Gender and deterritorialized identity: Sonia Boyce, Latifa Echakhch, and Zineb Sedira at the 59th Venice Biennale
This article explores the immersive audio-visual and sculptural art installations in the 59th Venice Biennale (2022) of three transnational contemporary women artists with familial ties to former colonies and protectorates. The Afro-Caribbean artist Sonia Boyce, MBE, presented Feeling Her Way in the...
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Format: | Artikel |
Sprache: | English |
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2023
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Zusammenfassung: | This article explores the immersive audio-visual and sculptural art installations in the 59th Venice Biennale (2022) of three transnational contemporary women artists with familial ties to former colonies and protectorates. The Afro-Caribbean artist Sonia Boyce, MBE, presented Feeling Her Way in the British National Pavilion, for which she won the Golden Lion, the biennale's highest honor. Zineb Sedira, a Franco-Algerian artist who lives and works in Britain, exhibited Les rêves n'ont pas de titre (Dreams Have No Titles) in the French National pavilion. The Moroccan artist, Latifa Echakhch, who was raised in France and lives in Switzerland, represented Switzerland with Le Concert, a sculptural sound installation. Each of their multidisciplinary installations engages differently with the intersections of race, gender, and ethnicity to challenge cultural stereotypes and erasures—of women artists and histories of liberation struggles. This article introduces early works by each artist as a basis for understanding how their biennale projects are decolonial and feminist in order to argue that the deterritorialized may reterritorialize—create new spaces of enunciation—in and through culture. The Venice Biennale installations of Boyce, Sedira, and Echakhch bring light to intersections of present-day and historical politics and memory by engaging with identity—individual and collective—as constructed, negotiated, and always in flux. Their work is shaped by migration, displacement, refugee status, exile, and the frontier as site of obstruction and passage. |
Beschreibung: | Illustrationen |
ISSN: | 1075-7163 |
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520 | 3 | |a This article explores the immersive audio-visual and sculptural art installations in the 59th Venice Biennale (2022) of three transnational contemporary women artists with familial ties to former colonies and protectorates. The Afro-Caribbean artist Sonia Boyce, MBE, presented Feeling Her Way in the British National Pavilion, for which she won the Golden Lion, the biennale's highest honor. Zineb Sedira, a Franco-Algerian artist who lives and works in Britain, exhibited Les rêves n'ont pas de titre (Dreams Have No Titles) in the French National pavilion. The Moroccan artist, Latifa Echakhch, who was raised in France and lives in Switzerland, represented Switzerland with Le Concert, a sculptural sound installation. Each of their multidisciplinary installations engages differently with the intersections of race, gender, and ethnicity to challenge cultural stereotypes and erasures—of women artists and histories of liberation struggles. This article introduces early works by each artist as a basis for understanding how their biennale projects are decolonial and feminist in order to argue that the deterritorialized may reterritorialize—create new spaces of enunciation—in and through culture. The Venice Biennale installations of Boyce, Sedira, and Echakhch bring light to intersections of present-day and historical politics and memory by engaging with identity—individual and collective—as constructed, negotiated, and always in flux. Their work is shaped by migration, displacement, refugee status, exile, and the frontier as site of obstruction and passage. | |
