Sebastiano Ittar, architetto: archeologia disegno, città progetto
This research, that was made possible thanks to the recent reorganization of the Ittar Fund at the Superintendence for Cultural Heritage of Catania, concerns the use of drawing as a method for understanding the relationship between the ancient fragment and the city. At the beginning of his career, t...
Gespeichert in:
| Hauptverfasser: | , , |
|---|---|
| Format: | Elektronisch Artikel |
| Sprache: | Italian |
| Veröffentlicht: |
2023
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| Online-Zugang: | Volltext Abstract |
| Zusammenfassung: | This research, that was made possible thanks to the recent reorganization of the Ittar Fund at the Superintendence for Cultural Heritage of Catania, concerns the use of drawing as a method for understanding the relationship between the ancient fragment and the city. At the beginning of his career, the scarcely known architect Sebastiano Ittar (1768‑1847) used drawing as a tool to study the archaeological fragments he visited during his trips in the Mediterranean. In 1832, instead, Ittar conceived the well-known topographical plan of the city of Catania that was based on the concept of fragments as what remains of archaeological evidence. The last element considered in the article is the relationship between the archaeological fragments and the city as a source of creative architectural inspiration. Ittar’s project for Palazzo Scuderi-Bonaccorso is investigated in comparison with his sketches of an ancient Roman spa building, with the aim of demonstrating that for him archeology was not just a fruitful subject of study, but even a fertile source of inspiration. |
| Beschreibung: | Illustrationen |
| ISSN: | 2280-8841 |
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| 520 | 3 | |a This research, that was made possible thanks to the recent reorganization of the Ittar Fund at the Superintendence for Cultural Heritage of Catania, concerns the use of drawing as a method for understanding the relationship between the ancient fragment and the city. At the beginning of his career, the scarcely known architect Sebastiano Ittar (1768‑1847) used drawing as a tool to study the archaeological fragments he visited during his trips in the Mediterranean. In 1832, instead, Ittar conceived the well-known topographical plan of the city of Catania that was based on the concept of fragments as what remains of archaeological evidence. The last element considered in the article is the relationship between the archaeological fragments and the city as a source of creative architectural inspiration. Ittar’s project for Palazzo Scuderi-Bonaccorso is investigated in comparison with his sketches of an ancient Roman spa building, with the aim of demonstrating that for him archeology was not just a fruitful subject of study, but even a fertile source of inspiration. | |
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| illustrated | Illustrated |
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| issn | 2280-8841 |
| language | Italian |
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| spelling | Pellegrino, Luigi 1963- Verfasser (DE-588)138126267 aut Sebastiano Ittar, architetto archeologia disegno, città progetto Luigi Pellegrino, Matteo Pennisi, Graziano Testa 2023 Illustrationen txt rdacontent c rdamedia cr rdacarrier This research, that was made possible thanks to the recent reorganization of the Ittar Fund at the Superintendence for Cultural Heritage of Catania, concerns the use of drawing as a method for understanding the relationship between the ancient fragment and the city. At the beginning of his career, the scarcely known architect Sebastiano Ittar (1768‑1847) used drawing as a tool to study the archaeological fragments he visited during his trips in the Mediterranean. In 1832, instead, Ittar conceived the well-known topographical plan of the city of Catania that was based on the concept of fragments as what remains of archaeological evidence. The last element considered in the article is the relationship between the archaeological fragments and the city as a source of creative architectural inspiration. Ittar’s project for Palazzo Scuderi-Bonaccorso is investigated in comparison with his sketches of an ancient Roman spa building, with the aim of demonstrating that for him archeology was not just a fruitful subject of study, but even a fertile source of inspiration. Zusammenfassung in englischer Sprache Pennisi, Matteo Verfasser aut Testa, Graziano Verfasser aut volume:12 year:2023 pages:169-186 MDCCC 1800 Venezia, 2023 Vol. 12 (dicembre 2023), Seite 169-186 (DE-604)BV040341984 2280-8841 (DE-600)2675415-0 https://edizionicafoscari.unive.it/media/pdf/article/mdccc-1800/2023/1/art-10.30687-MDCCC-2280-8841-2023-01-009_w3BOnQu.pdf Verlag kostenfrei Volltext https://edizionicafoscari.unive.it/en/edizioni4/riviste/mdccc-1800/2023/1/sebastiano-ittar-architetto-archeologia-disegno-ci/ Verlag kostenfrei Abstract |
| spellingShingle | Pellegrino, Luigi 1963- Pennisi, Matteo Testa, Graziano Sebastiano Ittar, architetto archeologia disegno, città progetto |
| title | Sebastiano Ittar, architetto archeologia disegno, città progetto |
| title_auth | Sebastiano Ittar, architetto archeologia disegno, città progetto |
| title_exact_search | Sebastiano Ittar, architetto archeologia disegno, città progetto |
| title_exact_search_txtP | Sebastiano Ittar, architetto archeologia disegno, città progetto |
| title_full | Sebastiano Ittar, architetto archeologia disegno, città progetto Luigi Pellegrino, Matteo Pennisi, Graziano Testa |
| title_fullStr | Sebastiano Ittar, architetto archeologia disegno, città progetto Luigi Pellegrino, Matteo Pennisi, Graziano Testa |
| title_full_unstemmed | Sebastiano Ittar, architetto archeologia disegno, città progetto Luigi Pellegrino, Matteo Pennisi, Graziano Testa |
| title_short | Sebastiano Ittar, architetto |
| title_sort | sebastiano ittar architetto archeologia disegno citta progetto |
| title_sub | archeologia disegno, città progetto |
| url | https://edizionicafoscari.unive.it/media/pdf/article/mdccc-1800/2023/1/art-10.30687-MDCCC-2280-8841-2023-01-009_w3BOnQu.pdf https://edizionicafoscari.unive.it/en/edizioni4/riviste/mdccc-1800/2023/1/sebastiano-ittar-architetto-archeologia-disegno-ci/ |
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