIDITY
IN
ROMA
FOLK
MUSIC
OF
HUNGARY
.
177
I.
HUTTYAN
.
177
II.
AUTHENTICITY
.
179
III.
CACIPEN
-
"
REAL
"
ROMA
FOLK
MUSIC
.
180
IV.
RESEARCH
ON
ROMA
FOLK
MUSIC
IN
HUNGARY
.
181
V.
ROMA
FOLK
MUSIC
UNDER
STATE
SOCIALISM
.
183
VI.
ROMA
FOLK
MOVEMENT
.
185
VII.
ENTERING
WORLD
MUSIC:
THE
HYBRIDIZATION
OF
ROMA
FOLK
MUSIC
.
188
VIII.
CONCLUSION
.
192
8
CONTENTS
BEATLES
ADAPTATIONS
IN
THE
EASTERN
BLOC:
CASE
STUDIES
FOR
CZECHOSLOVAKIA,
THE
SOVIET
UNION,
THE
GDR,
AND
HUNGARY
JAN
BLUMI
WE
CAN
WORK
IT
OUT:
ADAPTATIONS
OF
THE
BEATLES
'
SONGS
IN
COMMUNIST
CZECHOSLOVAKIA
.
199
I.
INTRODUCTION
.
199
IL
THE
FIRST
RECORDING
AND
OLYMPIC
'
S
IMAGE
AS
THE
CZECH
BEATLES
.
203
III.
THE
BEATLES
IN
THE
REPERTOIRE
OF
PROFESSIONAL
ORCHESTRAS
.
210
IV.
THE
BEATLES
IN
THE
CONTEXT
OF
THE
CULTURAL
POLITICS
OF
NORMALIZATION
214
V.
CONCLUSIONS
.
218
ALEXANDRA
GRABARCHUK
BACK
IN
THE
USSR:
THE
EPHEMERALITY
OF
SOVIET
BEATLES
COVERS
.
223
I.
INTRODUCTION
.
223
II.
VOCAL-INSTRUMENTAL
ENSEMBLE
ARIEL
'
.
225
III.
LET
IT
BE
.
228
IV.
CONCLUSION
.
231
MICHAEL
RAUHUT
SHARING
ALL
THE
WORLD:
THE
BEATLES
'
RECEPTION
IN
THE
GDR
.
235
I.
THE
BEATLES
AND
THE
PARTY
LINE
.
236
II.
MEDIA
RESONANCE
AND
COVER
VERSIONS
.
240
III.
ADAPTED
FOR
THE
GDR
STAGE:
BRIGADE
FEUERSTEIN
.
246
IV.
OUT
PAST
ALL
THE
BORDERS:
BEATLES
COVERS
IN
THE
GDR
.
247
ADAM
IGNACZ
MUSIC
FOR
THE
OLD
AND
THE
YOUNG:
ADAPTATIONS
OF
THE
BEATLES
'
SONGS
IN
SOCIALIST
HUNGARY
.
253
I.
UPBEAT
.
253
II.
PRELIMINARY
CONSIDERATIONS
.
255
III. BEATLES
ADAPTATIONS
IN
SOCIALIST
HUNGARY:
A
GENERAL
OVERVIEW
.
258
CONTENTS
9
IV.
IMITATIONS
IN
THE
1960S
.
264
V
1970S:
THE
DECADE
OF
TRANSITION
.
269
VI.
JAZZ,
DISCO,
POP:
TRACKS
OF
BEATLES
NOSTALGIA
IN
THE
LATE
1970S
AND
EARLY
1980S
.
272
VII.
THE
BEATLES
GO
TO
THE
THEATER:
THE
LAST
YEARS
.
275
VIII.
CONCLUDING
COMMENTS
.
276
ABOUT
THE
AUTHORS
.
281 |
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| discipline_str_mv | Musikwissenschaft |
| era | Geschichte 1940-1990 gnd |
| era_facet | Geschichte 1940-1990 |
| format | Book |
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| id | DE-604.BV049595584 |
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| index_date | 2024-07-03T23:33:53Z |
| indexdate | 2024-10-23T14:09:03Z |
| institution | BVB |
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| language | English |
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| physical | 282 Seiten Illustrationen 22 cm, 439 g |
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| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Peter Lang |
| record_format | marc |
| series | Jazz |
| series2 | Jazz |
| spelling | Translation, adaptation, and intertextuality in Hungarian popular music Ádám Ignácz (ed.) Lausanne ; Berlin ; Bruxelles Peter Lang [2023] © 2023 282 Seiten Illustrationen 22 cm, 439 g txt rdacontent n rdamedia nc rdacarrier Jazz vol. 8 Geschichte 1940-1990 gnd rswk-swf Unterhaltungsmusik (DE-588)4061916-3 gnd rswk-swf Ungarn (DE-588)4078541-5 gnd rswk-swf POLI+HIST: History & Political Science (DE-588)4143413-4 Aufsatzsammlung gnd-content Ungarn (DE-588)4078541-5 g Unterhaltungsmusik (DE-588)4061916-3 s Geschichte 1940-1990 z DE-604 Ignácz, Ádám 1981- (DE-588)1028029543 edt Peter Lang GmbH (DE-588)1065711506 pbl Erscheint auch als Online-Ausgabe, PDF 978-3-631-90064-2 Erscheint auch als Online-Ausgabe, EPUB 978-3-631-90065-9 Jazz vol. 8 (DE-604)BV036849333 8 X:MVB text/html http://deposit.dnb.de/cgi-bin/dokserv?id=a865281bafd34882bfc36e66275806b2&prov=M&dok_var=1&dok_ext=htm Inhaltstext X:MVB https://www.peterlang.com/document/1291475 B:DE-101 application/pdf https://d-nb.info/1294889893/04 Inhaltsverzeichnis DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034940156&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p dnb 20231219 DE-101 https://d-nb.info/provenance/plan#dnb 2\p dnb 20231219 DE-101 https://d-nb.info/provenance/plan#dnb 3\p dnb 20231219 DE-101 https://d-nb.info/provenance/plan#dnb |
| spellingShingle | Translation, adaptation, and intertextuality in Hungarian popular music Jazz Unterhaltungsmusik (DE-588)4061916-3 gnd |
| subject_GND | (DE-588)4061916-3 (DE-588)4078541-5 (DE-588)4143413-4 |
| title | Translation, adaptation, and intertextuality in Hungarian popular music |
| title_auth | Translation, adaptation, and intertextuality in Hungarian popular music |
| title_exact_search | Translation, adaptation, and intertextuality in Hungarian popular music |
| title_exact_search_txtP | Translation, adaptation, and intertextuality in Hungarian popular music |
| title_full | Translation, adaptation, and intertextuality in Hungarian popular music Ádám Ignácz (ed.) |
| title_fullStr | Translation, adaptation, and intertextuality in Hungarian popular music Ádám Ignácz (ed.) |
| title_full_unstemmed | Translation, adaptation, and intertextuality in Hungarian popular music Ádám Ignácz (ed.) |
| title_short | Translation, adaptation, and intertextuality in Hungarian popular music |
| title_sort | translation adaptation and intertextuality in hungarian popular music |
| topic | Unterhaltungsmusik (DE-588)4061916-3 gnd |
| topic_facet | Unterhaltungsmusik Ungarn Aufsatzsammlung |
| url | http://deposit.dnb.de/cgi-bin/dokserv?id=a865281bafd34882bfc36e66275806b2&prov=M&dok_var=1&dok_ext=htm https://www.peterlang.com/document/1291475 https://d-nb.info/1294889893/04 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034940156&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV036849333 |
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