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spelling | Frederickson, Laurel Jean Verfasser aut Gender and deterritorialized identity Sonia Boyce, Latifa Echakhch, and Zineb Sedira at the 59th Venice Biennale Laurel Jean Frederickson 2023 Illustrationen txt rdacontent n rdamedia nc rdacarrier This article explores the immersive audio-visual and sculptural art installations in the 59th Venice Biennale (2022) of three transnational contemporary women artists with familial ties to former colonies and protectorates. The Afro-Caribbean artist Sonia Boyce, MBE, presented Feeling Her Way in the British National Pavilion, for which she won the Golden Lion, the biennale's highest honor. Zineb Sedira, a Franco-Algerian artist who lives and works in Britain, exhibited Les rêves n'ont pas de titre (Dreams Have No Titles) in the French National pavilion. The Moroccan artist, Latifa Echakhch, who was raised in France and lives in Switzerland, represented Switzerland with Le Concert, a sculptural sound installation. Each of their multidisciplinary installations engages differently with the intersections of race, gender, and ethnicity to challenge cultural stereotypes and erasures—of women artists and histories of liberation struggles. This article introduces early works by each artist as a basis for understanding how their biennale projects are decolonial and feminist in order to argue that the deterritorialized may reterritorialize—create new spaces of enunciation—in and through culture. The Venice Biennale installations of Boyce, Sedira, and Echakhch bring light to intersections of present-day and historical politics and memory by engaging with identity—individual and collective—as constructed, negotiated, and always in flux. Their work is shaped by migration, displacement, refugee status, exile, and the frontier as site of obstruction and passage. Echakhch, Latifa 1974- (DE-588)139366679 gnd rswk-swf Boyce, Sonia 1962- (DE-588)120641461 gnd rswk-swf Sedira, Zineb 1963- (DE-588)131882244 gnd rswk-swf Biennale di Venezia 59. 2022 Venedig (DE-588)1256298859 gnd rswk-swf Boyce, Sonia 1962- (DE-588)120641461 p Echakhch, Latifa 1974- (DE-588)139366679 p Sedira, Zineb 1963- (DE-588)131882244 p Biennale di Venezia 59. 2022 Venedig (DE-588)1256298859 f DE-604 volume:53 year:2023 month:11 pages:74-87 Nka Durham, NC, 2023 Number 53 (November 2023), Seite 74-87 (DE-604)BV014335500 1075-7163 (DE-600)2076387-6 |
spellingShingle | Frederickson, Laurel Jean Gender and deterritorialized identity Sonia Boyce, Latifa Echakhch, and Zineb Sedira at the 59th Venice Biennale Echakhch, Latifa 1974- (DE-588)139366679 gnd Boyce, Sonia 1962- (DE-588)120641461 gnd Sedira, Zineb 1963- (DE-588)131882244 gnd Biennale di Venezia 59. 2022 Venedig (DE-588)1256298859 gnd |
subject_GND | (DE-588)139366679 (DE-588)120641461 (DE-588)131882244 (DE-588)1256298859 |
title | Gender and deterritorialized identity Sonia Boyce, Latifa Echakhch, and Zineb Sedira at the 59th Venice Biennale |
title_auth | Gender and deterritorialized identity Sonia Boyce, Latifa Echakhch, and Zineb Sedira at the 59th Venice Biennale |
title_exact_search | Gender and deterritorialized identity Sonia Boyce, Latifa Echakhch, and Zineb Sedira at the 59th Venice Biennale |
title_exact_search_txtP | Gender and deterritorialized identity Sonia Boyce, Latifa Echakhch, and Zineb Sedira at the 59th Venice Biennale |
title_full | Gender and deterritorialized identity Sonia Boyce, Latifa Echakhch, and Zineb Sedira at the 59th Venice Biennale Laurel Jean Frederickson |
title_fullStr | Gender and deterritorialized identity Sonia Boyce, Latifa Echakhch, and Zineb Sedira at the 59th Venice Biennale Laurel Jean Frederickson |
title_full_unstemmed | Gender and deterritorialized identity Sonia Boyce, Latifa Echakhch, and Zineb Sedira at the 59th Venice Biennale Laurel Jean Frederickson |
title_short | Gender and deterritorialized identity |
title_sort | gender and deterritorialized identity sonia boyce latifa echakhch and zineb sedira at the 59th venice biennale |
title_sub | Sonia Boyce, Latifa Echakhch, and Zineb Sedira at the 59th Venice Biennale |
topic | Echakhch, Latifa 1974- (DE-588)139366679 gnd Boyce, Sonia 1962- (DE-588)120641461 gnd Sedira, Zineb 1963- (DE-588)131882244 gnd Biennale di Venezia 59. 2022 Venedig (DE-588)1256298859 gnd |
topic_facet | Echakhch, Latifa 1974- Boyce, Sonia 1962- Sedira, Zineb 1963- Biennale di Venezia 59. 2022 Venedig |
work_keys_str_mv | AT fredericksonlaureljean genderanddeterritorializedidentitysoniaboycelatifaechakhchandzinebsediraatthe59thvenicebiennale |