American art historiography, slavery, and its aftermath:
True to its cultural roots in the United States, the field of American art history has been slow to recognize centuries of slavery's shaping of visual production and has only begun to address historiography's persistent devaluation of Black lives. This article explores how scholars over th...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Artikel |
Sprache: | English |
Veröffentlicht: |
2023
|
Schlagworte: | |
Zusammenfassung: | True to its cultural roots in the United States, the field of American art history has been slow to recognize centuries of slavery's shaping of visual production and has only begun to address historiography's persistent devaluation of Black lives. This article explores how scholars over the last decade are attempting to integrate discussions of slavery into studies of American art and reflects on the political implications of doing so. Their work invites us to look again at key moments in US history through the lens of art and slavery, holding out the possibility of reinventing the story of American art in relation to the African diaspora. |
Beschreibung: | Illustrationen |
ISSN: | 1075-7163 |
Internformat
MARC
LEADER | 00000naa a2200000 c 4500 | ||
---|---|---|---|
001 | BV049582888 | ||
003 | DE-604 | ||
005 | 20240229 | ||
007 | t | ||
008 | 240223s2023 a||| |||| 00||| eng d | ||
035 | |a (OCoLC)1424570545 | ||
035 | |a (DE-599)BVBBV049582888 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-255 | ||
100 | 1 | |a Sheehan, Tanya |d 1976- |e Verfasser |0 (DE-588)1016057830 |4 aut | |
245 | 1 | 0 | |a American art historiography, slavery, and its aftermath |c Tanya Sheehan |
264 | 1 | |c 2023 | |
300 | |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
520 | 3 | |a True to its cultural roots in the United States, the field of American art history has been slow to recognize centuries of slavery's shaping of visual production and has only begun to address historiography's persistent devaluation of Black lives. This article explores how scholars over the last decade are attempting to integrate discussions of slavery into studies of American art and reflects on the political implications of doing so. Their work invites us to look again at key moments in US history through the lens of art and slavery, holding out the possibility of reinventing the story of American art in relation to the African diaspora. | |
648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Schwarze |g Motiv |0 (DE-588)4116434-9 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Afrikaner |g Motiv |0 (DE-588)4232801-9 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Sklaverei |g Motiv |0 (DE-588)4204853-9 |2 gnd |9 rswk-swf |
651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
689 | 0 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
689 | 0 | 1 | |a Kunst |0 (DE-588)4114333-4 |D s |
689 | 0 | 2 | |a Sklaverei |g Motiv |0 (DE-588)4204853-9 |D s |
689 | 0 | 3 | |a Schwarze |g Motiv |0 (DE-588)4116434-9 |D s |
689 | 0 | 4 | |a Afrikaner |g Motiv |0 (DE-588)4232801-9 |D s |
689 | 0 | 5 | |a Geschichte |A z |
689 | 0 | |5 DE-604 | |
773 | 1 | 8 | |g volume:53 |g year:2023 |g month:11 |g pages:6-15 |
773 | 0 | 8 | |t Nka |d Durham, NC, 2023 |g Number 53 (November 2023), Seite 6-15 |w (DE-604)BV014335500 |x 1075-7163 |o (DE-600)2076387-6 |
999 | |a oai:aleph.bib-bvb.de:BVB01-034927788 | ||
941 | |b 53 |j 2023 |m 11 |s 6-15 |
Datensatz im Suchindex
_version_ | 1804186450126700546 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
article_link | (DE-604)BV014335500 |
author | Sheehan, Tanya 1976- |
author_GND | (DE-588)1016057830 |
author_facet | Sheehan, Tanya 1976- |
author_role | aut |
author_sort | Sheehan, Tanya 1976- |
author_variant | t s ts |
building | Verbundindex |
bvnumber | BV049582888 |
ctrlnum | (OCoLC)1424570545 (DE-599)BVBBV049582888 |
era | Geschichte gnd |
era_facet | Geschichte |
format | Article |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02212naa a2200445 c 4500</leader><controlfield tag="001">BV049582888</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240229 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">240223s2023 a||| |||| 00||| eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1424570545</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049582888</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Sheehan, Tanya</subfield><subfield code="d">1976-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1016057830</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">American art historiography, slavery, and its aftermath</subfield><subfield code="c">Tanya Sheehan</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">True to its cultural roots in the United States, the field of American art history has been slow to recognize centuries of slavery's shaping of visual production and has only begun to address historiography's persistent devaluation of Black lives. This article explores how scholars over the last decade are attempting to integrate discussions of slavery into studies of American art and reflects on the political implications of doing so. Their work invites us to look again at key moments in US history through the lens of art and slavery, holding out the possibility of reinventing the story of American art in relation to the African diaspora.</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Schwarze</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4116434-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Afrikaner</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4232801-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Sklaverei</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4204853-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Sklaverei</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4204853-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Schwarze</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4116434-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Afrikaner</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4232801-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">volume:53</subfield><subfield code="g">year:2023</subfield><subfield code="g">month:11</subfield><subfield code="g">pages:6-15</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Nka</subfield><subfield code="d">Durham, NC, 2023</subfield><subfield code="g">Number 53 (November 2023), Seite 6-15</subfield><subfield code="w">(DE-604)BV014335500</subfield><subfield code="x">1075-7163</subfield><subfield code="o">(DE-600)2076387-6</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034927788</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="b">53</subfield><subfield code="j">2023</subfield><subfield code="m">11</subfield><subfield code="s">6-15</subfield></datafield></record></collection> |
geographic | USA (DE-588)4078704-7 gnd |
geographic_facet | USA |
id | DE-604.BV049582888 |
illustrated | Illustrated |
index_date | 2024-07-03T23:32:15Z |
indexdate | 2024-07-10T10:11:18Z |
institution | BVB |
issn | 1075-7163 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034927788 |
oclc_num | 1424570545 |
open_access_boolean | |
owner | DE-255 |
owner_facet | DE-255 |
physical | Illustrationen |
publishDate | 2023 |
publishDateSearch | 2023 |
publishDateSort | 2023 |
record_format | marc |
spelling | Sheehan, Tanya 1976- Verfasser (DE-588)1016057830 aut American art historiography, slavery, and its aftermath Tanya Sheehan 2023 Illustrationen txt rdacontent n rdamedia nc rdacarrier True to its cultural roots in the United States, the field of American art history has been slow to recognize centuries of slavery's shaping of visual production and has only begun to address historiography's persistent devaluation of Black lives. This article explores how scholars over the last decade are attempting to integrate discussions of slavery into studies of American art and reflects on the political implications of doing so. Their work invites us to look again at key moments in US history through the lens of art and slavery, holding out the possibility of reinventing the story of American art in relation to the African diaspora. Geschichte gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Schwarze Motiv (DE-588)4116434-9 gnd rswk-swf Afrikaner Motiv (DE-588)4232801-9 gnd rswk-swf Sklaverei Motiv (DE-588)4204853-9 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Kunst (DE-588)4114333-4 s Sklaverei Motiv (DE-588)4204853-9 s Schwarze Motiv (DE-588)4116434-9 s Afrikaner Motiv (DE-588)4232801-9 s Geschichte z DE-604 volume:53 year:2023 month:11 pages:6-15 Nka Durham, NC, 2023 Number 53 (November 2023), Seite 6-15 (DE-604)BV014335500 1075-7163 (DE-600)2076387-6 |
spellingShingle | Sheehan, Tanya 1976- American art historiography, slavery, and its aftermath Kunst (DE-588)4114333-4 gnd Schwarze Motiv (DE-588)4116434-9 gnd Afrikaner Motiv (DE-588)4232801-9 gnd Sklaverei Motiv (DE-588)4204853-9 gnd |
subject_GND | (DE-588)4114333-4 (DE-588)4116434-9 (DE-588)4232801-9 (DE-588)4204853-9 (DE-588)4078704-7 |
title | American art historiography, slavery, and its aftermath |
title_auth | American art historiography, slavery, and its aftermath |
title_exact_search | American art historiography, slavery, and its aftermath |
title_exact_search_txtP | American art historiography, slavery, and its aftermath |
title_full | American art historiography, slavery, and its aftermath Tanya Sheehan |
title_fullStr | American art historiography, slavery, and its aftermath Tanya Sheehan |
title_full_unstemmed | American art historiography, slavery, and its aftermath Tanya Sheehan |
title_short | American art historiography, slavery, and its aftermath |
title_sort | american art historiography slavery and its aftermath |
topic | Kunst (DE-588)4114333-4 gnd Schwarze Motiv (DE-588)4116434-9 gnd Afrikaner Motiv (DE-588)4232801-9 gnd Sklaverei Motiv (DE-588)4204853-9 gnd |
topic_facet | Kunst Schwarze Motiv Afrikaner Motiv Sklaverei Motiv USA |
work_keys_str_mv | AT sheehantanya americanarthistoriographyslaveryanditsaftermath |